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Prelude No 2 in A
Non classifié
10
Piano & claviers
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39
Orgue
2
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1
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1
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1
Clarinette
1
Flûte, Hautbois, Clarinette, Basson
1
+ 3 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Cors (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
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4
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Vous avez sélectionné:
Prelude No 2 in A
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Partitions à imprimer
120 partitions trouvées
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101
Ave Maria on the First Prelude of J. S. Bach (G Major)
Ave Maria on the First Prelude of J. S. Bach (G Major)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Charles Gounod, Johann Sebasti
#
Joel Jacklich (A
#
Ave Maria on the First Prelude
#
Joel Jacklich
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1132711 Composed by Charles Gounod, Johann Sebastian Bach. Arranged by Joel Jacklic...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1132711 Composed by Charles Gounod, Johann Sebastian Bach. Arranged by Joel Jacklich (A.S.C.A.P.). Baroque,Chamber,Religious,Sacred,Wedding. 9 pages. Joel Jacklich #732909. Published by Joel Jacklich (A0.1132711). Charles Gounod composed his Ave Maria adding his new vocal line over Johann Sebastian Bach's Prelude No. 1 in C Major from the Well-Tempered Clavier. This version (in G major) is for string quartet alone. A vocalist can be added, as the first violin part doubles Gounod's original vocal line. This divides Bach's original arpeggios between the viola and second violin. These two parts are modestly difficult. Fingerings have been provided for the more awkward arpeggios. Perfect for weddings, and funerals.
$12.99 ≈
¥92.07
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 2 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1249434 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
(+)
Brass Quintet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1249434 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840551. Published by Regis Bookshar (A0.1249434). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 1 Hrn, 2 Trbs) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the prevous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist a Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn and 2 Trombones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
#
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1249435 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
(+)
Brass Quintet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1249435 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840659. Published by Regis Bookshar (A0.1249435). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 2 Hrns, 1 Trb) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 2 French Horns and 1 Trombone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
(+)
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841720. Published by Regis Bookshar (A0.1249436). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 2 Trbs, 1 Tuba) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in th middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba. Included are a score and a complete set of parts (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249433 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Chri...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249433 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840537. Published by Regis Bookshar (A0.1249433). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 1 Hrn, 1 Trb, 1 Tuba) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weiman. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1249438 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
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Brass Quintet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1249438 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842032. Published by Regis Bookshar (A0.1249438). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 1 Hrn, 1 Trb) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets, 1 French Horn and 1 Trombone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (String Quintet - 3 Violin, 1 Viola, 1 Cello)
Three selections based on "Christ lag in Todesbanden" (String Quintet - 3 Violin, 1 Viola, 1 Cello)
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1257229 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,E...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1257229 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850560. Published by Regis Bookshar (A0.1257229). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - String Quintet (3 Violins, 1 Viola, 1 Violoncello) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court oganist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Bass Clef)
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Bass Clef)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250700 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,...
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Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250700 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844985. Published by Regis Bookshar (A0.1250700). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Euphonium Quintet (Bass Clef) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism. Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn. (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Euphonium Quintet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer.Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Treble Clef)
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Treble Clef)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250710 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,...
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Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250710 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844991. Published by Regis Bookshar (A0.1250710). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Euphonium Quintet (Treble Clef) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Choral Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Euphonium Quintet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249439 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
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Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249439 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842456. Published by Regis Bookshar (A0.1249439). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 1 Trb, 1 Tuba) - Advanced /Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets, 1 Trombone and 1 Tuba. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
¥212.64
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sergei Rachmaninoff
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Peet du Toit
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Prelude in c#, Op.3, no.2 - S
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!
$15.50 ≈
¥109.86
Cello Suite No. 2, BWV 1008: I. Prelude
Cello Suite No. 2, BWV 1008: I. Prelude
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 2, BWV 1008: I
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886901 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 5 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886901 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 5 pages. Justin M. Ryan #3022777. Published by Justin M. Ryan (A0.886901). Cello Suite No. 2, BWV 1008: 1. Prelude. The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(D Minor and A Minor). Enjoy Part 1 of this series.
$2.99 ≈
¥21.19
Prelude, Op. 28, No. 2, Presentiment of Death (for Two Guitars)
Prelude, Op. 28, No. 2, Presentiment of Death (for Two Guitars)
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2 Guitares (duo)
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Classique
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Frederic Chopin
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Kenneth Pasciak
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Prelude, Op. 28, No. 2, Presen
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Kenneth Pasciak
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.1202824 Composed by Frederic Chopin. Arranged by Kenneth Pasciak. Classical,Romantic Peri...
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.1202824 Composed by Frederic Chopin. Arranged by Kenneth Pasciak. Classical,Romantic Period. Score and parts. 2 pages. Kenneth Pasciak #801593. Published by Kenneth Pasciak (A0.1202824). Prelude, Op. 28, No. 2, Presentiment of Death, by Frédéric Chopin arranged for two classical guitars in A minor. Includes 2-page score with fingering suggestions.Note: retuning required for Guitar 2, 6=DKenneth Pasciak Music Publishing, ASCAPkenpasciak.com.
$2.99 ≈
¥21.19
Prelude no. 2 in C# Minor
Prelude no. 2 in C# Minor
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Piano seul
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Contemporain
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Matthew Mahoney
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Prelude no. 2 in C# Minor
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Matthew Mahoney
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.921592 Composed by Matthew Mahoney. Contemporary. Score. 4 pages. Matthew Mahoney #2916783. Published by Matthew Mahoney ...
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Piano Solo - Level 4 - SKU: A0.921592 Composed by Matthew Mahoney. Contemporary. Score. 4 pages. Matthew Mahoney #2916783. Published by Matthew Mahoney (A0.921592). A dramatic yet sensitive prelude for piano solo.The piece starts explosively, then softens, gradually building up to its thrilling climax.
$3.99 ≈
¥28.28
PRELUDE and FUGUE No. 12 in f minor for Brass Quintet
PRELUDE and FUGUE No. 12 in f minor for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Johann Sebastian Bach
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Kent S
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PRELUDE and FUGUE No. 12 in f
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WINDCREST
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.945055 Composed by Johann Sebastian Bach. Arranged by Kent S. Burchill. Baroque,Contest,Easter,Festival,Multicultural...
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Brass Ensemble - Level 4 - SKU: A0.945055 Composed by Johann Sebastian Bach. Arranged by Kent S. Burchill. Baroque,Contest,Easter,Festival,Multicultural,Traditional,World. Score and parts. 19 pages. WINDCREST #5728695. Published by WINDCREST (A0.945055). This arrangement has been written for standard brass quintet instrumentation and retains the original key of f minor. This arrangement is for the more accomplished quintet with a total performance time of about 4 minutes and thirty seconds.
$17.00 ≈
¥120.50
Chopin: Prelude No.15 in Db "Raindrop" Op.28 No.15 - wind quintet
Chopin: Prelude No.15 in Db "Raindrop" Op.28 No.15 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Frederic Chopin
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Ray Thompson
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Chopin: Prelude No.15 in Db &q
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1471072 Composed by Frederic Chopin. Arranged by Ray Thompson. R...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1471072 Composed by Frederic Chopin. Arranged by Ray Thompson. Romantic Period,Wedding. 13 pages. RayThompsonMusic #1048696. Published by RayThompsonMusic (A0.1471072). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is my arramgement of No.15. it is the longest and one of the best known of the twenty-four. The key signature switches between D♭ major and C♯ minorIt is known as the Raindrop Prelude because an A♭/G♯ sounds throughout.Arranged by me for wind quintetThe melody is taken mainly by the oboe, and the repeating A♭/G♯ is shared between the basoon and horn.Enjoy!Check out my Chopin arrangements of other Preludes and of Nocturne No.2.
$17.95 ≈
¥127.23
Gallay - 12 Duos Concertans Op. 2 No. 2 'Romance, dolce' (for Horn Duet)
Gallay - 12 Duos Concertans Op. 2 No. 2 'Romance, dolce' (for Horn Duet)
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2 Cors (duo)
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Classique
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Jacques-François Gallay
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Robert Newth
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Gallay - 12 Duos Concertans Op
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Robert Newth
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SheetMusicPlus
French Horn Duet Horn - Level 4 - SKU: A0.1366567 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 4 ...
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French Horn Duet Horn - Level 4 - SKU: A0.1366567 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 4 pages. Robert Newth #950905. Published by Robert Newth (A0.1366567). Jacques-François Gallay (1795-1864) was a prominent french horn player and composer, writing numerous Etudes, Preludes and Chamber works for the horn in addition to a popular method book. His second volume of 12 Duos Concertans (Op. 2) were published in or around 1820 at the same time as his first volume of duets (Op. 1).This PDF download is the second duet in Op. 2, titled Romance, dolce and contains both a full score and individual parts on single pages for ease of reading.
$1.99 ≈
¥14.11
Gallay - 12 Duos Concertans Op. 1 No. 2 'Andante' (for Horn Duet)
Gallay - 12 Duos Concertans Op. 1 No. 2 'Andante' (for Horn Duet)
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2 Cors (duo)
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Classique
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Jacques-François Gallay
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Robert Newth
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Gallay - 12 Duos Concertans Op
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Robert Newth
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SheetMusicPlus
French Horn Duet Horn - Level 4 - SKU: A0.1186932 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 3 ...
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French Horn Duet Horn - Level 4 - SKU: A0.1186932 Composed by Jacques-François Gallay. Arranged by Robert Newth. Classical,Romantic Period. Score. 3 pages. Robert Newth #786556. Published by Robert Newth (A0.1186932). Jacques-François Gallay (1795-1864) was a prominent french horn player and composer, writing numerous Etudes, Preludes and Chamber works for the horn in addition to a popular method book. His first 12 Duos Concertans (Op. 1) were published in or around 1820 and were followed immediately by another second set of 12.This PDF download is the second duet in Op. 1, titled Andante and contains both a full score and individual parts, on single pages for ease of reading.
$1.99 ≈
¥14.11
Prelude No. 13 in Gb Major from 24 Preludes
Prelude No. 13 in Gb Major from 24 Preludes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Prelude No. 13 in Gb Major fro
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862440 Composed by Michael Bomier. Classical,Contemporary,Standards. Score. 2 pages. Michael Butkus-Bomier #2007233. Publ...
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Piano Solo - Level 4 - SKU: A0.862440 Composed by Michael Bomier. Classical,Contemporary,Standards. Score. 2 pages. Michael Butkus-Bomier #2007233. Published by Michael Butkus-Bomier (A0.862440). The prelude was not a major form in the Classical period, so I have tried to write a prelude, in an unusual key, that uses some of the characteristic musical elements of the time, and has a highly concentrated sonata-form as its structure, while still keeping to the single-idea concept of a true prelude. Syncopation and dotted rhythms throughout. Gb rather than F# so the modulation is to Bb minor, and not A# minor! Ouch... The tempo is sprightly, without being rushed or frantic. Approximate time is 2 mins, 15-30 secs. The complete set of 24 preludes is being made available as single titles here on www.SheetMusicPlus.com They cover every style, from medieval modality through Baroque, Classsical, early and Late Romanticism, into Impressionism, modernism and abstraction. We are past the halfway mark, 11 more to go! MBB.
$1.99 ≈
¥14.11
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Prelude & Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95 ≈
¥233.55
Prelude no. 2
Prelude no. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jack Dittmar
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Prelude no. 2
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Jack Dittmar
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1118119 Composed by Jack Dittmar. 19th Century,Classical,Romantic Period. Score. 2 pages. Jack Dittmar #719638. Published...
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Piano Solo - Level 4 - SKU: A0.1118119 Composed by Jack Dittmar. 19th Century,Classical,Romantic Period. Score. 2 pages. Jack Dittmar #719638. Published by Jack Dittmar (A0.1118119). The second in a series of preludes to circumnavigate the keys. Inspired by Chopin's Prelude in B major.
$3.99 ≈
¥28.28
Cello Suite No. 3, BWV 1009: I. Prelude
Cello Suite No. 3, BWV 1009: I. Prelude
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 3, BWV 1009: I
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886907 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 6 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886907 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 6 pages. Justin M. Ryan #3033641. Published by Justin M. Ryan (A0.886907). Cello Suite No. 3, BWV 1009: 1. Prelude. The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy Part 1 of this series.
$2.99 ≈
¥21.19
Cello Suite No. 4, BWV 1010: I. Prelude
Cello Suite No. 4, BWV 1010: I. Prelude
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 4, BWV 1010: I
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886913 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 6 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886913 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 6 pages. Justin M. Ryan #3042017. Published by Justin M. Ryan (A0.886913). Cello Suite No. 4, BWV 1010: I. PreludeThe six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(Eb Major and Bb Major). Enjoy Part 1 of this series.
$2.99 ≈
¥21.19
Prelude in E minor, Op.28 No.4 - string quartet (violin feature)
Prelude in E minor, Op.28 No.4 - string quartet (violin feature)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Austin Ralphson
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Prelude in E minor, Op.28 No.4
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Austin Ralphson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.564244 Composed by Frederic Chopin. Arranged by Austin Ralphson. Concert,Romantic P...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.564244 Composed by Frederic Chopin. Arranged by Austin Ralphson. Concert,Romantic Period,Wedding. Score and parts. 9 pages. Austin Ralphson #6321273. Published by Austin Ralphson (A0.564244). This is a string quartet arrangement of Chopin’s Prelude in E minor, Op.28 No.4. It features the violin on the beautiful, lyrical melody line throughout, and is a welcome addition to any programme.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab): www.ralphsonstrings.com
$5.99 ≈
¥42.46
Prelude in E minor, Op.28 No.4 - string quartet (cello feature)
Prelude in E minor, Op.28 No.4 - string quartet (cello feature)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Austin Ralphson
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Prelude in E minor, Op.28 No.4
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Austin Ralphson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.564243 Composed by Frederic Chopin. Arranged by Austin Ralphson. Concert,Romantic P...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.564243 Composed by Frederic Chopin. Arranged by Austin Ralphson. Concert,Romantic Period,Wedding. Score and parts. 9 pages. Austin Ralphson #6321271. Published by Austin Ralphson (A0.564243). This is a string quartet arrangement of Chopin’s Prelude in E minor, Op.28 No.4. It features the cello on the beautiful, lyrical melody line throughout, and is a welcome addition to any programme.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab): www.ralphsonstrings.com
$5.99 ≈
¥42.46
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Prelude No 2 in A
