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Vous avez sélectionné:
Night of the Full Moon Cello
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Partitions à imprimer
6 partitions trouvées
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1
Night of the Full Moon - Cello & Piano
Night of the Full Moon - Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Night of the Full Moon - Cello
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James M Stevens Music ASCAP
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.573952 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Spiritual. Scor...
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Cello,Piano - Level 4 - SKU: A0.573952 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Spiritual. Score and part. 8 pages. James M Stevens Music ASCAP #6208713. Published by James M Stevens Music ASCAP (A0.573952). Written December 28, 2020, this an original cello and piano composition in a reflective and dreamy style with a lyrical melody in the cello part. There is a separate cello part in the score and the piano accompaniment as heard can be found under Night of the Full Moon Piano Track.
$6.99 ≈
$9.50
Morango ... almost a tango, full score
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99 ≈
$13.58
Night of the Full Moon - Viola & Piano
Night of the Full Moon - Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Night of the Full Moon - Viola
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.573953 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred. Score a...
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Piano,Viola - Level 4 - SKU: A0.573953 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6209071. Published by James M Stevens Music ASCAP (A0.573953). Written December 28, 2020, this an original viola and piano composition in a reflective and dreamy style with a lyrical melody in the cello part. There is a separate viola part in the score and the piano accompaniment as heard can be found under Night of the Full Moon Piano Track.
$6.99 ≈
$9.50
Walter the Weary Werewolf, Halloween Duet for Cello
Walter the Weary Werewolf, Halloween Duet for Cello
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Walter the Weary Werewolf, Hal
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David McKeown
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.592403 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358925....
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Cello Duet Cello - Level 4 - SKU: A0.592403 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358925. Published by David McKeown (A0.592403). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for two Cellos. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Cello.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.42
Walter the Weary Werewolf, Halloween Duet for Violin and Cello
Walter the Weary Werewolf, Halloween Duet for Violin and Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Walter the Weary Werewolf, Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.592406 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score a...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.592406 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358931. Published by David McKeown (A0.592406). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Violin and one Cello. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin and Cello.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.42
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
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Night of the Full Moon Cello 
