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Vous avez sélectionné:
Earl Hines
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Partitions à imprimer
33 partitions trouvées
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26
In A Chinese Temple Garden
In A Chinese Temple Garden
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Albert Ketelbey
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John Ivor Holland
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In A Chinese Temple Garden
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Wor...
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Concert Band - Level 4 - SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.
$69.99 ≈
64.87€
Miserable and Sorrow. (Pearl Harbor after attack)
Miserable and Sorrow. (Pearl Harbor after attack)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Johnson K
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e-Pllination Inc
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Miserable and Sorrow.
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Johnson Gao
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1006983 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary,Halloween,World. Score. 178 ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1006983 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary,Halloween,World. Score. 178 pages. Johnson Gao #3372607. Published by Johnson Gao (A0.1006983). The title of Miserable and Sorrow. (Pearl Harbor after attack) is a new name to the song previously called as Wondering along a Raided Harbor. Since it did not specify which harbor, you can say it is Pearl Harbor; or, any harbors or cities after bombardment in a war, such that Hiroshima, Berlin, etc. The theme of the song is to express the miserable and sorrow feeling caused by a war, and induce people to hate the war. The song was collected in Gao's Harbor Music. which contains 12 pieces of songs: Sun Rises from the Japanese Ocean (Tokyo’s Morning); Night Light Cast over the Huangpu River, Shanghai; Sea Breeze over the Harbor of Qingdao; Gulangyu (Short Version and Chinese Lyrics); Gulangyu (Long Version with more Instruments); Water Ski Show at Darling Harbor, Sydney; Blue Hong Kong Waltz Bon Voyage; Wondering along a Raided Harbor (A Waltz that Blames the War); Suzhou – The Eastern Venice (Sitting in a Boat across many Bridges); A Salute to the Cruiser Aurora on the Neva River (St. Petersburg’s Evening) and A lullaby for the Statue of liberty. Page 99 to 125 is this song with a sound track attached. Other music sheets of 11 songs are as a bonus to this current music sheet purchase. Totally 174 pages.悲慘兮憂傷(çç 港襲擊後) 的標題是以å‰è¢«ç¨±ç‚º 沿著çªè¥²æ¸¯å£çš„怨念 çš„æŒæ›²çš„æ–°åå—。既然沒有指定哪個港å£ï¼Œå¯ä»¥èªªæ˜¯çç 港,或者在戰çˆä¸è½Ÿç‚¸ä¹‹å¾Œçš„任何港å£æˆ–城市,如廣島,æŸæž—ç‰ã€‚這首æŒæ›²çš„主題是表é”戰çˆé€ æˆçš„痛苦和悲傷的感覺,並引起人們討åŽæˆ°çˆã€‚這首æŒæ”¶è—在 高æ°æµ·æ¸¯éŸ³æ¨‚ ä¸ã€‚å…¶ä¸åŒ…å«12首æŒæ›²ï¼šå¤ªé™½å‡èµ·æ—¥æœ¬æµ·æ´‹ï¼ˆæ±äº¬æ—©æ™¨ï¼‰; 上海黃浦江夜燈; é’島港ç£æµ·é¢¨; 鼓浪嶼(簡體ä¸æ–‡æŒè©žï¼‰; 鼓浪嶼(長版更多樂器); 悉尼é”ä»¤æ¸¯æ°´ä¸Šæ»‘æ°´å ´; è—色香港è¯çˆ¾èŒ²; ä¸€å¸†é¢¨é †; 惆悵於一個çªè¥²çš„港å£ï¼ˆæŒ‡è²¬æˆ°çˆè¯çˆ¾èŒ²ï¼‰; 蘇州 - æ±æ–¹çš„å¨å°¼æ–¯ï¼ˆå在跨越許多橋的船上); å‘涅瓦河上的巡洋艦致敬(è–å½¼å¾—å ¡å¤œæ™šï¼‰å’Œè‡ªç”±å¥³ç¥žåƒæ–籃曲。這是一首附有è²è»Œçš„æŒæ›²ã€‚ 11首æŒæ›²çš„其他樂èœä½œç‚ºè³¼è²·ç•¶å‰æŒèœçš„çŽè³žã€‚å…±174é 。
$1.99 ≈
1.84€
If I Were A Rich Man
If I Were A Rich Man
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Hines Hines & Dad
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John Fries
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If I Were A Rich Man
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John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1220894 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broad...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1220894 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #817235. Published by John Fries (A0.1220894). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof.  A Critical and Musical Survey explained that the song contains a greater number of Jewish commonplaces than any other number in the score, and added the song does twofold: it offers such a strong dose of idiom early in the show [which] is good for the overall unity, and the important dramatic function of introducing the central character of Tevye through song.  A repeated phrase throughout the song, all day long I'd bidi-bidi-bum, is often misunderstood to refer to Tevye's desire not to have to work.  However, in an interview with Terry Gross, Sheldon Harnick said he basically made up syllables that he thought would give the effect of Chassidic chanting.
$4.99 ≈
4.63€
DREAMS OF THE ORIENT
DREAMS OF THE ORIENT
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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#
DREAMS OF THE ORIENT
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415780 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415780 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #993517. Published by White Piano International Publishing (A0.1415780). DREAMS OF THE ORIENT (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo 7 pagesDuration approximately 4:30In 1987, while living in Singapore, I set out with the goal of crafting an album comprising ten piano pieces evoking the essence of Chinese music, aptly named “CHINA LOVE.â€DREAMS OF THE ORIENT encapsulates my vivid encounters while voyaging through the Far East aboard the cruise ship MS PEARL OF SCANDINAVIA a few years earlier. Immersed in diverse cultural experiences, particularly those of China and Asia, I gained profound insights into their music and traditions, memories I hold dear to this day.The sheet music for DREAMS OF THE ORIENT is meticulously notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and other musical nuances essential for performance.This arrangement caters to a broad spectrum of musicians, including advanced intermediate students, professional pianists, and piano instructors, offering a rewarding musical exploration.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of DREAMS OF THE ORIENT can be enjoyed on Robert’s “CHINA LOVE†album.Furthermore, for those seeking an EARLY INTERMEDIATE PIANO arrangement of the entire collection, titled TEN MUSICAL THEMES FROM CHINA LOVE, it can be obtained at: SHEET MUSIC PLUS SHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.77€
STREETS OF SHANGHAI
STREETS OF SHANGHAI
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
#
#
STREETS OF SHANGHAI
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #994357. Published by White Piano International Publishing (A0.1415784). STREETS OF SHANGHAI (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo7 pagesDuration approximately 4 minutes.In 1984, while aboard the cruise ship MS PEARL OF SCANDINAVIA navigating the waters of Asia, I had the privilege of exploring the vibrant city of Shanghai, China. Immersed in its bustling streets, I was struck by the energetic chaos: packed buses, swarms of bicycles darting in every direction, and people bustling about, engaged in shopping or hurrying to various destinations. The vivid memory of this scene inspired me to compose the music for STREETS OF SHANGHAI.My aim was to craft an album comprising ten piano pieces, each resonating with the captivating essence of Chinese music. Hence, I titled the album “CHINA LOVE.â€The sheet music for STREETS OF SHANGHAI is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and pertinent musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, offering a rewarding musical journey.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of STREETS OF SHANGHAI can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in experiencing the performance firsthand, an original 2009 YouTube video of Robert performing STREETS OF SHANGHAI can be found at: http://www.youtube.com/watch?v=6OEb3RWJp_IFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE, is available for purchase through: SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
4.63€
Heavy Metal for Balinese gamelan and chamber ensemble
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00 ≈
23.17€
DANCE OF ENCHANTMENT
DANCE OF ENCHANTMENT
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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DANCE OF ENCHANTMENT
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415787 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415787 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #997445. Published by White Piano International Publishing (A0.1415787). DANCE OF ENCHANTMENT (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo Arrangement7 pagesDuration approximately 4 minutesWhile residing in Singapore in 1987, I found inspiration to compose DANCE OF ENCHANTMENT. Initially titled DANCE OF THE CHINA DOLL, it later underwent a title change to DANCE OF ENCHANTMENT. My objective was to compose an album featuring ten piano pieces imbued with the essence of Chinese music, hence the title of the album, “CHINA LOVE.â€DANCE OF ENCHANTMENT narrates the tale of a young Chinese girl gracefully dancing in her traditional attire, exuding freedom and elegance.The sheet music for DANCE OF ENCHANTMENT is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, providing a delightful musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of DANCE OF ENCHANTMENT can be enjoyed on Robert’s “CHINA LOVE†album.Furthermore, an EARLY INTERMEDIATE PIANO arrangement of this piece can be found in Robert’s book titled TEN MUSICAL THEMES FROM CHINA LOVE accessible through: SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.77€
SINGFOO (OUR HAPPINESS)
SINGFOO (OUR HAPPINESS)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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SINGFOO
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415779 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415779 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 8 pages. White Piano International Publishing #993491. Published by White Piano International Publishing (A0.1415779). SINGFOO (OUR HAPPINESS) (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo8 pagesDuration approximately 4:15In 1987 while living in Singapore, I aimed to create an album comprising ten piano compositions inspired by Chinese music, which I titled CHINA LOVE.Within this collection, there is a piece titled SINGFOO, a term phonetically pronounced in Mandarin, carrying the meaning of Our Happiness when pronounced with proper accents. In crafting this composition, I drew from the tradition of Chinese music, often reflecting life's trials and triumphs. The essence of SINGFOO (OUR HAPPINESS) encapsulates the sentiment of finally discovering our happiness amidst life's journey.The sheet music for SINGFOO (OUR HAPPINESS) is clearly notated, featuring dynamic markings, articulation indicators, phrasing, pedal suggestions, chord symbols, fingerings, and relevant musical terminology to aid performers.This arrangement caters to advanced intermediate students, professional pianists, and piano instructors alike, providing a rewarding musical experience.For those interested, a complete audio sample with background instruments is included with SINGFOO (OUR HAPPINESS) from Robert’s CHINA LOVE album.Additionally, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, titled TEN MUSICAL THEMES FROM 'CHINA LOVE, can be obtained from: Sheet Music Plus Sheet Music Direct Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.77€
Adirondack Spring for String Orchestra
Adirondack Spring for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Kim Diehnelt
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Viola 1, Viola 2
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Adirondack Spring for String O
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Kim Diehnelt
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Publishe...
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String Orchestra - Level 4 - SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Published by Kim Diehnelt (A0.1306194). For Violin 1, Violin 2, Violin 3; Viola 1, Viola 2; Cello 1, Cello 2; Bass. The work also has a section using solo violin, solo viola, and solo cello. All parts are essential; parts 2 and 3 are less complex.About 7 -8 minutes.This includes Score and Parts. $28.00 Program note: The work opens with the majestic scene of spring’s first daybreak as the morning light shines on the snow-covered peaks of the Adirondacks. The sun, finally high enough in the sky to meet the snowy slopes and valley treetops, sets them ablaze.  And then it begins. Joyfully, a world comes back to life. Rivers thaw and unbound streams of fresh-melted water bounce, gurgle and surge. Animals stir, birds reappear, all rushing through the days, now relieved of the weight of winter. Hesitantly, bright-green sprouts, fuzzy buds, and flowers emerge. The springtime world dances. And all the while, the sun continues to rise, earlier and earlier, frantically, like a hound dashing to overtake its shadow. This galloping energy brings us to the majestic and final sunrise of spring, for summer will now insist on its turn. And as the morning fades into brilliant day, we are left with only a memory. A memory guaranteed to return. Next spring.
$28.00 ≈
25.95€
To Suffer, My Son - vocal solo
To Suffer, My Son - vocal solo
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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To Suffer, My Son - vocal solo
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1322814 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Contemporary,New Age,Praise & Worship,S...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1322814 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Contemporary,New Age,Praise & Worship,Spiritual. Score. 7 pages. Kevin G. Pace #911101. Published by Kevin G. Pace (A0.1322814). A beautiful vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Dedicated to Mark.Text:My little son, with his scars, is asleep . . .his spirit so live and unique.There’s transcending light which shines upon his face.He is perfect in God’s sure embrace.Another dear Child, O, Mary’s pure Son,has also light just like the sun.His scars received with pain in His facedo now show suff’ring love through His grace.To suffer, my son . . . O, can I watch with God’s peace,knowing so clearly His care will increase?Like faithful Mary who nurtured her Son,can I so trust with my own little one?When I know God’s care, I’ll remember Christ’s love so rare.My little son, with these scars he will keep,shows a humility I seek.O, as I struggle to be just like him,I can feel God’s peace from within.To suffer, my son . . . God’s promise comes with love,showing clearly He sees from above.With His great love God sees from above.He sees from above.
$3.99 ≈
3.70€
Taking Flight
Taking Flight
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Zachary C
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Taking Flight
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - SKU: A0.1469326 Composed by Zachary C. Daniels. 21st Century,Chamber. 28 pages. NoteForge #104734...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - SKU: A0.1469326 Composed by Zachary C. Daniels. 21st Century,Chamber. 28 pages. NoteForge #1047347. Published by NoteForge (A0.1469326). Taking Flight by Zachary Daniels draws its inspiration from the daring and pioneering spirit of the Wright Brothers, whose historic achievements in aviation marked the beginning of human flight. This composition for bassoon quartet mirrors the blend of innovation and determination that powered their journey into the skies.Throughout the piece, listeners will experience the thrill of ascension, the steadiness of flight, and the inevitable descent, paralleling the stages of an early flight. The work opens with a sense of anticipation and buildup, reminiscent of the preparations and tension before takeoff. As the music takes flight, the themes become airy and expansive, capturing the awe and freedom of soaring above the earth.The interplay between the bassoons reflects the collaborative effort of the Wright Brothers, with each instrument playing a crucial role in the musical narrative, much like the components of the early flying machines. The harmonies are intricate and evolving, suggesting the constant adjustments and innovations that were essential to early aviation successes.
$15.00 ≈
13.90€
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
18.49€
WHY I LOVE YOU
WHY I LOVE YOU
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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WHY I LOVE YOU
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1422287 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Latin,New Age,Romantic Period. Score. 9 pages. Wh...
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Piano Solo - Level 4 - SKU: A0.1422287 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Latin,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #1003224. Published by White Piano International Publishing (A0.1422287). WHY I LOVE YOU (Original Piano Music) from “EMBRACED BY A DREAM”Composed and arranged by Robert Van Horne in 2004Advanced Intermediate PIANO SOLO Arrangement9 pagesDuration approximately 4 minutesOne of twelve enticing and imaginative compositions from Robert’s album “EMBRACED BY A DREAM.” Inspired by the Chinese music scene in Singapore, by the vocal style of Teresa Teng and influenced by the piano stylings of French pianist Richard Clayderman, this piece delves into romantic love played in a Latin style.The sheet music for WHY I LOVE YOU is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, providing a delightful musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of WHY I LOVE YOU can be enjoyed on Robert’s “EMBRACED BY A DREAM” album. For those interested, a full version YouTube Video is included of WHY I LOVE YOU from Robert’s “EMBRACED BY A DREAM” album. Published by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
4.63€
IWOMAH? (DO YOU STILL LOVE ME?)
IWOMAH? (DO YOU STILL LOVE ME?)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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IWOMAH?
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415785 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415785 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 5 pages. White Piano International Publishing #994364. Published by White Piano International Publishing (A0.1415785). IWOMAH? (DO YOU STILL LOVE ME?) (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo5 pagesDuration approximately 4 minutesWhile residing in Singapore in 1987, I found inspiration to compose IWOMAH? (DO YOU STILL LOVE ME?). My goal was to curate an album comprising ten piano pieces in the captivating style of Chinese music, aptly named “CHINA LOVE.â€The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me?. I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.The sheet music for IWOMAH? (DO YOU STILL ME?) is meticulously notated, featuring precise instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors alike, offering a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of IWOMAH? (DO YOU STILL LOVE ME?) can be enjoyed on Robert’s “CHINA LOVE†album.For those interested, an original 2009 YouTube video of Robert performing IWOMAH? (DO YOU STILL LOVE ME?) can be viewed at: http://www.youtube.com/watch?v=zgjmV4yl9zEFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE,†is available for purchase through: SHEET MUSIC PLUSSHEET MUSIC DIRECTAdditionally, a Piano/Vocal arrangement of IWOMAH? (DO YOU STILL LOVE ME?) featuring Chinese lyrics by Mr. Hu Xing-Ting is also available at Sheet Music Plus and Sheet Music Direct.Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
4.63€
SONG FOR XIAN
SONG FOR XIAN
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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SONG FOR XIAN
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415778 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415778 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 8 pages. White Piano International Publishing #993458. Published by White Piano International Publishing (A0.1415778). SONG FOR XIAN (Original Piano Music) from the Album “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo 8 PagesApproximate Duration: 4:00 MinutesIn 1987, while residing in Singapore, the captivating strains of Richard Clayderman’s Ballade Pour Adeline sparked the inception of SONG FOR XIAN. Drawing parallels in structure to Clayderman’s renowned 1977 composition, this piece was born from a simple melody, dedicated to an imaginary young Chinese girl named Xian. Thus, emerged the emotive piece, SONG FOR XIAN, as part of my envisioned album celebrating the essence of Chinese music, aptly titled “CHINA LOVE.â€The score for SONG FOR XIAN is meticulously notated with dynamic and articulation markings, phrasing, pedal indications, chord symbols, along with suggested fingerings and pertinent musical terminology for seamless performances.This arrangement is ideally suited for accomplished students, seasoned pianists, and piano instructors alike.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of SONG FOR XIAN can be enjoyed on Robert’s “CHINA LOVE†album.Additionally, an EARLY INTERMEDIATE PIANO arrangement of select pieces from the album, entitled TEN MUSICAL THEMES FROM “CHINA LOVE,†is available for purchase at the following links:Sheet Music Plus Sheet Music Direct Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.77€
CHIN JING (I WANT TO BE NEAR YOU)
CHIN JING (I WANT TO BE NEAR YOU)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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CHIN JING
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 6 pages. White Piano International Publishing #993621. Published by White Piano International Publishing (A0.1415781). CHIN JING (I WANT TO BE NEAR YOU) (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo6 pagesDuration approximately 4:30CHIN JING (I WANT TO BE NEAR YOU) stands out as the sole composition in the CHINA LOVE album not originating from Singapore. Upon my return to California in 1989, I felt compelled to add one more piece to complete the collection of ten. My aim was to curate an album featuring ten piano compositions in the evocative style of Chinese music, aptly named “CHINA LOVE.â€The term CHIN JING, when spoken phonetically in Mandarin with the appropriate accents, translates to I Want To Be Near You. This invented phrase seemed fitting as the title for this particular piece, drawing inspiration from the theme of romantic love prevalent in many traditional Chinese melodies.CHIN JING (I WANT TO BE NEAR YOU) employs open fifths introducing the sostenuto pedal for an echoing effect, followed by a pentatonic melody that infuses the piece with its essence.The sheet music is meticulously notated, providing clear instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.Suitable for advanced intermediate students, professional pianists, and piano instructors alike, this arrangement offers a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of CHIN JING (I WANT TO BE NEAR YOU) can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in an EARLY INTERMEDIATE PIANO arrangement of the entire collection TEN MUSICAL THEMES FROM ‘CHINA LOVE  can be obtained through:SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.77€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.71€
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
12.00€
HEART OF LOVE
HEART OF LOVE
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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HEART OF LOVE
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415783 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415783 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #994335. Published by White Piano International Publishing (A0.1415783). HEART OF LOVE (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo7 pagesDuration approximately 4:30 minutesIn 1987, while residing in Singapore, I found inspiration to compose HEART OF LOVE. My goal was to create an album comprising ten piano pieces in the evocative style of Chinese music, aptly named “CHINA LOVE.â€HEART OF LOVE is a romantic piano piece that beautifully captures the essence of love shared between two individuals.The sheet music is meticulously notated, featuring clear instructions on dynamic variations, articulation nuances, phrasing, pedal indications, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors alike, offering a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of HEART OF LOVE can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE, can be obtained through:SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99 ≈
2.77€
Ten Dreamvisions, op. 13
Ten Dreamvisions, op. 13
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael A Yenny
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Ten Dreamvisions, op. 13
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Michael A Yenny
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.938831 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 26 pages. Michael A Yenny #119741...
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Piano Solo - Level 4 - SKU: A0.938831 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 26 pages. Michael A Yenny #119741. Published by Michael A Yenny (A0.938831). Available as a set. C) 1997. Duration: 9 minutes. Level: Early Advanced. 1. Tumbleweeds (B-flat major) 2. Chinese Requiem (A-flat major) 3. Fanfare (A-flat major) 4. March (F major) 5. Thundermountain (E-flat major) 6. Toccata Chromatique (C major) 7. Solitary Dancer (G minor) 8. Solitude (C minor/major) 9. Sparkles (B-flat major) 10. Resolution (Finale) (C major).
$5.50 ≈
5.10€
Songs for all Seasons - Piano Music inspired by Seasonal Folk Songs
Songs for all Seasons - Piano Music inspired by Seasonal Folk Songs
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Barbara Arens
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Songs for all Seasons - Piano
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Barbara Arens
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1304374 Composed by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Multicultural,World. Score. 52 pages. Barba...
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Piano Solo - Level 4 - SKU: A0.1304374 Composed by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Multicultural,World. Score. 52 pages. Barbara Arens #893867. Published by Barbara Arens (A0.1304374). Alison Mathews & Barbara Arens have been collaborating again: each has written two pieces for each of the four seasons. Woven into most of these 16 pieces is a folk song - mainly English and German, but also Japanese, Chinese, Guatemalan and Maya! - bringing a further layer of atmosphere to the pieces. A variety of styles is used: contemporary lyric, jazzy, symphonic rock, afro-cuban dance rhythms. Two of the pieces are duets for one piano, four hands. Mostly early advanced/Gr.6-7.
$9.99 ≈
9.26€
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74 ≈
7.17€
March from the Nutcracker for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
March from the Nutcracker for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
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Basson, Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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March from the Nutcracker for
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Last Resort Music Publishing
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SheetMusicPlus
Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 4 - SKU: A0.530419 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. 20th Centu...
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Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 4 - SKU: A0.530419 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. 20th Century,Children,Christmas,Concert,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583019. Published by Last Resort Music Publishing (A0.530419). The March, from the Nutracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite. Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & Bassoon Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$5.95 ≈
5.51€
March from The Nutcracker for Violin & Viola Duet Music for Two (or Flute or Oboe & Viola)
March from The Nutcracker for Violin & Viola Duet Music for Two (or Flute or Oboe & Viola)
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Violon, Alto (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Viola Duet, Oboe &
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March from The Nutcracker for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Viola,Violin - Level 4 - SKU: A0.530412 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Chri...
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Small Ensemble,Strings Flute,Oboe,Viola,Violin - Level 4 - SKU: A0.530412 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583003. Published by Last Resort Music Publishing (A0.530412). The March from the Nutcracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite. Playable by Flute & Viola Duet, Oboe & Viola Duet, Violin & Viola Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$5.95 ≈
5.51€
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