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Vous avez sélectionné:
Beat It Trombone
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Partitions à imprimer
47 partitions trouvées
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The Beatles: Penny Lane - brass quintet
The Beatles: Penny Lane - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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The Beatles: Penny Lane - bras
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RayThompsonMusic
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Advanced - By The Beatles. Arranged by Ray Thompson. Score, Set of Parts. 9 pages. Published by RayTho...
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Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Advanced - By The Beatles. Arranged by Ray Thompson. Score, Set of Parts. 9 pages. Published by RayThompsonMusic
"Penny Lane" is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with "Strawberry Fields Forever". It was written primarily by Paul McCartney and credited to the Lennon?McCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.
Arranged standard brass quintet.
I have made the decision to arrange this piece in Bb (The original is in B)
This means the trumpets are playing in their brightest register, for both the verse and chorus.
The solo (piccolo trumpet in the original) is played on standard trumpet using harmon mute, and drops it down an octave. It still sounds "brilliant"
The mp3 extract is of the verse and the solo.
$19.95 ≈
¥141.99
One-Man Sideshow (Trombone & Hi-Hat)
One-Man Sideshow (Trombone & Hi-Hat)
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Trombone
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AVANCÉ
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Don Bowyer
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One-Man Sideshow
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Dolphin Don's Music School
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's M...
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Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #910625. Published by Dolphin Don's Music School (A0.1322285). This composition, in four short movements (5 minutes total), is for trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The final step in the evolution of this piece was this edition for tenor trombone.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.
$10.00 ≈
¥71.17
One-Man Sideshow (Bass Trombone & Hi-Hat)
One-Man Sideshow (Bass Trombone & Hi-Hat)
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Trombone basse
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AVANCÉ
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Don Bowyer
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One-Man Sideshow
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Dolphin Don's Music School
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SheetMusicPlus
Bass Trombone,Trombone Solo - Level 5 - SKU: A0.1111845 Composed by Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music Sc...
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Bass Trombone,Trombone Solo - Level 5 - SKU: A0.1111845 Composed by Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #714057. Published by Dolphin Don's Music School (A0.1111845). NOTE: The accompanying recording is MIDI only.This composition, in four short movements (5 minutes total), is for bass trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.
$10.00 ≈
¥71.17
Morning, Noon, and Night in Paris for Trombone and Piano (Tenor Clef)
Morning, Noon, and Night in Paris for Trombone and Piano (Tenor Clef)
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Trombone et Piano
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AVANCÉ
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Nicholas Matheos
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Morning, Noon, and Night in Pa
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Nicholas J. Matheos
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SheetMusicPlus
Small Ensemble Tenor Trombone - Level 5 - SKU: A0.1028791 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Score and parts. 34 ...
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Small Ensemble Tenor Trombone - Level 5 - SKU: A0.1028791 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Score and parts. 34 pages. Nicholas J. Matheos #5776719. Published by Nicholas J. Matheos (A0.1028791). Morning, Noon, and Night in Paris for Trombone and Piano was inspired by my trips to Paris. this piece was also created to challenge every player while upholding musical integrity. This piece will take you through three movements; two of them based on location and the finale on a crazy, upbeat, fast-moving night on the town. The performer will be using multiple playing styles throughout this piece as well as the piano player.This is the perfect piece to finish your recital off with and/or impress your colleagues with as it displays an impressive amount of challenges that you must overcome in each movement. The audience and performer(s) will both enjoy this piece and everything it has to offer.Grade: 6/7 (Advanced)Duration: 9:45
$26.95 ≈
¥191.81
Morning, Noon, and Night in Paris for Trombone and Piano (Bass Clef)
Morning, Noon, and Night in Paris for Trombone and Piano (Bass Clef)
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Trombone et Piano
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AVANCÉ
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Nicholas Matheos
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Morning, Noon, and Night in Pa
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Nicholas J. Matheos
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SheetMusicPlus
Small Ensemble Bass Trombone,Piano - Level 5 - SKU: A0.1028792 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Score and parts...
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Small Ensemble Bass Trombone,Piano - Level 5 - SKU: A0.1028792 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Score and parts. 34 pages. Nicholas J. Matheos #5777155. Published by Nicholas J. Matheos (A0.1028792). Morning, Noon, and Night in Paris for Trombone and Piano was inspired by my trips to Paris. this piece was also created to challenge every player while upholding musical integrity. This piece will take you through three movements; two of them based on location and the finale on a crazy, upbeat, fast-moving night on the town. The performer will be using multiple playing styles throughout this piece as well as the piano player.This is the perfect piece to finish your recital off with and/or impress your colleagues with as it displays an impressive amount of challenges that you must overcome in each movement. The audience and performer(s) will both enjoy this piece and everything it has to offer.Grade: 6/7 (Advanced)Duration: 9:45
$26.95 ≈
¥191.81
The Beatles : Let it Be (niveau difficile)
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Trombone
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AVANCÉ
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Rock
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The Beatles
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Let it Be
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Tomplay
Telechargez la partition Trombone Let it Be (niveau difficile) de The Beatles. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trombone Let it Be (niveau difficile) de The Beatles. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€ ≈
¥46.75
All You Need Is Love - brass quintet
All You Need Is Love - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Rock
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The Beatles
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Austin Ralphson
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All You Need Is Love - brass q
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Austin Ralphson
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SheetMusicPlus
By The Beatles. Arranged by Austin Ralphson. For Trumpet,Trombone,Tuba,Horn in F,Brass Quintet. Pop,Wedding,Recital. Advanced. Score,Set of Parts. 8 pages. Publ...
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By The Beatles. Arranged by Austin Ralphson. For Trumpet,Trombone,Tuba,Horn in F,Brass Quintet. Pop,Wedding,Recital. Advanced. Score,Set of Parts. 8 pages. Published by Austin Ralphson
This song was performed by the Beatles on Our World, the first live global television link; the BBC had commissioned the Beatles to write a song for the United Kingdom's contribution. Recorded in 1967, it had Lennon playing harpsichord, Paul McCartney on double bass, George Harrison on violin (an instrument he had never previously played), and Ringo Starr on drums, plus vocals, piano (played by their producer, George Martin), banjo (by Lennon), guitar and orchestral parts.The song has dramatic time changes and some unusual use of harmony. I have presented it here to work well as a small group arrangement.
$14.99 ≈
¥106.69
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quatuor de cuivres: 4 trombones
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AVANCÉ
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Noël
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Mariah Carey
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Austin Ralphson
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All I Want For Christmas Is Yo
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Austin Ralphson
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SheetMusicPlus
Trombone Quartet Trombone - Level 5 - SKU: A0.563381 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Cont...
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Trombone Quartet Trombone - Level 5 - SKU: A0.563381 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Contemporary,Pop. 18 pages. Austin Ralphson #3574135. Published by Austin Ralphson (A0.563381). One of the most instantly recognisable, sing-along Christmas songs, this piece has been arranged for trombone quartet to be exciting to play and to listen to. Features a big, rubato solo at the start before kicking into the exciting bit! Needs a solid, driving bass sound to keep it motoring along. Also has the option for one of more players to have a sleigh bell attached to the ankle and shake it on every beat throughout the fast sections. Merry Christmas!
$14.99 ≈
¥106.69
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
¥199.28
Zippity Zank
Zippity Zank
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Damien Gauci
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Zippity Zank
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Damien Gauci
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1438730 By Damien Gauci. By Damien Gauci. Contemporary,Jazz. 19 pages. Damien Gauci #101880...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1438730 By Damien Gauci. By Damien Gauci. Contemporary,Jazz. 19 pages. Damien Gauci #1018804. Published by Damien Gauci (A0.1438730). I wrote this piece for an assignment in 2023 and it turned out to be quite a fun composition. Initially, I wanted to write something that is fun, upbeat, and in a jazzy style. Similar to the music from the game Mario Kart by Nintendo. The main theme comes after the short intro section and this idea returns throughout the composition in a rondo form where other sections are heard in-between the main theme.As this was my first time writing for brass quintet, there was a lot to learn about each instrument to ensure that everything was playable and sounded good together. Writing this composition as well as having it performed and recorded taught me a lot about writing for brass quintet and there are many things that I would do differently if I wrote this piece again.As for the name, there is a long story behind how I came up with it which I won’t get in to but the word ‘Zank’ is German for an angry argument and the word ‘Zippity’ is a made-up word that I thought sounded fun with Zank. Sometimes titles aren’t as deep as they seem to be!
$3.99 ≈
¥28.40
Brass Quintet No. 2
Brass Quintet No. 2
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Bob Delfausse
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Brass Quintet No. 2
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Robert Delfausse
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.766944 Composed by Bob Delfausse. Concert,Jazz,Latin,Standards. Score and parts. 61 pages. Robert Delfausse #2341787....
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Brass Ensemble - Level 5 - SKU: A0.766944 Composed by Bob Delfausse. Concert,Jazz,Latin,Standards. Score and parts. 61 pages. Robert Delfausse #2341787. Published by Robert Delfausse (A0.766944). This 3-movement brass quintet is inspired by Latin-American music, especially salsa music. The bass lines of the outer movements are very typical of salsa (in 4/4, 2 dotted quarters followed by a quarter that is tied into the next, similar measure), which creates a floating, sensuous music, with a very subtle downbeat. The piece is thus best suited to professionals or serious amateurs ready to face the challenges of Latin rhythms. The third movement is especially challenging, as it plays with the impression that the salsa bass can give, when heard at a distance, that the music is in triple meter. The second movement is a straightforward slow dance in 3/2. Duration: 10 minutes, 39 seconds.
$40.00 ≈
¥284.68
Penny Lane
Penny Lane
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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AVANCÉ
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Rock
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The Beatles
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Jim Bicigo
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Penny Lane
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 5 - SKU: A0.757935 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jim Bicigo. Rock. Score a...
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Brass Ensemble Horn,Trombone,Trumpet - Level 5 - SKU: A0.757935 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jim Bicigo. Rock. Score and parts. 10 pages. Polar Publications #5778753. Published by Polar Publications (A0.757935). The trumpeter from the Central Alberta Chamber Players requested this one, and right she is! This tune works really well for the three voices of the brass trio. Here it is in the more brass friendly keys of Bb and Ab majors. It still requires piccolo trumpet for the solos. You can pair it with the opening fanfare from the album, Magical Mystery Tour (Eb) (Arr. Bicigo).
$18.00 ≈
¥128.11
Penny Lane
Penny Lane
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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AVANCÉ
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Rock
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The Beatles
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Jim Bicigo
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Penny Lane
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 5 - SKU: A0.757934 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jim Bicigo. Rock. Score a...
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Brass Ensemble Horn,Trombone,Trumpet - Level 5 - SKU: A0.757934 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jim Bicigo. Rock. Score and parts. 10 pages. Polar Publications #5778747. Published by Polar Publications (A0.757934). The trumpeter from the Central Alberta Chamber Players, requested this one, and right she is! This really works well for the three voices of the brass trio. Here it is in its original key of B and A Major. It requires piccolo trumpet for the solos. You can pair it with the fanfare from the album, Magical Mystery Tour (arr. Bicigo) and play them attacca.
$18.00 ≈
¥128.11
The Barber of Seville Overture for Brass Quintet
The Barber of Seville Overture for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Opera
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Classique
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Gioachino Rossini
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Dan Honeycutt
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The Barber of Seville Overture
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Daniel Honeycutt
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1030416 Composed by Gioachino Rossini. Arranged by Dan Honeycutt. Opera,Romantic Period. Score and parts. 25 pages. D...
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Brass Ensemble - Level 5 - SKU: A0.1030416 Composed by Gioachino Rossini. Arranged by Dan Honeycutt. Opera,Romantic Period. Score and parts. 25 pages. Daniel Honeycutt #6431815. Published by Daniel Honeycutt (A0.1030416). This upbeat brass quintet arrangement of the Barber of Seville Overture features every member of the ensemble and a piccolo trumpet. I hope you have fun playing it!
$12.99 ≈
¥92.45
Sechzehntes Chaos
Sechzehntes Chaos
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Aaron Falck
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Aaron Falck
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Sechzehntes Chaos
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Aaron Falck
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SheetMusicPlus
B-Flat trombone,Piano,Tenor Trombone - Level 5 - SKU: A0.1418109 By Aaron Falck. By Aaron Falck. Arranged by Aaron Falck. 21st Century,Children,Contest,...
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B-Flat trombone,Piano,Tenor Trombone - Level 5 - SKU: A0.1418109 By Aaron Falck. By Aaron Falck. Arranged by Aaron Falck. 21st Century,Children,Contest,Festival,Funk,Reggae. Score and part. 3 pages. Aaron Falck #999662. Published by Aaron Falck (A0.1418109). Chaotic beat, catchy melody on the eight notes, have fun with it!
$2.00 ≈
¥14.23
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quatuor de Cuivres
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AVANCÉ
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Noël
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Mariah Carey
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Austin Ralphson
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All I Want For Christmas Is Yo
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Austin Ralphson
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.563384 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Con...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.563384 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Contemporary,Pop. 36 pages. Austin Ralphson #3574643. Published by Austin Ralphson (A0.563384). One of the most instantly recognisable, sing-along Christmas songs, this piece has been arranged to be exciting to play and to listen to. Features a big, rubato solo at the start before kicking into the exciting bit! Needs a solid, driving bass sound to keep it motoring along. Also has the option for one of more players to have a sleigh bell attached to the ankle and shake it on every beat throughout the fast sections. Merry Christmas!
$15.99 ≈
¥113.80
Impressions
Impressions
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Jazz
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John Coltrane
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David Leech
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drums
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Impressions
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David Leech
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SheetMusicPlus
Double Bass,Drums,Guitar,Piano,Trumpet - Level 5 - SKU: A0.973273 By John Coltrane. By John Coltrane. Arranged by David Leech. Jazz. 148 pages. David Le...
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Double Bass,Drums,Guitar,Piano,Trumpet - Level 5 - SKU: A0.973273 By John Coltrane. By John Coltrane. Arranged by David Leech. Jazz. 148 pages. David Leech #4775781. Published by David Leech (A0.973273). Impresssions This song, a modal composition by John Coltrane, was released on an album by the same name in 1963. It has become a jazz standard, recorded by Wes Montgomery and Stanley Turrentine among others.This arrangement is fairly lengthy (367 measures) running between 7:30 to 8:30 depending on tempo. Tempo should be in the range of 220-240 quarter note beats per minute. There are three extended solos as well as a brief drum solo.Instrumentation is the standard big band: five saxes (a,a,t,t,b), five trumpets (the 5th is optional), four trombones, guitar, piano, bass & drums.The first tenor has a 96 bar ad lib solo. First trombone gets 80 bars, and the piano gets three choruses (the first is unaccompanied). Drums have a 16 bar solo leading back to a D.C. al Coda.Brass parts only have occasional high notes, a couple of high D’s and E flats in the lead trumpet. The most challenging aspect of this arrangement is the quick tempo.
$67.50 ≈
¥480.40
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥24.91
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Beat It Trombone
