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BWV 227
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Vous avez sélectionné:
BWV 227
expert
Partitions à imprimer
62 partitions trouvées
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Motet Jesu, meine Freude (Jesus, my joy) BWV 227 for 8-part Trombone Ensemble
Motet Jesu, meine Freude (Jesus, my joy) BWV 227 for 8-part Trombone Ensemble
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Ensemble de Trombones
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AVANCÉ
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Musique Sacrée
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Bach Johann Sebastian
#
Sauer, Ralph
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Motet Jesu, meine Freude
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Gordon Cherry
#
SheetMusicPlus
Large Ensemble Trombone - Level 5 - SKU: A0.792201 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Praise & Worship,Sacre...
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Large Ensemble Trombone - Level 5 - SKU: A0.792201 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Praise & Worship,Sacred. Score and parts. 112 pages. Gordon Cherry #4628453. Published by Gordon Cherry (A0.792201). Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
$40.00 ≈
¥283.74
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
#
Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
¥89.38
Prelude & Fugue No. 21 in B flat major (BWV 890) - Chromatically Inverted
Prelude & Fugue No. 21 in B flat major (BWV 890) - Chromatically Inverted
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 21 in
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Chris Benton
#
SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1467900 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1467900 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 10 pages. Chris Benton #1046201. Published by Chris Benton (A0.1467900). This volume contains the Prelude & Fugue No. 21 in B flat major (BWV 890) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 17 in A flat major (BWV 886) - Chromatically Inverted
Prelude & Fugue No. 17 in A flat major (BWV 886) - Chromatically Inverted
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Piano seul
#
AVANCÉ
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Classique
#
Johann Sebastian Bach
#
Chris Benton
#
Fugue No
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Prelude & Fugue No. 17 in
#
Chris Benton
#
SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1448340 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
(+)
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1448340 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 12 pages. Chris Benton #1028280. Published by Chris Benton (A0.1448340). This volume contains the Prelude & Fugue No. 17 in A flat major (BWV 886) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 18 in G sharp minor (BWV 887) - Chromatically Inverted
Prelude & Fugue No. 18 in G sharp minor (BWV 887) - Chromatically Inverted
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Piano seul
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Chris Benton
#
Fugue No
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Prelude & Fugue No. 18 in
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Chris Benton
#
SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1452190 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1452190 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 12 pages. Chris Benton #1031509. Published by Chris Benton (A0.1452190). This volume contains the Prelude & Fugue No. 18 in G sharp minor (BWV 887) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 19 in A major (BWV 888) - Chromatically Inverted
Prelude & Fugue No. 19 in A major (BWV 888) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 19 in
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Chris Benton
#
SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1453513 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
(+)
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1453513 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 8 pages. Chris Benton #1032741. Published by Chris Benton (A0.1453513). This volume contains the Prelude & Fugue No. 19 in A major (BWV 888) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 20 in A minor (BWV 889) - Chromatically Inverted
Prelude & Fugue No. 20 in A minor (BWV 889) - Chromatically Inverted
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Piano seul
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AVANCÉ
#
Classique
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Johann Sebastian Bach
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Chris Benton
#
Fugue No
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Prelude & Fugue No. 20 in
#
Chris Benton
#
SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1456534 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
(+)
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1456534 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 8 pages. Chris Benton #1035606. Published by Chris Benton (A0.1456534). This volume contains the Prelude & Fugue No. 20 in A minor (BWV 889) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 16 in G minor (BWV 885) - Chromatically Inverted
Prelude & Fugue No. 16 in G minor (BWV 885) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 16 in
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1434971 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1434971 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 10 pages. Chris Benton #1015075. Published by Chris Benton (A0.1434971). This volume contains the Prelude & Fugue No. 16 in G minor (BWV 885) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 13 in F sharp major (BWV 882) - Chromatically Inverted
Prelude & Fugue No. 13 in F sharp major (BWV 882) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 13 in
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1418269 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1418269 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 11 pages. Chris Benton #999826. Published by Chris Benton (A0.1418269). This volume contains the Prelude & Fugue No. 13 in F sharp major (BWV 882) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Partita No. 4 in D Major, BWV 828
Partita No. 4 in D Major, BWV 828
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Classique
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 4 in D Major, BWV
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Songburd Music
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SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 89 pages. Songburd Music #993405. Published by Songburd Music (A0.1411059). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 4 in D Major (BWV 828) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue.Notably, Bach’s keyboard Partita No. 4 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$89.99 ≈
¥638.35
Partita No. 1 in B-Flat Major, BWV 825
Partita No. 1 in B-Flat Major, BWV 825
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Classique
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 1 in B-Flat Major,
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Songburd Music
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SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 53 pages. Songburd Music #993398. Published by Songburd Music (A0.1411052). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 1 in B-Flat Major (BWV 825) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 1 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99 ≈
¥425.54
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
¥89.38
Prelude & Fugue No. 10 in E minor (BWV 879) - Chromatically Inverted
Prelude & Fugue No. 10 in E minor (BWV 879) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 10 in
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1402730 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1402730 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 13 pages. Chris Benton #985955. Published by Chris Benton (A0.1402730). This volume contains the Prelude & Fugue No. 10 in E minor (BWV 879) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 11 in F major (BWV 880) - Chromatically Inverted
Prelude & Fugue No. 11 in F major (BWV 880) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 11 in
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1403870 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1403870 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 11 pages. Chris Benton #987043. Published by Chris Benton (A0.1403870). This volume contains the Prelude & Fugue No. 11 in F major (BWV 880) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 8 in D sharp minor (BWV 877) - Chromatically Inverted
Prelude & Fugue No. 8 in D sharp minor (BWV 877) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 8 in D
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1398243 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1398243 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 10 pages. Chris Benton #981521. Published by Chris Benton (A0.1398243). This volume contains the Prelude & Fugue No. 8 in D sharp minor (BWV 877) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Partita No. 3 in A Minor, BWV 827
Partita No. 3 in A Minor, BWV 827
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Classique
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 3 in A Minor, BWV
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Songburd Music
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SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Cont...
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Woodwind Ensemble Double Reed Quartet - Level 5 - SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99 ≈
¥425.54
Prelude & Fugue No. 9 in E major (BWV 878) - Chromatically Inverted
Prelude & Fugue No. 9 in E major (BWV 878) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 9 in E
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1400151 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1400151 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 10 pages. Chris Benton #983365. Published by Chris Benton (A0.1400151). This volume contains the Prelude & Fugue No. 9 in E major (BWV 878) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
Prelude & Fugue No. 7 in E flat major (BWV 876) - Chromatically Inverted
Prelude & Fugue No. 7 in E flat major (BWV 876) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Fugue No
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Prelude & Fugue No. 7 in E
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1396231 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1396231 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 9 pages. Chris Benton #979617. Published by Chris Benton (A0.1396231). This volume contains the Prelude & Fugue No. 7 in E flat major (BWV 876) from The Well-Tempered Clavier, Part 2, by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms this well-known work profoundly, allowing the player to hear it afresh from an entirely new perspective.
$1.99 ≈
¥14.12
J.S.Bach - Cello Suite No.6 in D major, BWV 1012 - For Solo Original Complete
J.S.Bach - Cello Suite No.6 in D major, BWV 1012 - For Solo Original Complete
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Violoncelle
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AVANCÉ
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Classique
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Johann Sebastian Bach
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poon
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J.S.Bach - Cello Suite No.6 in
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poon
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1390695 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Individual part. 9 pages. Poon #974249. Published...
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Cello Solo - Level 5 - SKU: A0.1390695 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Individual part. 9 pages. Poon #974249. Published by poon (A0.1390695). J.S.Bach - Cello Suite No.6 in D major, BWV 1012 - For Solo Original Complete include 7 movements Prélude,Allemande,Courante,Sarabande,Gavotte I,Gavotte II,Gigue.
$1.99 ≈
¥14.12
Prelude in G minor - BWV 999 - Viola
Prelude in G minor - BWV 999 - Viola
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Alto seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in G minor - BWV 999 -
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Ygor Nunes
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1386060 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4...
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Viola Solo - Level 5 - SKU: A0.1386060 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #970006. Published by Ygor Nunes (A0.1386060). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99 ≈
¥28.30
Prelude in C minor - BWV 999 - Cello
Prelude in C minor - BWV 999 - Cello
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Violoncelle, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in C minor - BWV 999 -
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Ygor Nunes
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1386045 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Score and part. 1...
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Cello,Piano - Level 5 - SKU: A0.1386045 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Score and part. 11 pages. Ygor Nunes #969991. Published by Ygor Nunes (A0.1386045). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$4.99 ≈
¥35.40
Prelude in C minor - BWV 999 - Cello
Prelude in C minor - BWV 999 - Cello
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Violoncelle
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in C minor - BWV 999 -
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Ygor Nunes
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1386040 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4...
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Cello Solo - Level 5 - SKU: A0.1386040 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969986. Published by Ygor Nunes (A0.1386040). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99 ≈
¥28.30
Prelude in Bb minor - BWV 999 - English Horn
Prelude in Bb minor - BWV 999 - English Horn
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Cor Anglais
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in Bb minor - BWV 999
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Ygor Nunes
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SheetMusicPlus
English Horn Solo - Level 5 - SKU: A0.1386042 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual ...
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English Horn Solo - Level 5 - SKU: A0.1386042 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969988. Published by Ygor Nunes (A0.1386042). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, Bb minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99 ≈
¥28.30
Prelude in C minor - BWV 999 - Violin
Prelude in C minor - BWV 999 - Violin
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Violon et Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in C minor - BWV 999 -
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Ygor Nunes
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1386056 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. 10 pages. Ygor N...
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Piano,Violin - Level 5 - SKU: A0.1386056 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. 10 pages. Ygor Nunes #970002. Published by Ygor Nunes (A0.1386056). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo, violin.
$4.99 ≈
¥35.40
Prelude in C minor - BWV 999 - Violin
Prelude in C minor - BWV 999 - Violin
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Violon
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in C minor - BWV 999 -
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Ygor Nunes
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1386061 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. 3 pages. Ygor Nun...
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Violin Solo - Level 5 - SKU: A0.1386061 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. 3 pages. Ygor Nunes #970007. Published by Ygor Nunes (A0.1386061). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99 ≈
¥28.30
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BWV 227
