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For Once in My Life Piano Solo
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Vous avez sélectionné:
For Once in My Life Piano Solo
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37 partitions trouvées
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For Once In My Life
For Once In My Life
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Frank Sinatra
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John Fries
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For Once In My Life
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1460144 By Frank Sinatra. By Cy Coleman and Robert Wells. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 p...
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Piano Solo - Level 4 - SKU: A0.1460144 By Frank Sinatra. By Cy Coleman and Robert Wells. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #1039085. Published by John Fries (A0.1460144). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. For Once in My Life is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965. It was written and first recorded as a slow ballad. The most familiar and successful version of For Once in My Life is an uptempo arrangement by Stevie Wonder, recorded in 1967.
$5.99 ≈
£4.70
For Once In My Life
For Once In My Life
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Stevie Wonder
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Lucia Kiel
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For Once In My Life
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Lucia Kiel Performances
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1240643 By Stevie Wonder. By Orlando Murden and Ronald Miller. Arranged by Lucia Kiel. Contemporary,Funk,Jazz,Po...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1240643 By Stevie Wonder. By Orlando Murden and Ronald Miller. Arranged by Lucia Kiel. Contemporary,Funk,Jazz,Pop,Soul. Octavo. 5 pages. Lucia Kiel Performances #836029. Published by Lucia Kiel Performances (A0.1240643). SSAA - choir arrangement of the great empowering Stevie Wonder song 'For once in my life'.Pay attention to the sharpness in timing of the ad-lib-variations/echoes.An alternative to sing on top of the original solo is written as well.To be sung with accompinament of band/piano or good quality backingtrack.
$4.49 ≈
£3.52
For Once In My Life
For Once In My Life
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Stevie Wonder
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Michael Pilley
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For Once In My Life
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Michael Pilley Music
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.746173 By Stevie Wonder. By Orlando Murden. Arranged by Michael Pilley. Pop. 5 pages. Michael Pilley Music #3...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.746173 By Stevie Wonder. By Orlando Murden. Arranged by Michael Pilley. Pop. 5 pages. Michael Pilley Music #3684029. Published by Michael Pilley Music (A0.746173). THE ARRANGEMENTA few years ago, good friends of mine were getting married and asked if I could arrange this song for their ceremony, to be sung by a tenor with piano accompaniment. I wanted to write a completely new take on this classic song, so decided to set it as a ballad, rather than the popular Stevie Wonder version which is uptempo. I also had a very good pianist and tenor soloist, so consequently, the difficulty of the arrangement is at an advanced intermediate level, with the tenor going up to a Bb and the piano part containing a lot of black notes! I was really happy with how it turned out, but unfortunately couldn't fly to Australia just for the wedding and they didn't record it. So now it's available to purchase, in the hope that someone would enjoy singing it and maybe even send me a recording! THE SONGWritten for the Motown label, it first was recorded by Barbara McNair, followed by a host of others in a ballad style, until Stevie Wonder pumped up the tempo and reached #2 on the U.S. Billboard charts. It eventually was the title track for his album of the same name, and features the amazing Funk Brothers, most notably James Jamerson for his incredible bass playing on this track, known to be one of the greatest example of his style. Stevie Wonder also provided the harmonica solo on the track.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your library.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$20.00 ≈
£15.69
For Once In My Life
For Once In My Life
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Stevie Wonder
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Matt Amy
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For Once In My Life
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Matt Amy Music
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.750409 By Stevie Wonder. By Orlando Murden. Arranged by Matt Amy. Pop. Score and parts. 23 pages. Matt Amy Music #3561065...
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Jazz Combo - Level 4 - SKU: A0.750409 By Stevie Wonder. By Orlando Murden. Arranged by Matt Amy. Pop. Score and parts. 23 pages. Matt Amy Music #3561065. Published by Matt Amy Music (A0.750409). Arranged for solo vocal, 3 horns (Alto Sax, Trumpet, Trombone) and Rhythm Section (Guitar, Piano, Bass, Drums)
$25.00 ≈
£19.61
My inspiration
My inspiration
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Olga Milovanova
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Olga Milovanova
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My inspiration
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Olga Nova
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1032955 Composed by Olga Milovanova. Arranged by Olga Milovanova. 20th Century,Concert,Contemporary,Instructional. Score....
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Piano Solo - Level 4 - SKU: A0.1032955 Composed by Olga Milovanova. Arranged by Olga Milovanova. 20th Century,Concert,Contemporary,Instructional. Score. 4 pages. Olga Nova #5869397. Published by Olga Nova (A0.1032955). This is a piano arrangement of a ballad written for a metal band. The song is describing a place in mind from where inspiration is drawn to compose dramatic music (lyrics not included). The process of creation is filled with joy and pain, building on top of life experiences, reinterpreting to share and move forward. Darkness and light are fighting to find balance, yin and yang, the opposites thrown together.Key, harmony and tempo of the song change rapidly like overwhelming feelings and thoughts of an excited mind. Polyphonic and syncopated, this is a modern melodic composition for intermediate level. Duration ~4:00This work is good for students learning about various music theory concepts: accidentals, triplets, phrasing, dynamics, interpretation, staccato, legato, accentuation, crescendo, decrescendo, fermata, etc. Contact the publisher to request arrangements for other instruments.
$5.00 ≈
£3.92
IN THE BEGINNING. For soprano and piano
IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00 ≈
£4.71
Jesus, Lover of My Soul
Jesus, Lover of My Soul
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Welsh tune ABERYSTWYTH Joseph
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Greg Wheatley
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Jesus, Lover of My Soul
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Greg Wheatley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.939943 Composed by Welsh tune ABERYSTWYTH Joseph Parry. Arranged by Greg Wheatley. Christian,Sacred. Score. 3 pages. Greg...
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Piano Solo - Level 4 - SKU: A0.939943 Composed by Welsh tune ABERYSTWYTH Joseph Parry. Arranged by Greg Wheatley. Christian,Sacred. Score. 3 pages. Greg Wheatley #3009807. Published by Greg Wheatley (A0.939943). The Welsh hymn tune ABERYSTWYTH comes to life in this arrangement for solo piano by Greg Wheatley. Designed for the intermediate to advanced pianist, the rolling arpeggios depict Wesley's text while the nearer waters roll and let the healing streams abound. Once mastered, this arrangement is suitable for preludes, offertories, or postludes, or could even be played as a standalone piece in a student recital.
$3.99 ≈
£3.13
What Are You Doing The Rest Of Your Life?
What Are You Doing The Rest Of Your Life?
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Alan Bergman, Marilyn Bergman,
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John Fries
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What Are You Doing The Rest Of
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1463277 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by John Fries. 20th Century,Film/TV,Jazz,...
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Piano Solo - Level 4 - SKU: A0.1463277 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Score. 2 pages. John Fries #1041972. Published by John Fries (A0.1463277). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. What Are You Doing the Rest of Your Life? is a song with lyrics written by Alan Bergman and Marilyn Bergman and original music written by Michel Legrand for the 1969 film The Happy Ending. The song was nominated for an Academy Award for Best Original Song but lost out to Raindrops Keep Fallin' on My Head.
$5.99 ≈
£4.70
Mobile for prepared piano
Mobile for prepared piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michelle Agnes Magalhaes
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Mobile for prepared piano
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Michelle Agnes Magalhaes
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published ...
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Piano Solo - Level 4 - SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published by Michelle Agnes Magalhaes (A0.944160). ABOUT MOBILE (by Ricardo Descalzo, pianist) Few compositions have impressed me as much in my life as this genius work by the Brazilian composer, pianist and improviser. I remember that when I found it a few years ago I did not give credit to what I was listening and I could not imagine how those sounds were produced without any electronic manipulation. The idea of using cylindrical neodymium magnets inside the piano, shows that there are no limits in the imagination of the composers and that the resources to be used in our instrument are unlimited, even if there is an increasingly frequent number of people in our professional environment who hate these practices. The idea of combining precise writing with improvised fragments seems to me to fit perfectly with the spirit of the work, which was born from the improvisational world of the composer herself. Mobile is a tribute to John Cage (hence the classic screws and washers) and is inspired by the sculpture of Richard Lippold Gemini that, at the same time, served as inspiration for the Sonatas XIV and XV of the American composer. Mobile evokes an imaginary metal sculpture, a sound automaton and its cyclic movements. The result is a gorgeous universe of bells, ghostly echoes and distant ritual drums. Mobile is an essential part of my concert programs since it entered my life and one of the pieces that every year I work with my students in Musikene. I’m sure that it will become a classic of new piano music. I can only say: thanks, Michelle for creating something so beautiful, so original and so pleasant to play.
$8.00 ≈
£6.28
Joie de Vivre "Joy of Life"
Joie de Vivre "Joy of Life"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Christina Cheng Lian Tan
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I am but two days old
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Joie de Vivre "Joy of Lif
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Christina ChengLian Tan
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987918 Composed by Christina Cheng Lian Tan. Concert,Contemporary,Holiday,Instructional,Jazz. Score. 5 pages. Christina C...
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Piano Solo - Level 4 - SKU: A0.987918 Composed by Christina Cheng Lian Tan. Concert,Contemporary,Holiday,Instructional,Jazz. Score. 5 pages. Christina ChengLian Tan #496641. Published by Christina ChengLian Tan (A0.987918). 2015 Piano Contest CT 2003-01 ~Christina ChengLian Tan +65 8218-5849 ~52 Bayshore Road, #07-02, S469978, Singapore ~COMPASS http://www.compass.org.sg ~YouTube found at 2:08 found at 24:49 ~about 2 minutes ~2003, written and premiered at University of Akron, USA Performed in USA, Asia and Europe. ~ Joie de Vivre ‘ I have but no name; I am but two days old.’ What shall I call thee? I happy am, Joy is my name. Sweet joy befall thee! (Infant Joy by William Blake) In Joy of Life, the LH is a five-note ostinato is made up of tones found on the tuned strings of a vihuella. This jazz influenced work marked Avec élan – with momentum – exudes a joyful, whimsical, improvisatory feel above a gurgling quintuplet ostinato accompaniment.
$7.99 ≈
£6.27
MY SWEET LYDIA
MY SWEET LYDIA
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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the vocalist/bassist I
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
£3.91
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des &ea
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Pub...
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Piano Solo - Level 4 - SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35 ≈
£8.12
Marie for shame for piano (4 hands)
Marie for shame for piano (4 hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Daniela Mastrandrea
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Marie for shame for piano
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.575853 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Sc...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.575853 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score and parts. 14 pages. David Warin Solomons #2028821. Published by David Warin Solomons (A0.575853). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
£4.71
Camp David for piano (4 hands)
Camp David for piano (4 hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Daniela Mastrandrea
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Camp David for piano
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.575855 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Sc...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.575855 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score and parts. 22 pages. David Warin Solomons #2028837. Published by David Warin Solomons (A0.575855). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
£4.71
Sonata for Cello and Piano
Sonata for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Joyce
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Sonata for Cello and Piano
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Brian Joyce
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by ...
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Cello,Piano - Level 4 - SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by Brian Joyce (A0.836706). A couple of lifetimes ago (or so it seems now) I wrote a quartet of sonatas: one apiece for flute, viola, oboe, and the present work for cello. I thought of them as representing Spring, Summer, Fall and Winter respectively. This one, dating from 1972, expands the concept of a rondo to dimensions covering an entire multi-movement sonata. There are the traditional three movements one would expect to find, but they are tied together through unmetered sections for solo cello set between them. In this way, the true movements almost function as episodes in a giant rondo. Additionally, the solo interpolations form an entity in themselves, each picking up where the previous one left off. And if that weren’t enough, thematic material in the real movements is often first presented in the Interpolations, so it is difficult to tell where an idea really belongs. Given my philosophical leanings at the time (it was the 70s, remember!), this ambiguity was precisely the point.Performance time is approximately 12 minutes.
$10.95 ≈
£8.59
Minuet For Margaret, for Strings. (School Arrangement)
Minuet For Margaret, for Strings. (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Minuet For Margaret, for Strin
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Geraldine (Denny) Green at Oakmountmusic #888401. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298412). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00 ≈
£19.61
Minuet For Margaret, for Strings. (Standard Arrangement)
Minuet For Margaret, for Strings. (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Minuet For Margaret, for Strin
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #888402. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298413). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00 ≈
£19.61
Overcast - for Band
Overcast - for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Britt Andrew Burns
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Overcast - for Band
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Indie Classical Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.971806 Composed by Britt Andrew Burns. Contemporary. Score and parts. 90 pages. Indie Classical Publications #2877673. ...
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Concert Band - Level 4 - SKU: A0.971806 Composed by Britt Andrew Burns. Contemporary. Score and parts. 90 pages. Indie Classical Publications #2877673. Published by Indie Classical Publications (A0.971806). OVERCAST was originally written as part of a three-movement work for solo trombone and piano. When I was composing the original work, I wanted to create an additional arrangement of the 3rd movement (DRIZZLE) for concert band. The work is inspired by the brief period of my life when I lived abroad in England. As many people are aware, it rains constantly in Great Britain, thus making it an easy inspiration for music. Even though I consider this work somewhat melancholic, it is meant to also reflect the warmth and comfort I felt while living in the country where I met so many wonderful people. Other inspiration for this movement came from Ralph Vaughan William's Pastoral Symphony, most notably, the 4th movement. Grade 4. Duration: 5:50
$40.00 ≈
£31.38
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
£7.84
Los Poemas del Olvido
Los Poemas del Olvido
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Darian Stavans
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Los Poemas del Olvido
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Music Studio
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.994711 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 25 pages. Music Studio #4320903. Published...
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Piano Solo - Level 4 - SKU: A0.994711 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 25 pages. Music Studio #4320903. Published by Music Studio (A0.994711). Los Poemas del Olvido belongs to my piano music album Imagenes de Amor/Images of Love by Darian Stavans.Images of Love is a musical reflection intending to describe that love has no images. Inside ourselves we build impressions, we merge together emotions, affections and the bonds of love to form the images life gives us as we walk along its mundane paths. From that first light we see at birth and all through our daily lives and emotional existence, we link together the daily events that guide us to protection and elicit the courage to face ourselves. That is precisely the instant in which we create our images of love, those impressions that will forever remain in our minds and souls giving us an identity. After all of this, after feeling and extracting all the best from these sensations, we return to the starting point, that point where once again love has no images. This album is part of that amazing world summarized in our souls, of that potential to constantly create new images of love according to what life deals us and the value we assign to such images before we again come to terms with the fact that the only common thread consists in cultivating the knowledge that love is a chain of acts and actions… like the images we carry inside.12 pages.Duration: 12:54Performing Rights Organization: CD Baby / SACM Mexicowebsite: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1
$3.99 ≈
£3.13
He Will Lead Me Home
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99 ≈
£1.56
It Was Almost Like A Song
It Was Almost Like A Song
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ronnie Milsap
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Timothy Stapay
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It Was Almost Like A Song
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1280638 By Ronnie Milsap. By Archie Jordan and Hal David. Arranged by Timothy Stapay. Country,Film/TV,Singer/Songwriter,S...
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Piano Solo - Level 4 - SKU: A0.1280638 By Ronnie Milsap. By Archie Jordan and Hal David. Arranged by Timothy Stapay. Country,Film/TV,Singer/Songwriter,Standards,Wedding. Score. 4 pages. Timothy Stapay #872051. Published by Timothy Stapay (A0.1280638). A piano solo arrangement of the country-classic, It Was Almost Like A Song, famously sung by Ronnie MilsapIt Was Almost Like a Song is a song written by Hal David and Archie Jordan, and recorded by American country music singer Ronnie Milsap. It was released in May 1977 as the first single and title track from the album It Was Almost Like a Song. It became one of the greatest hits of his recording career upon its release in 1977. In July 1977, It Was Almost Like a Song was Milsap's eighth No. 1 song on the Billboard magazine Hot Country Songs chart. The song also became his first Billboard Hot 100 chart entry, peaking No. 16. and also on Billboard's Hot Adult Contemporary Singles chart, where it peaked at No. 7.It Was Almost Like a Song provided the basis for the title of Milsap's biography, Almost Like a Song, which he co-wrote with Tom Carter.Lyrics:Once in every lifeSomeone comes alongAnd you came to meIt was almost like a songYou were in my armsRight where you belongAnd we were so in loveIt was almost like a songJanuary through DecemberWe had such a perfect yearThen the flame became a dying emberAll at once you weren't hereNow my broken heartCries for you each nightAnd It's almost like a songBut it's much too sad to writeNow my broken heart.
$5.99 ≈
£4.70
Nocturne in c#, Op. Posthume - F Chopin (Violin & Cello)
Nocturne in c#, Op. Posthume - F Chopin (Violin & Cello)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Peet du Toit
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Nocturne in c#, Op. Posthume -
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.802607 Composed by Frederic Chopin. Arranged by Peet du Toit. Contemporary. Score a...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.802607 Composed by Frederic Chopin. Arranged by Peet du Toit. Contemporary. Score and parts. 4 pages. Peet du Toit #5982425. Published by Peet du Toit (A0.802607). The Nocturne No. 20 in C- sharp minor, Op. posth., Lento con gran expressione, P 1, No. 1, No. 16, KKIVa/16, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870.Chopin dedicated this work to his older sister Ludwika Chopin, with the statement: To my sister Ludwika as an exercise before beginning the study of my second Concerto. First published 21 years after the composer's death, the piece is usually referred to as Lento con gran espressione, from its tempo marking. It is sometimes also called Reminiscence. The piece was played by Holocaust survivor Natalia Karp for the Nazi concentration camp commandant Amon Goeth, with Goeth being so impressed with the rendition that he spared Karp's life.This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army. Years later Szpilman also played this piece for German army officer Wilm Hosenfeld upon their first meeting, though in the corresponding film scene Szpilman plays an abridged version of Chopin's Ballade No. 1 in G minor, Op. 23. Hosenfeld later helped Szpilman hide and provided food to him in the last months of the war.It's been many years I've been inspired by this music after seeing violinist Midori (at age 12) having performed this (watch https://www.youtube.com/watch?v=Bw0UH1UXJVg ). So, here is my attempt for a string duo. Enjoy!
$13.50 ≈
£10.59
Playing Games Op. 13
Playing Games Op. 13
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Tayren N
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Playing Games Op. 13
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1027240 Composed by Tayren N. Ben-Abraham. 20th Century,Contemporary. Score. 6 pages. Tayren N. Ben-Abraham #2039329. Pub...
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Piano Solo - Level 4 - SKU: A0.1027240 Composed by Tayren N. Ben-Abraham. 20th Century,Contemporary. Score. 6 pages. Tayren N. Ben-Abraham #2039329. Published by Tayren N. Ben-Abraham (A0.1027240). Playing Games, Op. 13 is from the New York Collection. The work is about laughter, happiness, joy, and the side of life that contains all of these wondrous emotions. Also, it could also describe children playing an elaborate game as well outside on a sunny day. This solo piano work is meant as a stand alone piece on a concert or as part of a recital. This piece is appropriate for schools and for students learning to play in 3/8 time although for full realization, proper piano techniques are necessary to bring out the fullness of the piece. This piece was written on August 19, 2015 in Brookville, New York which makes the piece part of the New York Collection. The work is about 2 minutes long and was meant to be a short stand a long piece. Playing Games Op. 13 was written shortly after arriving in New York to begin my master's degree studies. It was conceived from the happiness and joy I felt in starting a new chapter in my life. I felt childlike again. I am an ASCAP writer and publisher.
$3.00 ≈
£2.35
The Lord's Will Theme
The Lord's Will Theme
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Will Shaw
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The Lord's Will Theme
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Phoenix Melodies
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1024222 Composed by Will Shaw. 20th Century,Christian,Contemporary,Sacred,Spiritual. Score. 3 pages. Phoenix Melodies #29...
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Piano Solo - Level 4 - SKU: A0.1024222 Composed by Will Shaw. 20th Century,Christian,Contemporary,Sacred,Spiritual. Score. 3 pages. Phoenix Melodies #2918767. Published by Phoenix Melodies (A0.1024222). The Lord's Will is the story of my life told through music. This is the piano solo music of the primary theme for the story. John Williams once said that you can be looking at something horrific but the music content can be giving you a sense of compassion. In our pre earth life, we all chose certain challenges. The lord knew that certain select children of his would take a course not as common to others. Those that take these courses don't always see life in the same way. Sometimes that to open another's eyes to see more than what is in front of them may be, The Lord's Will.
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