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Vous avez sélectionné:
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Partitions à imprimer
68 partitions trouvées
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Afro-american Symphony
Afro-american Symphony
#
Ensemble de cuivres
#
AVANCÉ
#
William Grant Still
#
Richard Decker
#
Afro-american Symphony
#
Charles Decker Music Press
#
SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Bl...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Contest,Festival,Jazz,Multicultural,World. 56 pages. Charles Decker Music Press #772105. Published by Charles Decker Music Press (A0.1171832). From the Music of Black Composers Series is this arrangement of the third movement Humor from William Grant Still's Afro-American Symphony for a brass choir of 4 B-flat trumpets, 4 horns in F, 3 trombones, euphonium and tuba. Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra at conductor Howard Hanson's notable American Music Festival, it brought the flavor of the Blues and folk music to the symphony. For Still the Blues was a distinct African-American musical contribution he incorporated into a symphonic work. As part of the early 20th Century Harlem Renaissance in New York City, the work was enthusiastically received across the USA and overseas. This brass choir arrangement of the third movement will enliven concerts with its colorful rhythms reminiscent of Gershwin and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this exciting arrangement which can be paired with the additional first movement (Longing) of Still's Afro-American Symphony arranged for similar brass choir with Charles Decker Music Press.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$24.95 ≈
$33.82
Afro-american Symphony
Afro-american Symphony
#
Ensemble de cuivres
#
AVANCÉ
#
William Grant Still
#
Richard Decker
#
Afro-american Symphony
#
Charles Decker Music Press
#
SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Bl...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Classical,Contest,Festival,Multicultural,World. 61 pages. Charles Decker Music Press #699415. Published by Charles Decker Music Press (A0.1095398). This is a brilliant arrangement of the first movement Longing of William Grant Still's Afro-American Symphony for a brass choir of four B-flat trumpets, four horns in F, three trombones, euphonium and tuba. William Grant Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra in October 1931 at conductor Howard Hanson's notable American Music Festival, it brought the melancholy flavor of the Blues to the symphony. For William Grant Still the Blues was a distinct African-American musical contribution, separate from the spiritual and popular jazz, and he wanted to incorporate it into a symphonic work based on Western classical symphonic instrumentation and forms. As part of the early 20th Century Harlem Renaissance in New York City, this work was enthusiastically received across the USA and overseas. Pair this brass choir arrangement of the first movement Longing with the third movement Humor also at Charles Decker Music Press to enliven a concert with colorful rhythms, soulful melodies and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this memorable and exciting arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$24.99 ≈
$33.88
John Coltrane : Afro Blue (niveau difficile, saxophone baryton)
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Saxophone
#
AVANCÉ
#
Jazz
#
John Coltrane
#
Afro Blue
#
Tomplay
Telechargez la partition Saxophone Afro Blue (niveau difficile, saxophone baryton) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz...
(+)
Telechargez la partition Saxophone Afro Blue (niveau difficile, saxophone baryton) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz
5.99€ ≈
$8.96
John Coltrane : Afro Blue (niveau difficile, sax ténor)
#
Saxophone
#
AVANCÉ
#
Jazz
#
John Coltrane
#
Afro Blue
#
Tomplay
Telechargez la partition Saxophone Afro Blue (niveau difficile, sax tenor) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz...
(+)
Telechargez la partition Saxophone Afro Blue (niveau difficile, sax tenor) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz
5.99€ ≈
$8.96
John Coltrane : Afro Blue (niveau difficile, sax alto)
#
Saxophone
#
AVANCÉ
#
Jazz
#
John Coltrane
#
Afro Blue
#
Tomplay
Telechargez la partition Saxophone Afro Blue (niveau difficile, sax alto) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz...
(+)
Telechargez la partition Saxophone Afro Blue (niveau difficile, sax alto) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz
5.99€ ≈
$8.96
John Coltrane : Afro Blue (niveau difficile)
#
Flûte traversière
#
AVANCÉ
#
Jazz
#
John Coltrane
#
Afro Blue
#
Tomplay
Telechargez la partition Flûte Afro Blue (niveau difficile) de John Coltrane. Partition pour Flûte avec accomp. orchestre -- Jazz...
(+)
Telechargez la partition Flûte Afro Blue (niveau difficile) de John Coltrane. Partition pour Flûte avec accomp. orchestre -- Jazz
5.99€ ≈
$8.96
John Coltrane : Afro Blue (niveau difficile)
#
Clarinette
#
AVANCÉ
#
Jazz
#
John Coltrane
#
Afro Blue
#
Tomplay
Telechargez la partition Clarinette Afro Blue (niveau difficile) de John Coltrane. Partition pour Clarinette avec accomp. orchestre -- Jazz...
(+)
Telechargez la partition Clarinette Afro Blue (niveau difficile) de John Coltrane. Partition pour Clarinette avec accomp. orchestre -- Jazz
5.99€ ≈
$8.96
John Coltrane : Afro Blue (niveau difficile, sax soprano)
#
Saxophone
#
AVANCÉ
#
Jazz
#
John Coltrane
#
Afro Blue
#
Tomplay
Telechargez la partition Saxophone Afro Blue (niveau difficile, sax soprano) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz...
(+)
Telechargez la partition Saxophone Afro Blue (niveau difficile, sax soprano) de John Coltrane. Partition pour Saxophone avec accomp. orchestre -- Jazz
5.99€ ≈
$8.96
Afro-Samba Funk
Afro-Samba Funk
#
Ensemble Jazz
#
AVANCÉ
#
AfuriKo
#
Afro-Samba Funk
#
Funnelljazz Publishing
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1249145 By AfuriKo. By AfuriKo (Akiko Horii & Jim Funnell). 21st Century,Funk,Jazz,Latin,Multicultural,W...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1249145 By AfuriKo. By AfuriKo (Akiko Horii & Jim Funnell). 21st Century,Funk,Jazz,Latin,Multicultural,World. Score and Parts. 21 pages. Funnelljazz Publishing #843608. Published by Funnelljazz Publishing (A0.1249145). AfuriKo's funky take on what a Brazilian groove might sound like in their world of mixed breeds... Afro-Samba Funk features sparse modal harmony, conducive to far-fetched solos, followed by a high energy rock-like vamp over which the percussion can stretch out. Enjoy this very danceable, cheerful tune!
$10.00 ≈
$13.56
Three Afro-Hispanic Movements For Trombone and Concert Band (Revised Edition 2024)
Three Afro-Hispanic Movements For Trombone and Concert Band (Revised Edition 2024)
#
Orchestre d'harmonie
#
AVANCÉ
#
Contemporain
#
William Pagan-Perez
#
Three Afro-Hispanic Movements
#
William Pagan-Perez
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.933918 Composed by William Pagan-Perez. Contemporary. 364 pages. William Pagan-Perez #6572699. Published by William Pag...
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Concert Band - Level 5 - SKU: A0.933918 Composed by William Pagan-Perez. Contemporary. 364 pages. William Pagan-Perez #6572699. Published by William Pagan-Perez (A0.933918). This is a three-movements concert piece for a trombone solo with an accompaniment of the concert band. It has traditional symphonic traditions combined with the Afro-Hispanic cultural traditions of the composer. The piece was premiered in April 2021 by Trombonist Dr. Luis F. Fred, Dr. Tremon Kizer (conductor), and the University of Central Florida Symphonic Band at Dr. Phillips Center for the Arts (Orlando, FL).
$75.00 ≈
$101.68
Afro-Cuban Bolero
Afro-Cuban Bolero
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Ensemble Jazz
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AVANCÉ
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Allen Imbach
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Afro-Cuban Bolero
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Curt Miller Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1025757 Composed by Allen Imbach. Jazz,Latin. Score and parts. 60 pages. Curt Miller Music #6701575. Pub...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1025757 Composed by Allen Imbach. Jazz,Latin. Score and parts. 60 pages. Curt Miller Music #6701575. Published by Curt Miller Music (A0.1025757). For 4 trumpets/flugels, 4 trombones, 5 saxes (clarinet and flute), piano, guitar, bass and drums – as heard on the Al Imbach All Star Big Band CDA multi-feel composition that includes bolero sections featuring clarinets, flutes and flugelhorns, and then transitions to a fast swing section for flute and clarinet solos followed by a shout chorus. Advanced difficulty.Highest trumpet note written F (3 ledger lines above staff)
$25.00 ≈
$33.89
Afrodisia
Afrodisia
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Jazz
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Joao Martins and Leandro Frego
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Jock McKenzie
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Afrodisia
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Superbrass Music, Music for Brass
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1078863 Composed by Joao Martins and Leandro Fregonesi De Oliveira. Arranged by Jock McKenzie. ...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1078863 Composed by Joao Martins and Leandro Fregonesi De Oliveira. Arranged by Jock McKenzie. Jazz. 90 pages. Superbrass Music, Music for Brass #683064. Published by Superbrass Music, Music for Brass (A0.1078863). Superbrass Music, Music for Brass 4 Trumpets 1 Horn in F 3 Trombones 1 Euphonium (or Trombone) 1 Tuba 1 Drum Kit.
$25.00 ≈
$33.89
Perroquets d'Azur
Perroquets d'Azur
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Thierry Pecou
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Perroquets d'Azur
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Schott Music - Digital
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SheetMusicPlus
Saxophone - difficult - SKU: S9.Q18134 For Soprano (or Alto) Saxophone solo. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. ...
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Saxophone - difficult - SKU: S9.Q18134 For Soprano (or Alto) Saxophone solo. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q18134. Published by Schott Music - Digital (S9.Q18134). The composition Perroquets d’azur owes its existence to the oboist François Leleux who issued the commission in 1993 and gave the first performance of the work. The composition was quasi reborn when the saxophonist Nicolas Prost persuaded me to produce an arrangement for saxophone which was premiered in 2008. In adherence to a compositional tradition which attempts to transfer a polyphonic structure to a monodic instrument and simultaneously inspired by the folkloristic music I heard on my first journeys to Cuba and Mexico, it was my intention to communicate an impression of the multifaceted complex rhythmic polyphony characterising Afro-Cuban music. The piece exploits all registers of the oboe and additionally incorporates the brief incipit of a Yoruban chant in praise of the god Changó. The music develops in an atmosphere of increasing effervescence, culminating in an intensification of the rhythmic nucleus of Afro-Cuban music: the clave.Getreu einer Werktradition, die versucht, eine polyphone Struktur auf ein einstimmiges Instrument zu übertragen, und gleichzeitig inspiriert von der folkloristischen Musik aus Kuba und Mexiko, will dieses Stück einen Eindruck von der Vielgliedrigkeit der komplexen rhythmischen Polyphonie, wie sie in der afro-kubanischen Musik vorherrschend ist, vermitteln. Die Partitur entwickelt sich in einer Atmosphäre wachsender Erregung, um in einer Übersteigerung der rhythmischen Keimzelle der afro-kubanischen Musik zu enden: der clave.
$12.99 ≈
$17.61
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
$10.78
Challenge Within
Challenge Within
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Ensemble Jazz
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AVANCÉ
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David Sanchez Scott Colley Chr
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John Yao
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Challenge Within
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Yaotones Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1421315 By David Sanchez Scott Colley Chris Potter Antonio Sanchez. By Antonio Sanchez. Arranged by John...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1421315 By David Sanchez Scott Colley Chris Potter Antonio Sanchez. By Antonio Sanchez. Arranged by John Yao. Instructional,Jazz,Latin. 101 pages. Yaotones Music #917909. Published by Yaotones Music (A0.1421315). “Challenge within†is composed by 4-time Grammy winning drummer, composer, producer Antonio Sanchez who scored and performed the soundtrack for the 2014 Academy-Award winning film, Birdman.  Arranged by composer, arranger, trombonist John Yao and commissioned by Arturo O’Farrill and the Afro-Latin Jazz Orchestra, this big band chart is an altered blues form in 5/4 time with a driving groove and a hard-hitting style.  Following the solos, the spotlight shifts to the drums supported by ensemble hits building up to a solo bass break, which sets up a rousing mambo section to close out the chart.  Using intricate section writing and difficult lines, “Challenge Within†is a high energy chart that will push the limits of even the most advanced ensembles.   Ranges (written)Trumpet Range – D6Trombone Range – C5 The YT Link track is performed by NYC based big band Arturo O’Farrill and the Afro-Latin Jazz Orchestra with solos by Ivan Renta (Tenor Sax), Jonathon Powell (Trumpet), Arturo O’Farrill (Piano) and Antonio Sanchez (Drums). To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.
$50.00 ≈
$67.78
Partido Alto e Bembe for Solo Flute
Partido Alto e Bembe for Solo Flute
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Flûte traversière
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AVANCÉ
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Daniel A
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Partido Alto e Bembe for Solo
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Daniel A. Walzer
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1007583 Composed by Daniel A. Walzer. Contemporary,Jazz,Latin,World. Individual part. 5 pages. Daniel A. Walzer #3450821....
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Flute Solo - Level 5 - SKU: A0.1007583 Composed by Daniel A. Walzer. Contemporary,Jazz,Latin,World. Individual part. 5 pages. Daniel A. Walzer #3450821. Published by Daniel A. Walzer (A0.1007583). Written for Tammy Evans Yonce in 2017, Partido Alto e Bembe for Solo Flute is a composition that explores two ostinatos or repeating rhythmic patterns, drawn from Brazilian Samba and Afro-Cuban music. The Brazilian percussionist Airto Moreira popularized the Partido Alto rhythm (on a composition appropriately titled Partido Alto) on his 1979 album Touching You, Touching Me, with vocalist Flora Purim. Partido Alto has a combination of accented and unaccented rhythms lasting two measures, which can be performed at varying tempos and include playful improvisation. Similarly, the Bembe feel has roots in Afro-Cuban music and is often performed alongside other polyrhythms simultaneously.As a jazz percussionist, I experienced these rhythms up close on two trips to Brazil in 2005 and 2008. I was struck by the dynamism, openness, and spirit of these rhythms-much like the Brazilian culture. In addition to the playful ostinatos, this piece features some jazz harmonic structures, varying time signatures, and lots of room for the performer to have fun and bring out the expressive qualities of the flute.
$5.00 ≈
$6.78
Perroquets d'Azur
Perroquets d'Azur
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Thierry Pecou
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Perroquets d'Azur
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Schott Music - Digital
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SheetMusicPlus
Oboe - difficult - SKU: S9.Q18135 For Oboe solo. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott M...
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Oboe - difficult - SKU: S9.Q18135 For Oboe solo. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q18135. Published by Schott Music - Digital (S9.Q18135). The composition Perroquets d’azur owes its existence to the oboist François Leleux who issued the commission in 1993 and gave the first performance of the work. In adherence to a compositional tradition which attempts to transfer a polyphonic structure to a monodic instrument and simultaneously inspired by the folkloristic music I heard on my first journeys to Cuba and Mexico, it was my intention to communicate an impression of the multifaceted complex rhythmic polyphony characterising Afro-Cuban music. The piece exploits all registers of the oboe and additionally incorporates the brief incipit of a Yoruban chant in praise of the god Changó. The music develops in an atmosphere of increasing effervescence, culminating in an intensification of the rhythmic nucleus of Afro-Cuban music: the clave.
$12.99 ≈
$17.61
CANE: Bassoon Concerto with Reed Quintet
CANE: Bassoon Concerto with Reed Quintet
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Contemporain
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Jenni Brandon
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CANE: Bassoon Concerto with Re
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Jenni Brandon Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - SKU: A0.918692 Composed by Jenni Brandon. Contemporary. Score and parts. 185 pages....
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Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - SKU: A0.918692 Composed by Jenni Brandon. Contemporary. Score and parts. 185 pages. Jenni Brandon Music #6451541. Published by Jenni Brandon Music (A0.918692). The first concerto of its kind, CANE: Bassoon Concerto with Reed Quintet (Oboe, B-Flat Clarinet, Saxophone, Bass Clarinet, Bassoon) by Jenni Brandon tells a dramatic story of one bassoon reed’s journey from its origins as raw, organic cane, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm, lyrical lines, extended techniques, Afro-Cuban style music, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music, we come together to create performance. Ever changing and ever evolving, every reed and every performance is unique, and Cane promises to tell this story in a powerful and exciting new way. Co-Commissioned by the Akropolis Reed Quintet and Dr. Christin Schillinger.There are several sections in this through-composed work, taking us on a journey that is the life of a bassoon reed: I. Split: short and percussive, like splitting cane II. Gouge: Rhythmic, steady and driving. Removing and leaving… III. Shape IV. Profile: Mechanical, with a little bit of mischief V. Form: The cane becomes a reed (Internal/external sounds of transition) VI. Scrape: In the style of Afro-Cuban music VII. Playing the reed: Swing, sassy; thoughtful, reflective; with reverence; the reed plays…Duration approximately 24 minutes
$80.00 ≈
$108.46
El Mero Mero
El Mero Mero
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Ensemble Jazz
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AVANCÉ
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Manny Cepeda
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El Mero Mero
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Manny Cepeda
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1024914 Composed by Manny Cepeda. Contemporary,Jazz,Latin,World. Score and parts. 35 pages. Manny Cepeda...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1024914 Composed by Manny Cepeda. Contemporary,Jazz,Latin,World. Score and parts. 35 pages. Manny Cepeda #3628527. Published by Manny Cepeda (A0.1024914). There is a saying in Southern California El Mero Mero also know in the United States saying as The Real McCoy. That is the idea expressed on this arrangement. A percussionist (Timbale Player), who is so good, no one is equal to him/her. At the end of the chart, there's a reference to a traditional song of the Mexican Mariachi band, giving more validity to the arrangement. This chart is best suited for advance Junio College bands and College Afro-Cuban/Caribbean Ensembles. It's rich with rhythm from Cuba and Puerto Rico and it requires a complete Afro-Cuban/Caribbean percussion section; Bongos, Timbales, Congas, and CowBell plus a well season singer fluent in Spanish to perform the chart properly. The chart would be a heck of an opener tune for a concert or performance.
$60.00 ≈
$81.34
Joseph White: Six Etudes for Violin
Joseph White: Six Etudes for Violin
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Violon
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AVANCÉ
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Joseph White
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Robert Debbaut
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Joseph White: Six Etudes for V
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ROBERT DEBBAUT
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT...
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Violin Solo - Level 5 - SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT DEBBAUT #6371729. Published by ROBERT DEBBAUT (A0.939440). The talents of Cuban-born violinist Joseph White (born José Silvestre de los Dolores White y Lafitte) were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had accompanied him on an early recital. Gottschalk raised the money so the young Afro-Cuban virtuoso could go to Paris and study with Jean-Delphin Alard, one of the great violinists and teachers of his day. White won the Premier Prix at the conservatory in 1855 and received high accolades from such musical giants as Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. Following his 1855 prize (one of several more to come) Joseph White became a major force in the cultural life of Paris for the next twenty years. His Six Studies, Op. 13, demonstrate to those were never privileged to hear him his absolute command of his instrument. The overall set is dedicated to Alard with individual studies dedicated to Alard and to four of Europe’s premiere violinists, Camillo Sivori, Henri Vieuxtemps, Henryk Wienawski, Hubert Léonard, as well as to his fellow Cuban, Secondino Arango. These are studies for the serious violinist, or for the advanced student aspiring to achieve the same technical prowess of this incredible virtuoso performer and composer. Contained within this volume are the original exercises, biographies of the six dedicatees, as well as extra information about the life and career of this criminally forgotten violin virtuoso. These works should be considered for the studios of master teachers and for live performance as virtuoso showpieces, or recital encores, especially number six, which is dedicated to one of White's first teachers, Afro-Cuban violin virtuoso Secundino Arango (179?-1876).
$9.95 ≈
$13.49
Tin Tin Deo
Tin Tin Deo
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Ensemble Jazz
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AVANCÉ
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Dizzy Gillespie
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Toshi Clinch
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Tin Tin Deo
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Toshi Clinch Productions
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1475417 By Dizzy Gillespie. By Luciano Pozo Gonzales and Walter Gil Fuller. Arranged by Toshi Clinch. Ja...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1475417 By Dizzy Gillespie. By Luciano Pozo Gonzales and Walter Gil Fuller. Arranged by Toshi Clinch. Jazz,Latin. 131 pages. Toshi Clinch Productions #1052969. Published by Toshi Clinch Productions (A0.1475417). A classic Dizzy Gillespie song which has been arranged in a polyrhythmic Afro-Son style ala Dizzy's United Nation Orchestra.
$75.00 ≈
$101.68
CONCERTO NEGRO for Trumpet and Piano (version)
CONCERTO NEGRO for Trumpet and Piano (version)
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Trompette, Piano
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AVANCÉ
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GILSON SANTOS
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CONCERTO NEGRO for Trumpet and
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Gilson Santos
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SheetMusicPlus
C Trumpet,Piano - Level 5 - SKU: A0.1459450 Composed by GILSON SANTOS. Contemporary,Latin. Score and part. 37 pages. Gilson Santos #1038403. Published b...
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C Trumpet,Piano - Level 5 - SKU: A0.1459450 Composed by GILSON SANTOS. Contemporary,Latin. Score and part. 37 pages. Gilson Santos #1038403. Published by Gilson Santos (A0.1459450). Version for Trumpet and piano, of the Negro Concerto for trumpet and Orchestra. Concert uses elements of Afro-Brazilian culture, with striking rhythms and mystical and enchanting melody.
$49.99 ≈
$67.77
We Are In Love
We Are In Love
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Chorale SATB
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AVANCÉ
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Jazz
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99 ≈
$67.77
VOCE BEM SABE
VOCE BEM SABE
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Piano seul
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AVANCÉ
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Roberto Szidon
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Luiz C Teixeira
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VOCE BEM SABE
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Luiz C Teixeira
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1434590 By Roberto Szidon. By Ernesto Nazareth. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,Class...
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Piano Solo - Level 5 - SKU: A0.1434590 By Roberto Szidon. By Ernesto Nazareth. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,Classical,Latin. Score. 4 pages. Luiz C Teixeira #1014715. Published by Luiz C Teixeira (A0.1434590). VOCE BEM SABE is a choro, characterized by syncopated rhythms, virtuosic improvisation, and fusion of European and Afro-Brazilian musical traditions. Nazareth's melodies are known their expressiveness and lyricism and I kept all the elements of this tune in a Nazareth's way.
$9.00 ≈
$12.20
PINGUIM
PINGUIM
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Piano seul
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AVANCÉ
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Arthur Moreira Lima
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Luiz C Teixeira
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PINGUIM
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Luiz C Teixeira
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1421223 By Arthur Moreira Lima. By Ernesto Nazareth. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,...
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Piano Solo - Level 5 - SKU: A0.1421223 By Arthur Moreira Lima. By Ernesto Nazareth. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,Classical,Latin. Score. 5 pages. Luiz C Teixeira #1002613. Published by Luiz C Teixeira (A0.1421223). Pinguim by Ernesto Nazareth is a captivating example of Brazilian choro music, showcasing the composer's unique blend of European sophistication and Afro-Brazilian rhythm. Its lively rhythm, memorable melody, and colorful harmonies make it a perennial favorite among musicians and audiences alike.
$7.00 ≈
$9.49
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