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The Beethoven Duets For Flute Scherzo No. 3
The Beethoven Duets For Flute Scherzo No. 3
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2 Flûtes traversières (duo)
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AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Joe Procopio
#
The Beethoven Duets For Flute
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JoeCopio Music LLC
#
SheetMusicPlus
Flute - Advanced - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Joe Procopio. Romantic Period, Classical Period. Set of Parts...
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Flute - Advanced - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Joe Procopio. Romantic Period, Classical Period. Set of Parts. 17 pages. Published by JoeCopio Music LLC
THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven?s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Flute but also for manyother orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD.Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6.Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9.The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi.What?s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2.?To be sure, The Beethoven Scherzi Duets for Flute are a marvel of Beethoven?s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction.? Joe ProcopioAN INTRODUCTION TO THE BEETHOVEN DUETS By Joe ProcopioBecause of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven?s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master?s great musical creations which have no equal.In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven?s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world?s most valuable, breathtaking and beautiful music. In truth, Beethoven?s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years.In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven?s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God?s creation. What comes to mind immediately is Beethoven?s ?Pastoral? Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God?s creation but also the radiance of God the Creator himself.In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
$13.70
THE BEETHOVEN DUETS FOR CELLO VOLUME 2 SCHERZI 4, 5 and 6
THE BEETHOVEN DUETS FOR CELLO VOLUME 2 SCHERZI 4, 5 and 6
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2 Violoncelles (duo)
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AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Joe Procopio
#
THE BEETHOVEN DUETS FOR CELLO
#
JoeCopio Music LLC
#
SheetMusicPlus
Cello Ensemble - Advanced - Composed by Ludwig van Beethoven (1770-1827). Arranged by Joe Procopio. Romantic Period, Classical Period. Set of Parts....
(+)
Cello Ensemble - Advanced - Composed by Ludwig van Beethoven (1770-1827). Arranged by Joe Procopio. Romantic Period, Classical Period. Set of Parts. 47 pages. Published by JoeCopio Music LLC
THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven?s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes.Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6.Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9.The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi.What?s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2.?To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven?s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction.? Joe ProcopioAN INTRODUCTION TO THE BEETHOVEN DUETS By Joe ProcopioBecause of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven?s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master?s great musical creations which have no equal.In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven?s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world?s most valuable, breathtaking and beautiful music. In truth, Beethoven?s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years.In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven?s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God?s creation. What comes to mind immediately is Beethoven?s ?Pastoral? Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God?s creation but also the radiance of God the Creator himself.In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98 ≈
$27.41
Beethoven's "Waldstein" Sonata arranged for String Quartet (Piano sonata no.21)
Beethoven's "Waldstein" Sonata - String Quartet (Piano sonata no.21)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Edward Holmes
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Beethoven's "Waldstein&qu
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Edward Holmes
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1415971 Composed by Ludwig van Beethoven. Arranged by Edward Holmes. 19th Century,C...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1415971 Composed by Ludwig van Beethoven. Arranged by Edward Holmes. 19th Century,Chamber,Classical. 53 pages. Edward Holmes #997668. Published by Edward Holmes (A0.1415971). This is the first movement of Beethoven's famous Waldstein sonata, arranged for string quartet. It's very true to the original as well as being a difficult but effective arrangement!Approx: 11 mins.
$12.99 ≈
$17.82
Beethoven Piano Sonata Op. 2 No. 1 String Orchestra (by Barış Önder)
Beethoven Piano Sonata Op. 2 No. 1 String Orchestra (by Barış Önder)
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Orchestre à Cordes
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AVANCÉ
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Classique
#
L
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Barış Önder
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Beethoven Piano Sonata Op. 2 N
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Baris Onder
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1377242 Composed by L. v. Beethoven. Arranged by Barış Önder. Classical. 25 pages. Baris Onder #961861. P...
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String Orchestra - Level 5 - SKU: A0.1377242 Composed by L. v. Beethoven. Arranged by Barış Önder. Classical. 25 pages. Baris Onder #961861. Published by Baris Onder (A0.1377242). Beethoven Piano Sonata Op. 2 No. 1 1st movement String Orchestration (by Barış Önder)The pdf file of the string orchestra score contains both the string orchestra score and instrumental sheet music.
$10.00 ≈
$13.72
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Three Violins
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Three Violins
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Trio à cordes: 3 violins
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Linda M
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Beethoven, L. - Op. 87 Trio
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 5 - SKU: A0.540435 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. ...
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String Ensemble,String Trio Violin - Level 5 - SKU: A0.540435 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286543. Published by Linda M Scott (A0.540435). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for three violins is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
$5.99 ≈
$8.22
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Two Violins and Viola
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Two Violins and Viola
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Trio à Cordes: 2 violons, alto
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Linda M
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Beethoven, L. - Op. 87 Trio
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Viola,Violin - Level 5 - SKU: A0.540437 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and p...
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String Ensemble,String Trio Viola,Violin - Level 5 - SKU: A0.540437 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286553. Published by Linda M Scott (A0.540437). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for two violins and viola is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
$5.99 ≈
$8.22
L. V. Beethoven: Rondo a Capriccio, Op.129 'Rage over a Lost Penny' for String Quartet
L. V. Beethoven: Rondo a Capriccio, Op.129 'Rage over a Lost Penny' for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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L
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Clara Obsidian
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L. V. Beethoven: Rondo a Capri
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Clara Obsidian
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1173773 Composed by L. v. Beethoven. Arranged by Clara Obsidian. 19th Century,Class...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1173773 Composed by L. v. Beethoven. Arranged by Clara Obsidian. 19th Century,Classical,Romantic Period. 39 pages. Clara Obsidian #773921. Published by Clara Obsidian (A0.1173773). The Rondo Alla ingharese quasi un capriccio in G major, Op. 129 (Italian for Rondo in the Hungarian style, almost a caprice), is a popular piano rondo by Ludwig van Beethoven. It is better known by the title Rage Over a Lost Penny, Vented in a Caprice coined by his friend Anton Schindler.Arranged for String Quartet, it features exciting and energetic conversations between the 4 instruments, making it a perfect piece for showcase concerts, encores and competitions that will surely wow your audience.Full Score and Parts
$8.99 ≈
$12.33
Beethoven Piano Sonata No.1 (Opus 2, No.1) 1st Movement - string quartet
Beethoven Piano Sonata No.1 (Opus 2, No.1) 1st Movement - string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Beethoven Piano Sonata No.1
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Austin Ralphson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.563838 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Con...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.563838 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Concert,Wedding. Score and parts. 21 pages. Austin Ralphson #5044781. Published by Austin Ralphson (A0.563838). Dedicated to Joseph Haydn, Beethoven composed this Sonata in 1795. It translates extremely well for string quartet and has been carefully arranged here to maximise the potential of the ensemble. This arrangement comprises the entire first movement of Piano Sonata No. 1. Enjoy!Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$12.99 ≈
$17.82
Beethoven - Egmont Overture, Op. 84 - String Quartet Arrangement - Parts
Beethoven - Egmont Overture, Op. 84 - String Quartet Arrangement - Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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C
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Beethoven - Egmont Overture, O
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.826900 Composed by Ludwig van Beethoven. Arranged by C. A. Orozco-Diaz. Classical,R...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.826900 Composed by Ludwig van Beethoven. Arranged by C. A. Orozco-Diaz. Classical,Romantic Period. Score and parts. 23 pages. Amnael Orozco-Diaz #18317. Published by Amnael Orozco-Diaz (A0.826900). Let's be honest here: everyone loves the Egmont Overture, even those of us who are not really into the Classical period. It's epic, it's tragic, it's downright awesome, it's one of the all-time best single-movement symphonic pieces ever written: it's now available for string quartet! Bring down the full power of Beethoven to your recital with this virtuoso arrangement of the timeless classic. Highly recommendable as encore: no-one will see it coming! Rock that concert hall! This item contains a set of parts for this reduction. Duration: approx. 9:30 minutes. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$16.87 ≈
$23.14
Beethoven - Egmont Overture, Op. 84 - String Quartet Arrangement - Score and Parts
Beethoven - Egmont Overture, Op. 84 - String Quartet Arrangement - Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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C
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Beethoven - Egmont Overture, O
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.826902 Composed by Ludwig van Beethoven. Arranged by C. A. Orozco-Diaz. Classical,R...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.826902 Composed by Ludwig van Beethoven. Arranged by C. A. Orozco-Diaz. Classical,Romantic Period. Score and parts. 48 pages. Amnael Orozco-Diaz #18319. Published by Amnael Orozco-Diaz (A0.826902). Let's be honest here: everyone loves the Egmont Overture, even those of us who are not really into the Classical period. It's epic, it's tragic, it's downright awesome, it's one of the all-time best single-movement symphonic pieces ever written: it's now available for string quartet! Bring down the full power of Beethoven to your recital with this virtuoso arrangement of the timeless classic. Highly recommendable as encore: no-one will see it coming! Rock that concert hall! This item contains the full score and a set of parts for this reduction. Duration: approx. 9:30 minutes. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$20.06 ≈
$27.52
The Three Little Pigs Answer Beethoven Five for String Quartet
The Three Little Pigs Answer Beethoven Five for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Ludwig von Beethoven, Brothers
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The Three Little Pigs Answer B
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Baby B Strings
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.923266 Composed by Ludwig von Beethoven, Brothers Grimm. Arranged by Belinda Stohner, Oscar Bustillo. ...
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String Quartet String Quartet - Level 5 - SKU: A0.923266 Composed by Ludwig von Beethoven, Brothers Grimm. Arranged by Belinda Stohner, Oscar Bustillo. Children,Contemporary,Romantic Period. Score and parts. 63 pages. Baby B Strings #6018195. Published by Baby B Strings (A0.923266). This piece is in the style of Peter and the Wolf (music + narration), but instead combines themes from Beethoven's Symphony No. 5 with The Three Little Pigs. It's fun and works great in family-friendly programs. The parts are for advanced level musicians and come with the narrator's script (Joseph Jacobs version). The piece runs approximately 12 minutes.
$30.00 ≈
$41.15
Beethoven: Piano Concerto No. 5 "Emperor" for string quartet and piano
Beethoven: Piano Concerto No. 5 "Emperor" for string quartet and piano
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Sahun Hong
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Beethoven: Piano Concerto No.
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Sahun Hong
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 5 - SKU: A0.1138384 Composed by Ludwig van Beethoven. Arranged by Sahun Hong. Classical. ...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 5 - SKU: A0.1138384 Composed by Ludwig van Beethoven. Arranged by Sahun Hong. Classical. Score and parts. 130 pages. Sahun Hong #738718. Published by Sahun Hong (A0.1138384). Beethoven Piano Concerto No. 5 Emperor, arranged for string quartet and piano.
$89.99 ≈
$123.44
Beethoven: Piano Concerto No. 3 for string quartet and piano
Beethoven: Piano Concerto No. 3 for string quartet and piano
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Sahun Hong
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Beethoven: Piano Concerto No.
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Sahun Hong
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 5 - SKU: A0.1017626 Composed by Ludwig van Beethoven. Arranged by Sahun Hong. Classical. ...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 5 - SKU: A0.1017626 Composed by Ludwig van Beethoven. Arranged by Sahun Hong. Classical. Score and parts. 105 pages. Sahun Hong #6189141. Published by Sahun Hong (A0.1017626). Beethoven Piano Concerto No. 3, arranged for string quartet and pianoDuration 33:00
$89.99 ≈
$123.44
L.V. Beethoven. Scherzo
L.V. Beethoven. Scherzo
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Gennady Kozhevnikov
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L.V. Beethoven. Scherzo
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Gennady V. Kozhevnikov
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.828969 Composed by Ludwig van Beethoven. Arranged by Gennady Kozhevnikov. Classical,W...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.828969 Composed by Ludwig van Beethoven. Arranged by Gennady Kozhevnikov. Classical,World. Score and parts. 8 pages. Gennady V. Kozhevnikov #3088143. Published by Gennady V. Kozhevnikov (A0.828969). Music arrangement for music advertisement projects at school and kindergarten.Recommended for professional musicians (teachers).
$4.71 ≈
$6.46
Beethoven, L. - Trio Op. 87 (Mvt. 1) for Two Violins and Cello
Beethoven, L. - Trio Op. 87 (Mvt. 1) for Two Violins and Cello
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Trio à Cordes: 2 violons, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Linda Scott
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Beethoven, L. - Trio Op. 87
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Linda M Scott
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Linda Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286549. Published by Lind...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Linda Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286549. Published by Linda M Scott
$5.99 ≈
$8.22
Beethoven: Grosse Fugue Op. 133 for String Orchestra
Beethoven: Grosse Fugue Op. 133 for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Grosse Fugue Op. 13
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jmsgu3
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie. 158, Classical, Contest, Festival, Romantic Period, Traditional. Score and...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie. 158, Classical, Contest, Festival, Romantic Period, Traditional. Score and parts. 100 pages. Jmsgu3 #744832. Published by jmsgu3
$62.95 ≈
$86.35
Beethoven: Moonlight Sonata Mov 1 Op. 27 No.2 for String Quartet - Score and Parts
Beethoven: Moonlight Sonata Mov 1 Op. 27 No.2 for String Quartet - Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Julie Doubleday
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Beethoven: Moonlight Sonata Mo
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Julie Doubleday. Classical, Wedding. Score and parts. 13 pages. Julie Doubleday #4321593. Pu...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Julie Doubleday. Classical, Wedding. Score and parts. 13 pages. Julie Doubleday #4321593. Published by Julie Doubleday
$15.00 ≈
$20.58
Six Bagatelles for Beethoven 250
Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99 ≈
$23.31
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95 ≈
$68.52
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.80
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.80
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.80
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.80
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.80
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.80
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