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Joseph H
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1
Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute
Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute
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Classique
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Helene Schulthess
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Helene Schulthess
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Fanny Hünerwadel –
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Helene Schulthess
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 5 - SKU: A0.1073271 By Helene Schulthess. By Fanny Hünerwadel (1826 – 1854). Arranged by Helene Schul...
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Small Ensemble Flute,Piano,Voice - Level 5 - SKU: A0.1073271 By Helene Schulthess. By Fanny Hünerwadel (1826 – 1854). Arranged by Helene Schulthess. Classical,Romantic Period. Score and parts. 24 pages. Helene Schulthess #677536. Published by Helene Schulthess (A0.1073271). The composer Fanny Hünerwadel (1826 in Lenzburg - 1854 in Rome) came from a long-established family of the town of Lenzburg. She was the eldest child of the doctor Johann Friedrich Hünerwadel and Regula Speerli, who were both enthusiastic music lovers. After first being taught by her mother, Hünerwadel learned to play the piano in Lenzburg with Philipp Tietz, Joseph Breitenbach, and Ludwig Kurz and belonged to the local singing society. From 1846 she studied piano, singing, music theory and composition with Hans Nägeli and with Wagner's friend Alexander Müller in Zurich. During her time in Zurich she made the acquaintance of Johann W. Kalliwoda, Richard Wagner, Ferdinand Huber, Franz Liszt, Franz Abt, Wilhelm Baumgartner and Henri Vieuxtemps. In 1852, she played Johann Nepomuk Hummel's Rondo brillant in a subscription concert of the Zurich General Music Society, which became the current Zurich Tonhalle Orchestra. For further studies, she traveled to Florence and Rome in 1853. In Florence she took singing lessons with Romani. In Rome in 1853 she was the guest of the artistic families Corrodi and Imhof and took lessons with the singing teacher Parisotti. Hünerwadel died of typhoid fever in Rome on April 27, 1854, and was buried there on April 30. Six of Hünerwadels seven preserved piano songs were published posthumously (in 1854). Her great-nephew was the composer, painter, and publicist Peter Mieg (1906-1990) Source: Wikipedia.
$20.00 ≈
£15.18
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
£7.58
"My CELLO METHOD" Volume 6 - Thumb Position & Treble Clef
"My CELLO METHOD" Volume 6 - Thumb Position & Treble Clef
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2 Violoncelles (duo)
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AVANCÉ
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F
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Georg Mertens
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"My CELLO METHOD" Vo
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Georg Mertens
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SheetMusicPlus
Cello Duet Cello - Level 5 - SKU: A0.1242950 Composed by F. Grutzmacher, Franz Joseph Haydn, Georg Mertens,, J. Duport, M Monn, M. Bruch, O.Sevcik, Trad...
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Cello Duet Cello - Level 5 - SKU: A0.1242950 Composed by F. Grutzmacher, Franz Joseph Haydn, Georg Mertens,, J. Duport, M Monn, M. Bruch, O.Sevcik, Traditional Japanese, and W.H. Squire. Arranged by Georg Mertens. Chamber,Classical,Instructional. Score. 42 pages. Georg Mertens #838001. Published by Georg Mertens (A0.1242950). Volume 6 - of My Cello Method - introduces Thumb Position, Treble clef, octave paralells and artificial harmonics. On 41 pages (No 131 to 143) the cello player will be guided by photos and pinpointed exercises in preparation to pieces of concert performance.The music chosen are:No. 132 Grutzmacher - Study No 1No. 133 Japanese Trad. MokkoNo. 135 W.H. Squire - TarantellaNo. 136 M. Monn - Cello Concerto G minor, 1st mov.No. 137 Mertens & Sevcik StudiesNo 138/9 Octave parallels & artificial HarmonicsNo 140 Frere Jacques in artificial HarmonicsNo 141 J. Duport Study No 6 (Berteau)No 142 J. Haydn - D maj Cello Concerto, 2nd mov (Cadenza Mertens)No 143 M. Bruch - Kol NidreiEvery piece comes with a link to:an online video lesson on patreon & a Cello Duo recording on youtube.(links interactive on tablet, phone, computer)The 6 Volumes of My CELLO METHOD: from Twinkle, twinkle to Haydn Cello Concerto.Volume 1   - 1st Position unextendedVolume 2   - The Extensions in 1st Position ( b & # )Volume 3   - Half, 2nd, 3rd & 4th Positions Volume 4   - Gems from the vast repertoire of cello music within Positions 1 - 4Volume 5   - Mastering Positions 5 - 7                  Volume 6   - The Thumb Position & Treble ClefÂ
$13.99 ≈
£10.62
Lindpaintner - Concertino in E major, Op.43 for Horn & Orchestra
Lindpaintner - Concertino in E major, Op.43 for Horn & Orchestra
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Orchestre
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AVANCÉ
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Classique
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Peter Joseph Von Lindpaintner
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J
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Lindpaintner - Concertino in E
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1452133 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Per...
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Full Orchestra - Level 5 - SKU: A0.1452133 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 99 pages. J.G. Cuco Barber #1031452. Published by J.G. Cuco Barber (A0.1452133). Work Title Horn ConcertinoAlternative Title Concertino pour le Cor avec Accompagnement de deux Violons, Alto, Violoncelle et Basse, Flûte, deux Clarinettes, deux Bassons, deux Cors, deux Trompettes et TimbalesComposer Lindpaintner, Peter Joseph vonOpus/Catalogue Number Op.43Key E major (with an introduction in B major)Movements/Sections 3 movements Adagio ma non troppo — Allegretto Andantino Allegro First Publication 1824 ca. – Leipzig: H.A. ProbstDedication à son ami S. RauchComposer Time Period RomanticPiece Style RomanticInstrumentation horn and orchestraOrchestra flute, 2 clarinets (A), 2 bassoons2 horns, 2 trumpets, timpani, strings.
$75.00 ≈
£56.94
Danses Roumaines for Tuba or Bass Trombone & Piano
Danses Roumaines for Tuba or Bass Trombone & Piano
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Tuba et Piano
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AVANCÉ
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Joseph Canteloube
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Ralph Sauer
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Danses Roumaines for Tuba or B
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.792621 Composed by Joseph Canteloube. Arranged by Ralph Sauer. 20th Century,Classical,Multicultural,Romantic Period,World...
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Piano,Tuba - Level 5 - SKU: A0.792621 Composed by Joseph Canteloube. Arranged by Ralph Sauer. 20th Century,Classical,Multicultural,Romantic Period,World. Score and part. 36 pages. Gordon Cherry #5040977. Published by Gordon Cherry (A0.792621). Danses Roumaines by Canteloube are six Romanian folk songs and dances for Piano written in 1930 after folk songs collected by Michel Vulpesco. The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne. The movements in order are: 1. Hora de Jalomitza 2. Dame Jeanne (Lady Jean) 3. Les Olténiens sont partis pour faucher 4. Hélène (Helen) 5. Hora de la mariée (The Marriage Dance) 6. A Ceinture Rouge (A Red Belt) About 18 minutes in length, these six movements are suitable for advanced performers.
$30.00 ≈
£22.78
Danses Roumaines for Euphonium and Piano
Danses Roumaines for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Joseph Canteloube
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Ralph Sauer
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Danses Roumaines for Euphonium
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792629 Composed by Joseph Canteloube. Arranged by Ralph Sauer. 20th Century,Concert,Romantic Period,World. Score and...
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Euphonium,Piano - Level 5 - SKU: A0.792629 Composed by Joseph Canteloube. Arranged by Ralph Sauer. 20th Century,Concert,Romantic Period,World. Score and part. 44 pages. Gordon Cherry #5041005. Published by Gordon Cherry (A0.792629). Danses Roumaines by Canteloube are six Romanian dances for Piano written in 1930 after folk songs collected by Michel Vulpesco. The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne The movements in order are: 1. Hora de Jalomitza 2. Dame Jeanne (Lady Jean) 3. Les Olténiens sont partis pour faucher 4. Hélène (Helen) 5. Hora de la mariée (The Marriage Dance) 6. A Ceinture Rouge (A Red Belt) About 18 minutes in length, these six movements are suitable for advanced performers.
$27.50 ≈
£20.88
Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche (Eb & Bb solo parts only)
Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche (Eb & Bb solo parts only)
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Trompette (partie séparée)
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AVANCÉ
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Classique
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Franz Joseph Haydn, Johann Nep
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Charles Decker
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Four Famous Concertos for E-Fl
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical...
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Trumpet Solo - Level 5 - SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Individual part. 53 pages. Charles Decker Music Press #3905635. Published by Charles Decker Music Press (A0.817140). Now in in one collection are the four famous concertos for E-flat trumpet by Franz Josef Haydn (1796), Johann Nepomuk Hummel (1803), Johann Baptiste Neruda (ca. 1750) and Sasche (1871) that are the core of the trumpet's solo literature edited with dynamics, articulations, and new cadenzas. This essential collection for ambitious trumpeters comes with two sets of solo parts for E-flat trumpet and B-flat trumpet with no piano accompaniment. For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) and Supplemental Practice Approaches for Trumpet, as well as my First Technical Studies for Trumpet for young students, all with Charles Decker Music Press at Sheet Music Plus. To further expand your solo literature knowledge see my collection at Sheet Music Plus of Three Famous Baroque Works for Two Trumpets which has D, C, piccolo A and B-flat trumpet solo parts for the frequently performed Vivaldi and Manfredini Concertos and Francheschini Sonata. If looking for more trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this like to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.99 ≈
£11.38
The Bamboula Rhapsodic Dance for Brass Band
The Bamboula Rhapsodic Dance for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95 ≈
£30.33
Danse Nègre from African Suite. Op. 35 for Brass Band
Danse Nègre from African Suite. Op. 35 for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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Danse Nègre from Africa
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$34.95 ≈
£26.53
Bizet,Elgar,Vivaldi,arr. David Blackwell,F. A. Bonporti,H. T. Burleigh,Marga Richter,Josephine Trott : ABRSM Violin Exam Pieces from 2024, Grade 6
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Violon
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AVANCÉ
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Methodes Etudes
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Methodes
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Bizet,Elgar,Vivaldi,arr. David
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ABRSM Violin Exam Pieces from
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Tomplay
Telechargez la partition Violon ABRSM Violin Exam Pieces from 2024, Grade 6. Partition pour Violon avec piano d‘accompagnement -- Classique,Exercices (amelior...
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Telechargez la partition Violon ABRSM Violin Exam Pieces from 2024, Grade 6. Partition pour Violon avec piano d‘accompagnement -- Classique,Exercices (ameliorez votr
23.99€ ≈
£20.09
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