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Vous avez sélectionné:
Chorale and Dance
expert
Partitions à imprimer
39 partitions trouvées
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Let's Face The Music And Dance
Let's Face The Music And Dance
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Chorale SATB
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AVANCÉ
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Comédie Musicale
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Dick Hyman
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Paul Ayres
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Let's Face The Music And Dance
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Paul Ayres
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1296803 By Dick Hyman. By Irving Berlin. Arranged by Paul Ayres. 19th Century,20th Century,A Cappe...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1296803 By Dick Hyman. By Irving Berlin. Arranged by Paul Ayres. 19th Century,20th Century,A Cappella,Broadway,Musical/Show,Standards. 10 pages. Paul Ayres #886973. Published by Paul Ayres (A0.1296803). A choral version - SSAATB a cappella - of the Irving Berlin classic - from award-winning composer and arranger Paul Ayres (www.paulayres.co.uk).
$1.99
Chorale Fantasie
Chorale Fantasie
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Trombone et Piano
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AVANCÉ
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Neal Harnly
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Chorale Fantasie
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1405186 Composed by Neal Harnly. 20th Century. Score and part. 20 pages. Gordon Cherry #988231. Published by Go...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1405186 Composed by Neal Harnly. 20th Century. Score and part. 20 pages. Gordon Cherry #988231. Published by Gordon Cherry (A0.1405186). Chorale Fantasie for Trombone and Piano by Neal Harnly composed in 1999 borrows from two 19th Century hymns, Jesus, Thy Boundless Love to Me and  I Love Thee.Here is what the composer says about his beautiful work:In a programmatic sense, although not literally intended, the piece attempts to express God's love for us and the joy and freedom it inspires in us, and then reflects with awe upon the love, returning again finally to a joyous restatement of its expression. The writing for trombone is virtuosic, and covers much of the spectrum of the instrument in its ability to 'sing and dance', and in its range and technique.This work, written for a young James Markey is about 11 1/2 minutes in length is appropriate for advanced performers.Chorale Fantasie is available for sale on streaming services and also on James Markey's wonderful CD Offroad.
$25.00
Shut Up And Dance
Shut Up And Dance
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Chorale TTBB
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AVANCÉ
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Walk the Moon
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Nicholas Wright
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Shut Up And Dance
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Nicholas Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.827369 By Walk the Moon. By Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, and Sean Waugama...
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Choral Choir (TTBB) - Level 5 - SKU: A0.827369 By Walk the Moon. By Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, and Sean Waugaman. Arranged by Nicholas Wright. A Cappella,Contemporary,Pop,Rock. Octavo. 14 pages. Nicholas Wright #6318193. Published by Nicholas Wright (A0.827369). Voicing: TTBB (all-male)Parts: 9 (includes solos/divisi)Pages: 13Range: F2 - C5Key: Db major
$3.99
Shut Up And Dance
Shut Up And Dance
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Chorale SATB
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AVANCÉ
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Walk the Moon
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Nicholas Wright
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Shut Up And Dance
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Nicholas Wright
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.827368 By Walk the Moon. By Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, and Sean Waugama...
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Choral Choir (SATB) - Level 5 - SKU: A0.827368 By Walk the Moon. By Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, and Sean Waugaman. Arranged by Nicholas Wright. A Cappella,Contemporary,Pop,Rock. Octavo. 26 pages. Nicholas Wright #6318191. Published by Nicholas Wright (A0.827368). Voicing: SATB (mixed)Parts: 9 (includes solos/divisi)Pages: 23Range: Gb2 - Db5Key: Db major
$3.99
Invocation and Dance for a Pagan God
Invocation and Dance for a Pagan God
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Contemporain
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Philip Orem
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Invocation and Dance for a Pag
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Philip Orem
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.872626 Composed by Philip Orem. Contemporary. Score and parts. 96 pages. Philip Orem #3549079. Published by ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.872626 Composed by Philip Orem. Contemporary. Score and parts. 96 pages. Philip Orem #3549079. Published by Philip Orem (A0.872626). An exciting piece for trombone choir with interesting rhythms, chorales, harmony. It starts with a quiet, mysterious, atmospheric which a chant interrupts. The chant keeps growing until it becomes a full fledged riotous dance.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$100.00
Hold My Hand and Lead Me On
Hold My Hand and Lead Me On
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Chorale SATB
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AVANCÉ
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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Hold My Hand and Lead Me On
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Semii Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1245426 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Ca...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1245426 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Barbershop,Christian,Classical,Praise & Worship. 2 pages. Semii Music #840307. Published by Semii Music (A0.1245426). Title: Hold My Hand and Lead Me OnThis song depicts a picture of a sinners plea for the saviors guidance in this sinful world.As a sinner, we need the Maste Guide, Jesus to hold our hands up higher and lead us daily. His hand is our only stronhold that we can place our trust in it. Let Jesus Christ lead us by holding our hands in the slippery paths of life.
$4.99
Dance With Me
Dance With Me
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Lowell Prescott
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Dance With Me
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LHPMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.974558 Composed by Lowell Prescott. Christian,Easter,Sacred,Spiritual. Octavo. 16 pages. LHPMusic #6294871. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.974558 Composed by Lowell Prescott. Christian,Easter,Sacred,Spiritual. Octavo. 16 pages. LHPMusic #6294871. Published by LHPMusic (A0.974558). This up-tempo work, built around duple and triple meters interspersed, features an original text which imagines an invitation from Jesus, in advance of Holy Week, to Take my hand -- I will not let go! Dance with me...for tomorrow the road may be lonely and long..
$2.49
They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
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Chorale SATB
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AVANCÉ
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Frank Sinatra
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Deke Sharon
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They Can't Take That Away From
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.511354 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Deke Sharon. 20th Century,A Cappella. ...
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Choral Choir (SATB) - Level 5 - SKU: A0.511354 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Deke Sharon. 20th Century,A Cappella. Octavo. 9 pages. Deke Sharon #3488921. Published by Deke Sharon (A0.511354). A fun 8 part a cappella vocal jazz arrangement of the Gershwin standard.
$12.99
Hymn And Dance For The Forgotten
Hymn And Dance For The Forgotten
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Guitare
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AVANCÉ
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Doug Smith
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Hymn And Dance For The Forgott
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
I Cannot Dance, O Lord
I Cannot Dance, O Lord
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Chorale SATB
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AVANCÉ
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Christopher Aspaas
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I Cannot Dance, O Lord
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB chorus divisi and piano - Difficult - SKU: MQ.AHM-17-E Composed by Christopher Aspaas. 20 pages. Aspen Hill Music - Digital #AHM-17-E. Published by...
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SATB chorus divisi and piano - Difficult - SKU: MQ.AHM-17-E Composed by Christopher Aspaas. 20 pages. Aspen Hill Music - Digital #AHM-17-E. Published by Aspen Hill Music - Digital (MQ.AHM-17-E). English.This setting attempts to capture the many moods of the text by Mechtild of Magdeburg (translated by Jane Hirschfield): frustration, wistfulness, urgency, and ecstasy. A disjunct opening fanfare intermingled with solos develops into a more lyric section with stumbling rhythms in the accompaniment. A restatement of the opening text, I cannot dance, O Lord, unless you lead me, is pressing and rhythmic followed by a flowing and melodic realization of whirling into love..
$3.15
Dance Me To The End Of Love
Dance Me To The End Of Love
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Chorale SSAA
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AVANCÉ
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Madeleine Peyroux
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Joyce Todd McBride
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Dance Me To The End Of Love
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Buckwheat Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwr...
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Choral Choir (SSAA) - Level 5 - SKU: A0.1271651 By Madeleine Peyroux. By Leonard Cohen. Arranged by Joyce Todd McBride. A Cappella,Chamber,Singer/Songwriter. Octavo. 14 pages. Buckwheat Music #864041. Published by Buckwheat Music (A0.1271651). Treble-voice a cappella arrangement of Dance Me To The End Of Love, by Leonard Cohen. SSAA, with S1 and S2 solos. This arrangement begins with an unmeasured, medieval music-influenced statement of the opening 2 phrases sung by the whole the choir split into 2 parts. The arrangement as a whole is lush, with lovely rhythmic variations, including a swing section inspired by Boswell sisters or other female vocal groups from the 1930's and 40's. It is a bit of an epic treatment of this song, really builds nicely throughout, returning to the opening material at the end of the song. Stunning.
$1.99
Tiny Dancer
Tiny Dancer
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Chorale SATB
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AVANCÉ
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Elton John
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Bryan Sharpe
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Tiny Dancer
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Bryan Sharpe
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.725967 By Elton John. By Bernie Taupin and Elton John. Arranged by Bryan Sharpe. A Cappella. 11 pa...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.725967 By Elton John. By Bernie Taupin and Elton John. Arranged by Bryan Sharpe. A Cappella. 11 pages. Bryan Sharpe (BSharpe Music) #6476897. Published by Bryan Sharpe (BSharpe Music) (A0.725967). A cappella arrangement of Tiny Dancer by Elton John for Solo + SSAATBB
$2.50
I Wanna Dance With Somebody
I Wanna Dance With Somebody
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Chorale SATB
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AVANCÉ
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Whitney Houston
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Nicholas Wright
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I Wanna Dance With Somebody
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Nicholas Wright
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.827691 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Nicholas Wright. 20th Century,A Ca...
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Choral Choir (SATB) - Level 5 - SKU: A0.827691 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Nicholas Wright. 20th Century,A Cappella,Contemporary,Hip-Hop,Pop,R & B. Octavo. 18 pages. Nicholas Wright #6551473. Published by Nicholas Wright (A0.827691). Voicing: SATB (mixed)Parts: 9 (includes solos/divisi)
$3.99
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Mus...
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String Ensemble,String Quintet - Level 5 - SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45
Flûte en suite
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Let's Face The Music And Dance
Let's Face The Music And Dance
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Chorale SSAA
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AVANCÉ
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Dick Hyman
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David Wright
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Let's Face The Music And Dance
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David Wright
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.690567 By Dick Hyman. By Irving Berlin. Arranged by David Wright. A Cappella. Octavo. 5 pages. David Wright #299...
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Choral Choir (SSAA) - Level 5 - SKU: A0.690567 By Dick Hyman. By Irving Berlin. Arranged by David Wright. A Cappella. Octavo. 5 pages. David Wright #299273. Published by David Wright (A0.690567). This arrangement is for women's barbershop chorus, suitable for contest.
$1.99
VARIATIONS OF THREE GREEK THEMES
VARIATIONS OF THREE GREEK THEMES
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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ERWIN CHANDLER
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VARIATIONS OF THREE GREEK THEM
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Paterchan Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.925266 Composed by ERWIN CHANDLER. 20th Century. Score and parts. 103 pages. Paterchan Music #4737277. Published by Pat...
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Concert Band - Level 5 - SKU: A0.925266 Composed by ERWIN CHANDLER. 20th Century. Score and parts. 103 pages. Paterchan Music #4737277. Published by Paterchan Music (A0.925266). Variations was commissioned by the New Holland (Pa) Band to commemorate its tour of Greece. The work is based on the Greek national anthem Natane to 21 (a song of Independence ) and Horas Zacongoy, a Greek dance. The main theme in 7/8 meter is typical. The second theme is set as a Brass Chorale. A fast Coda section accelerates to the end in a reaffirmation of the true meaning of Independence..
$60.00
I Want It That Way
I Want It That Way
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Chorale SATB
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AVANCÉ
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The Backstreet Boys
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Ross Hansen
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I Want It That Way
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Hansen Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.940783 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Ross Hansen. Da...
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Choral Choir (SATB) - Level 5 - SKU: A0.940783 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Ross Hansen. Dance,Pop. Octavo. 12 pages. Hansen Music Press #4345123. Published by Hansen Music Press (A0.940783). This arrangement sounds great and is quite difficult. Sing at your own risk!Scored for SSAATTB + 2 Treble solos + Tenor solo. .
$4.49
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoRe...
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Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReM...
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Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
Grace Kelly
Grace Kelly
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Chorale SSAA
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AVANCÉ
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
The Journey of Squanto
The Journey of Squanto
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Orchestre d'harmonie
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AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Journey of Squanto
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultura...
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Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,Patriotic,World. Score and parts. 111 pages. Wesley Besancon #783697. Published by Wesley Besancon (A0.1183999). Have you ever wondered who was credited for setting up the first Thanksgiving? Or who braught peace to the tension between Natives and English? Squanto is credited for doing both of these things. One of the first recoreded Native Americans, Squanto lived from 1585 to 1622. He was part of the Patuxet tribe, and taught settlers how to satisfy basic needs. And as far as the eye can see, there is no band music dedicated for him. So I have made a piece showing what may have happened when the settlers came. While not completly accurate, It is a great representation (and honor to Squanto) for your next concert!. The piece begins on a nice warm day, in a playful, dancelike movement, this quickly turns to anger as they see a bird that is not able to be hunted. This confusion leads to the mysteriousness that was most likely happening upon the natives. They start to pray to their gods. All of a sudden, the ship lands and a war breaks out! But Squanto wants to embrace this new culture they have brought, which slowly calms the fighting down. Eventually, the English Culture (represented by Hot Cross Buns) is embraced in the polytonal ways (disagreement). The final part is a chorale representing peace.Errata:Â 107: Singing is stopped.
$40.99
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Tribute to the Trail of Tears
Tribute to the Trail of Tears
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Chorale SATB
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AVANCÉ
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75
Rhyme of Polaris
Rhyme of Polaris
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Chorale SATB
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AVANCÉ
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Mikael Carlsson
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Rhyme of Polaris
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Soundtracks Live
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.916725 Composed by Mikael Carlsson. 20th Century,A Cappella,Contemporary,Spiritual. Octavo. 11 pages. Soundtrack...
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Choral Choir (SATB) - Level 5 - SKU: A0.916725 Composed by Mikael Carlsson. 20th Century,A Cappella,Contemporary,Spiritual. Octavo. 11 pages. Soundtracks Live #3480475. Published by Soundtracks Live (A0.916725). Composed by Mikael Carlsson, lyrics by H.P. Lovecraft. Composition year: 2014. Secular. A colourful and dramatic a cappella setting of H.P. Lovecraft's mystic poem from the 1918 short novel 'Polaris'. SATB divisi writing infused with an abundance of expressive harmony and great dynamics brings the lyrics to life:Slumber, watcher, till the spheres,Six and twenty thousand yearsHave revolv’d, and I returnTo the spot where now I burn.Other stars anon shall riseTo the axis of the skies;Stars that soothe and stars that blessWith a sweet forgetfulnessOnly when my round is o’erShall the past disturb thy door. Choral score with piano reduction for rehearsal purposes. 9 pages. Duration: 5:30.Suitable for concert programs concerning themes such as night, evening, sleep, death, sorrow, loss, spirituality, faith, stars, forgiveness, space, time, universe. Discover more music by Mikael Carlsson at http://www.mikaelcarlsson.com
$2.99
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Chorale and Dance
