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Vous avez sélectionné:
6 Variations Allegro
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Partitions à imprimer
13 partitions trouvées
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1
Concerto grosso in B minor op. 6 no. 12
Concerto grosso in B minor op. 6 no. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Adrian Gagiu
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2
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Concerto grosso in B minor op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1156597 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 44 pages. Adria...
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String Quartet String Quartet - Level 4 - SKU: A0.1156597 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 44 pages. Adrian Gagiu #756921. Published by Adrian Gagiu (A0.1156597). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in B minor, op. 6 no. 12: 1. Largo-Allegro moderato – dramatic introduction, like in a French overture, then agitated and brilliant; 2. Aria (Larghetto) – soothing, with 2 variations; 3. Largo-Allegro – brief, tragic transition, then an animated fugue on a gigue-like theme. The mp3 audio clip is the final movement (Allegro). Total duration: 11 min. Performing Rights Organization: SOCAN.
$20.00 ≈
18.10€
Variations on an Original Theme
Variations on an Original Theme
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Momohara
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Variations on an Original Them
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Michael Momohara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.872421 Composed by Michael Momohara. Baroque,Contemporary,Jazz,Romantic Period,Standards. Score. 6 pages. Michael Momohar...
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Piano Solo - Level 4 - SKU: A0.872421 Composed by Michael Momohara. Baroque,Contemporary,Jazz,Romantic Period,Standards. Score. 6 pages. Michael Momohara #553457. Published by Michael Momohara (A0.872421). Variations on an Original Theme is an assortment of pieces written for the piano, based upon an original melody. It features styles ranging from Baroque-like counterpoint to Romanticism to contemporary Jazz. Difficulty ranges from intermediate to advanced. Theme: Andante con espressivoVar. I: Un poco più vivoVar. II: Moderato con espressivo e rubatoVar. III: Allegro con fuocoVar. IV: Largo con molto espressivo e rubatoVar. V: PrestoVar. VI: Adagio cantabileFinale: Allegro agitato.
$3.99 ≈
3.61€
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Stand...
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Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99 ≈
4.52€
Sarabande Variations
Sarabande Variations
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Sarabande Variations
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Gary Friedman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.889899 Composed by Gary Friedman. 20th Century,Jewish,Latin,Romantic Period. S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.889899 Composed by Gary Friedman. 20th Century,Jewish,Latin,Romantic Period. Score and parts. 31 pages. Gary Friedman #3036731. Published by Gary Friedman (A0.889899). This sextet for wind quintet and piano, duration 14 1/2 minutes is based on the Sarabande in my Little Suite for Orchestra. It consists of the following:. Theme: Sarabande, Variation 1: Allegro, Variaton 2: Ottoman Mystic Hebrew, Variation 3: Fughetta, Variation 4: Tango, Variation 5: March (with apologies to J.P. Sousa), Variation 6: Farewell. The audio clip is computer-generated and lacks the brief pauses that should occur before each variation.The instrument list doesn't provide for piano as an equal participant in the ensemble so I checked off piano accompaniment.
$15.00 ≈
13.57€
Mozart: Duo K. 424 for Violin & Viola
Mozart: Duo K. 424 for Violin & Viola
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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James M
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6 Variations - Allegro
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Mozart: Duo K. 424 for Violin
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.1139614 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,C...
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Instrumental Duet,Viola,Violin - Level 4 - SKU: A0.1139614 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 45 pages. Jmsgu3 #739883. Published by jmsgu3 (A0.1139614). Score: 24 pages. Duration: ca. 21:10. Composed in Salzburg, 1783 I. Adagio - Allegro II. Andante cantabile III. Thema: Andante grazioso & 6 Variations - Allegro.The Duo K. 424 was written by Mozart in the summer of 1783 to complete Michael Haydn's set of six for Archbishop Colloredo. Michael Haydn was a close friend of Mozart and a composer who was admired by him. When Mozart heard of Michael Haydn's plight, he quickly wrote the two delinquent duos and delivered them to the Archbishop under Haydn's name. The set of six was presented as all Haydn's, and Colloredo could not detect in them Mozart's obvious workmanship. The piece was carefully designed to complete the set by choosing two keys not already used by Haydn. Among the devices Mozart uses to camouflage his authorship are the chirping grace notes and trills in the opening movement of K. 424. The Duo K. 424 is an example of Mozart's ability to write music in the style of his contemporaries while still maintaining his own unique voice.
$32.95 ≈
29.82€
Mozart: Duo K. 424 for Violin & Cello
Mozart: Duo K. 424 for Violin & Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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James M
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6 Variations - Allegro
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Mozart: Duo K. 424 for Violin
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1139642 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,C...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1139642 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Wedding. 44 pages. Jmsgu3 #739911. Published by jmsgu3 (A0.1139642). I. Adagio - Allegro II. Andante cantibile III. Thema Allegretto grazioso & 6 Variations - Allegro.Mozart wrote the Duo K. 424 in the summer of 1783 to complete Michael Haydn's set of six for Archbishop Colloredo. Michael Haydn was a close friend of Mozart and a composer he admired. When Mozart heard of Michael Haydn's plight, he quickly wrote the two delinquent duos and delivered them to the Archbishop under Haydn's name. The set of six was presented as all Haydn's, and Colloredo could not detect in them Mozart's obvious workmanship. The piece was carefully designed to complete the set by choosing two keys not already used by Haydn. Among the devices Mozart uses to camouflage his authorship are the chirping grace notes and trills in the opening movement of K. 424. The Duo K. 424 is an example of Mozart's ability to write music in the style of his contemporaries while still maintaining his unique voice.
$32.95 ≈
29.82€
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95 ≈
54.25€
Mozart: Sonata K. 284 “Durnitz” for String Trio
Mozart: Sonata K. 284 “Durnitz” for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,C...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95 ≈
38.87€
Mozart: Sonata K. 284 “Durnitz” for String Quartet
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95 ≈
40.68€
Hope Collage for Saxophone Octet
Hope Collage for Saxophone Octet
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the
time the movement
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Sy Brandon
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Hope Collage for Saxophone Oct
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Sy Brandon
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon #6619959. Publis...
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Saxophone Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon #6619959. Published by Sy Brandon (A0.755338). Hope Collage was commissioned in honor of Hope College's 14th President, Matthew Scogin. President Scogin was inaugurated in 2019 and exemplifies the qualities of hope represented in this piece. The first movement Castles In The Sky is in 6/8 meter with some of the syncopated rhythmic figures that pit 3/4 against the 6/8. The major tonality is disguised by chromaticism either in the melody or in the counterpoint and harmony. The form is basically AB with a Coda. The slow second movement A Light at the End of the Tunnel has the tenor and baritone saxophones representing the darkness of the tunnel using minor and slightly dissonant harmony. The light at the end of the tunnel is represented by the alto and soprano saxophones. Even though they are still in minor, their brightness and rising arpeggios represent a glimmer of hope. By the time the movement nears the end, optimism has taken over and the entire ensemble is in shifting major tonalities leading up to the quiet, yet, prayerful end in B major. The third movement Knock On Wood has a Scherzo quality and is at an allegro tempo. The opening theme sets the tone of optimism with its combination of quartal, quintal, and triadic harmony along with staccato articulation. It is answered by the saxophones doing rhythmic slap tongue in a pyramid formation that represents knocking on wood. The theme and its variations alternate with the slap tongue throughout most of the movement. In several places, the theme and slap tongue appear in canon. Towards the end, the theme becomes fragmented and the slap tongue dominates. The fragments become pieced together leading to a final outburst of 16th note joy before the last chord. The movement ends with foot stomps that rhythmically suggests knock on wood. The last movement Promised Land is in two parts. The first is meditative and prayer-like in a moderate tempo. It has a passacaglia bass line and contrapuntal lines are added above it. It also grows in intensity until it reaches the Allegro, which is the second part and is celebratory. The Allegro begins with a sixteenth note motif that plays an accompaniment role in many places throughout the last section to the slower moving declarative lines. Near the end, motifs from the Moderato section are transformed in the Allegro, therefore linking the two sections.
$14.99 ≈
13.57€
Handel - Piano Suite No.7 in G minor HWV 432
Handel - Piano Suite No.7 in G minor HWV 432
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Piano seul
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Classique
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Santino Cara
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Santino Cara
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Handel - Piano Suite No.7 in G
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1192122 By Santino Cara. By Georg Frideric Handel. Arranged by Santino Cara. Baroque. Score. 14 pages. Santino Cara #7915...
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Piano Solo - Level 4 - SKU: A0.1192122 By Santino Cara. By Georg Frideric Handel. Arranged by Santino Cara. Baroque. Score. 14 pages. Santino Cara #791597. Published by Santino Cara (A0.1192122). Complete score of the Great Piano Suite No.7 in G minor HWV 432 Composed presumably composed in 1720 by George Frideric Handel, Rewritten and elaborate for Piano in Rome in 2019 for Piano by Santino Cara.6 Movements: 1. Ouverture, 2. Andante, 3. Allegro, 4. Sarabande, 5. Gigue, 6. Passacaglia with 16 variations.
$16.40 ≈
14.84€
Mozart - Violin Sonata No.25 in F major K 377 for Violin and Piano - Score and Part
Mozart - Violin Sonata No.25 in F major K 377 for Violin and Piano - Score and Part
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Violon et Piano
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Wolfgang Amadeus Mozart
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Mozart - Violin Sonata No.25 i
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Santino Cara
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SheetMusicPlus
Piano Accompaniment, Violin - Advanced Intermediate - Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Santino Cara. Classical Period. S...
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Piano Accompaniment, Violin - Advanced Intermediate - Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Santino Cara. Classical Period. Sheet Music Single, Solo Part. 34 pages. Published by Santino Cara
Complete score and part of the "Violin Sonata No.25 in F major K.377" for Violin and Piano. Compsed in 1781 by Wolfgang Amadeus Mozart. Rewritten and elaborated by Santino Cara.
Movements: 1. Allegro, 2. Tema and 6 Variations (Andante). 3 Tempo di Menuetto (Un poco allegretto).
$18.40 ≈
16.65€
Greatest Hits of Classical Piano
Greatest Hits of Classical Piano
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Piano seul
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Classique
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Pachelbel, Bach, Handel, Moza
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Scott Camp
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Greatest Hits of Classical Pia
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Scott Camp
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SheetMusicPlus
Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classic...
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Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. 203 pages. Published by Scott Camp
Best Collection for Adult Piano Students: 30 of the most important and beloved classical piano pieces
Why this collection?
These are the editions I created and use for myself and my adult piano students. They are not "arrangements" or simplifications in any way. They are better described as "clarifications" with clean page layouts and comprehensive fingering.
These editions enable students to encounter the composers "face to face" by stripping away antiquated publishing conventions. Traditional editions, especially the economical older ones, prevent students from being able to prepare and perform the beloved music, rather than enabling and supporting successful performance.
Traditional piano music publications suffer from two fatal flaws: (1) the economic need to "save paper" resulting in page layouts that are too dense, and which compound the problem by obfuscating the natural 2 and 4 bar structures of music, and (2) the absence of technical solutions (fingering).
The exception in this collection is the arrangement of the Pachelbel Canon in D, because it was not originally composed for keyboard.
Contents
1 Canon in D and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Pachelbel
2 Prelude No. 1 in C Major, BWV 846 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
3 Prelude No. 2 in C minor, BWV 847 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
4 Prelude No. 21 in Bb Major, BWV 866 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
5 Aria from the Goldberg Variations, BWV 988 and#8195;and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
6 Invention No. 1 in C Major, BWV 772 and#8195; and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
7 Menuet No. 2 from French Suite No. 1, BWV 812 and#8195;and#8195;and#8195; Johann Sebastian Bach
8 Menuet No. 2 from English Suite No. 4, BWV 809 and#8195;and#8195;and#8195;Johann Sebastian Bach
9 Menuet from French Suite No. 2, BWV 813 and#8195; and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
10 ?Jesu, Joy of Man?s Desiring?, from Cantata, BWV 147 and#8195;Johann Sebastian Bach
11 Sarabande from Suite in D minor, HWV 437 and#8195;and#8195;and#8195;and#8195;and#8195; George Frideric Handel
Sonata in A, K. 331 ?Rondo alla Turca? and#8195; and#8195; and#8195;and#8195;and#8195;and#8195; Wolfgang Amadeus Mozart
12and#8195;and#8195;III. Allegretto
Sonata in C, K. 545 and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Wolfgang Amadeus Mozart
13and#8195;and#8195;I. Allegro
14 II. Andante
15 Fr Elise and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
Sonata No. 14 ?Moonlight? Sonata and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Ludwig van Beethoven
16and#8195;and#8195;I. Adagio sostenuto (transposed to D minor)
and#8195;and#8195; I. Adagio sostenuto (original key C# minor)
Sonata Op. 13, No. 2 ?Pathetique? and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
17and#8195;and#8195;I. Grave/Allegro
18and#8195;and#8195;II. Adagio
19 Impromptu, Op. 90, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert
20 Prelude in E minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
21 Prelude in C minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
22 Nocturne No. 20 in C# minor and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
23 Nocturne in Eb, Op. 9, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frdric Chopin
24 Trumerei Op. 15, No. 7 from ?Scenes from Childhood? Robert Schumann
25 Stndchen (?Serenade?) D. 957/S. 560 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert/Franz Liszt
26 Rverie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
27 La fille aux cheveux de lin (?The Girl with the Flaxen Hair?) Claude Debussy
28 Arabesque No. 1 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
29 Clair de Lune and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Claude Debussy
30 Gymnopedie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Erik Satie
$19.99 ≈
18.09€
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