Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Give It All Up
Non classifié
14
Piano & claviers
Piano seul
14
Piano, Voix
6
Piano, Voix et Guitare
6
Orgue
3
Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
2
Voix
Chorale SATB
8
Chorale SSAA
2
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Chorale 2 parties
1
Vents
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière et Piano
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
2 Saxophones (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone (partie séparée)
1
Hautbois, Piano (duo)
1
+ 3 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette
2
Cor et Piano
1
Trombone et Piano
1
Trompette, Piano
1
Trombone
1
2 Trompettes (duo)
1
Cor et Orgue
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon, Violoncelle (duo)
1
Violon et Piano
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Piano
1
Violon
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
+ 3 instrumentations
Retracter
Percussions & orchestre
Orchestre
5
Ensemble Jazz
3
Orchestre à Cordes
2
Ensemble de cuivres
1
Jazz combo
1
Orchestre de chambre
1
Orchestre d'harmonie
1
+ 2 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Give It All Up
avancé
Partitions à imprimer
117 partitions trouvées
<
1
26
51
....
101
Give It All
Give It All
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Give It All
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842030 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #35454...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.842030 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3545443. Published by Andrew Mc Donald (Macka Records) (A0.842030). Give It All is a song about giving Jesus everything or all in our lives. If we do not then we are unfit to be called a disciple of Christ. He wants all of us not just a little bit or not just the left overs. This is why its hard for a rich man to enter the kingdom of God because it is hard for him to give up his wealth for Jesus.
$4.99 ≈
4.61€
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
#
James Nathaniel Holland
#
The Snow Queen, A Ballet in 3
#
James Nathaniel Holland
#
SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
(+)
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95 ≈
18.43€
All Creatures of our God and King Late Intermediate Piano Solo
All Creatures of our God and King Late Intermediate Piano Solo
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Lasst Uns Erfreuen
#
Amanda Tero
#
eighth notes vs
#
All Creatures of our God and K
#
Amanda Tero
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
(+)
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99 ≈
5.53€
Give It Up
Give It Up
#
Jazz combo
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Rene Karst
#
Nigel Hanley
#
Give It Up
#
Nigel Hanley Music
#
SheetMusicPlus
By Rene Karst. By Carnie Wilson, Casey, Chynna Phillips, Deborah Carter Hall, Finch, Hans Bruinsma, Harry Wayne Casey, Stef Bruinsma, Wendy Viora Wils...
(+)
By Rene Karst. By Carnie Wilson, Casey, Chynna Phillips, Deborah Carter Hall, Finch, Hans Bruinsma, Harry Wayne Casey, Stef Bruinsma, Wendy Viora Wilson, Wendy Wilson, and Glen Ballard. Arranged by Nigel Hanley. Disco, Funk, Latin, Pop, Rock. Score and parts. 52 pages. Nigel Hanley Music #4794439. Published by Nigel Hanley Music
$24.99 ≈
23.09€
A Cheerful Giver, a sacred hymn
A Cheerful Giver, a sacred hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
helping others that we see
#
Kevin G
#
A Cheerful Giver, a sacred hym
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1295732 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,...
(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1295732 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #886032. Published by Kevin G. Pace (A0.1295732). A joyful, cheerful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.  The text is in reference to 2 Corinthians 9:7 for God loveth a cheerful giver.Text:The Lord has given us His all,His miracles and ministry.We show our gratitude and love,By helping others that we see.Sore trials and tribulationsMeet us on the path of life.We can lift another’s burdens,Providing comfort, settling strife.A hug, a smile, a listening ear,A call, a treat, a simple thing,A gift, a card, a meal or two,We’ll never know the good it brings.May the Holy Spirit guide us,To perceive another’s needs,That through our great abundance,We’ll join thoughts with loving deeds.So, we’ll give our imperfect offering,With willing heart and hands,And the Lord in His great mercyWill help feeble knees to stand.Yes, be a cheerful giver,With the charity of God’s pure love,That in equality and strengthWe’ll be united up above.Chorus:The Lord loves a cheerful giver,Don’t begrudge the mite you share.Open your heart with gladness,Showing others that you care.
$1.99 ≈
1.84€
Give Thanks!
Give Thanks!
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Give Thanks!
#
Andrew Mc Donald
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.842246 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records)...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.842246 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #6167119. Published by Andrew Mc Donald (Macka Records) (A0.842246). Give Thanks is a song about being grateful. It actually cheers us up when we give thanks or praise to God and also cheers up those who are listening as well. This song has a fun marching band or Oompa Loompa sound to it like on Charlie and the Chocolate factory.
$4.99 ≈
4.61€
Still Shall We Rise
Still Shall We Rise
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Gavin Koh
#
Still Shall We Rise
#
Gavin Koh
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.874514 Composed by Gavin Koh. Concert,Contemporary,Standards. Score. 7 pages. Gavin Koh #5968253. Published by Gavin Koh ...
(+)
Piano Solo - Level 4 - SKU: A0.874514 Composed by Gavin Koh. Concert,Contemporary,Standards. Score. 7 pages. Gavin Koh #5968253. Published by Gavin Koh (A0.874514). Still Shall We Rise is an original composition by myself. In all this turmoil taking place on a global level, surely humanity will never give up. Don't ever lose hope! For Still Shall We Rise to overcome all adversity placed before us. I hope you love this piece as much as I enjoyed composing it.Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99 ≈
3.69€
Organ "Pitfall"Postlude
Organ "Pitfall"Postlude
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Simon Peberdy
#
Organ "Pitfall"Postl
#
Simon Peberdy
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.756873 Composed by Simon Peberdy. Christian,Concert,Contemporary,Sacred,Standards. Score. 5 pages. Simon Peberdy #31099. Publi...
(+)
Organ - Level 4 - SKU: A0.756873 Composed by Simon Peberdy. Christian,Concert,Contemporary,Sacred,Standards. Score. 5 pages. Simon Peberdy #31099. Published by Simon Peberdy (A0.756873). The time signature changes may trip you up, but they certainly make it interesting and fun to play. Called the Pitfall Postlude as it there always seemed to be some new slip that happened each time I tried to record this. Hopefully the mp3 gives you some idea though. One of a series of organ pieces in different styles to suite all occasions. For more, visit www.simonpeberdymusic.com
$1.99 ≈
1.84€
Give Me a Home
Give Me a Home
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Give Me a Home
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841500 Composed by Andrew Mc Donald. Contemporary,Country,Folk. Score. 7 pages. Andrew Mc Donald (Macka Records) #...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.841500 Composed by Andrew Mc Donald. Contemporary,Country,Folk. Score. 7 pages. Andrew Mc Donald (Macka Records) #3471237. Published by Andrew Mc Donald (Macka Records) (A0.841500). Give Me a Home is about the great Aussie dream of having some place to call home. It is having a chair on the veranda, a back yard and put me feet up to watch telly. An Aussie song which will appeal to all Australians. .
$4.99 ≈
4.61€
They Came Here to Dance (Swing Band Arrangement)
They Came Here to Dance (Swing Band Arrangement)
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Mike Strand, ASCAP
T
#
Mike Strand
#
They Came Here to Dance
#
Michael M. Strand
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00 ≈
7.39€
Never Gonna Give You Up
Never Gonna Give You Up
#
2 Saxophones (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Rick Astley
#
Russell Ward
#
Never Gonna Give You Up
#
Russell Ward
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.999558 By Rick Astley. By Ma...
(+)
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.999558 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Russell Ward. Contemporary. Score and parts. 7 pages. Russell Ward #6047149. Published by Russell Ward (A0.999558). This is the 3rd Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The 3rd movement here features the Rick Astley hit Never Gonna Give You Up Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99 ≈
13.85€
Never Gonna Give You Up
Never Gonna Give You Up
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Rick Astley
#
Denise Flatness
#
Never Gonna Give You Up
#
Denise Flatness
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1047397 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1047397 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Denise Flatness. 20th Century,Contemporary,Pop,Wedding. Score and parts. 11 pages. Denise Flatness #651958. Published by Denise Flatness (A0.1047397). Have you ever gotten the urge to Rick Roll an entire wedding party? Well, now's your chance! This is a fun arrangement of Never Gonna Give You Up that is perfect to add to any wedding and gigging music collection, and it's sure to catch the attention of all of your listeners!! Visit dflatstrings.com for more string arrangements.
$12.99 ≈
12.00€
Wake Me Up
Wake Me Up
#
Avicii
#
Steve Davison
#
Wake Me Up
#
Troupe Publishing
#
SheetMusicPlus
Large Ensemble B-Flat Trumpet,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Piano,Tenor Saxophone,Trombone,Tuba - Level 4 - SKU: A0.1112027 B...
(+)
Large Ensemble B-Flat Trumpet,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Piano,Tenor Saxophone,Trombone,Tuba - Level 4 - SKU: A0.1112027 By Avicii. By Aloe Blacc, Avicii, and Michael Einziger. Arranged by Steve Davison. Contemporary,Pop. Score and parts. 22 pages. Troupe Publishing #714195. Published by Troupe Publishing (A0.1112027). Written for a 'mini brass band', this arrangement throws an oompah twist on the Avicii dance hit. Wake Me Up starts with the brass playing the rhythmic opening, before the trombone takes the melody lead. As the drums enter, the trumpets take the melody. The ensemble builds through the introduction of the famous synth line and into the first chorus. A second verse and double chorus give the band time to get the crowd dancing up a storm! This arrangement is suitable for a confident and well-rounded school or community ensemble with a lead trumpet player capable of a high D. It includes an optional keys part for stage performances, and where you feel adding rhythm section players could bolster your ensemble. Wake Me Up works equally well with an acoustic New Orleans-style brass band ensemble on the street, or with production support on the stage.
$25.00 ≈
23.10€
I Heard It Through The Grapevine
I Heard It Through The Grapevine
#
Michael McDonald
#
Aaron Hettinga
#
I Heard It Through The Grapevi
#
Aaron Hettinga
#
SheetMusicPlus
Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.782077 By Michael McDonald. By Barrett Strong and Norman Whitfield. Arranged by Aaro...
(+)
Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.782077 By Michael McDonald. By Barrett Strong and Norman Whitfield. Arranged by Aaron Hettinga. Contemporary,Hip-Hop,Pop,R & B,Standards. Score and parts. 8 pages. Aaron Hettinga #6516793. Published by Aaron Hettinga (A0.782077). This arrangement of Marvin Gaye’s definitive version of I Heard It Through The Grapevine gives a horn section a chance to fill up a live performance when no full string section is available. This horn chart follows the key and form of the original track to bring some extra punch to the rhythm section. Really lifts up a live performance!
$12.99 ≈
12.00€
I Won't Give Up
I Won't Give Up
#
Violon
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Jason Mraz
#
Hollis Hammonds
#
I Won't Give Up
#
Hollis Roberts
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.915850 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Hollis Hammonds. Pop,Rock. 2 pages. Hollis Roberts #...
(+)
Violin Solo - Level 4 - SKU: A0.915850 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Hollis Hammonds. Pop,Rock. 2 pages. Hollis Roberts #4323283. Published by Hollis Roberts (A0.915850). This arrangement is ideal for weddings, parties, busking, or any event in which you want to shine as a solo violinist! It's written at an intermediate/advanced level and really takes advantage of what the violin is capable of by moving from explosive chords in the chorus to an intimate pizzicato ending. A few fingering suggestions are included in the part.
$5.99 ≈
5.53€
Can You Believe It's Happening?
Can You Believe It's Happening?
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew McDonald
#
Andrew McDonald
#
Can You Believe It's Happening
#
Andrew Mc Donald
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1280017 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1280017 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score. 7 pages. Andrew Mc Donald (Macka Records) #871437. Published by Andrew Mc Donald (Macka Records) (A0.1280017). Can You Believe It's Happening is a song about attending a rally and finding salvation. Finding myself in a big crowd and with loud music and a preacher man giving his testimony I walk up to the stage and give my heart to Jesus. Can you believe it's happening? Jesus is doing something! I am getting saved! This is a pop song for piano and female vocals.
$4.99 ≈
4.61€
Straighten Up And Fly Right
Straighten Up And Fly Right
#
Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE/AVANCÉ
#
Irving Mills and Nat King Cole
#
John Fries
#
Straighten Up And Fly Right
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499878 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fa...
(+)
C Instrument - Level 4 - SKU: A0.499878 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113145. Published by John Fries (A0.499878). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Straighten Up and Fly Right is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. It was the trio's most popular single, reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The song was based on a black folk tale that Cole's father had used as a theme for one of his sermons. In the tale, a buzzard takes different animals for a joy ride. When he gets hungry, he throws them off on a dive and eats them for dinner. A monkey who had observed this trick goes for a ride; he wraps his tail around the buzzard's neck and gives the buzzard a big surprise by nearly choking him to death.
$3.99 ≈
3.69€
Straighten Up And Fly Right
Straighten Up And Fly Right
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Irving Mills and Nat King Cole
#
John Fries
#
Straighten Up And Fly Right
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198931 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Sc...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198931 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #798032. Published by John Fries (A0.1198931). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Straighten Up and Fly Right is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. It was the trio's most popular single, reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The song was based on a black folk tale that Cole's father had used as a theme for one of his sermons. In the tale, a buzzard takes different animals for a joy ride. When he gets hungry, he throws them off on a dive and eats them for dinner. A monkey who had observed this trick goes for a ride; he wraps his tail around the buzzard's neck and gives the buzzard a big surprise by nearly choking him to death.
$4.99 ≈
4.61€
Let's sing, it's Spring!
Let's sing, it's Spring!
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
David Rain
#
David Rain
#
Let's sing, it's Spring!
#
David Rain, Choral Composer
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1101494 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary. 12 page...
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1101494 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary. 12 pages. David Rain, Choral Composer #704869. Published by David Rain, Choral Composer (A0.1101494). “Let’s sing, it’s Spring!†is dedicated to my dear uncle and aunt, James and Daphne Shaw, and their amazing clan, the “Bowen Island Shaws.†I have given this song the sub-title: “A Crazy Choral Etude for Rolled Rs and Perfect 5ths.†It is meant, no pun intended, to be a musical lark, great fun for a choir to sing, rolling Rs like crazy, with no holding back. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “Let’s sing, it’s Spring!â€, with its rousing coda, works perfectly as the closing number of this suite.
$2.00 ≈
1.85€
Straighten Up And Fly Right
Straighten Up And Fly Right
#
Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE/AVANCÉ
#
Irving Mills and Nat King Cole
#
John Fries
#
Straighten Up And Fly Right
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1148962 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / F...
(+)
C Instrument - Level 4 - SKU: A0.1148962 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #749093. Published by John Fries (A0.1148962). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Straighten Up and Fly Right is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. It was the trio's most popular single, reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The song was based on a black folk tale that Cole's father had used as a theme for one of his sermons. In the tale, a buzzard takes different animals for a joy ride. When he gets hungry, he throws them off on a dive and eats them for dinner. A monkey who had observed this trick goes for a ride; he wraps his tail around the buzzard's neck and gives the buzzard a big surprise by nearly choking him to death.
$3.99 ≈
3.69€
It Don't Mean A Thing (if It Ain't Got That Swing)
It Don't Mean A Thing (if It Ain't Got That Swing)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Duke Ellington
#
BARRY MOLINSKI
#
blues growd up
#
It Don't Mean A Thing
#
Barry Molinski
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1294176 By Du...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1294176 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by BARRY MOLINSKI. Barbershop,Blues,Broadway,Jazz,Musical/Show,Standards. 23 pages. Barry Molinski #884601. Published by Barry Molinski (A0.1294176). Duke Ellington's classic IT DON'T MEAN A THING for Saxophone Quartet (SS/AS) AS TS BSMedium uptime tempo, not so easy to play, but fun! Burnin' chart! Enjoyable music. Well known from the Broadway Musicals.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 4 - Music by Duke Ellington.This swinging arrangement comes with an original introduction in slower tempo, followed by the theme and written lines for all saxes.Two improvised solos, on tenor part and alto part with backing fills.This bluesy tune gives you the right atmosphere to be in a smokin' 'n' drinkin' bar in the United States, where jazz & blues growd up.Good arrangement to play this on stage as a set opener.Broadway, Film/TV, Musical/Show, Pop, Classics, Blues, Jazz & Blues, 23 pages.
$24.99 ≈
23.09€
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven, Cees Nie
#
Fantasia Sonata in D Major for
#
Upstream Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
(+)
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
26.79€
He Will Lead Me Home
He Will Lead Me Home
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin Longley
#
Kevin Longley
#
He Will Lead Me Home
#
Kevin Longley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99 ≈
1.84€
Festival
Festival
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Mike Lyons
#
Festival
#
Lyons Music Services
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
(+)
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00 ≈
50.81€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.98€
<
1
26
51
....
101