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Vous avez sélectionné:
Be Nice
expert
Partitions à imprimer
74 partitions trouvées
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NICE 'N' STEADY
NICE 'N' STEADY
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Jazz
#
Brian Melville
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NICE 'N' STEADY
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Solway Music
#
SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.1004743 Composed by Brian Melville. Jazz,Standards. Score and parts. 1 pages. Solway Music #4347257. Published by Sol...
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Small Ensemble - Level 5 - SKU: A0.1004743 Composed by Brian Melville. Jazz,Standards. Score and parts. 1 pages. Solway Music #4347257. Published by Solway Music (A0.1004743). NICE 'N' STEADY - is a track appropriate for a trio or quartet. It can be played in a swing or jazz funk style and will enhance any jazz repertoire.
$3.99 ≈
3.59€
Be Still My Soul
Be Still My Soul
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Piano seul
#
AVANCÉ
#
Jean Sibelius
#
Laura Glassel
#
Be Still My Soul
#
Laura Glassel
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1087299 Composed by Jean Sibelius. Arranged by Laura Glassel. Classical,Sacred,Traditional. Score. 5 pages. Laura Glassel...
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Piano Solo - Level 5 - SKU: A0.1087299 Composed by Jean Sibelius. Arranged by Laura Glassel. Classical,Sacred,Traditional. Score. 5 pages. Laura Glassel #691507. Published by Laura Glassel (A0.1087299). This is an early advanced piano arrangement of the hymn tune to Be Still My Soul. Starts in F major and then transitions to Ab major. Almost the entire range of the piano keyboard is used. The second stanza involves a lot of triplets. 5 pages long. Perfect in a church music setting as a prelude or offertory piece. Would also be a nice piece for a recital.
$3.99 ≈
3.59€
You Should Be Dancing
You Should Be Dancing
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Fanfare
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AVANCÉ
#
Bee Gees
#
Sean Monigold
#
You Should Be Dancing
#
Sean Monigold
#
SheetMusicPlus
Marching Band - Level 5 - SKU: A0.1245412 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Sean Monigold. Disco,Funk,Pop. Score and...
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Marching Band - Level 5 - SKU: A0.1245412 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Sean Monigold. Disco,Funk,Pop. Score and Parts. 24 pages. Sean Monigold #840292. Published by Sean Monigold (A0.1245412). Funky disco at it's best - you'll have the audience dancing in their seats! Great arrangement for a mature band, featuring room for a soloist and an iconic bass line. Nice chart for a production number or dance feature!
$54.99 ≈
49.53€
Carnival of Venice for Solo Tuba and Brass Accompaniment
Carnival of Venice for Solo Tuba and Brass Accompaniment
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David P
#
David P
#
Carnival of Venice for Solo Tu
#
David P. Brown
#
SheetMusicPlus
Brass Quintet Tuba - Level 5 - SKU: A0.1320583 By David P. Brown. By J.B. Arban. Arranged by David P. Brown. 19th Century,Chamber,Classical,Ragtime. 32 ...
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Brass Quintet Tuba - Level 5 - SKU: A0.1320583 By David P. Brown. By J.B. Arban. Arranged by David P. Brown. 19th Century,Chamber,Classical,Ragtime. 32 pages. David P. Brown #909075. Published by David P. Brown (A0.1320583). A showpiece for the tuba performer in your brass quintet. While the entire piece is arranged for brass quintet with solo tuba, it can easily be shortened by cutting one or more of the sections. Your tuba player will be the talk of the concert!
$7.00 ≈
6.30€
Carnival of Venice (Op.78) - Flute, Violin, & Piano
Carnival of Venice (Op.78) - Flute, Violin, & Piano
#
Giulio Briccialdi
#
Diana McNulty (ASCAP)
#
Carnival of Venice
#
Diana McNulty
#
SheetMusicPlus
Flute,Piano Accompaniment,Violin - Level 5 - SKU: A0.904640 Composed by Giulio Briccialdi. Arranged by Diana McNulty (ASCAP). Multicultural,Romantic Per...
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Flute,Piano Accompaniment,Violin - Level 5 - SKU: A0.904640 Composed by Giulio Briccialdi. Arranged by Diana McNulty (ASCAP). Multicultural,Romantic Period,Standards,World. 59 pages. Diana McNulty #5017443. Published by Diana McNulty (A0.904640). Arranged for Flute Duet and PianoThis piece is traditionally played as a virtuoso solo, however this arrangement shares the melody between a flute and violin. The parts pass the solo between them and harmonize the two with each other, providing a balanced performance where both instrumentalists have a chance to demonstrate their strengths, and support each other.The addition of a second soloist allows the performers to be more creative with their showmanship, and even add comedic elements to their concert with banter between the performers.Score and Parts Included In addition to the full score, this arrangement includes an additional condensed piano part that combines the duet parts on one staff. This helps to reduce the number of page turns for the pianist. Separate flute and violin parts are also included. http://www.dianamcnulty.com.
$9.95 ≈
8.96€
Carnival of Venice (Op.78) For Flute, Clarinet, and Piano
Carnival of Venice (Op.78) For Flute, Clarinet, and Piano
#
Giulio Briccialdi
#
Diana McNulty (ASCAP)
#
Carnival of Venice
#
Diana McNulty
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.904639 Composed by Giulio Briccialdi. Arranged by Diana McNulty (ASCA...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.904639 Composed by Giulio Briccialdi. Arranged by Diana McNulty (ASCAP). Multicultural,Romantic Period,World. 29 pages. Diana McNulty #5017393. Published by Diana McNulty (A0.904639). Also known as Il Carnivale di Venizia, this popular Italian piece is traditionally played as a virtuoso solo, however this arrangement is a duet for flute & clarinet with piano accompaniment.The parts pass the solo between them and harmonize with each other, providing a balanced performance where both instrumentalists have a chance to demonstrate their strengths, and support each other.The addition of a second soloist allows the performers to be more creative with their showmanship, and even add comedic elements to their concert with banter between the performers.Score and Parts Includedhttp://www.dianamcnulty.com/.
$9.95 ≈
8.96€
Be Thou My Vision (Violin and Piano)
Be Thou My Vision (Violin and Piano)
#
Violon et Piano
#
AVANCÉ
#
Celtique/Irlandais
#
Traditional Irish Melody
#
Min Hwan Kim, Amy Soyoon Yi
#
Be Thou My Vision
#
Min Hwan Kim
#
SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.914896 Composed by Traditional Irish Melody. Arranged by Min Hwan Kim, Amy Soyoon Yi. Christian,Concert,Sacred,World. 8...
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Piano,Violin - Level 5 - SKU: A0.914896 Composed by Traditional Irish Melody. Arranged by Min Hwan Kim, Amy Soyoon Yi. Christian,Concert,Sacred,World. 8 pages. Min Hwan Kim #6138731. Published by Min Hwan Kim (A0.914896). This beloved hymn has been infused with Korean colors, by incorporating Arirang, the most famous Korean folk song. Some extended techniques are used in both violin and piano to imitate sounds of Korean traditional instruments, giving this arrangement an ethereal, mystic, yet fulfilling atmosphere. It can even work nicely as a recital piece and of course, a delightful music for your church service. .
$4.99 ≈
4.49€
Never Enough Piano Solo (2 for the price of 1 !!), 2 keys are included (Original Key Ab major and Easy Key C major) Nice Piano Cover
Never Enough Piano Solo (2 for the price of 1 !!), 2 keys are included (Original Key Ab major and Easy Key C major) Nice Piano Cover
#
Piano seul
#
AVANCÉ
#
Lauren Allred
#
Cres Ho
#
Never Enough Piano Solo
#
SheetMusicPlus
Piano Solo - Advanced - By Lauren Allred. Arranged by Cres Ho. Score. 6 pages. Published by Published by Cres Ho...
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Piano Solo - Advanced - By Lauren Allred. Arranged by Cres Ho. Score. 6 pages. Published by Published by Cres Ho
Arranger: Cres Ho
Key: 2 Versions (and#65279;Ab major and C major key)
Time Signature: 4/4
Number of Pages: 3 pages for each key (Total: 6 pages)
Difficulty: Advanced Intermediate to Advanced (Grade 5 and above)
Note: The introduction was derived from the original song and a nice ending was added to the song. Dynamic markings are included too.
Listen to the full song here:
https://youtu.be/FXjEzO4rOHQ (Ab major)
https://youtu.be/XNwaLfZBIaE (C major)
For more piano arrangements, visit http://www.cresho.net
About the Pianist-Composer:
Cres Ho has more than 10 years of piano teaching experience and he knows what makes a piece of music easy or hard to play. With that knowledge, he can create a beautiful piece that is easy to play and enjoy.and#65279;
2018 Instrumental Arranging Contest Entry
$6.88 ≈
6.20€
Wouldn't It Be Nice
Wouldn't It Be Nice
#
Chorale SSAA
#
AVANCÉ
#
The Beach Boys
#
John Brockman
#
Wouldn't It Be Nice
#
BrockhouseMusic
#
SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 5 - SKU: A0.1450062 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by John Brockman. 20...
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Choral Choir,Choral,SSAA Chorus - Level 5 - SKU: A0.1450062 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by John Brockman. 20th Century,A Cappella,Barbershop,Singer/Songwriter,Standards. 6 pages. BrockhouseMusic #1029760. Published by BrockhouseMusic (A0.1450062). SSAA arrangement (some div) for acapella female voices in the barbershop style.Originally arranged for the Westminster Chorus.
$1.99 ≈
1.79€
Wouldn't It Be Nice
Wouldn't It Be Nice
#
Chorale TTBB
#
AVANCÉ
#
The Beach Boys
#
John Brockman
#
Wouldn't It Be Nice
#
BrockhouseMusic
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 5 - SKU: A0.1444311 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by John Brockman. 20...
(+)
Choral Choir,Choral,TTBB Chorus - Level 5 - SKU: A0.1444311 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by John Brockman. 20th Century,A Cappella,Barbershop,Singer/Songwriter,Standards. 6 pages. BrockhouseMusic #1024225. Published by BrockhouseMusic (A0.1444311). TTBB arrangement (lower parts div) for acapella male voices in the barbershop style.Arranged for the Westminster Chorus.
$1.99 ≈
1.79€
Wouldn't It Be Nice
Wouldn't It Be Nice
#
Rock
#
The Beach Boys
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Marmpy
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Wouldn't It Be Nice
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Marmpy Music
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.720145 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by Marmpy. Pop,Rock. Scor...
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String Ensemble,String Trio - Level 5 - SKU: A0.720145 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by Marmpy. Pop,Rock. Score and parts. 11 pages. Marmpy Music #6658407. Published by Marmpy Music (A0.720145). Our string trio arrangements are for either two violins and cello or violin, viola and cello. There is an optional viola part that replaces the second violin part.
$12.99 ≈
11.70€
Wouldn't It Be Nice
Wouldn't It Be Nice
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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The Beach Boys
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Marcos Henrique Scheffel
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Wouldn't It Be Nice
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Marcos Scheffel
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SheetMusicPlus
By The Beach Boys. By Tony Asher, Brian Wilson, and Mike Love. Arranged by Marcos Henrique Scheffel. Contemporary. Score and parts. 8 pages. Marcos Sc...
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By The Beach Boys. By Tony Asher, Brian Wilson, and Mike Love. Arranged by Marcos Henrique Scheffel. Contemporary. Score and parts. 8 pages. Marcos Scheffel #6457407. Published by Marcos Scheffel
$19.99 ≈
18.00€
Easter Oratorio (Sinfonia) for String Trio
Easter Oratorio (Sinfonia) for String Trio
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Dave Prudon
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Easter Oratorio
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Prudon String Ensembles
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1127845 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Chamber,Easter,Sacred,Wed...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1127845 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Chamber,Easter,Sacred,Wedding. 17 pages. Prudon String Ensembles #728454. Published by Prudon String Ensembles (A0.1127845). First performed in 1725 for Easter Sunday, Bach's masterpiece is seen here, beautifully arranged for String Trio. All of Bach's majestic phrases and brilliant sequences are nicely written and each instrument has its moment to shine. This could be played for any special occasion but of course it would be perfect for Easter. To see an arrangement of this piece for String Quartet, as well as many other nice arrangements for strings, take a look at: Prudon String Ensembles Sheet Music.
$9.99 ≈
9.00€
Sonata in g
Sonata in g
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Johann Michael Nicolai
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Matthijs van der Moolen
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Sonata in g
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Matthijs van der Moolen
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SheetMusicPlus
Small Ensemble Basso Continuo,Organ,Trombone,Violin - Level 5 - SKU: A0.882473 Composed by Johann Michael Nicolai. Arranged by Matthijs van der Moolen. ...
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Small Ensemble Basso Continuo,Organ,Trombone,Violin - Level 5 - SKU: A0.882473 Composed by Johann Michael Nicolai. Arranged by Matthijs van der Moolen. Baroque,Classical,Renaissance. Score and parts. 7 pages. Matthijs van der Moolen #2165057. Published by Matthijs van der Moolen (A0.882473). A very nice and virtuosic sonata for violin, trombone and continuo. Of course, the violin part can also be played on a cornetto, and the trombone part is suitable for viola da gamba. Check out the Castello Consort ensemble on YouTube to hear a nice recording of this piece.Of course, both a score and individual parts are included.
$14.99 ≈
13.50€
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
29.68€
"39 Variations on an Original Theme in F Major" for piano Op. 98
"39 Variations on an Original Theme in F Major" for piano Op. 98
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"39 Variations on an Orig
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Publ...
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Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Published by Freeland Publications (A0.980450). Duration: ca. 90 minutes-2 hours. Quite possibly the longest set of piano variations in the entire classical music literature, with the exception, perhaps, of certain sets of variations for piano by Kaikhosru Shapurgi Sorabji. This work ends with a monstrous 35-page long fugue. In the 18th century, Bach composed the Goldberg Variations (30 variations), in the 19th century Beethoven composed the Diabelli Variations (33 variations), in the 20th century Frederic Rzewski composed The People United Will Never Be Defeated (36 variations), and now, in the 21st century, Gary Noland has composed his monumental 39 Variations on an Original Theme in F Major. (There seems to be a pattern of three variations added on for each century). This is a work for adventurous first-rate pianists! Some of the variations are self-contained and may be played separate from the whole.I'm fascinated by your variations. Perhaps a marathon performance with many pianists doing several variations? Could be interesting. RIchard Strauss would have loved it.-Jed Distler, pianist. Sheer genius!!!! Move over Bach!!!!!-Alfred Watson, composer & pianist. Very nice and exciting! I listened [to] both the parts on you tube and I was not bored at all ... impeccable technique with echos (in my opinion) from Bach, Beethoven, Satie up to contemporaries, and many others ... many compliments!!!-Sisto PalombellaOne word: monumental!-Joseph Ford, composerThis is amazing music … Wow!!!-John William BaxterBeautifully put together. Three cheers!-Scott Giles, composerThis is a remarkable set of variations, not only for the immensely imaginative treatment of the theme but also for the vast array of stylistic influences incorporated into the score. One need only listen to five minutes to appreciate the craftsmanship!-Lenny Cavallaro, composerI'm enjoying this very much. I liked the intellectual rigor that underlies it.-John Melcher, composerAmazing work!-Rudolf SchmittLink to Section One: https://www.youtube.com/watch?v=4JQYgBiP388Link to Section Two: https://www.youtube.com/watch?v=UjQLOoPGvII&t=1025s
$30.00 ≈
27.02€
No Longer At Ease for Euphonium Quartet
No Longer At Ease for Euphonium Quartet
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Matthew Nunes
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No Longer At Ease for Euphoniu
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99 ≈
22.51€
Piano Trio No 1
Piano Trio No 1
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Contemporain
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00 ≈
36.03€
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone et Orgue
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AVANCÉ
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Contemporain
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00 ≈
13.51€
Arrietty's Song
Arrietty's Song
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Harpe
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AVANCÉ
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Cecile Corbel
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Rachael Acheson
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Arrietty's Song
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 5 - SKU: A0.1452234 By Cecile Corbel. By Cecile Corbel, Simon Caby, and Yoko Ihira. Arranged by Rachael Acheson. Celtic,Children,Film...
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Lever Harp - Level 5 - SKU: A0.1452234 By Cecile Corbel. By Cecile Corbel, Simon Caby, and Yoko Ihira. Arranged by Rachael Acheson. Celtic,Children,Film/TV,Folk,Irish,Multicultural,World. Score. 7 pages. TheHarpLibrarian #1031550. Published by TheHarpLibrarian (A0.1452234). This solo harp arrangement of Arrietty's Song from Miyazaki/Studio Ghibli's film The Secret World of Arrietty is wonderfully versatile, while preserving the key and overall character of Cecile Corbel's original piece. It can be played on a lever harp as small as 26 strings, with the lowest note being the C below middle C and the highest being the third G above middle C. It only requires one lever (the A below middle C) to be moved to effectively simulate the chorus key change. It captures both the iconic original celtic harp part, as well as the full melody (with Japanese lyrics taken into account), and also the building/shifting energy that the original piece achieved by adding additional instruments. I think it also successfully solves the problem of remaining interesting and dynamic throughout despite the song being so repetitive. In short, I am particularly proud of this arrangement.In part because it is so note-y, and because it just keeps moving with no room to rest or breathe, this is definitely one of the harder and more advanced pieces I have arranged for small/lap lever harp. It would still sound nice played under tempo, but you will need to maintain a consistent rhythm throughout. I advise practicing the left hand as blocked chords and paying particular attention to the right-hand octaves in the second rendition of the chorus.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.39€
Restful Silence - Piano Solo
Restful Silence - Piano Solo
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Piano seul
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AVANCÉ
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Martyn C Adams
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Restful Silence - Piano Solo
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Martyn C Adams
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1454610 Composed by Martyn C Adams. 20th Century,Classical. Score. 12 pages. Martyn C Adams #1033711. Published by Martyn...
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Piano Solo - Level 5 - SKU: A0.1454610 Composed by Martyn C Adams. 20th Century,Classical. Score. 12 pages. Martyn C Adams #1033711. Published by Martyn C Adams (A0.1454610). This music has a waltz feel throughout and written in the form of a rondo with 4 themes. This piece should be played with expression and rubato, particularly in the waltz-like sections and mostly in the right hand.There is nice syncopation between the hands and there are some fast arpeggios spread across bothhands in a more syncopated way over some irregular rhythms. It is more important to get a smooth flow between the hands than to play with ultimate time precision, and by playing more rubato the time can be stretched a little to fit the notes in.Level: Grade 7.
$5.99 ≈
5.39€
Arabesque No. 1
Arabesque No. 1
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Piano seul
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AVANCÉ
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Claude Debussy
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Kevin P
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Arabesque No. 1
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Kevin P. Holtg
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1415377 Composed by Claude Debussy. Arranged by Kevin P. Holt. 19th Century,Classical,Wedding. Score. 5 pages. Kevin P. H...
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Piano Solo - Level 5 - SKU: A0.1415377 Composed by Claude Debussy. Arranged by Kevin P. Holt. 19th Century,Classical,Wedding. Score. 5 pages. Kevin P. Holtg #997112. Published by Kevin P. Holtg (A0.1415377). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Or a wedding drinks reception while chatting with friends? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 7, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This Solo Piano version of Arabesque No. 1 was originally arranged for a wedding drinks reception I performed at. I have improved the stave spacing to make page turning a little easier at pages 2 and 4. Have fun!
$4.99 ≈
4.49€
Jesus, Savior, Pilot Me
Jesus, Savior, Pilot Me
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Piano seul
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AVANCÉ
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Musique Sacrée
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John E
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Judith
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Jesus, Savior, Pilot Me
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.821274 Composed by John E. Gould. Arranged by Judith. L. Maggs. Christian,Religious,Sacred. Score. 5 pages. Maggs #599801...
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Piano Solo - Level 5 - SKU: A0.821274 Composed by John E. Gould. Arranged by Judith. L. Maggs. Christian,Religious,Sacred. Score. 5 pages. Maggs #5998019. Published by Maggs (A0.821274). Jesus, Savior, Pilot Me is an old hymn that speaks of the leading of Jesus through times of stress, of his calming voice in the midst of the storm. I've used a moving left hand figure that evokes the moving waters, and the promise of Jesus' Peace, be still. This arrangement is appropriate for any church service, and would be particularly nice for a funeral or memorial service. Note: This arrangement is included in my collection, “In Loving Memory,†also available on this site.
$2.99 ≈
2.69€
Gabriel
Gabriel
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Guitare
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AVANCÉ
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Alfred Feenstra
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Gabriel
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Publ...
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Solo Guitar - Level 5 - SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Published by Alfred Feenstra (A0.978016). A very special piece. I had in mind to be in contact with the angel Gabriel and floating with him in space where he must be and does his work to protect people from evil and accidents.If you want to learn to play something very different from all existing guitar work and get a special feeling, try this!!!Best results you get playing it in a space with very nice and full acoustics.
$4.50 ≈
4.05€
Tuk Tuk Ride flexible saxophone Octet (optional bass sax) Crazy antics for advanced ensembles!
Tuk Tuk Ride flexible saxophone Octet (optional bass sax) Crazy antics for advanced ensembles!
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Ensemble de saxophones
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AVANCÉ
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Claire Tomsett-Rowe
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Tuk Tuk Ride flexible saxophon
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Masquerade Music
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.761567 Compo...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.761567 Composed by Claire Tomsett-Rowe. Contemporary,Instructional,Jazz. 29 pages. Masquerade Music #6692047. Published by Masquerade Music (A0.761567). Tuk tuk ride is movement one (of four) from the delightful 'A Night In Bangkok' original suite by Claire Tomsett-Rowe for flexible saxophone octet (with optional bass sax) - not to be confused with 'ONE Night in Bangkok' from Chess! (the musical). Strap in and be part of a thoroughly bonkers ordeal as the tuk tuk careers around the city (complete with many blaring horns and panic!) as it endeavours to reach its destination. Tuk tuk ride is one of the two more lively movements from the book (Spicy Disco is the other hilarious and rather frantic piece....obviously someone really needs to party! ;D), but we get a brief respite before that observing the local sights (Pat Pong), and also on the river boat ride (Chao Phraya) which is a nice slow tempo with blending lines (great for practicing control and blending within the ensemble). The saxophone octet is aimed at advanced confident ensembles (we'd typically recommend grade 7+) due to the tempo changes (and just tempo for that matter!). .
$12.50 ≈
11.26€
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