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I find again
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165 partitions trouvées
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151
I'll Never Smile Again
I'll Never Smile Again
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Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
#
Tommy Dorsey & His Orchestra
#
John Fries
#
I'll Never Smile Again
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499583 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet /...
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C Instrument - Level 4 - SKU: A0.499583 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112880. Published by John Fries (A0.499583). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I'll Never Smile Again is a 1940 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers.
$3.99 ≈
3.69€
I Just Fall In Love Again
I Just Fall In Love Again
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Anne Murray
#
John Fries
#
I Just Fall In Love Again
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200460 By Anne Murray. By Gloria Sklerov, Harry Lloyd, Larry Herbstritt, and Stephen H. Dorff. Arranged by...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200460 By Anne Murray. By Gloria Sklerov, Harry Lloyd, Larry Herbstritt, and Stephen H. Dorff. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Score. 2 pages. John Fries #799287. Published by John Fries (A0.1200460). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  I Just Fall in Love Again is a song written by Larry Herbstritt, with co-writers Steve Dorff, Harry Lloyd, and Gloria Sklerov. Herbstritt had composed the melody and chords for the chorus and a chord progression for the verse, which he took to his friend Steve Dorff. Harry Lloyd and Gloria Sklerov completed the lyrics. The song was originally recorded by the Carpenters and later covered by Dusty Springfield, and Anne Murray, who was unaware Springfield had recorded it just 6 months prior.
$4.99 ≈
4.61€
I'll Never Smile Again
I'll Never Smile Again
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Tommy Dorsey & His Orchestra
#
John Fries
#
I'll Never Smile Again
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198271 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Pop,Standards. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198271 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #797463. Published by John Fries (A0.1198271). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I'll Never Smile Again is a 1940 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers.
$4.99 ≈
4.61€
Indiana (back Home Again In Indiana)
Indiana (back Home Again In Indiana)
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Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
#
Hanley
#
John Fries
#
Indiana
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499935 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John F...
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C Instrument - Level 4 - SKU: A0.499935 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113179. Published by John Fries (A0.499935). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Although it is not the state song of Indiana (which is On the Banks of the Wabash, Far Away), it is perhaps the best-known song that pays tribute to the Hoosier state. Since 1946, Back Home Again in Indiana has been performed during pre-race ceremonies before the Indianapolis 500. During the song, thousands of multicolored balloons are released from an infield tent.
$3.99 ≈
3.69€
Indiana (back Home Again In Indiana)
Indiana (back Home Again In Indiana)
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Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Hanley
#
John Fries
#
Indiana
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197333 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards,Traditional. Score. 1 pages...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197333 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards,Traditional. Score. 1 pages. John Fries #796497. Published by John Fries (A0.1197333). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Although it is not the state song of Indiana (which is On the Banks of the Wabash, Far Away), it is perhaps the best-known song that pays tribute to the Hoosier state. Since 1946, Back Home Again in Indiana has been performed during pre-race ceremonies before the Indianapolis 500. During the song, thousands of multicolored balloons are released from an infield tent.
$4.99 ≈
4.61€
We'll Be Together Again
We'll Be Together Again
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Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Douglas MacLean
#
John Fries
#
We'll Be Together Again
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1195787 Composed by Douglas MacLean. Arranged by John Fries. 20th Century,Jazz. Score. 1 pages. John Fries ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1195787 Composed by Douglas MacLean. Arranged by John Fries. 20th Century,Jazz. Score. 1 pages. John Fries #794956. Published by John Fries (A0.1195787). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. We'll Be Together Again is a 1945 popular song composed by Carl T. Fischer, with lyrics by Frankie Laine. Fischer was Laine's pianist and musical director when he composed the tune, and Laine was asked to write the lyrics for it. The Pied Pipers were the first to release the song, and as well as Laine. it has since been recorded by such notable vocalists as Billie Holiday, Frank Sinatra, Louis Armstrong, Lou Rawls and Tony Bennett.
$4.99 ≈
4.61€
Alone Again (naturally)
Alone Again (naturally)
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Gilbert O'Sullivan
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John Fries
#
Alone Again
#
John Fries
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1274156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages....
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Piano Solo - Level 4 - SKU: A0.1274156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #866291. Published by John Fries (A0.1274156). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  Alone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. It was released in 1972 at the same time as, but not included on, the album, Back to Front. In total, the single spent six weeks, non-consecutively, at No. 1 on the United States Billboard Hot 100 singles chart. Billboard ranked it as the No. 2 song for 1972.
$5.99 ≈
5.53€
When I Land
When I Land
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Greg Bartholomew
#
When I Land
#
Burke & Bagley
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25 ≈
2.08€
We'll Be Together Again
We'll Be Together Again
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Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Frankie Laine
#
John Fries
#
We'll Be Together Again
#
John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1203396 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by John Fries. 20th Century. Score. 3...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1203396 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by John Fries. 20th Century. Score. 3 pages. John Fries #802072. Published by John Fries (A0.1203396). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.
$4.99 ≈
4.61€
Let Thy Holy Spirit Guide, sacred music for SATB choir, 2023
Let Thy Holy Spirit Guide, sacred music for SATB choir, 2023
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Mark R
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Let Thy Holy Spirit Guide, sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1219695 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1219695 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #816065. Published by Kevin G. Pace (A0.1219695). A stunning, sacred choral arrangement for SATB choir.  Music by Kevin G. Pace.  Text by Kevin G. Pace & Mark R. Fotheringham.Text:Let Thy Holy Spirit guide, throughout my journey on earth. Thou hast blessed me graciously from the very moment of birth. Let me hold the iron rod. Help me find the way. Lead me to the tree of life to rejoice while still it is the day.Let Thy Holy Spirit guide, May thy tender mercies mercies revealed Lead me to the tree of life. Let me serve Thee,  Thy love to love to  feel.Let Thy Holy Spirit guide, Though strait and narrow the way. Keep me on the path to Thee through the darkness lest I should stray. May I ever find joy in Thee, as my will meets Thine. Let me see Thy countenance, recognizing something there in mine. Let Thy Holy Spirit guide. May my place with Thee be assured.Lead me to the tree of life. Through repentance my ills be cured.Let Thy Holy Spirit guide when mortal life has an end.Let my soul be lifted up to behold Thy presence again. Guide my steps by faith in Thee. Lead me I implore. May I find my place with Thee, there abide to go out nevermore. Let Thy Holy Spirit guide. Neither stranger nor as a guest, Lead me to the tree of life. Let me there find eternal rest.
$1.99 ≈
1.84€
Concerto for Concert Band (2011) full score
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99 ≈
9.23€
I MISS YOU (Sombra Encantadora)
I MISS YOU (Sombra Encantadora)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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I MISS YOU
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1432656 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,Wo...
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Piano Solo - Level 4 - SKU: A0.1432656 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 5 pages. White Piano International Publishing #1012441. Published by White Piano International Publishing (A0.1432656). I MISS YOU (Cada Momento Te Extraño)Original Piano Solo Music) from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1988Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)5 pagesDuration approximately 3 minutesIn 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. I MISS YOU is a composition set to a gentle rhumba tempo. Its melody eloquently conveys a deep sense of longing and yearning, capturing the poignant emotions of missing a cherished loved one. This heartfelt romantic song resonates with the desire to reunite and be together again. Like many tracks on the album, it hints at the possibility of narrating a love tale through the evocative use of imaginary Spanish words.The piano sheet music for I MISS YOU is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$2.99 ≈
2.76€
Breeze
Breeze
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Damien Gauci
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Breeze
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1425801 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 6 pages. Damien Gauci #1006561. Published by Damie...
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Piano Solo - Level 4 - SKU: A0.1425801 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 6 pages. Damien Gauci #1006561. Published by Damien Gauci (A0.1425801). As the name entails, this piece is meant to reflect the warm summer breeze that moves over your skin and through your hair. The piece travels through a variety of moods, like a warm summer breeze would throughout the day. It begins as a calm and inviting gentle breeze that is comfortable to sit in and then it begins to take off as it moves into the following sections. After a tumultuous journey, the breeze finally settles again and returns to a gentle breeze in the afternoon.When writing this piece, I wanted to keep it simple and easy to listen to, but I couldn’t help but explore where the idea wanted to go. I think that this is a recurring theme for most of the pieces in this album as they have a section that is calm and of a reflective nature but then there are other sections that are more active and agile.It’s something I find difficult to write a piece that sticks to the one style, theme, or mood and really explores it deeply, but something that I’m inspired to do in my future compositions.
$1.99 ≈
1.84€
The Adoration of the Magi
The Adoration of the Magi
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Timothy Stephens
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The Adoration of the Magi
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291810 Composed by Timothy Stephens. A Cappella,Christmas. 20 pages. Seolta Music Limited #882422...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291810 Composed by Timothy Stephens. A Cappella,Christmas. 20 pages. Seolta Music Limited #882422. Published by Seolta Music Limited (A0.1291810). William Butler Yeats ends his short story The Adoration of the Magi with the narrator describing a centuries old Gaelic prayer… when I pray against the demons I repeat a prayer which was made I know not how many centuries ago to help some poor Gaelic man or woman who had suffered with a suffering like mine.â€The ancient prayer is presented for female voices and solo violin followed by The Magi introducing piano and choir. Yeats’ Magi “appear and disappear†in modern times, with “their ancient faces like rain-beaten stonesâ€. They continue to search and wait for Christ’s second coming with their “eyes still fixed, hoping, hopingâ€.  The Magi will remain “the unsatisfied ones†until they “find once more, the uncontrollable mystery on the bestial floor.â€To explore all choral titles in College Choral Series please click here.
$2.50 ≈
2.31€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99 ≈
41.57€
Beyond The Sea
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
23.10€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.24€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
27.72€
Rhapsody for Concert Band
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.48€
Breathe Low
Breathe Low
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Publishe...
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Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50 ≈
4.16€
Civility
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75 ≈
4.39€
Hidden Pathways
Hidden Pathways
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Elena Fortin
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Hidden Pathways
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.744621 Composed by Elena Fortin. Contemporary. Score. 4 pages. Elena Fortin #4717595. Published by Elena Fortin (A0.74462...
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Piano Solo - Level 4 - SKU: A0.744621 Composed by Elena Fortin. Contemporary. Score. 4 pages. Elena Fortin #4717595. Published by Elena Fortin (A0.744621). Hidden Pathways for Piano SoloI have always loved the poem The Road Not Taken by Robert Frost. It started me on the following thought process: What if you had the chance to wander through some woods and you happened to discover a hidden path. What would happen if you followed it? Maybe you would find an amazing, enchanted place that you would want to visit and re-visit again and again. Hidden Pathways is written in D-flat major–which sounds like a challenging key–it has five flats! But for some reason, D-flat sounds really enchanting to me. And it seems to fit the hands really well too! The piece could probably be classified as Neo-classical or New-Age Instrumental. I never know how to classify these things. The piece explores the whole range of the piano and the challenge is to play this piece with sensitive pedaling and expressiveness.It is a suitable solo for recitals, church settings, or your own personal enjoyment.I hope you enjoy it!Please visit my website: www.the-piano-studio.com or subscribe to my YouTube Channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99 ≈
4.61€
Three Blessings, Op. 14
Three Blessings, Op. 14
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Tyler J
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Three Blessings, Op. 14
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TJHoltMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1021621 Composed by Tyler J. Holt. 20th Century,Christian,Praise & Worship,Sacred. Score. 31 pages. TJHoltMusic #6137171....
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Piano Solo - Level 4 - SKU: A0.1021621 Composed by Tyler J. Holt. 20th Century,Christian,Praise & Worship,Sacred. Score. 31 pages. TJHoltMusic #6137171. Published by TJHoltMusic (A0.1021621). Three Blessings, Op. 14 is a suite in three movements for solo piano. Each movement is based on a verse in the bible as well as the doxology. The first movement, in G major, is based on Psalm 34:8, blessed is the one who takes refuge in him, which commands the disciple to trust the Lord and see that the Lord is good rather than fear him. A dialogue between the disciple and the Lord takes place in each section of the piece, as the motives are based on call and response. The second movement, in B major, is based on the text from the doxology, Praise God, from whom all blessings flow, which is represented through the use of the pedal and melodic content, as well as the peaceful mood. The third movement, in C major, is based on Philippians 4:4, Rejoice in the Lord always, and again I say, Rejoice! A recurring theme in the form of a minuet, a dance in 3, conveys the feeling of joy in the Lord, and to have complete faith in him.This piece is dedicated to my church family at Severna Park United Methodist Church, who have helped me find myself once again through love and Christ. They have blessed me, so it is only natural that Jesus allows me to give my blessings unto him and unto you. In his gracious name, amen.I. ...blessed is the one who takes refuge in himII. ...from whom all blessings flowIII. Rejoice in the Lord alwaysComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer
$20.00 ≈
18.48€
Violin Concerto, opus 129 (2009) for violin solo and orchestra
Violin Concerto, opus 129 (2009) for violin solo and orchestra
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe ...
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Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99 ≈
9.23€
Contagion (Full Album Score)
Contagion (Full Album Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00 ≈
23.10€
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