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Ain Studies
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130 partitions trouvées
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Three Studies for Trombone Quartet
Three Studies for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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AVANCÉ
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Methodes Etudes
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Vladislav Blazhevich
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Karl Lyden
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Three Studies for Trombone Qua
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Cherry Classics Music
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SheetMusicPlus
Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exerci...
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Trombone Quartet - Advanced - Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.
Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.
Here is a description of the Three Studies by arranger Karl Lynden:
"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich?s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement ?Five Etude?.
Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.
No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."
$32.50 ≈
¥232.20
Bach BWV 860 Well Tempered Clavier Prelude #15 In G Bassoon Studies
Bach BWV 860 Well Tempered Clavier Prelude #15 In G Bassoon Studies
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Basson
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AVANCÉ
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Classique
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Rainer's Rainbow
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R G Roth
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Bach BWV 860 Well Tempered Cla
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Rainer's Rainbow
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.902123 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Classical,Instructional,Romantic Period. In...
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Bassoon Solo - Level 5 - SKU: A0.902123 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Classical,Instructional,Romantic Period. Individual part. 6 pages. Rainer's Rainbow #6384415. Published by Rainer's Rainbow (A0.902123). In 1722 Bach composed this Prelude #15 in G for piano. It is included in Book 1 of the Well Tempered Clavier. Here it is arranged for a solo unaccompanied Bassoon as either a performance piece or as a technical exercise.
$4.99 ≈
¥35.65
Fiddle Caprices and Pizzicato Pieces: six virtuosic studies for solo violin
Fiddle Caprices and Pizzicato Pieces: six virtuosic studies for solo violin
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Violon
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AVANCÉ
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Alisa Rose
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Fiddle Caprices and Pizzicato
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Alisa Rose
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.974444 Composed by Alisa Rose. Concert,Contemporary,Instructional. 37 pages. Alisa Rose #6016177. Published by Alisa Ros...
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Violin Solo - Level 5 - SKU: A0.974444 Composed by Alisa Rose. Concert,Contemporary,Instructional. 37 pages. Alisa Rose #6016177. Published by Alisa Rose (A0.974444). For intermediate to advanced players and suitable for concert programming. This cross-genre collection of virtuosic works for solo violin studies pizzicato and percussive techniques as well as tango and fiddle styles. Composer and violinist Alisa Rose is a modern musician with a versatile voice which is strengthened by the diversity of her musical background. A San Francisco Conservatory-trained violinist and chamber musician (B.M. with Camilla Wicks, M.M. in Chamber Music as a student of Bettina Mussumeli), Alisa complemented her formal violin training with extensive studies of improvisation, composing, and the rich American fiddle traditions. Her expressive voice and stylistic fluidity has been featured in ensembles that encompassed her love of both roots music and classical chamber music, including the modern-folk ensemble Real Vocal String Quartet (U.S. Department of State Cultural Ambassadors), classical crossover stars Quartet San Francisco (Grammy-nominated), bluegrass band 49 Special (Rockygrass Band Contest Winners), and in her current contemporary roots duo, Scroggins & Rose (Freshgrass Album Fund Awardees). As a composer, Alisa Rose blends American folk techniques with classical concert forms. This style can be heard on her album of cross-genre virtuoso works for solo violin entitled Fiddle Caprices and Pizzicato Pieces as well as many of her compositions for Real Vocal String Quartet including So it Goes and Slacker Ridge.
$20.00 ≈
¥142.89
"Jazz Licks" - Daily Studies
"Jazz Licks" - Daily Studies
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Jazz
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Tony Benade
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Tony Benade
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"Jazz Licks" - Daily
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Tony Benade
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Guitar,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 5 - SKU: A0.809120
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Guitar,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 5 - SKU: A0.809120 Composed by Tony Benade. Arranged by Tony Benade. Instructional,Jazz. Score and parts. 91 pages. Tony Benade #4809131. Published by Tony Benade (A0.809120). For every student of jazz, this manual is meant for your daily study and practice routine. It explains the theory of modes in major and minor keys in an easy to understand way. It then provides jazz licks or jazz phrases in simple one bar creations. It also shows the method in which they have been created to assist the student to be able to create their own licks. It is followed by two bar and four bar licks by combing the the previous ones learned. Finally, it gives the student real chord progressions that are used in jazz standards to apply their recently gained knowledge. If followed as presented over a period of time, the student will be improvising on their own with real jazz licks sounding like they've been doing this for years. It's a tried and true method used by professionals throughout the world. Follow the directions and you won't disappointed.
$24.95 ≈
¥178.26
Studies No. 6 & 7
Studies No. 6 & 7
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2 Pianos, 4 mains
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AVANCÉ
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Methodes Etudes
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Conlon Nancarrow
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Studies No. 6 & 7
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Schott Music - Digital
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SheetMusicPlus
Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Sch...
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Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40444. Published by Schott Music - Digital
Nancarrow's music for player piano with .acrobatic complexity .that sounds .hardly performable has been known for more than four decades. The traditional notation is replaced by the accurate manual punching of individual holes in player piano roles, thus enabling multi-part sounds and rhythmic counterpoints in irrational relations which could never be played so accurately by human performers.
Fortunately, Nancarrow's less complex studies are again and again arranged for a wide variety of live instrumentation. The arrangement for two pianos by the renowned British composer and conductor Thomas Ad.s (*1971) presents the ideal opportunity for every experienced pianist to not only listen to the studies but to play them as well.
$48.99 ≈
¥350.02
Camille Saint-Saëns - Prelude Op. 135 No. 1, transcr. for guitar
Camille Saint-Saëns - Prelude Op. 135 No. 1, transcr. for guitar
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Guitare
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AVANCÉ
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Classique
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Camille Saint-Saens
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Aleksander Wilgos
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Camille Saint-Saëns - Pre
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Aleksander Wilgos
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.905201 Composed by Camille Saint-Saens. Arranged by Aleksander Wilgos. Romantic Period. Individual part. 3 pages. Aleksa...
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Solo Guitar - Level 5 - SKU: A0.905201 Composed by Camille Saint-Saens. Arranged by Aleksander Wilgos. Romantic Period. Individual part. 3 pages. Aleksander Wilgos #3618089. Published by Aleksander Wilgos (A0.905201). This is the first study from Saint-Saëns's Op. 135 which contains 6 studies for piano (left hand). Guitar transcription keeps the original tonality: G major.Here is arranger's own recording of the piece: https://www.youtube.com/watch?v=1gBoLDEkgYsOther transcriptions by Aleksander Wilgos: https://www.youtube.com/user/aleksanderwilgos
$6.50 ≈
¥46.44
TRANSCENDENTAL STUDIES for Solo Piano in Twelve Movements (2017)
TRANSCENDENTAL STUDIES for Solo Piano in Twelve Movements (2017)
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Piano seul
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AVANCÉ
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Contemporain
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Richard St
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TRANSCENDENTAL STUDIES for Sol
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.939769 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 27 pages. Richard St. Clair #3385321. Published b...
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Piano Solo - Level 5 - SKU: A0.939769 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 27 pages. Richard St. Clair #3385321. Published by Richard St. Clair (A0.939769). Inspired by Prokofiev's Visions Fugitives and other similar collections of character pieces, these 12 highly contrasting pieces express the composer's transcendental experiences. The style is mainly non-tonal with passages of tonal or quasi-tonal contrast. Duration about 17 minutes.
$23.99 ≈
¥171.40
Daily Studies
Daily Studies
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Guitare
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AVANCÉ
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Andres Segovia
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Daily Studies
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - SKU: S9.Q4923 Composed by Andres Segovia. This edition: Sheet music. Edition Andrés Segovia - guitar. Guitar Archive. Downloadabl...
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Guitar - advanced - SKU: S9.Q4923 Composed by Andres Segovia. This edition: Sheet music. Edition Andrés Segovia - guitar. Guitar Archive. Downloadable. Schott Music - Digital #Q4923. Published by Schott Music - Digital (S9.Q4923). Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$9.99 ≈
¥71.38
Gigue for solo piano - studies on hexachords #4
Gigue for solo piano - studies on hexachords #4
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Piano seul
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AVANCÉ
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Contemporain
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Scott Munson
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Gigue for solo piano - studies
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AmeriKlectic Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1016772 Composed by Scott Munson. Contemporary. Score. 6 pages. AmeriKlectic Music #6352759. Published by AmeriKlectic Mu...
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Piano Solo - Level 5 - SKU: A0.1016772 Composed by Scott Munson. Contemporary. Score. 6 pages. AmeriKlectic Music #6352759. Published by AmeriKlectic Music (A0.1016772). A short, fast paced, lively and modern (but not to modern!) gigue for solo piano (duration 2:00).This gigue for solo piano is based on a single hexachord, given at a number of transpositions and often stacked vertically.Inspired by the book Hexachords – a resource for composers by Sonny Kompanek, Mr. Munson's piano piece, #4 in a series, is based on the hexachord 22122.As stated in the Mr. Kompanek's book Each digit represents the number of half steps from the lowest to highest note of the hexachord, reading from left to right. So, at transposition 0, 22122 would represent c,d,e,f,g,a. There are 80 primary hexachords in the 12 tone scale.Yet displacement of notes, stacking of transpositions and other techniques provide a wealth of material. Mr. Munson elaborates: I take many liberties as the piece progresses and develops, where the primary principal that takes over at a point is motivic development – carved out from the principal hexachord. Tonal structures as well are often derived from selecting certain notes from stacked hexachords.
$2.99 ≈
¥21.36
The Royal Court of Aquitaine (Clarinet Quartet version)
The Royal Court of Aquitaine (Clarinet Quartet version)
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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James Pybus
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The Royal Court of Aquitaine
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybu...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybus #34151. Published by James Pybus (A0.764636). The Royal Court of Aquitaine is an original composition for SATB Saxophone Quartet or Clarinet Quartet and is dedicated to the Three Rivers Saxophone Quartet who are based in Pittsburgh, in appreciation for having me as one of their guests at their 20th Annual Saxophone and Woodwind Workshop held at California University of Pennsylvania, June 27- July 2, 2010. I began working on the piece just prior to attending the workshop and completed it a few days after returning home to Mississauga, Ontario. The title was suggested by my lovely bride after she first heard the piece. Raised in a family where medieval history was a frequent topic of discussion since her father was a Professor of Medieval Studies at the University of Toronto, my wife says she had a vision of Eleanor of Aquitaine arriving by ship in England with her entourage, while her husband King Henry II awaited her. Since I had no title in mind, and after having researched the medieval Queen, I decided my wife’s suggestion was particularly apt. The piece is in ternary form, with the first theme in C Dorian mode, perhaps depicting Eleanor’s strength and conviction as a monarch. This leads into the second section in Eb major, which is more lyrical and calming in nature, suggesting her influence over the Courtly Love Movement while residing in Poitiers. The first section then returns to bring the piece to a balanced conclusion. The performance time is 3:15. Contact me at james.pybus56@gmail.com.
$15.00 ≈
¥107.17
Eight Grand Studies for Cello, Op. 44
Eight Grand Studies for Cello, Op. 44
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Opera
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Classique
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Friedrich August Kummer
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Michele Galvagno
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Eight Grand Studies for Cello,
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cellos - Level 5 - SKU: A0.1146959 Composed by Friedrich August Kummer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Opera,Romantic ...
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Cellos - Level 5 - SKU: A0.1146959 Composed by Friedrich August Kummer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Opera,Romantic Period. Educational Exercises. 84 pages. Artistic Score Engraving di Galvagno Michele #747161. Published by Artistic Score Engraving di Galvagno Michele (A0.1146959). Friedrich August Kummer (1797—1879) produced less pedagogical material compared to his two great predecessors, Dotzauer and Romberg, but what survived to this day is of the greatest quality. The Eight Grand Studies for Cello, with optional accompaniment of a second Cello, Op. 44, were composed when Kummer was first solo cello at the Dresden Court Opera (1854—64). All of them use the thumb in some way, while two are specifically dedicated to the thumb position. No. 7, in C minor, uses the melody from Rossini’s aria “Dal tuo stellato soglio†from the opera Mosé in Egitto, showing how great an influence his work as an opera cellist had on him. This edition comes in two versions, Original & Collectors’ Edition. The Original version contains, for the first time since their composition, the Urtext score and parts, and is available for digital download right now and will be printed in Q1 2023. The Collectors’ Edition contains, in digital download, the Urtext score and parts, the score and parts of the revision by the legendary Milan Conservatory professor Giuseppe Magrini, and the cello part of the revision by the Paris Conservatory professor Jules Loeb (André Navarra’s teacher).
$24.95 ≈
¥178.26
Diabelli : Pièces mélodiques sur 5 notes, Opus 149 - No. 25 Allegro
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Piano seul
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AVANCÉ
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Methodes Etudes
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Methodes
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Diabelli
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Pièces mélodiques sur 5 note
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Tomplay
Telechargez la partition Piano Pièces melodiques sur 5 notes, Opus 149 - No. 25 Allegro de Diabelli. Partition pour Piano à quatre mains -- Classi...
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Telechargez la partition Piano Pièces melodiques sur 5 notes, Opus 149 - No. 25 Allegro de Diabelli. Partition pour Piano à quatre mains -- Classique,Exercices (ameliorez votr
4.99€ ≈
¥39.52
Viola Spaces
Viola Spaces
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Alto seul
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AVANCÉ
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Methodes Etudes
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Garth Knox
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Viola Spaces
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Schott Music - Digital
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SheetMusicPlus
Viola - difficult - Digital Download Contemporary Viola Studies. Composed by Garth Knox. This edition: Sheet music. Essential Exercises. Downloadable...
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Viola - difficult - Digital Download Contemporary Viola Studies. Composed by Garth Knox. This edition: Sheet music. Essential Exercises. Downloadable. Op. Vol. 1. Duration 24 minutes. Schott Music - Digital #Q6979. Published by Schott Music - Digital
German - English.
Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the mean time, he gives concerts and teaches courses all over the world.
With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.
Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned.
$24.99 ≈
¥178.55
Viola Spaces for Two
Viola Spaces for Two
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2 Altos (duo)
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AVANCÉ
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Methodes Etudes
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Garth Knox
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Viola Spaces for Two
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Schott Music
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SheetMusicPlus
2 violas - difficult - Contemporary Viola Studies. Composed by Garth Knox. This edition: performance score. Essential Exercises. Downloadable. Op. Vol. 2....
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2 violas - difficult - Contemporary Viola Studies. Composed by Garth Knox. This edition: performance score. Essential Exercises. Downloadable. Op. Vol. 2. Duration 24 minutes. Schott Music - Digital #Q24051. Published by Schott Music
German - English.
Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the meantime, he gives concerts and teaches courses all over the world.
With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.
Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned.
$39.99 ≈
¥285.72
Piano Concerto No. 5
Piano Concerto No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction....
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Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99 ≈
¥314.30
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Contemporain
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales o
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksand...
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00 ≈
¥707.33
Absalom
Absalom
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Chorale SATB
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AVANCÉ
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Contemporain
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Daniel Elder
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Absalom
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Daniel Elder Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Publi...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Published by Daniel Elder Music (A0.854827). This stunningly incisive chamber choir oratorio tells the whole story of Absalom's rebellion against his father, King David, far beyond the common text When David Heard. Featured alongside the biblical narrative are original studies of other historical characters that illuminate the most vital lessons for achieving peace in today's society. Inspired by a crisis of polarization, Absalom shines a critical light on the tribalism and gridlock of modern social politics in hopes of bringing us closer together again. From the composer, Absalom is a call to listen; not to protest others, not to educate others, but to connect with them. The painful truth I’ve come to in the process of birthing this work is that no one is safe from criticism in this modern struggle, and no one is safely on the right side of history. Every individual, including myself, lies in the crosshairs of this musical statement. Only by stepping outside the borders of what we think is comfortable will we learn understanding. And by learning understanding, peace just might follow. This challenging 30-minute work is recommended for smaller, advanced chamber choirs.
$4.99 ≈
¥35.65
Piano Quintet in A minor
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99 ≈
¥35.65
Thérèse Brenet: Sonata for flute and piano
Thérèse Brenet: Sonata for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishi...
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Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95 ≈
¥121.10
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.01
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.01
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.01
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Benjamin Harry Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.01
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Ain Studies
