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Antonio Lotti
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Vous avez sélectionné:
Antonio Lotti
avancé
Partitions à imprimer
18 partitions trouvées
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1
Antonio Lotti : Pur dicesti, o bocca bella - Arie Antiche (piano d'accompagnement en la majeur)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Antonio Lotti
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Pur dicesti, o bocca bella
#
Tomplay
Telechargez la partition Piano Pur dicesti, o bocca bella - Arie Antiche (piano d'accompagnement en la majeur) de Lotti Antonio. Partition pour Duo -- Clas...
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Telechargez la partition Piano Pur dicesti, o bocca bella - Arie Antiche (piano d'accompagnement en la majeur) de Lotti Antonio. Partition pour Duo -- Classique
5.99€ ≈
£5.05
Crucifixus a10
Crucifixus a10
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Gospel Spirituel
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Jazz
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Antonio Lotti
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James Haynor
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Crucifixus a10
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.782162 Composed by Antonio Lotti. Arranged by James Haynor. Spiritual. Score and parts. 17 pages. James Hayn...
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Brass Ensemble Trombone - Level 4 - SKU: A0.782162 Composed by Antonio Lotti. Arranged by James Haynor. Spiritual. Score and parts. 17 pages. James Haynor #3074113. Published by James Haynor (A0.782162). Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian Baroque Composer who wrote several settings of The CruciFixus, the 8 voice being the most popular. The blend of trombones of 10 is equality conducive to this piece written for voice. It is very playable for moderatly experienced players and would be a great addition to any concert, recital or as a contest piece. The setting of this piece as typical of Lottis’s work build harmonically throughout, beautifully resolving on the last note. Duration: ( 2:50 )
$10.00 ≈
£7.64
Crucifixus (Octavo for SATB and Organ and/or Strings)
Crucifixus (Octavo for SATB and Organ and/or Strings)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Antonio Lotti
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Jim Ailor
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Organ, opt
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Crucifixus
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.978352 Composed by Antonio Lotti. Arranged by Jim Ailor. Baroque,Christian,Easter,Sacred. Octavo. 8 pages. Resur...
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Choral Choir (SATB) - Level 4 - SKU: A0.978352 Composed by Antonio Lotti. Arranged by Jim Ailor. Baroque,Christian,Easter,Sacred. Octavo. 8 pages. ResurrectionSong #6854509. Published by ResurrectionSong (A0.978352). Crucifixus (Adapted for SATB Choir & Organ, opt. Strings)If you've ever wanted to sing Antonio Lotti's SSAATTBB Crucifixus for Lent, but didn't have an 8-part choir, here is your opportunity. The beautiful, intertwining melodies have been preserved in this SATB setting for choir (or quartet) with organ and/or string accompaniment. Hard copies available at https://www.jwpepper.com/11393943.item#.YjFZ6HrMJD8.
$2.25 ≈
£1.72
Crucifixus (Score for SATB Choir, Organ and/or Strings)
Crucifixus (Score for SATB Choir, Organ and/or Strings)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Antonio Lotti
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Jim Ailor
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Organ, opt
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Crucifixus
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ResurrectionSong
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.978353 Composed by Antonio Lotti. Arranged by Jim Ailor. Baroque,Christian,Easter,Sacred. Octavo. 10 pages. Resu...
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Choral Choir (SATB) - Level 4 - SKU: A0.978353 Composed by Antonio Lotti. Arranged by Jim Ailor. Baroque,Christian,Easter,Sacred. Octavo. 10 pages. ResurrectionSong #6854517. Published by ResurrectionSong (A0.978353). Crucifixus (SCORE)(Adapted for SATB Choir & Organ, opt. Strings)If you've ever wanted to sing Antonio Lotti's SSAATTBB Crucifixus for Lent, but didn't have an 8-part choir, here is your opportunity. The beautiful, intertwining melodies have been preserved in this SATB setting for choir (or quartet) with organ and/or string accompaniment. Available at https://www.jwpepper.com/11393943.item#.YjFZ6HrMJD8
$15.00 ≈
£11.46
Crucifixus for 8-part Trombone ensemble
Crucifixus for 8-part Trombone ensemble
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Antonio Lotti
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Philip Brink
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Crucifixus for 8-part Trombone
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792349 Composed by Antonio Lotti. Arranged by Philip Brink. Baroque,Classical,Renaissance,Sacred. Score and ...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792349 Composed by Antonio Lotti. Arranged by Philip Brink. Baroque,Classical,Renaissance,Sacred. Score and parts. 11 pages. Gordon Cherry #4806575. Published by Gordon Cherry (A0.792349). Crucifixus by Antonio Lotti is part of his Credo in F. This motet of 8 voices is a wonderful example of polyphony with many suspensions thrown in for good measure. The music is sweet with a beautiful sadness, making it a work that touches most listeners in a very personal way. Mr. Brink has transposed the work down a fifth into the key of F minor (resolving to F major at the conclusion), otherwise keeping the music true to its origins. This 4 minute work has a range of up to high B-flat for the 1st part. The top four parts are in tenor clef. The mp3 sound file is from a live performance of the Rundfunkchor conducted by Sir Simon Rattle from YouTube®.
$20.00 ≈
£15.28
Crucifixus for 8-part Trombone ensemble
Crucifixus for 8-part Trombone ensemble
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Antonio Lotti
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Brink, Philip
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Crucifixus for 8-part Trombone
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792387 Composed by Antonio Lotti. Arranged by Brink, Philip. Baroque,Classical,Renaissance. Score and parts....
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Brass Ensemble Trombone - Level 4 - SKU: A0.792387 Composed by Antonio Lotti. Arranged by Brink, Philip. Baroque,Classical,Renaissance. Score and parts. 11 pages. Gordon Cherry #4820219. Published by Gordon Cherry (A0.792387). Crucifixus by Antonio Lotti is part of his Credo in F. This motet of 8 voices is a wonderful example of polyphony with many suspensions thrown in for good measure. The music is sweet with a beautiful sadness, making it a work that touches most listeners in a very personal way. Mr. Brink has transposed the work down a fifth into the key of F minor (resolving to F major at the conclusion), otherwise keeping the music true to its origins. This 4 minute work has a range of up to high B-flat for the 1st part. The top four parts are in tenor clef.
$20.00 ≈
£15.28
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva giàpreparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrràcinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilitàverso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
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Crucifixus a 8
Crucifixus a 8
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Antonio Lotti
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Gabriel Sung
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Crucifixus a 8
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Gabriel Bachmanov
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.925030 Composed by Antonio Lotti. Arranged by Gabriel Sung. Baroque,Praise & Worship,Sacred. Octavo. 9 pages. Ga...
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Choral Choir (SSAA) - Level 4 - SKU: A0.925030 Composed by Antonio Lotti. Arranged by Gabriel Sung. Baroque,Praise & Worship,Sacred. Octavo. 9 pages. Gabriel Bachmanov #4279157. Published by Gabriel Bachmanov (A0.925030). Originally written for 8-part SSAATTBB chorus/madrigal ensembles, the famous Crucifixus was widely known for its beautiful harmonies and blending of voices. Now, with an arrangement of the piece suitable for female choruses, Crucifixus a 8 is now represented and ready for challenges by any ambitious intermediate to advanced female choirs.
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Pur dicesti, o bocca bella ( Extract from Aria antiche. Vol. 1 )
Pur dicesti, o bocca bella ( Extract from Aria antiche. Vol. 1 )
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Classique
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Alessandro Parisotti
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Terry Carpenter
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Pur dicesti, o bocca bella
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Terry Carpenter
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1306840 By Alessandro Parisotti. By Antonio Lotti. Arranged by Terry Carpenter. Baroque. 19 ...
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1306840 By Alessandro Parisotti. By Antonio Lotti. Arranged by Terry Carpenter. Baroque. 19 pages. Terry Carpenter #896174. Published by Terry Carpenter (A0.1306840). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire!Notice that Cecilia Bartoli, on her album, gives a livelier version ( with piano!). The chord progression has been simplified to make the accompaniment lighter and easier.On the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.Contact: carpentermusic@yahoo.comThe mp3 was made by musical software.
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Oboe Concerto in C minor
Oboe Concerto in C minor
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Benedetto Marcello
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Arte Nova Music Lab
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Oboe Concerto in C minor
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 43 pages. Arte Nova Music Lab #4602679. Published by Arte Nova Music Lab (A0.742476). Benedetto Giacomo Marcello (Italian: [beneˈdetto marˈtʃɛllo]; (31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Born in Venice, Benedetto Marcello was a member of a noble family and his compositions are frequently referred to as Patrizio Veneto. Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music. In 1711 he was appointed a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as Provveditore (district governor). Due to his health having been impaired by the climate of Istria, Marcello retired after eight years in the capacity of Camerlengo to Brescia where he died of tuberculosis in 1739. Benedetto Marcello was the brother of Alessandro Marcello, also a notable composer. On 20 May 1728 Benedetto Marcello married his singing student Rosanna Scalfi in a secret ceremony. However, as a nobleman his marriage to a commoner was unlawful and after Marcello's death the marriage was declared null by the state. Rosanna was unable to inherit his estate, and filed suit in 1742 against Benedetto's brother Alessandro Marcello, seeking financial support. Taken from https://en.wikipedia.org/wiki/Benedetto_Marcello Cover Image by https://commons.wikimedia.org/w/index.php?curid=11552469
$25.00 ≈
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Gentili - Two sonatas for violoncello and basso continuo (preface, score and parts in PDF)
Gentili - Two sonatas for violoncello and basso continuo (preface, score and parts in PDF)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giorgio Gentili
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Snakewood Editions
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Gentili - Two sonatas for viol
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Sneakwood Editions
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood ...
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Cello Duet Cello - Level 4 - SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood Editions #859373. Published by Sneakwood Editions (A0.1266695). Giorgio Gentili was surely one of the most influential musicians in Venice at the beginning of the 18th century. In 1702, or even earlier, he was appointed maestro di instromenti at the prestigious Ospedale dei Mendicanti in Venice, where musicians such as Legrenzi, Biffi and Galuppi worked. In 1689 he became a violinist in the San Marco orchestra and shortly after, in 1691, he was appointed concertmaster. Under his direction he had musicians like Veracini or Giovanni Battista Vivaldi and Antonio Vivaldi. Surely this fact is related to the notable influence of Gentili's concerti on those of Antonio Vivaldi.Gentili's departure from the Ospedale dei Mendicanti in 1717 coincides with the departure to Dresden of other famous Venetian musicians such as Lotti, which gives rise to the suspicion that Gentili was also hired along with these musicians by the Elector of Saxony during his trip to Italy.Gentili was one of those rare musicians who only played instrumental music, at least as far as we know. Gentili published six volumes of music:Op. 1. Suonate a tre, 1701Op. 2. Concerti da camera a tre, 1702Op. 3. Capricci da camera a violino e violoncello o cimbalo, 1707Op. 4. Suonate a tre (lost)Op. 5. Concerti a quattro e cinque, 1708Op. 6. Concerti a quattro, 1716Apart from this work, we find two interesting manuscripts in the Library of the Benedetto Marcello Conservatory in Venice that contain the only two known sonatas for cello and basso continuo by Gentili.
$18.00 ≈
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Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Soprano, Vol. 5
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benedetto Marcello,Caldara,Ces
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Les plus beaux airs baroques Ã
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Tomplay
Telechargez la partition Chant Les plus beaux airs baroques à chanter, Soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Les plus beaux airs baroques à chanter, Soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€ ≈
£16.84
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Basse, Vol. 5
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Voix seule
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Classique
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Benedetto Marcello,Caldara,Ces
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Les plus beaux airs baroques Ã
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Tomplay
Telechargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€ ≈
£16.84
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 5
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benedetto Marcello,Caldara,Ces
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Les plus beaux airs baroques Ã
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Tomplay
Telechargez la partition Chant Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- Classiqu...
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Telechargez la partition Chant Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€ ≈
£16.84
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Baryton, Vol. 5
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benedetto Marcello,Caldara,Ces
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Les plus beaux airs baroques Ã
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Tomplay
Telechargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€ ≈
£16.84
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Ténor, Vol. 5
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benedetto Marcello,Caldara,Ces
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Les plus beaux airs baroques Ã
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Tomplay
Telechargez la partition Chant Les plus beaux airs baroques à chanter, Tenor, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Les plus beaux airs baroques à chanter, Tenor, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€ ≈
£16.84
Benedetto Marcello,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Alto, Vol. 5
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benedetto Marcello,Lotti Anton
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Les plus beaux airs baroques Ã
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Tomplay
Telechargez la partition Chant Les plus beaux airs baroques à chanter, Alto, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Les plus beaux airs baroques à chanter, Alto, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€ ≈
£16.84
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