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Once Again
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Vous avez sélectionné:
Once Again
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Partitions à imprimer
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476
Rhapsody for Concert Band
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.16€
Solon: Lawgiver of Athens (for concert band)
Solon: Lawgiver of Athens (for concert band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michael Compton
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Solon: Lawgiver of Athens
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Kreechur Kumfort Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.833832 Composed by Michael Compton. Contemporary. Score and parts. 100 pages. Kreechur Kumfort Publishing #4303995. Pub...
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Concert Band - Level 4 - SKU: A0.833832 Composed by Michael Compton. Contemporary. Score and parts. 100 pages. Kreechur Kumfort Publishing #4303995. Published by Kreechur Kumfort Publishing (A0.833832). In the year 594 BC, as the city-state of Athens was spiraling into social and economic ruin, Solon was elected Chief Magistrate. From this position of power earned on the battlefield, Solon was able to institute reforms and a new manner of governance. At a time when a high percentage of the people were steeped in indentured servitude due to crushing debt owed to a small percentage of aristocrats, his reforms were in no way popular, however they paved the way towards modern day democracy. Solon: Lawgiver of Athens depicts Athens during this time as Solon comes to power. You will hear the great city-state of Athens, the senate in turmoil, Solon shouting down the din, speaking calmly and with measured reason, and eventually you will hear a move towards a major tonality of the themes as Solon’s reforms take hold and social and economic stability is once again established. This piece was written to commemorate the opening of the Solon Center for the Arts in 2017 and was first performed by Solon High School Band in Solon, IA.
$35.00 ≈
31.77€
Yesterday, Once Again
Yesterday, Once Again
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Amy Dunker
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4:45
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Yesterday, Once Again
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Amy Dunker
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.969853 Composed by Amy Dunker. Concert,Contemporary,Easter. 12 pages. Amy Dunker #5888503. Published by Amy Dunker (A0....
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Piano,Violin - Level 4 - SKU: A0.969853 Composed by Amy Dunker. Concert,Contemporary,Easter. 12 pages. Amy Dunker #5888503. Published by Amy Dunker (A0.969853). Notes: Yesterday, Once Again is a melancholic voyage through memories once forgotten Duration: 4:45
$12.00 ≈
10.89€
One Day... Once Again
One Day... Once Again
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marcos Vinicius
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One Day... Once Again
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Preludio s.r.l.
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Publ...
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Solo Guitar - Level 4 - SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Published by Preludio s.r.l. (A0.808961). One Day... Once Again is a guitar piece written by the brazilian guitarist Marcos Vinicius.
$8.99 ≈
8.16€
Once Again
Once Again
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Bill Keis
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Once Again
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Bill Keis Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.958207 Composed by Bill Keis. Jazz. Score and parts. 3 pages. Bill Keis Music #3501067. Published by Bil...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.958207 Composed by Bill Keis. Jazz. Score and parts. 3 pages. Bill Keis Music #3501067. Published by Bill Keis Music (A0.958207). I composed this song way back in 1982. I performed it at a party at Mad Hatter Studios, originally owned by Chick Corea. He said, Nice tune, Bill.In 2015, I recorded it on my Solo Piano CD, Smile (available on iTunes)https://youtu.be/-EHMbSHIb74Also recorded in 2011 on the Power Jazz, Live Again CD (available on iTunes)https://youtu.be/gXwVHF_-MIcAnd here's a very old live recording!https://youtu.be/iFuxNTEBSrM
$3.99 ≈
3.62€
"Once Again" by Tania Przywara (2020), Piano Solo
"Once Again" by Tania Przywara (2020), Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Tania Przywara
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"Once Again" by Tani
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Tania Przywara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1017631 By Tania Przywara. By Tania Przywara. 20th Century,Film/TV,Romantic Period. Score. 5 pages. Tania Przywara #61894...
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Piano Solo - Level 4 - SKU: A0.1017631 By Tania Przywara. By Tania Przywara. 20th Century,Film/TV,Romantic Period. Score. 5 pages. Tania Przywara #6189461. Published by Tania Przywara (A0.1017631). Original solo piano composition by American pianist and composer, Tania Przywara, Copyright © 2020Composition inspired by an original poem by Tania Przywara [Poem excerpt]  ...To see you again My heart is healed of pain...Piece duration approx. 2 minutes, 20 secondsDiscover more: http://www.taniaprzywara.com Follow: https://www.instagram.com/taniaprzywara/ Follow: https://twitter.com/TaniaPrzywara Support: https://www.patreon.com/TaniaPrzywaraÂ
$2.79 ≈
2.53€
Concerto for Concert Band (2011) full score
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99 ≈
9.07€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
45.38€
Concerto Grosso in F minor.
Concerto Grosso in F minor.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00 ≈
27.23€
Make America Great Again - Concert Band Arrangement
Make America Great Again - Concert Band Arrangement
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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R
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Roland Moralis
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Make America Great Again - Con
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Rosemary Neilson
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Oboe,Piccolo,Tenor Saxophone,Timpani,Trombone,Trumpet,Vio...
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Large Ensemble Alto Saxophone,Bassoon,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Oboe,Piccolo,Tenor Saxophone,Timpani,Trombone,Trumpet,Violin - Level 4 - SKU: A0.982981 Composed by R. Sepe Neilson. Arranged by Roland Moralis. Concert,Contemporary,Holiday,Jazz,Patriotic. Score and parts. 6 pages. Rosemary Neilson #5805835. Published by Rosemary Neilson (A0.982981). A rousing patriotic march appropriate for any national holiday or similar event with lyrics and full orchestration for concert band.
$1.99 ≈
1.81€
Violin Concerto, opus 129 (2009) for violin solo and orchestra
Violin Concerto, opus 129 (2009) for violin solo and orchestra
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe ...
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Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99 ≈
9.07€
Symbology for Concert Band
Symbology for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
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Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99 ≈
36.30€
Once In Royal David's City variations for two pianos
Once In Royal David's City variations for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City var
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James Mayhew
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Perio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99 ≈
4.53€
Petit concert en sextuor for oboe, harpsichord and string quartet
Petit concert en sextuor for oboe, harpsichord and string quartet
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Contemporain
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Brian Joyce
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Petit concert en sextuor for o
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Brian Joyce
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SheetMusicPlus
Small Ensemble,Strings Harpsichord,Oboe - Level 4 - SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian ...
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Small Ensemble,Strings Harpsichord,Oboe - Level 4 - SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian Joyce #2881183. Published by Brian Joyce (A0.836700). An 18-minute concerto in three movements for oboe, harpsichord and string quartet.From the program notes . . . .I can imagine readers glancing over a recital program and seeing that it includes a work for oboe, harpsichord and string quartet. They steel themselves against the onset of what promises to be a dull and dreary piece played by unsmiling people in black suits. My imaginary audience may be pleased to find that this Petit Concert is nothing of the sort. It is actually a rather relaxed piece, combining something of the 18th century Rococo (which was never very serious to begin with) and Steely Dan-influenced Hindemith. But just as a chef will hide the most unlikely ingredients in his sauces and confections, I hope I have concealed these disparate influences in a piece which speaks with its own voice. Here, then, is a short concerto with little if any overt virtuosity; it is offered simple for the enjoyment of players and audience alike. In this it perhaps comes round full circle to composers like François Couperin who preferred to please their listeners rather than stun them.Relaxed the piece may be. To be sure, ranges and techniques are far from extreme and there are plenty of triadic sonorities and almost normal functional harmony here. But there are also moments of jazz-inflected chromaticism and frequent meter changes to contend with. It will take players who can hold their own in a mildly dissonant sound world to pull this off. Careful attention to dynamics, tight ensemble and flawless intonation are a must, but diligent players will be rewarded with an immediate audience-pleaser.A separate harpsichord part is included for players who prefer not to read from the score. Equal temperament and a=440 are assumed for the harpsichord. A two manual instrument is preferred but not absolutely necessary.
$22.50 ≈
20.42€
Prelude on Revive Us Again ('We Praise Thee O God')
Prelude on Revive Us Again ('We Praise Thee O God')
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Revive Us Again
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John Burkett
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1349683 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 5 pages. John Burkett #93445...
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Organ - Level 4 - SKU: A0.1349683 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 5 pages. John Burkett #934452. Published by John Burkett (A0.1349683). My Prelude on the hymn tune Revive Us Again (We Praise Thee O God) was conceived for a three-manual organ and has a somewhat challenging pedal part. The harmonic idiom reflects the influence of certain 20th century techniques (such as building chords by fourths), which create a sound world that, while still tonal, embraces somewhat greater dissonance than traditional practice allowed. Modern ears though are accustomed to, and even enjoy, such sounds. The introduction and interludes are based upon a rhythmic motive taken from the hymn tune, which itself is treated canonically at one point. In another instance, even two different phrases are vertically combined. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00 ≈
7.26€
Indiana (back Home Again In Indiana)
Indiana (back Home Again In Indiana)
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Hanley
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John Fries
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Indiana
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499935 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John F...
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C Instrument - Level 4 - SKU: A0.499935 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113179. Published by John Fries (A0.499935). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Although it is not the state song of Indiana (which is On the Banks of the Wabash, Far Away), it is perhaps the best-known song that pays tribute to the Hoosier state. Since 1946, Back Home Again in Indiana has been performed during pre-race ceremonies before the Indianapolis 500. During the song, thousands of multicolored balloons are released from an infield tent.
$3.99 ≈
3.62€
I'll Never Smile Again
I'll Never Smile Again
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Tommy Dorsey & His Orchestra
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John Fries
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I'll Never Smile Again
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499583 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet /...
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C Instrument - Level 4 - SKU: A0.499583 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112880. Published by John Fries (A0.499583). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I'll Never Smile Again is a 1940 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers.
$3.99 ≈
3.62€
Alone Again (naturally)
Alone Again (naturally)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gilbert O'Sullivan
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John Fries
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Alone Again
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1274156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages....
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Piano Solo - Level 4 - SKU: A0.1274156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #866291. Published by John Fries (A0.1274156). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  Alone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. It was released in 1972 at the same time as, but not included on, the album, Back to Front. In total, the single spent six weeks, non-consecutively, at No. 1 on the United States Billboard Hot 100 singles chart. Billboard ranked it as the No. 2 song for 1972.
$5.99 ≈
5.44€
Indiana (back Home Again In Indiana)
Indiana (back Home Again In Indiana)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Hanley
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John Fries
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Indiana
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197333 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards,Traditional. Score. 1 pages...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1197333 Composed by Hanley. Arranged by John Fries. 20th Century,Jazz,Standards,Traditional. Score. 1 pages. John Fries #796497. Published by John Fries (A0.1197333). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Although it is not the state song of Indiana (which is On the Banks of the Wabash, Far Away), it is perhaps the best-known song that pays tribute to the Hoosier state. Since 1946, Back Home Again in Indiana has been performed during pre-race ceremonies before the Indianapolis 500. During the song, thousands of multicolored balloons are released from an infield tent.
$4.99 ≈
4.53€
I Just Fall In Love Again
I Just Fall In Love Again
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anne Murray
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John Fries
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I Just Fall In Love Again
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200460 By Anne Murray. By Gloria Sklerov, Harry Lloyd, Larry Herbstritt, and Stephen H. Dorff. Arranged by...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200460 By Anne Murray. By Gloria Sklerov, Harry Lloyd, Larry Herbstritt, and Stephen H. Dorff. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Score. 2 pages. John Fries #799287. Published by John Fries (A0.1200460). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  I Just Fall in Love Again is a song written by Larry Herbstritt, with co-writers Steve Dorff, Harry Lloyd, and Gloria Sklerov. Herbstritt had composed the melody and chords for the chorus and a chord progression for the verse, which he took to his friend Steve Dorff. Harry Lloyd and Gloria Sklerov completed the lyrics. The song was originally recorded by the Carpenters and later covered by Dusty Springfield, and Anne Murray, who was unaware Springfield had recorded it just 6 months prior.
$4.99 ≈
4.53€
We'll Be Together Again
We'll Be Together Again
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Douglas MacLean
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John Fries
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We'll Be Together Again
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1195787 Composed by Douglas MacLean. Arranged by John Fries. 20th Century,Jazz. Score. 1 pages. John Fries ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1195787 Composed by Douglas MacLean. Arranged by John Fries. 20th Century,Jazz. Score. 1 pages. John Fries #794956. Published by John Fries (A0.1195787). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. We'll Be Together Again is a 1945 popular song composed by Carl T. Fischer, with lyrics by Frankie Laine. Fischer was Laine's pianist and musical director when he composed the tune, and Laine was asked to write the lyrics for it. The Pied Pipers were the first to release the song, and as well as Laine. it has since been recorded by such notable vocalists as Billie Holiday, Frank Sinatra, Louis Armstrong, Lou Rawls and Tony Bennett.
$4.99 ≈
4.53€
I'll Never Smile Again
I'll Never Smile Again
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Tommy Dorsey & His Orchestra
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John Fries
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I'll Never Smile Again
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198271 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Pop,Standards. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198271 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #797463. Published by John Fries (A0.1198271). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I'll Never Smile Again is a 1940 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers.
$4.99 ≈
4.53€
We'll Be Together Again
We'll Be Together Again
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Frankie Laine
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John Fries
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We'll Be Together Again
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1203396 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by John Fries. 20th Century. Score. 3...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1203396 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by John Fries. 20th Century. Score. 3 pages. John Fries #802072. Published by John Fries (A0.1203396). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.
$4.99 ≈
4.53€
Christmas Comes Again, for soprano
Christmas Comes Again, for soprano
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Noël
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Jill Hudson
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Christmas Comes Again, for sop
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Jill Hudson
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.1005525 Composed by Jill Hudson. Christmas,Concert,Contemporary,Sacred,Standards. Score and parts. ...
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Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.1005525 Composed by Jill Hudson. Christmas,Concert,Contemporary,Sacred,Standards. Score and parts. 13 pages. Jill Hudson #6113243. Published by Jill Hudson (A0.1005525). Original song by Jill Hudson, arranged for Soprano, piano and flute. Based on scripture from Luke 2:14-15, Matthew 5:1-12, and John 4:15. Perfect for Advent and Christmas seasons, concerts, recitals, and worship services. SSA arrangement available as well on sheet music plus.
$4.99 ≈
4.53€
Against Hope, Believe in Hope, a sacred hymn
Against Hope, Believe in Hope, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Against Hope, Believe in Hope,
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1082289 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1082289 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #686439. Published by Kevin G. Pace (A0.1082289). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text is inspired by the verse in the book of Romans 4:18- Who against hope believed in hope, that he might become the father of many nations, according to that which was spoken. Text: Against hope, believe in hope. Hold God’s sturdy hand. Act on heavn’ly promises like the way He planned. Against hope, believe in hope. God is still alive. When clear vision perishes, hope lets sight survive. When our God resided where space seemed null and void, Miracles remained delayed ‘til hope was employed. Acting on what can’t be seen, mid pure chaos there, He created order then, with concerning care. In our God’s provision to part all dark and light, He engaged his perfect will and his honest might. Acting on an unseen view, new days came to be. Hope brought intervals with time, verity to see. Against hope, believe in hope. With our God be yoked. Act on his sure promises, blessings to invoke. Against hope, believe in hope. God is filled with love. When clear vision perishes, God is still above. Act with hope; believe in hope. He will surely hear. Act with hope; believe in hope ‘til our God draws near.
$1.99 ≈
1.81€
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Once Again
