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Take My Life and Let It Be
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Vous avez sélectionné:
Take My Life and Let It Be
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Partitions à imprimer
28 partitions trouvées
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TAKE MY LIFE (and Let It Be Consecrated) - CLARINET SOLO with Piano Accompaniment
TAKE MY LIFE (and Let It Be Consecrated) - CLARINET SOLO with Piano Accompaniment
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
#
Henri A
#
Glen Poehlmann
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TAKE MY LIFE
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arrangements by GPoehlmann
#
SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.807101 Composed by Henri A.C. Malan. Arranged by Glen Poehlmann. Sacred. Score and part. 12 pages. Arrangements by GP...
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Clarinet,Piano - Level 4 - SKU: A0.807101 Composed by Henri A.C. Malan. Arranged by Glen Poehlmann. Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6293417. Published by arrangements by GPoehlmann (A0.807101). TAKE MY LIFE (and Let It Be Consecrated) - CLARINET SOLO with Piano AccompanimentHymn tune: HENDON75 measures. Â Performance Time approx. 3:10. Â Medium Difficult (Grade 3+)Key: F - G. Â Meter: 4/4 - 6/8. Â Clarinet Range (C4=middle C): G3 - D6 (written)Parts included: (PDF): Score, Clarinet, Piano.
$4.95 ≈
4.49€
TAKE MY LIFE (and Let It Be Consecrated) - FLUTE SOLO with Piano Accompaniment (Grade 4)
TAKE MY LIFE (and Let It Be Consecrated) - FLUTE SOLO with Piano Accompaniment (Grade 4)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Henry
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Glen Poehlmann
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TAKE MY LIFE
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arrangements by GPoehlmann
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.806855 Composed by Henry . César Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arran...
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Flute,Piano - Level 4 - SKU: A0.806855 Composed by Henry . César Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6029439. Published by arrangements by GPoehlmann (A0.806855). TAKE MY LIFE (and Let It Be Consecrated) - FLUTE SOLO with Piano AccompanimentMedium Difficult (Grade 4). 73 Measures. Performance Time approx. 3:10Key: F - G. Meter: 4/4- 6/8. Flute Range (C4=middle C): G4 - G6.
$5.00 ≈
4.54€
Take My Life, and Let It Be
Take My Life, and Let It Be
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ferdinand Hérold
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J
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Take My Life, and Let It Be
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J.B. Taylor
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.902339 Composed by Ferdinand Hérold (1839), César Malan (1827). Arranged by J.B. Taylor. Christian,Contemporary,Sac...
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Piano Solo - Level 4 - SKU: A0.902339 Composed by Ferdinand Hérold (1839), César Malan (1827). Arranged by J.B. Taylor. Christian,Contemporary,Sacred. Score. 5 pages. J.B. Taylor #5766251. Published by J.B. Taylor (A0.902339). Combining two of the more popular tunes used with this text, this arrangement is primarily all original music that draws lightly on the rhythms and motives of the two hymn tunes. Lilting and reflective, this piece is lovingly crafted to bring a sense of peace and ease. Appropriate for worship or personal devotional time at the piano. Duration: 3:00Appropriate for: Dedication, Offering, Commitment, Stewardship, Commissioning, Profession of Faith, OrdinationThis song appears on the album Down in My Heart (Hymns for Rest and Reflection) by J.B. Taylor. Available on Apple Music, Spotify, Amazon, and other retailers.
$3.99 ≈
3.62€
Take My Life and Let It Be
Take My Life and Let It Be
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Contemporain
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Henri Malan
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Mikaela Vaughn
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Take My Life and Let It Be
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Mikaela Bohannon
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SheetMusicPlus
Small Ensemble Harp,Violin - Level 4 - SKU: A0.944575 Composed by Henri Malan. Arranged by Mikaela Vaughn. Contemporary. Score and parts. 19 pages. Mika...
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Small Ensemble Harp,Violin - Level 4 - SKU: A0.944575 Composed by Henri Malan. Arranged by Mikaela Vaughn. Contemporary. Score and parts. 19 pages. Mikaela Bohannon #4889897. Published by Mikaela Bohannon (A0.944575). This is the traditional hymn Take My Life and Let It Be, done in a unique theme and variations style. It is arranged for two violins and harp by Mikaela Vaughn. Full score as well as individual parts for each instrument are included in the download.
$7.50 ≈
6.81€
TAKE MY LIFE AND LET IT BE - EUPHONIUM SOLO (Trombone/Baritone TC) with Piano
TAKE MY LIFE AND LET IT BE - EUPHONIUM SOLO (Trombone/Baritone TC) with Piano
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Musique Sacrée
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Henry A
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Glen Poehlmann
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TAKE MY LIFE AND LET IT BE - E
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arrangements by GPoehlmann
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.806802 Composed by Henry A. Cesar Malan. Arranged by Glen Poehlma...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.806802 Composed by Henry A. Cesar Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 10 pages. Arrangements by GPoehlmann #5887285. Published by arrangements by GPoehlmann (A0.806802). TAKE MY LIFE AND LET IT BE (Consecrated) - EUPHONIUM SOLO with Piano AccompanimentA challenging (Grade 3+) arrangement for Euphonium/Trombone/Baritone Treble Clef.70 measures. Performance Time approx. 3:00. Key: F - G. Meter: 4/4 - 6/8.Instrument Ranges (C4=middle C): Euphonium/Trombone G2 - G4. Baritone TC A3 - A5 (written)
$5.00 ≈
4.54€
TAKE MY LIFE AND LET IT BE - VIOLA SOLO with Piano Accompaniment
TAKE MY LIFE AND LET IT BE - VIOLA SOLO with Piano Accompaniment
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Henry A
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Glen Poehlmann
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Meter: 4/4 - 6/8.
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TAKE MY LIFE AND LET IT BE - V
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arrangements by GPoehlmann
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.807016 Composed by Henry A. César Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arra...
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Piano,Viola - Level 4 - SKU: A0.807016 Composed by Henry A. César Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6209691. Published by arrangements by GPoehlmann (A0.807016). TAKE MY LIFE AND LET IT BE - VIOLA SOLO with Piano Accompaniment71 measures. Performance Time approx 3:00. Medium Difficult (Grade 4)Key: G - A. Meter: 4/4 - 6/8. Viola Range (C4=middle C): D3 - A5
$4.95 ≈
4.49€
Take My Life and Let It Be Consecrated--Piano/Organ Duet.pdf
Take My Life and Let It Be Consecrated--Piano/Organ Duet.pdf
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Orgue, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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H
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Marilyn Thompsona
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Take My Life and Let It Be Con
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Marilyn Thompson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Piano - Level 4 - SKU: A0.809594 Composed by H. A. Cesar Malan. Arranged by Marilyn Thompsona. Christian,Gospe...
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Instrumental Duet Instrumental Duet,Organ,Piano - Level 4 - SKU: A0.809594 Composed by H. A. Cesar Malan. Arranged by Marilyn Thompsona. Christian,Gospel,Sacred. Score and parts. 13 pages. Marilyn Thompson #6305647. Published by Marilyn Thompson (A0.809594). The beautiful hymn of consecration is tastefully and creatively expressed in this Piano/Organ Duet. The difficulty level is moderate, and accessible to most church instrumentalists. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP
$4.99 ≈
4.53€
Take My Life and Let it Be Consecrated--SSATB/Piano.pdf
Take My Life and Let it Be Consecrated--SSATB/Piano.pdf
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Hendon
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Marilyn Thompson
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Take My Life and Let it Be Con
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Marilyn Thompson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.809627 Composed by Hendon. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Octavo. 6 pages. Marilyn Thomp...
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Choral Choir (SATB) - Level 4 - SKU: A0.809627 Composed by Hendon. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Octavo. 6 pages. Marilyn Thompson #6575595. Published by Marilyn Thompson (A0.809627). This beautiful hymn of consecration is tastefully and creatively expressed in this SSATB Octavo with flowing piano accompaniment. The difficulty level is moderate, and accessible to most church instrumentalists. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP
$3.99 ≈
3.62€
Take My Life and Let It Be / He Leadeth Me
Take My Life and Let It Be / He Leadeth Me
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mary Beth Carlson
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Mary Beth Carlson
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Take My Life and Let It Be / H
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Mary Beth Carlson Productions Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1042438 By Mary Beth Carlson. By Henri A. C. Malan/William B. Bradbury. Arranged by Mary Beth Carlson. Sacred,Spiritual. ...
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Piano Solo - Level 4 - SKU: A0.1042438 By Mary Beth Carlson. By Henri A. C. Malan/William B. Bradbury. Arranged by Mary Beth Carlson. Sacred,Spiritual. Score. 7 pages. Mary Beth Carlson Productions Publishing #647224. Published by Mary Beth Carlson Productions Publishing (A0.1042438). Personal interpretation and medley, highlighted with emotive modulating tempo and occasional key changes.
$4.99 ≈
4.53€
Take My Life And Let It Be
Take My Life And Let It Be
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Frances R
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Rich Heffler
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Take My Life And Let It Be
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
String Quartet - Grade 4 - SKU: DX.W29406 Composed by Frances R. Havergal. Arranged by Rich Heffler. Sacred instrumental music. Sheet Music. Traditional...
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String Quartet - Grade 4 - SKU: DX.W29406 Composed by Frances R. Havergal. Arranged by Rich Heffler. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 13 pages. David E. Smith - Digital Sheet Music #W29406. Published by David E. Smith - Digital Sheet Music (DX.W29406). Variations employing meter changes and the minor mode.
$14.95 ≈
13.57€
TAKE MY LIFE (and Let It Be Consecrated) - CELLO SOLO with Piano Accompaniment
TAKE MY LIFE (and Let It Be Consecrated) - CELLO SOLO with Piano Accompaniment
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Henry A
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Glen Poehlmann
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TAKE MY LIFE
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arrangements by GPoehlmann
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SheetMusicPlus
Composed by Henry A. Cesar Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 13 pages. Arrangements by GPoehlmann #6630487. Publish...
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Composed by Henry A. Cesar Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 13 pages. Arrangements by GPoehlmann #6630487. Published by arrangements by GPoehlmann
$5.00 ≈
4.54€
Still Be My Vision: Hymn Arrangements for Solo Cello and Piano
Still Be My Vision: Hymn Arrangements for Solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Evelyn Larter
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Still Be My Vision: Hymn Arran
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Evelyn Larter Music
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SheetMusicPlus
iano Accompaniment, Cello - Advanced Intermediate - Composed by Evelyn Larter. Christian, Sacred, General Worship, Wedding, Recital. Score. 47 pages. Publ...
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iano Accompaniment, Cello - Advanced Intermediate - Composed by Evelyn Larter. Christian, Sacred, General Worship, Wedding, Recital. Score. 47 pages. Published by Evelyn Larter Music
This collection contains hymn arrangements written over several years for the composer's many professional cellist friends. Some were created as cello solos, and some were rearranged from other versions. For more advanced performers, the styles range from Traditional to Jazz. The titles include Be Thou My Vision, I Surrender All, The God Of Abraham Praise, Meditation on Take My Life And Let It Be, Brother James's Air and Ride On, King Jesus. The repertoire is suitable for church services, wedding preludes and recitals. More information on music by Evelyn Larter may be found at www.evelynlartermusic.com, or the Evelyn Larter Music page on Facebook.
$17.95 ≈
16.29€
Clarinet Music for Worship
Clarinet Music for Worship
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Noël
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Peter Hilliard
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Peter Hilliard
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Clarinet Music for Worship
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Shaw Music
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SheetMusicPlus
Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas, Easter, Sacred. Score and part. 96 pages. Shaw Music #795346. Published by Shaw Mus...
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Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas, Easter, Sacred. Score and part. 96 pages. Shaw Music #795346. Published by Shaw Music
In this exceptional collection of beloved hymns for clarinet and piano, each expertly crafted arrangement is treated with invention and innovation idiomatic to both clarinet and piano. Styles range from light jazz to majestic triumph to quiet contemplation. With titles spanning the church year, this collection provides preludes, postludes, and offertories for all seasons. Titles include: Crown Him with Many Crowns; I Have Decided to Follow Jesus; I Sing the Mighty Power of God; It Is Well with My Soul; Jesus Christ Is Risen Today; Jesus Loves Me; Lo, How a Rose E'er Blooming; Praise to the Lord, the Almighty; Softly and Tenderly; Take My Life and Let It Be.
$29.99 ≈
27.22€
Take My Life and Let It Be Organ Solo
Take My Life and Let It Be Organ Solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Henry Malan
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Gene Roberson
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Take My Life and Let It Be Org
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Gene Roberson
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1086694 Composed by Henry Malan. Arranged by Gene Roberson. 20th Century. Score. 5 pages. Gene Roberson #690905. Published by ...
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Organ - Level 4 - SKU: A0.1086694 Composed by Henry Malan. Arranged by Gene Roberson. 20th Century. Score. 5 pages. Gene Roberson #690905. Published by Gene Roberson (A0.1086694). Organ prelude Worship service recital.
$4.99 ≈
4.53€
Rhapsody for Concert Band
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.16€
O Word of God Incarnate (Easy Organ Hymn Series)
O Word of God Incarnate (Easy Organ Hymn Series)
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Gene Roberson
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O Word of God Incarnate
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Gene Roberson
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SheetMusicPlus
Organ - Level 4 - SKU: A0.848671 Composed by Traditional. Arranged by Gene Roberson. Christian,Concert. Score. 7 pages. Gene Roberson #4612705. Publishe...
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Organ - Level 4 - SKU: A0.848671 Composed by Traditional. Arranged by Gene Roberson. Christian,Concert. Score. 7 pages. Gene Roberson #4612705. Published by Gene Roberson (A0.848671). From the Easy Hymn Arrangements for Organ. Pipe Organ Hammond Organ Prelude - Solo - Offertory-A must for your Prelude organ library for Worship services and recitalThe Easy Hymn series features mostly single note melody on one manual with the accompaniment on another with expression. See other arrangements like Praise to the Lord. Take My Life and Let it Be - Amazing Grace.
$4.95 ≈
4.49€
A Hymn A Day Volume 4
A Hymn A Day Volume 4
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 4
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pa...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Christmas, Thanksgiving. 121 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns, 77 in all, is the fourth in a series of five! Volume four includes songs for Thanksgiving, Advent, Christmas, and Epiphany seasons as well as a few for the ordinary time between Epiphany and Lent. You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing.
Table of Contents:
Thanks to God for My Redeemer, Now Thank We All Our God, Come, Ye Thankful People, Come, Sing to the Lord of Harvest, We Plow the Fields, Immanuel, to Thee We Sing, Hark! A Thrilling Voice Is Sounding, Away in a Manger, Comfort, Comfort Now My People, Lo! How a Rose E'er Blooming, The People That in Darkness Sat, Lift Up Your Heads, Ye Mighty Gates, Watchman, Tell Us of the Night, Hail to the Lord's Anointed, Come, Thou Long-Expected Jesus, O Come, O Come, Emmanuel, All Praise to Thee, Eternal Lord, Good Christian Men, Rejoice, From Heaven Above to Earth I Come, Thou Didst Leave Thy Throne, Let All Mortal Flesh Keep Silence, In the Bleak Midwinter, Earth Has Many a Noble City, God Rest Ye, Merry Gentlemen, Once In Royal David's City, The Friendly Beasts, The First Noel, It Came Upon a Midnight Clear, Angels, from the Realms of Glory, While Shepherds Watched Their Flocks, O Come, All Ye Faithful, Angels We Have Heard On High, O Little Town of Bethlehem, Hark! The Herald Angels Sing, What Child Is This?, Silent Night, Holy Night, Joy to the World!, Who Is He in Yonder Stall?, All Glory Be to God on High, Go Tell It on the Mountain, For All the Blessings of the Year, For Thy Mercy and Thy Grace, Another Year Is Dawning, May the Mind of Christ, My Savior, Great God, We Sing That Mighty Hand, Lead, Kindly Light, The Lord's My Shepherd, I'll Not Want, As With Gladness, Men of Old, We Three Kings of Orient Are, Like a River Glorious, Jesus, Lead Thou On, It Is Good to Sing Your Praises, Fear Not, O Little Flock, Guide Me, O Thou Great Jehovah, I Need Thee Every Hour, Lead On, O King Eternal, All the Way, My Savior Leads Me, Begin, My Tongue, Some Heavenly Theme, Lamp of Our Feet, Come, Sound His Praise Abroad, He Leadeth Me, In Heavenly Love Abiding, God Moves in a Mysterious Way, Great God of Wonders, Jesus, I Am Resting, Resting, O God of Bethel, Be Not Dismayed, Abide With Me, If Thou But Suffer God to Guide Thee, O God, Our Help in Ages Past, Leaning on the Everlasting Arms, Let Us, with a Gladsome Mind, Children of the Heavenly Father, The God of Abraham Praise, Take My Life and Let It Be, It Is Well with My Soul, At Even, Ere the Sun Was Set
$25.00 ≈
22.69€
Take My Life and Let It Be/He Leadeth Me: O Blessed Thought!
Take My Life and Let It Be/He Leadeth Me: O Blessed Thought!
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Henri A
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Renee Hyche McKee
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Take My Life and Let It Be/He
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Renee Hyche McKee
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SheetMusicPlus
Composed by Henri A. Cesar Malan, William B. Bradbury. Arranged by Renee Hyche McKee. For Piano Solo. Christian,Sacred,General Worship,Wedding,Graduation. Advan...
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Composed by Henri A. Cesar Malan, William B. Bradbury. Arranged by Renee Hyche McKee. For Piano Solo. Christian,Sacred,General Worship,Wedding,Graduation. Advanced Intermediate. Sheet Music Single. Published by Renee Hyche McKee
$4.99 ≈
4.53€
Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gi...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95 ≈
18.11€
String Quartet No 0 SCORE
String Quartet No 0 SCORE
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 0 SCORE
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Published by Colin Bayliss (A0.938424). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The parts are available as a separate download. The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00 ≈
9.08€
String Quartet No 0 - PARTS
String Quartet No 0 - PARTS
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 0 - PARTS
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Published by Colin Bayliss (A0.938426). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The Score is available as a separate download The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00 ≈
9.08€
An Avaloch Divertimento
An Avaloch Divertimento
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Scor...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55 ≈
23.19€
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Take My Life and Let It Be
