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Vous avez sélectionné:
A Ha
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Partitions à imprimer
111 partitions trouvées
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101
A-Ha : Take on Me - Version originale (niveau intermédiaire/difficile)
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Batterie Take on Me - Version originale (niveau intermediaire/difficile) de A-Ha. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Take on Me - Version originale (niveau intermediaire/difficile) de A-Ha. Partition avec audio Play Along. Pop/rock
5.99€ ≈
$6.71
A-Ha : Take on Me (niveau intermédiaire/difficile, sax alto)
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Saxophone
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Saxophone Take on Me (niveau intermediaire/difficile, sax alto) de A-Ha. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Take on Me (niveau intermediaire/difficile, sax alto) de A-Ha. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$6.71
A-Ha : Take on Me (niveau intermédiaire/difficile, sax ténor)
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Saxophone
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Saxophone Take on Me (niveau intermediaire/difficile, sax tenor) de A-Ha. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone Take on Me (niveau intermediaire/difficile, sax tenor) de A-Ha. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$6.71
A-Ha : Take on Me (niveau intermédiaire/difficile)
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Flûte Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Flûte avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Flûte Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Flûte avec accomp. orchestre -- Pop/rock
5.99€ ≈
$6.71
A-Ha : Take on Me (niveau intermédiaire/difficile)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Clarinette Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Clarinette Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€ ≈
$6.71
A-Ha : Take on Me (niveau intermédiaire/difficile)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Trompette Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Trompette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trompette Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99€ ≈
$6.71
A-Ha : Take on Me (niveau intermédiaire/difficile)
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Trombone
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Trombone Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trombone Take on Me (niveau intermediaire/difficile) de A-Ha. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€ ≈
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A-Ha : Take on Me (niveau intermédiaire/difficile, sax soprano)
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Saxophone
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Pop musique
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A-Ha
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Take on Me
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Tomplay
Telechargez la partition Saxophone Take on Me (niveau intermediaire/difficile, sax soprano) de A-Ha. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone Take on Me (niveau intermediaire/difficile, sax soprano) de A-Ha. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
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Take On Me (for Clarinet Quartet)
Take On Me (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Rock
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a-ha
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Kenneth Abeling
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Take On Me
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LINCOLN MUSIC PUBLICATION
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SheetMusicPlus
Clarinet Quartet - Advanced Intermediate - Digital Download By a-ha. Arranged by Kenneth Abeling. Score, Set of Parts. 17 pages. Published by LINCOL...
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Clarinet Quartet - Advanced Intermediate - Digital Download By a-ha. Arranged by Kenneth Abeling. Score, Set of Parts. 17 pages. Published by LINCOLN MUSIC PUBLICATION
?Take On Me?, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar,Furuholmne and Harket arranged here for Clarinet Quartet. This is an intermediate level arrangement of the still very popular song created and made popular by theNorwegian Band a-ha. To view and listento this piece in its entirety as well as hundreds of other arrangements andtranscriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing Time: 3:30 Preview this score on YouTube: https://www.youtube.com/watch?v=AkA6nk08DeQ
$13.99
Hora ha Kulmus (Dance of the quill) for flute, cor anglais and cello
Hora ha Kulmus (Dance of the quill) for flute, cor anglais and cello
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David Warin Solomons
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Hora ha Kulmus
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute - Level 4 - SKU: A0.576333 Composed by David Warin Solomons. 20th Century,Contemporary,Jewish. Score and parts. ...
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Small Ensemble Cello,English Horn,Flute - Level 4 - SKU: A0.576333 Composed by David Warin Solomons. 20th Century,Contemporary,Jewish. Score and parts. 14 pages. David Warin Solomons #18241. Published by David Warin Solomons (A0.576333). Originally written for oboe, clarinet and bassoon (also available on this site) this version of Hora ha Kulmus (Dance of the quill) - a dance in Hora style - was arranged for the Trio Da Capo. The Arundo Donax is a humble but versatile plant. The writing implement - the reed quill was used in ancient days, before the feather quill, for writing, and is still used in instances where softness, flexibility and humility are required. (Chazal (the sages of the time 200 BCE to 600 CE) say that, to write a Sefer Torah (a handwritten copy of the five first books of the Bible), one must not use a quill from a cedar tree that stands tall and arrogant, rather a quill from a reed which is soft, flexible and humble.) It is also used for the reeds of musical instruments, hence the title of this piece. The word for this reed and for this reed quill pen crosses the boundaries of Semitic and Indo-European: the Latin Calamus, the Greek kalamos, the Arabic qalam, the Hebrew Kulmus, the Swahili kalamu all go back to the Arundo Donax plant and the reed pen from which it is made. The pdf file contains score and parts The recording here is an electronic preview.
$8.00
Gong Mu Do Ha Ga
Gong Mu Do Ha Ga
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Yoonjee Kim
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Gong Mu Do Ha Ga
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Yoonjee Kim
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,Bass Drum,Cello,Glockenspiel,High Voice,Marimba,Multi-Percussion,Soprano voice,Tam Tam - Level 4 - SKU: A0.1022805 Compos...
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Large Ensemble B-Flat Clarinet,Bass Drum,Cello,Glockenspiel,High Voice,Marimba,Multi-Percussion,Soprano voice,Tam Tam - Level 4 - SKU: A0.1022805 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 12 pages. Yoonjee Kim #3417611. Published by Yoonjee Kim (A0.1022805). Gong Mu Do Ha Ga is based on a story that has been transmitted for thousands of years in Korea. The story begins with a drunken man walking into a river. His wife tried to stop him but he drowned to death. A boatman who watched this scene told the story to his wife and his wife composed a song, singing while playing an instrument called the Gongfuin. Yima Murool Gon no ji Mao Yimi Guye Murool Gon no si nae Murae Pa jo Dora GasiniYima Yi irul Ochi halko
$8.00
PULVER Lev: "Ha Sher" from "Freylekhs" for Symphony Orchestra (Full score + set of parts)
PULVER Lev: "Ha Sher" from "Freylekhs" for Symphony Orchestra (Full score + set of parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Ha Sher"
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868913 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868913 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 76 pages. Really Good Music, LLC. #4835543. Published by Really Good Music, LLC. (A0.868913). Ha Sher (No. 23) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscripts of the score, realized and edited by Sergei LEONOV. Since the orchestral versions of the introduction and the final section of the piece has not been preserved, they were orchestrated by the editor.
$80.00
Hora Ha Kulmus (Dance of the Quill) for oboe, clarinet and bassoon
Hora Ha Kulmus (Dance of the Quill) for oboe, clarinet and bassoon
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David Warin Solomons
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Hora Ha Kulmus
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Oboe - Level 4 - SKU: A0.576334 Composed by David Warin Solomons. 20th Century,Contemporary,Jewish. Score and parts. 12 ...
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Small Ensemble Bassoon,Clarinet,Oboe - Level 4 - SKU: A0.576334 Composed by David Warin Solomons. 20th Century,Contemporary,Jewish. Score and parts. 12 pages. David Warin Solomons #18243. Published by David Warin Solomons (A0.576334). A dance (in Hora style) for oboe, clarinet and bassoon The Arundo Donax is a humble but versatile plant. The writing implement - the reed quill was used in ancient days, before the feather quill, for writing, and is still used in instances where softness, flexibility and humility are required. (Chazal (the sages of the time 200 BCE to 600 CE) say that, to write a Sefer Torah (a handwritten copy of the five first books of the Bible), one must not use a quill from a cedar tree that stands tall and arrogant, rather a quill from a reed which is soft, flexible and humble.) It is also used for the reeds of musical instruments, hence the title of this piece. The word for this reed and for this reed quill pen crosses the boundaries of Semitic and Indo-European: the Latin Calamus, the Greek kalamos, the Arabic qalam, the Hebrew Kulmus, the Swahili kalamu all go back to the Arundo Donax plant and the reed pen from which it is made. The pdf file contains score and parts The recording here is an electronic preview A version is also available on this site for flute, cor anglais and cello.
$8.00
Bali Ha'i
Bali Ha'i
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Comédie Musicale
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Oscar Hammerstein and Richard
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Michael C
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Bali Ha'i
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 4 - SKU: A0.1271716 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Michael C. McDonough, A.S.C.A.P....
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Bass Trombone,Tenor Trombone - Level 4 - SKU: A0.1271716 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Michael C. McDonough, A.S.C.A.P. Broadway,Musical/Show,Standards. 17 pages. Michael McDonough A.S.C.A.P. #864099. Published by Michael McDonough A.S.C.A.P. (A0.1271716). In this arrangement of a clasic show tune all members of the quartet get to play the lead. This tune is sure to be a crowd pleaser.
$14.47
Hora Ha Kulmus (Dance of the quill) for double reed trio (oboe, cor anglais, bassoon)
Hora Ha Kulmus (Dance of the quill) for double reed trio (oboe, cor anglais, bassoon)
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David Warin Solomons
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Hora Ha Kulmus
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - SKU: A0.580195 Composed by David Warin Solomons. 20th Century,Concert,Contemporary...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - SKU: A0.580195 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Jewish. 15 pages. David Warin Solomons #3629697. Published by David Warin Solomons (A0.580195). The Arundo Donax is a humble but versatile plant. The writing implement - the reed quill was used in ancient days, before the feather quill, for writing, and is still used in instances where softness, flexibility and humility are required.
$8.00
Bali Ha'i
Bali Ha'i
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Richard Rodgers
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Matt Finch
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Bali Ha'i
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SheetMusicPlus
Composed by Richard Rodgers. Arranged by Matt Finch. A Cappella. Octavo. 8 pages. Matt FINCH #3578973. Published by Matt FINCH ...
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Composed by Richard Rodgers. Arranged by Matt Finch. A Cappella. Octavo. 8 pages. Matt FINCH #3578973. Published by Matt FINCH
$3.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
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