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Vous avez sélectionné:
Juan Maria Solare
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Partitions à imprimer
6 partitions trouvées
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1
A fondo [violin + piano]
A fondo [violin + piano]
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Violon et Piano
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AVANCÉ
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Juan MarÃÂa Solare
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A fondo [violin + piano]
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Juan Maria Solare
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.596513 Composed by Juan MarÃÂa Solare. 20th Century,Contemporary,World. 11 pages. Juan Maria Solare #3381199. Publish...
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Piano,Violin - Level 5 - SKU: A0.596513 Composed by Juan MarÃÂa Solare. 20th Century,Contemporary,World. 11 pages. Juan Maria Solare #3381199. Published by Juan Maria Solare (A0.596513). A fondo is a milonga for violin and piano. It was composed in Lilienthal, Köln and in trains between Köln and Bremen, from 17th to 25th August 2002. Its duration is 4'30 and is dedicated to Fredo Burmester. The piece was premiered by Florian Wilscher (violin) and Gustavo Balanesco (piano) in Vienna (local Porgy&Bess) on 24th & 25th October 2003, in the frame of the show Beyond Piazzolla: los ojos de la noche. The first concert was recorded by the Austrian Broadcasting Service (O.R.F.)https://www.youtube.com/watch?v=q4e3Al-0CSsA fondo, performed on 17th December 2014 by the Duo Tangente: Gert Gondosch (violin) and Juan MarÃÂa Solare (piano), at the Glocke (Bremen). http://www.juanmariasolare.com/Duo_Tangente.html
$3.00 ≈
2.80€
Aserrando a una mujer [soprano and piano]
Aserrando a una mujer [soprano and piano]
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Piano, Voix
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AVANCÉ
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Coco Joura and Juan MarÃÂa S
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Aserrando a una mujer [soprano
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Juan Maria Solare
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1318234 By Coco Joura and Juan MarÃÂa Solare. By Juan MarÃÂa Solare. 20th Century,21st Century,Classical,Conte...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1318234 By Coco Joura and Juan MarÃÂa Solare. By Juan MarÃÂa Solare. 20th Century,21st Century,Classical,Contemporary,Latin. Score. 10 pages. Juan Maria Solare #906905. Published by Juan Maria Solare (A0.1318234). Aserrando a una mujer (Sawing a Woman in Half)This might well be the first coloratura tango in history. And while it is innovative, it is deeply rooted in the tango tradition, both musically and thematically: one of the recurring themes of primitive tango was precisely the circus. The act of sawing a woman is the circus magic trick par excellence. This song was written and composed in mid-August 2023 and is dedicated to Coco Joura, who suggested the subjet. Lyrics and music by Juan MarÃÂa Solare. Premiere: Coco Joura (soprano) and Juan MarÃÂa Solare (piano), 19th Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Germany), November 11, 2023.Aserrando a una mujer - videoAserrando a una mujerEste acaso sea el primer tango de coloratura de la historia. Y si bien es innovador, está muy arraigado en la tradición tanguera, por la música y por la temática del texto: uno de los temas recurrentes del tango primitivo era precisamente el circo. El número de aserrar a una mujer es el truco circense de magia por antonomasia.Esta canción fue escrita y compuesta a mediados de agosto de 2023 y está dedicada a Coco Joura, quien sugirió la temática. Letra y música: Juan MarÃÂa Solare. Estreno: Coco Joura (soprano) y Juan MarÃÂa Solare (piano), 19ª Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Alemania), 11 de noviembre de 2023.Aserrando a una mujer - videoAserrando a una mujer (Zersägte Frau)Dies könnte möglicherweise der erste Koloratur-Tango der Geschichte sein. Und obwohl er innovativ ist, ist er fest in der Tangotradition verwurzelt, sowohl musikalisch als auch thematisch: Eine der wiederkehrenden Themen im primitiven Tango war genau der Zirkus. Die Nummer, eine Frau zu sägen, ist der Zirkustrick par excellence.Dieses Lied entstand Mitte August 2023, es ist Coco Joura gewidmet, die das Thema vorschlug. Text und Musik: Juan MarÃÂa Solare. IPremiere: Coco Joura (Sopran) und Juan MarÃÂa Solare (Klavier) bei der 19. Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Deutschland), 11. November 2023.Aserrando a una mujer - videolyricsAserrando a una mujertango de coloraturaJuan MarÃÂa Solare(letra y música)Para el truco de magia más famosonecesito una sierra y una mina;una caja más grande que un cadávery dos tipos que quieran serruchar.La pebeta está atada, y está viva.Obediente, se mete en el cajón.Un serrucho la parte en dos mitades.Al abrir, nuestra vÃÂctima está ilesa.La cortaron en dos (coloratura)...Les arruino el secreto de este truco.Con alerta de espóiler, ¡ya avisé!:La percanta recoge las gambitas,se acurruca, chiquita, en el arcón.El chabón que inventó esta maravillase llamó P. T. Selbit y era inglés.Lo garcó un colega en Yankilandia:mejoró la ilusión, la patentó.La cortaron en dos (coloratura)...De este acto nació un arquetipo,un modelo con facha de cliché:la mujer en peligro, rescatada;la asistente atractiva, vulnerable.Conocemos el truco y sin embargonos fascina el engaño, la ficción.Preferir la mentira es indoloro;en la magia, en el circo y fuera de él.La cortaron en dos (coloratura)...
$3.00 ≈
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Hommage an Ursula [piano solo]
Hommage an Ursula [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃÂa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃÂa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃÂa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃÂa SolareBremen, September & December 2023.
$4.00 ≈
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Tenaz tersura [piano solo]
Tenaz tersura [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃÂa Solare
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Tenaz tersura [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.596569 Composed by Juan MarÃÂa Solare. 20th Century,Contemporary,Graduation,World. Score. 7 pages. Juan Maria Solare #4...
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Piano Solo - Level 5 - SKU: A0.596569 Composed by Juan MarÃÂa Solare. 20th Century,Contemporary,Graduation,World. Score. 7 pages. Juan Maria Solare #4718007. Published by Juan Maria Solare (A0.596569). Tenaz tersura (Tenacious smoothness) is a piano waltz that combines two apparently antagonistic principles (namely tenacity and smoothness). The harmonic language can remind you of Alexander Scriabin - and of jazz (say, Thelonius Monk). This piano piece was composed in Bremen, Germany, from 15-17 February 2019. Precisions and recording: end of June 2019. Juan MarÃÂa Solare
$3.00 ≈
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Toccata tangabile [piano]
Toccata tangabile [piano]
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Piano seul
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AVANCÉ
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Contemporain
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Juan María Solare
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Toccata tangabile [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Advanced - Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Graduation. Score. 9...
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Piano Solo - Advanced - Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Graduation. Score. 9 pages. Published by Juan Maria Solare
This composition was born in order to be used as obligatory piece in a piano competition.As such, it has to have very specific characteristics: not to be too long, to presenta minimum degree of technical and aesthetic difficulty, but also achieving thatdelicate sweet spot in which the technical difficulty is musically justified; i.e.,that no pianist feels that they are wasting their time while studying it (oreven worse: that they have the impression of being studying an exercise).
The piano competition involved was the Segundo concurso nacional de piano 'festival de pianistas', basedin the city of Mar del Plata, Argentina.
In the adjective "tangabile" (a neologism that resembles "cantabile")is a hidden allusion to Astor Piazzolla's pieces Allegro tangabile or Moderatotangabile. Of course, tangabile implies "related to tango"
This is a video of the presentation of Daniel Álvarez Veizaga during that competition. The event tookplace at the Centro Cultural Victoria Ocampo ?Villa Victoria?, Mar del Plata,Provincia de Buenos Aires, Argentina. Piano Kawaii RX5.
https://www.youtube.com/watch?v=BfClIaFgBBI
$2.50 ≈
2.34€
Dance of the Revolving Gears - for piano
Dance of the Revolving Gears - for piano
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Piano seul
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AVANCÉ
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Samuel Stokes
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Dance of the Revolving Gears -
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SamuelStokesMusic.com
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.562138 Composed by Samuel Stokes. Concert,Contemporary. Score. 3 pages. SamuelStokesMusic.com #5288885. Published by Samu...
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Piano Solo - Level 5 - SKU: A0.562138 Composed by Samuel Stokes. Concert,Contemporary. Score. 3 pages. SamuelStokesMusic.com #5288885. Published by SamuelStokesMusic.com (A0.562138). Dance of the Revolving Gears is a piece composed by Samuel Stokes for pianist Juan Maria Solare with the stipulation that it be a piece with only one note. Just exactly how the instruction of using only one note was to be interpreted was entirely left up to the composer. In this piece, B-flat is the only pitch-class employed throughout the entire piece. Using every B-flat on the piano, Stokes composed a highly rhythmic piece that is both challenging to the performer and fun for the audience. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.99 ≈
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Juan Maria Solare
