Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Dark Movement In A Minor
Non classifié
1
Piano & claviers
Piano seul
4
Guitares
Voix
Vents
Ensemble de saxophones
1
Cuivres
Trompette
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Alto, Piano
1
Percussions & orchestre
Orchestre à Cordes
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
A Dark Movement In A Minor
avancé
Partitions à imprimer
13 partitions trouvées
<
1
Chopin - Prelude No. 15 in D Flat Major - Advanced
Chopin - Prelude No. 15 in D Flat Major - Advanced
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
Piacere Music Sheets
#
Chopin - Prelude No. 15 in D F
#
Piacere Music Sheets
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1278015 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Chamber,Contest,Festival,Instructional,Romantic Pe...
(+)
Piano Solo - Level 4 - SKU: A0.1278015 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Chamber,Contest,Festival,Instructional,Romantic Period,Standards. Score. 7 pages. Piacere Music Sheets #869716. Published by Piacere Music Sheets (A0.1278015). Opus/Catalog Number: Op. 28, No. 15, C.166-189Key/Tone: D-flat MajorMovements/Sections: SostenutoYear/Date of Composition: c.1839Difficulty: Grade 9/12 (Advanced)Obs.: This piece is the fifteenth hof the 24 Préludes pour le Piano.This is Chopin's famous Raindrop Prelude, because of the ostinato (repeated notes) present in the entire work.This lyrical and melodious piece contains a middle section in C# minor, where you can feel a dark and mysterious atmosphere.
$7.95 ≈
7.17€
Sonata in a Simple Scale for Viola and Piano
Sonata in a Simple Scale for Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Daniell Mattern
#
Sonata in a Simple Scale for V
#
Daniell Mattern
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
(+)
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00 ≈
7.22€
Concerto grosso in G minor op. 6 no. 6
Concerto grosso in G minor op. 6 no. 6
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Adrian Gagiu
#
2
#
Concerto grosso in G minor op.
#
Adrian Gagiu
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adria...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adrian Gagiu #751855. Published by Adrian Gagiu (A0.1151660). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in G minor, op. 6 no. 6: 1. Largo affettuoso – dark and tragic; 2. A tempo giusto – a severe, angular and peculiar fugue; 3. Musette (Larghetto) – lengthy, pastoral and elegiac, with a rather agitated middle section; 4. Allegro – energetic, in the style of Vivaldi; 5. Allegro – dance-like but serious and with some brusque gestures. Total duration 13 min 30 sec. The mp3 audio clip is the second movement. Performing Rights Organization: SOCAN.
$20.00 ≈
18.05€
Piano Sonata in F Minor - III. Funeral March
Piano Sonata in F Minor - III. Funeral March
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Gabriel Lagos
#
Gabriel Lagos
#
Piano Sonata in F Minor - III.
#
Lagos Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Scor...
(+)
Piano Solo - Level 4 - SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99 ≈
4.50€
Sonata in F and C, for Solo Piano
Sonata in F and C, for Solo Piano
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Mike Strand, ASCAP <
#
Mike Strand, aka Michael M
#
Sonata in F and C, for Solo Pi
#
Michael M. Strand
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. P...
(+)
Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. Published by Michael M. Strand (A0.970714). By Mike Strand, ASCAP This sonata is in the style of Ludwig von Beethoven, whom this composer has studied and greatly admires.The audio sample is taken from Movement 3: The end of variation 2, all of variation 3 (rock), and the beginning of variation 4 (rag). Movement 1 This is the result of my experimenting with the first movement of Beethoven’s piano sonata no. 23 op. 57. The Beethoven sonata’s overarching tonality based on F minor evokes a mood of darkness and despair. I used the time signature 4-4 instead of Beethoven’s 12-8, and my sonata introduces a new set of themes and motifs with tonality F major. These modifications posed interesting problems in figuration and modulation and changed the mood of the piece. Movement 2 This is a slow movement that might be characterized as minimalistic. The player should accentuate the right-hand octaves corresponding to the gradually unfolding melody. Movement 3 This is a theme with five variations, among which are rock, rag, and swing.
$5.00 ≈
4.51€
Moondances
Moondances
#
Trompette
#
INTERMÉDIAIRE/AVANCÉ
#
Jason Taurins
#
Moondances
#
Jason Allan Taurins
#
SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Publis...
(+)
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99 ≈
9.02€
Serenade No. 11
Serenade No. 11
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Stephen Levintow
#
Serenade No. 11
#
Cypress Publishing
#
SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
(+)
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00 ≈
13.54€
Sonata No. 6 for Piano "Meditation"
Sonata No. 6 for Piano "Meditation"
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Sean A
#
Sonata No. 6 for Piano "M
#
Sean A Moore
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1397079 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 9 pages. Sean A Moore #979133. Pu...
(+)
Piano Solo - Level 4 - SKU: A0.1397079 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 9 pages. Sean A Moore #979133. Published by Sean A Moore (A0.1397079). Sonata for Piano No. 6 Meditation is in two movements. The two movements are titled River's Flow and Prayer. The shorter first movement is both lyrical and motivic using some added tone harmony and the full expanse of the keyboard. The reference to the opening main idea played very softly at the end of the movement creates a sense of return to the movement's beginnings. The gentle opening of the second movement begins with a chant-like melody played in the lower register of the instrument. The movement grows from this point drawing its musical material from the opening melody and building to the climactic section of the work. Three staves are used to notate this section of the movement with the full expanse of the keyboard again being explored. Like the first movement, the second movement ends softly. However, the second movement ends with every note in the D natural minor scale (or D Aeolian mode) sounding together, creating a darker ending and a contrast to the conclusion of the first movement. Both movements feature expressive playing and mostly slow tempos and are intended to convey the “Meditation†part of the title by painting a picture of both introspection and transcendence.
$8.99 ≈
8.11€
String Quartet No. 5 From The Frieze Of Life (parts)
String Quartet No. 5 From The Frieze Of Life (parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No. 5 From The
#
Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss ...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss #6141. Published by Colin Bayliss (A0.938388). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$10.00 ≈
9.02€
String Quartet No. 5 From The Frieze Of Life (score and parts)
String Quartet No. 5 From The Frieze Of Life (score and parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No. 5 From The
#
Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss ...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss #6139. Published by Colin Bayliss (A0.938387). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$15.00 ≈
13.54€
Hope Collage for Saxophone Octet
Hope Collage for Saxophone Octet
#
Ensemble de saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
the
time the movement
#
Sy Brandon
#
Hope Collage for Saxophone Oct
#
Sy Brandon
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon #6619959. Publis...
(+)
Saxophone Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon #6619959. Published by Sy Brandon (A0.755338). Hope Collage was commissioned in honor of Hope College's 14th President, Matthew Scogin. President Scogin was inaugurated in 2019 and exemplifies the qualities of hope represented in this piece. The first movement Castles In The Sky is in 6/8 meter with some of the syncopated rhythmic figures that pit 3/4 against the 6/8. The major tonality is disguised by chromaticism either in the melody or in the counterpoint and harmony. The form is basically AB with a Coda. The slow second movement A Light at the End of the Tunnel has the tenor and baritone saxophones representing the darkness of the tunnel using minor and slightly dissonant harmony. The light at the end of the tunnel is represented by the alto and soprano saxophones. Even though they are still in minor, their brightness and rising arpeggios represent a glimmer of hope. By the time the movement nears the end, optimism has taken over and the entire ensemble is in shifting major tonalities leading up to the quiet, yet, prayerful end in B major. The third movement Knock On Wood has a Scherzo quality and is at an allegro tempo. The opening theme sets the tone of optimism with its combination of quartal, quintal, and triadic harmony along with staccato articulation. It is answered by the saxophones doing rhythmic slap tongue in a pyramid formation that represents knocking on wood. The theme and its variations alternate with the slap tongue throughout most of the movement. In several places, the theme and slap tongue appear in canon. Towards the end, the theme becomes fragmented and the slap tongue dominates. The fragments become pieced together leading to a final outburst of 16th note joy before the last chord. The movement ends with foot stomps that rhythmically suggests knock on wood. The last movement Promised Land is in two parts. The first is meditative and prayer-like in a moderate tempo. It has a passacaglia bass line and contrapuntal lines are added above it. It also grows in intensity until it reaches the Allegro, which is the second part and is celebratory. The Allegro begins with a sixteenth note motif that plays an accompaniment role in many places throughout the last section to the slower moving declarative lines. Near the end, motifs from the Moderato section are transformed in the Allegro, therefore linking the two sections.
$14.99 ≈
13.53€
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
#
Daniel Kelley
#
Daniel Kelley
#
Intermediate Music for Four, V
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romanti...
(+)
Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Traditional. Score and parts. 43 pages. Last Resort Music Publishing #403432. Published by Last Resort Music Publishing (A0.796251). Part 4 Cello or Bassoon - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) www.lastresortmusic.com.
$20.00 ≈
18.05€
The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow"
The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow"
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Fidelis Zitterbart
#
Marc Linwood
#
The Headless Rider from "
#
RēsFacta Editions
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thr...
(+)
String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thriller. 25 pages. RēsFacta Editions #1016711. Published by RēsFacta Editions (A0.1436597). American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving's short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, The Headless Rider, depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert. Score and Parts. Duration: Approx. 4 minutes.
$40.00 ≈
36.10€
<
1