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Wachet auf, ruft uns die Stimme, BWV 645
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Vous avez sélectionné:
Wachet auf, ruft uns die Stimme, BWV 645
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Chorale Prelude on Wachet auf, ruft uns die Stimme
Chorale Prelude on Wachet auf, ruft uns die Stimme
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Violoncelle, Piano
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INTERMÉDIAIRE
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Timothy Shaw
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J
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Chorale Prelude on Wachet auf,
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Shaw Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1364862 Composed by Timothy Shaw. Arranged by J. S. Bach, ed. Timothy Shaw. Advent,Classical,Sacred. Score and part. 8 p...
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Cello,Piano - Level 3 - SKU: A0.1364862 Composed by Timothy Shaw. Arranged by J. S. Bach, ed. Timothy Shaw. Advent,Classical,Sacred. Score and part. 8 pages. Shaw Music #949158. Published by Shaw Music (A0.1364862). An adaptation of J.S. Bach's chorale prelude, Wachet auf, ruft uns die Stimme (BWV 645), for bass instrument (cello, bassoon, trombone) with piano accompaniment. Program this piece during Advent or services focused on eternal life. Lectionary use: Matthew 25:1-13.
$4.95 ≈
¥35.54
Chorale Prelude on Wachet auf, ruft uns die Stimme
Chorale Prelude on Wachet auf, ruft uns die Stimme
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Cor et Piano
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INTERMÉDIAIRE
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Timothy Shaw
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J
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Chorale Prelude on Wachet auf,
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Shaw Music
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1364866 Composed by Timothy Shaw. Arranged by J. S. Bach, ed. Timothy Shaw. Advent,Classical,Sacred. Score and par...
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French Horn,Piano - Level 3 - SKU: A0.1364866 Composed by Timothy Shaw. Arranged by J. S. Bach, ed. Timothy Shaw. Advent,Classical,Sacred. Score and part. 8 pages. Shaw Music #949162. Published by Shaw Music (A0.1364866). An adaptation of J.S. Bach's chorale prelude, Wachet auf, ruft uns die Stimme (BWV 645), for horn with piano accompaniment. Program this piece during Advent or services focused on eternal life. Lectionary use: Matthew 25:1-13.
$4.95 ≈
¥35.54
Chorale Prelude on Wachet auf, ruft uns die Stimme
Chorale Prelude on Wachet auf, ruft uns die Stimme
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Alto, Piano
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INTERMÉDIAIRE
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Timothy Shaw
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J
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Chorale Prelude on Wachet auf,
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Shaw Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1364864 Composed by Timothy Shaw. Arranged by J. S. Bach, ed. Timothy Shaw. Advent,Classical,Sacred. Score and part. 8 p...
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Piano,Viola - Level 3 - SKU: A0.1364864 Composed by Timothy Shaw. Arranged by J. S. Bach, ed. Timothy Shaw. Advent,Classical,Sacred. Score and part. 8 pages. Shaw Music #949160. Published by Shaw Music (A0.1364864). An adaptation of J.S. Bach's chorale prelude, Wachet auf, ruft uns die Stimme (BWV 645), for viola with piano accompaniment. Program this piece during Advent or services focused on eternal life. Lectionary use: Matthew 25:1-13.
$4.95 ≈
¥35.54
Divertimento on J.S. Bach's choral prelude "Wachet auf, ruft uns die Stimme"
Divertimento on J.S. Bach's choral prelude "Wachet auf, ruft uns die Stimme"
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Contemporain
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Flavio Keller
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Divertimento on J.S. Bach's ch
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Flavio Keller
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Double Bass,Flute - Level 3 - SKU: A0.939006 Composed by Flavio Keller. 20th Century. Score and parts. 15 pages. Flavio Kel...
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Small Ensemble Bassoon,Cello,Double Bass,Flute - Level 3 - SKU: A0.939006 Composed by Flavio Keller. 20th Century. Score and parts. 15 pages. Flavio Keller #495021. Published by Flavio Keller (A0.939006). Short Divertimento on J.S. Bach's organ choral prelude Wachet auf, ruft uns die Stimme (BWV 645), for flute, bassoon, cello and doublebass.
$5.00 ≈
¥35.90
Bach: Sleepers Wake Choralvorspiel ”Wachet auf, ruft uns die Stimme“ (BWV 645) for Orchestra (in G)
Bach: Sleepers Wake Choralvorspiel ”Wachet auf, ruft uns die Stimme“ (BWV 645) for Orchestra (in G)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Sleepers Wake Choralvors
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SheetMusicPlus
Full Orchestra - Level 3 - By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Flavio Regis Cunha. Contest, Festival, Film/T...
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Full Orchestra - Level 3 - By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Flavio Regis Cunha. Contest, Festival, Film/TV, Instructional, Sacred, Wedding. 55 pages. Flavio Regis Cunha #871401. Published by Flavio Regis Cunha
$18.99 ≈
¥136.36
Wachet auf, ruft uns die Stimme - BWV 645 (for Organ)
Wachet auf, ruft uns die Stimme - BWV 645 (for Organ)
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Orgue
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INTERMÉDIAIRE
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Classique
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Noël
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Johann Sebastian Bach
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Flavio Regis Cunha
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Wachet auf, ruft uns die Stimm
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FRC Music
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SheetMusicPlus
By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Flavio Regis Cunha. Baroque, Christmas, Easter, Sacred, Wedding. Score. 8 ...
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By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Flavio Regis Cunha. Baroque, Christmas, Easter, Sacred, Wedding. Score. 8 pages. FRC Music #172751. Published by FRC Music
$4.99 ≈
¥35.83
Wachet auf, ruft uns die Stimme - BWV 645 (for Organ)
Wachet auf, ruft uns die Stimme - BWV 645 (for Organ)
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Orgue
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Wachet auf, ruft uns die Stimm
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Flavio Regis Cunha
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Flávio Regis Cunha. Baroque Period, Christian, Sacred, Easter, Recital. Individual P...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Flávio Regis Cunha. Baroque Period, Christian, Sacred, Easter, Recital. Individual Part, Score. 5 pages. Published by Flavio Regis Cunha
$4.99 ≈
¥35.83
”Wachet auf, ruft uns die Stimme“ Trancribed By Ferruccio Busoni - For Piano
”Wachet auf, ruft uns die Stimme“ Trancribed By Ferruccio Busoni - For Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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”Wachet auf, ruft uns die St
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Christmas, Easter...
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Piano Solo - Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Christmas, Easter, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Choralvorspiel ?Wachet auf, ruft uns die Stimme?
Trancribed By Ferruccio Benvenuto Busoni - For Piano
Wachet auf, ruft uns die Stimme, BWV 645 adheres pointedly to the melodic and rhythmic contours of one of Bach?s most indelible chorales.
"Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schn leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying" (Catherine Winkworth, "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906), and "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a chorale cantata on the hymn, Wachet auf, ruft uns die Stimme, BWV 140, one of its many settings for organ and for voices.
Flavio Regis Cunha is a pianist, conductor and composer from So Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$5.99 ≈
¥43.01
Six Schubler Chorales No.1 BWV645 'Wachet auf. ruft uns die Stimme' for Double Reed Trio
Six Schubler Chorales No.1 BWV645 'Wachet auf. ruft uns die Stimme' for Double Reed Trio
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Six Schubler Chorales No.1 BWV
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ACORDO Sheet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 3 - SKU: A0.777985 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroq...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 3 - SKU: A0.777985 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #4738203. Published by ACORDO Sheet Music (A0.777985). Schubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). Schubler is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece is Cantata No.140, movement 4, Wake, Awake for Night is Passing. This BWV645 is the most famous chorale prelude among Bach’s works.
$7.00 ≈
¥50.26
Six Schubler Chorales No.1 BWV645 'Wachet auf. ruft uns die Stimme' for Clarinet Trio
Six Schubler Chorales No.1 BWV645 'Wachet auf. ruft uns die Stimme' for Clarinet Trio
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Six Schubler Chorales No.1 BWV
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ACORDO Sheet Music
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.777986 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. Individual part. 6 pages. ACORDO Sheet M...
(+)
Clarinet Solo - Level 3 - SKU: A0.777986 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. Individual part. 6 pages. ACORDO Sheet Music #4738197. Published by ACORDO Sheet Music (A0.777986). Schubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). Schubler is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece is Cantata No.140, movement 4, Wake, Awake for Night is Passing. This BWV645 is the most famous chorale prelude among Bach’s works.
$7.00 ≈
¥50.26
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Thomas Graf
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Wachet auf ruft uns die Stimme
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 60 pa...
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Concert Band - Level 3 - SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 60 pages. Thomas Graf - the-hit-factory.com #713312. Published by Thomas Graf - the-hit-factory.com (A0.1111040). Perfect for any Christmas Concert About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/ Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto 1 Alto 2 Tenor Sax Baritone Sax Flugelhorn (Solo) Trumpet 1 in Bb Trumpet 2/3 in Bb Horn in F Tenor Horn Baritone Horn Trombone Tuba Piano Guitar Bass in Bb Bass Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$25.00 ≈
¥179.51
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,P...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00 ≈
¥71.80
Bach: Wachet auf for Flute Choir
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
¥286.86
Bach: Wachet auf for Sax Quartet
Bach: Wachet auf for Sax Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quart
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
¥286.86
Bach: Wachet auf for Brass Quintet
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95 ≈
¥286.86
Bach: Wachet auf for String Trio
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95 ≈
¥200.69
Bach: Wachet auf for Clarinet Quartet
Bach: Wachet auf for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95 ≈
¥286.86
Bach: Wachet auf, BWV 140 (BWV 645) - String Trio, or 2 Violins and Cello
Bach: Wachet auf, BWV 140 (BWV 645) - String Trio, or 2 Violins and Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Abolin
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Bach: Wachet auf, BWV 140
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Abolin
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1167848 Composed by Johann Sebastian Bach. Arranged by Abolin. Baroque,Christian,Religious,Sacred,Wed...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1167848 Composed by Johann Sebastian Bach. Arranged by Abolin. Baroque,Christian,Religious,Sacred,Wedding. 16 pages. Abolin #768201. Published by Abolin (A0.1167848). Score and parts. This transcription of Wachet auf, ruft uns die Stimme, BWV 140 (BWV 645) by Bach is for a string trio (Violin, Viola, Cello) or 2 Violins and Cello with the use of alternative Violin II part instead of the Viola part.Some bowings are provided.For more chamber music transcriptions for strings, please visit TakeshiAbo.com.  Besides a list of music available, you will also find articles on violin playing and other useful information for string players at the website.
$6.99 ≈
¥50.19
BACH: Wachet Auf BWV 140 for Violin & Harp
BACH: Wachet Auf BWV 140 for Violin & Harp
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Harpe, Violon (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for V
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,East...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265607. Published by jmsgu3 (A0.552205). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$32.95 ≈
¥236.60
BACH: Wachet Auf BWV 140 for Flute & Harp
BACH: Wachet Auf BWV 140 for Flute & Harp
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Conce...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265633. Published by jmsgu3 (A0.552206). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
¥179.15
BACH: Wachet Auf BWV 140 for Clarinet & Harp
BACH: Wachet Auf BWV 140 for Clarinet & Harp
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Clarinette, Harpe (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for C
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Bar...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265915. Published by jmsgu3 (A0.552207). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
¥179.15
BACH: Wachet Auf BWV 140 for Oboe & Harp
BACH: Wachet Auf BWV 140 for Oboe & Harp
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Hautbois, Harpe
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for O
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - SKU: A0.552715 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concer...
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Instrumental Duet Harp,Instrumental Duet,Oboe - Level 3 - SKU: A0.552715 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265847. Published by jmsgu3 (A0.552715). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
¥179.15
Wachet auf, ruft uns die Stimme, BWV 645 for organ from Schuebler Chorales
Wachet auf, ruft uns die Stimme, BWV 645 for organ from Schuebler Chorales
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Flûte à Bec
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Gil Garty
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Wachet auf, ruft uns die Stimm
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Gil Garty
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. For Recorder. Sacred, Christian, Baroque Period. Intermediate. Set of Parts, Score. Publis...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. For Recorder. Sacred, Christian, Baroque Period. Intermediate. Set of Parts, Score. Published by Gil Garty
$5.00 ≈
¥35.90
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Wachet auf, ruft uns die Stimme, BWV 645
