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Divertimento for Saxophone Quartet
Divertimento for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Saxophone Qua
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Sy Brandon
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Publish...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99 ≈
$20.54
Divertimento for Woodwind Quartet
Divertimento for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Woodwind Quar
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. S...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99 ≈
$20.54
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 ≈
$13.69
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Piano, Voix
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AVANCÉ
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Francis Osentowski, music Jerr
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Original composition
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EIGHTEEN IN ITALY Movement I,
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Francis Osentowski
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. A...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99 ≈
$8.21
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
$35.56
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Basson, Piano (duo)
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bassoon,Piano - Level 5 - SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Musi...
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Bassoon,Piano - Level 5 - SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95 ≈
$27.34
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95 ≈
$41.04
Joseph White: Six Etudes for Violin
Joseph White: Six Etudes for Violin
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Violon
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AVANCÉ
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Joseph White
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Robert Debbaut
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Joseph White: Six Etudes for V
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ROBERT DEBBAUT
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT...
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Violin Solo - Level 5 - SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT DEBBAUT #6371729. Published by ROBERT DEBBAUT (A0.939440). The talents of Cuban-born violinist Joseph White (born José Silvestre de los Dolores White y Lafitte) were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had accompanied him on an early recital. Gottschalk raised the money so the young Afro-Cuban virtuoso could go to Paris and study with Jean-Delphin Alard, one of the great violinists and teachers of his day. White won the Premier Prix at the conservatory in 1855 and received high accolades from such musical giants as Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. Following his 1855 prize (one of several more to come) Joseph White became a major force in the cultural life of Paris for the next twenty years. His Six Studies, Op. 13, demonstrate to those were never privileged to hear him his absolute command of his instrument. The overall set is dedicated to Alard with individual studies dedicated to Alard and to four of Europe’s premiere violinists, Camillo Sivori, Henri Vieuxtemps, Henryk Wienawski, Hubert Léonard, as well as to his fellow Cuban, Secondino Arango. These are studies for the serious violinist, or for the advanced student aspiring to achieve the same technical prowess of this incredible virtuoso performer and composer. Contained within this volume are the original exercises, biographies of the six dedicatees, as well as extra information about the life and career of this criminally forgotten violin virtuoso. These works should be considered for the studios of master teachers and for live performance as virtuoso showpieces, or recital encores, especially number six, which is dedicated to one of White's first teachers, Afro-Cuban violin virtuoso Secundino Arango (179?-1876).
$9.95 ≈
$13.64
Transformations for Bb Trumpet and Percussion
Transformations for Bb Trumpet and Percussion
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Contemporain
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Sy Brandon
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Transformations for Bb Trumpet
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Sy Brandon
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SheetMusicPlus
Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and par...
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Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 5 pages. Sy Brandon #3534951. Published by Sy Brandon (A0.755234). Transformations is a five-movement composition for trumpet and percussion. The title is derived from the way the organic material of the first movement is altered during the ensuing movements. Movement two mainly explores the sixteenth note material that is presented during the first movement and is at a faster tempo. The slow third movement is at a slow tempo and is very coloristic. The muted trumpet presents material reminiscent of the opening motivic cell, but it is highly decorated through the use of half-step trills. A sextuplet section has a similar contour to the second germ cell used in the first movement. The lyrical ending to this movement also has its roots in the first movement. The fourth movement is very fast with shifting odd meters and represents the climax of the composition. Hints of motivic cells from the first movement can be heard throughout. The last movement serves as an epilogue by being more closely related to the material of the first movement but it has a characteristic of reflection rather than an exposition. The percussion part serves many roles by imitating the trumpet, adding color and punctuation, and serving as an equal voice in the presentation and development of material. Both musicians perform from the score.
$9.99 ≈
$13.69
Liebeslieder Waltzes for Large Brass Ensemble & Piano Four Hands
Liebeslieder Waltzes for Large Brass Ensemble & Piano Four Hands
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Classique
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Johannes Brahms
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Hall, Mike
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Liebeslieder Waltzes for Large
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.792099 Composed by Johannes Brahms. Arranged by Hall, Mike. Romantic Period. Score a...
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Small Ensemble Horn,Piano,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.792099 Composed by Johannes Brahms. Arranged by Hall, Mike. Romantic Period. Score and parts. 143 pages. Gordon Cherry #3447519. Published by Gordon Cherry (A0.792099). The Liebeslieder Waltzes, Op. 52 are a collection of eighteen relatively short love songs originally for voices and 4-hand piano written quite quickly by Brahms in the summer of 1868. The composer meant them to be performed in parlors or informal home gatherings. Mr. Hall's delightful arrangement of close to 30 minutes of gorgeous music is for 12-part brass ensemble and piano 4 hands of advanced performers. Instrumentation is: 4 Trumpets in B-flat, 3 Horns, 4 Trombones, Tuba and Piano 4 hands.
$50.00 ≈
$68.52
The Four Snareskteers
The Four Snareskteers
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Rennard Stafford
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The Four Snareskteers
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019789 Composed by Rennard Stafford. Contemporary. Score and parts. 10 pages. Tempo X Percussion and Publicatio...
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Percussion Ensemble - Level 5 - SKU: A0.1019789 Composed by Rennard Stafford. Contemporary. Score and parts. 10 pages. Tempo X Percussion and Publications #5771623. Published by Tempo X Percussion and Publications (A0.1019789). A razzle dazzle piece featuring a four-part snare quartet ensemble for the advanced level. Great for festivals and ensembles. .
$16.99 ≈
$23.28
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 3 ADVANCED LEVEL
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 3 ADVANCED LEVEL
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Harpe
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AVANCÉ
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Alessandro Palazzani
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Melody - 10
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HARPING THROUGH PACHELBEL&rsqu
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 5 - SKU: A0.1319584 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 276 pages. A work b...
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Lever Harp - Level 5 - SKU: A0.1319584 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 276 pages. A work by Alessandro Palazzani #908143. Published by A work by Alessandro Palazzani (A0.1319584). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 3 ADVANCED LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00 ≈
$47.97
Motet - Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 for 8-part Trombone
Motet - Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 for 8-part Trombone
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Musique Sacrée
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Bach, J
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Sauer, Ralph
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Motet - Singet dem Herrn ein n
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Gordon Cherry
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SheetMusicPlus
Large Ensemble Trombone - Level 5 - SKU: A0.810991 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Christian,Classical,Renaissance,Sacred. Sco...
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Large Ensemble Trombone - Level 5 - SKU: A0.810991 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Christian,Classical,Renaissance,Sacred. Score and parts. 112 pages. Gordon Cherry #4616177. Published by Gordon Cherry (A0.810991). Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef.
$40.00 ≈
$54.82
Madrigal Book (for unaccompanied choir in up to 12 parts)
Madrigal Book (for unaccompanied choir in up to 12 parts)
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Chorale SATB
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AVANCÉ
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Alan Bullard
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Madrigal Book
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / Bu...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / BullardMusic #693333. Published by Colne Edition / BullardMusic (A0.1089116). Madrigal Book contains four virtuosic and exciting settings of sixteenth-century texts for unaccompanied choir. The four movements are 1. The lowest trees have tops (Sir Edward Dyer) 2. Hot sun, cool fire (George Peele) 3. Fire, fire! (Thomas Campion) 4. Come, heavy sleep (Anon.) The first poem sings of the richness, but sometimes the incompatibility, of love, and the second is the mysterious song of Bathsheba, mother of Solomon and alleged seductress of David. The third song portrays the scorching pain of love, which all the oceans of the world cannot quench, and finally the heart-broken lover takes refuge in sleep, ‘the image of true death’ Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99 ≈
$5.47
Four Pieces Op. 40 for Tuba or Bass Trombone and Piano
Four Pieces Op. 40 for Tuba or Bass Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Tchaikovsky, Pytor Ilyich
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Sauer, Ralph
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the Tuba or Bass Trombone
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Four Pieces Op. 40 for Tuba or
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 5 - SKU: A0.792169 Composed by Tchaikovsky, Pytor Ilyich. Arranged by Sauer, Ralph. Romantic P...
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Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 5 - SKU: A0.792169 Composed by Tchaikovsky, Pytor Ilyich. Arranged by Sauer, Ralph. Romantic Period. Score and parts. 28 pages. Gordon Cherry #3879689. Published by Gordon Cherry (A0.792169). Ralph Sauer has beautifully arranged four movements from Tchaikovsky's Four Pieces Opus. 40 for Tuba or Bass Trombone and Piano: 1. Chanson Triste2. Valse 3. Rêverie interrompue 4. Danse russe These four movements, totaling fourteen minutes offer the artist a great deal of musical contrasts, ranging from lyrical, dramatic, dance-like, etc. An excellent collection of the Russian master's music for advanced performers of the Tuba or Bass Trombone.
$20.00 ≈
$27.41
Delius: La Calinda (from Koanga) for Orchestra
Delius: La Calinda (from Koanga) for Orchestra
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Orchestre
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AVANCÉ
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Fest...
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Full Orchestra - Level 5 - SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99 ≈
$68.51
Three Pieces from Suite Espanola for Tuba or Bass Trombone and Piano
Three Pieces from Suite Espanola for Tuba or Bass Trombone and Piano
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Tuba et Piano
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AVANCÉ
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Classique
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Isaac Albeniz
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Sauer, Ralph
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Three Pieces from Suite Espano
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.792191 Composed by Isaac Albeniz. Arranged by Sauer, Ralph. Romantic Period. Score and part. 28 pages. Gordon Cherry #459...
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Piano,Tuba - Level 5 - SKU: A0.792191 Composed by Isaac Albeniz. Arranged by Sauer, Ralph. Romantic Period. Score and part. 28 pages. Gordon Cherry #4597331. Published by Gordon Cherry (A0.792191). Suite Española, Op. 47 is a suite of four movements for solo Piano written in 1886 in honor of the Queen of Spain. After the composer's death, his editor added an additional four movements to the piece. Mr. Sauer has taken three of these movements for his marvelous arrangement for Tuba or Bass Trombone and Piano. Granada Asturias Sevilla Each piece is based on a region of Spain and is honored with a unique dance celebrating the area's character. This arrangement of fourteen minutes in length is suitable for advanced performers.
$22.50 ≈
$30.84
Orchestral Etudes for Tuba, Volume 2
Orchestral Etudes for Tuba, Volume 2
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Tuba
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AVANCÉ
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Karl Hinterbichler
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Orchestral Etudes for Tuba, Vo
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherr...
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Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherry #764528. Published by Gordon Cherry (A0.1164180). A wonderful collection of Orchestral Etudes for Tuba, Volume 2 by Karl Hinterbichler, one of America's leading educators and performers. These etudes are imaginative, and challenging, and concentrate on perfecting technique, style, rhythm, and tempo. Professor Hinterbichler's Etudes Volume 2 concentrate on fourteen of the most requested Tuba orchestral excerpts. They include the original keys and clefs. These etudes are for advanced performers.The works included in the Orchestral Etudes, Volume 2 are: Bruckner Symphonies No. 4 & 8, Elgar Pomp and Circumstance March No. 1 & Enigma Variations, Franck Symphony in D minor, Holst Planets, Revueltas Momenaje a Federico Garcia Lorca, Shostakovich Symphonies No. 5, 9 and Festive Overture, Richard Strauss Ein Heldenleben & Till Eulenspiegel, Stravinsky Rite of Spring & Petrushka, Verdi La Forza Del Destino Overture and Requiem. According to the composer, they are even more difficult than the actual excerpts themselves, so the real thing should seem simpler by comparison.This music is also available as an eBook on Amazon Kindle.The sound sample below contains an etude taken from Elgar Pomp and Circumstance March No. 1.
$25.00 ≈
$34.26
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Bela Bartok
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Ray Thompson
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Bartók: Fifteen Hungari
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary,Folk,Multicultural,World. 22 pages. RayThompsonMusic #6426207. Published by RayThompsonMusic (A0.553984). Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).My arrangement for standard wind quintet is based on the piano music.The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:Four Old TunesRubatoAndante – Poco sostenuto – Più andante (Tempo I) – Poco sostenuto – Più andantePoco rubato – SostenutoAndanteScherzo. Andante – Sostenuto, poco rubato – Tempo IScherzoBallad (Theme with Variations)
$14.95 ≈
$20.49
Building a Hypercube (for Brass Quintet)
Building a Hypercube (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Dr
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Building a Hypercube
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95 ≈
$41.04
J. S. Bach: The Art of The Fugue, arranged for SATB saxophone quartet
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95 ≈
$89.01
Contrapunctus II from "The Art of Fugue" for Brass Quintet
Contrapunctus II from "The Art of Fugue" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus II from "Th
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792484 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 13...
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Brass Ensemble - Level 5 - SKU: A0.792484 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 13 pages. Gordon Cherry #4988273. Published by Gordon Cherry (A0.792484). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Two is a four-voice fugue that uses the direct form of the theme (as in Number One) but with a swinging feel due to the French style dotted eighth – sixteenth rhythm. About 3 minutes in length.
$22.50 ≈
$30.84
Four Lieder (1915) for Soprano & String Orchestra
Four Lieder (1915) for Soprano & String Orchestra
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Orchestre
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AVANCÉ
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Mahler, Alma
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Zavoski, Michael
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Four Lieder
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dorm40music.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.785353 Composed by Mahler, Alma. Arranged by Zavoski, Michael. 20th Century,Romantic Period. Score and parts. 80 p...
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Chamber Orchestra - Level 5 - SKU: A0.785353 Composed by Mahler, Alma. Arranged by Zavoski, Michael. 20th Century,Romantic Period. Score and parts. 80 pages. Dorm40music.com #6049767. Published by dorm40music.com (A0.785353). Four Lieder (1915) for Soprano & String Orchestra - These four songs were composed between 1901-1911 and first published in 1915. The were originally written for unspecified voice (gesang) and piano. Here they are scored for string orchestra and soprano (or tenor). Medium difficulty. Original Keys. These are four of the seventeen songs know to survive.
$48.00 ≈
$65.78
Prelude 14 from "Book of Preludes: 1-15 for Piano"
Prelude 14 from "Book of Preludes: 1-15 for Piano"
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Piano seul
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AVANCÉ
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Barry Michael Wehrli
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Prelude 14 from "Book of
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Wehrli Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.992000 Composed by Barry Michael Wehrli. 20th Century,Contemporary,Standards. Score. 5 pages. Wehrli Publications #339739...
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Piano Solo - Level 5 - SKU: A0.992000 Composed by Barry Michael Wehrli. 20th Century,Contemporary,Standards. Score. 5 pages. Wehrli Publications #3397395. Published by Wehrli Publications (A0.992000). Recording duration: 4:54. Recording excerpt begins at measure 7. Prelude 14 is the fourteenth of 15 works available in the Book of Preludes: 1-15 for Piano, a collection of character pieces by keyboardist, author, educator, and Wehrli Publications founder, Barry Michael Wehrli. These evocative preludes resemble the short, expressive pieces of Beethoven, Chopin and Debussy, but possess elements of later styles such as 20th century, new-age, jazz and more. Aside from their value as outstanding new performance repertoire, advanced students and professionals are discovering the pedagogical value of the Preludes as they make their way into state teaching organizations across the country such as CAPMT (California) and UMTA (Utah). Teachers often search for new and appealing serious music for their piano students. Yet such music is hard to find. The complete Book of Preludes offers nearly an hour of diverse music, each prelude creating its own unique sense of musical journey. All preludes contain damper and sostenuto pedal indications, bar numbers, suggested fingering, and tempo and dynamic marks reflecting the composer’s recorded performance. Reviews are available at the locations below. The Complete Book of Preludes: 1-15 for Piano - In Print: wehrlipubs.com/shop/book-of-preludes. The Complete Book of Preludes: 1-15 for Piano - Studio Recordings: wehrlipubs.com/shop/book-of-preludes-cd. Purchased Books or CDs will be autographed by the composer upon request. Social media and contact information is available at Wehrli Publications: wehrlipubs.com. Barry is a member of the Music Teachers Association of California (MTAC), the California Association of Professional Music Teacher (CAPMT), and ASCAP. He welcomes your thoughts on the Preludes and is happy to answer any questions regarding the Wehrli Publications catalog of piano instruction materials.
$2.99 ≈
$4.10
Contrapunctus XIV from "The Art of Fugue" for Brass Quintet
Contrapunctus XIV from "The Art of Fugue" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus XIV from "T
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792496 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 16...
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Brass Ensemble - Level 5 - SKU: A0.792496 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 16 pages. Gordon Cherry #4988361. Published by Gordon Cherry (A0.792496). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Fourteen is a four voice, double fugue that is an earlier version of Number Ten. It was included in the first edition of The Art of Fugue. About 3 minutes in length.
$20.00 ≈
$27.41
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