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Just The Way You Are
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Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
$40.42
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
$20.23
Just The Way You Are
Just The Way You Are
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Trio à Cordes: 2 violons, violoncelle
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AVANCÉ
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Rock
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Billy Joel
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Judith Katz
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Just The Way You Are
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Judith Katz
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 5 - SKU: A0.753849 By Billy Joel. By Billy Joel. Arranged by Judith Katz. Pop,Rock. Score and parts. 12...
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String Ensemble,String Trio Cello,Violin - Level 5 - SKU: A0.753849 By Billy Joel. By Billy Joel. Arranged by Judith Katz. Pop,Rock. Score and parts. 12 pages. Judith Katz #3431237. Published by Judith Katz (A0.753849). A string trio arrangement of a Billy Joel classic - Just The Way You Are. this will be a crowd pleaser for your next reception or cocktail party.
$14.50 ≈
$19.57
Just The Way You Are
Just The Way You Are
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Piano seul
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AVANCÉ
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Pop musique
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Billy Joel
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Valerio Andreoli
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Just The Way You Are
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Valerio Andreoli
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1353161 By Billy Joel. By Billy Joel. Arranged by Valerio Andreoli. Pop. Score. 4 pages. Valerio Andreoli #937410. Publis...
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Piano Solo - Level 5 - SKU: A0.1353161 By Billy Joel. By Billy Joel. Arranged by Valerio Andreoli. Pop. Score. 4 pages. Valerio Andreoli #937410. Published by Valerio Andreoli (A0.1353161). Arrangiamento per pianoforte del brano Just the way you are di Billy Joel Arrangement for solo piano of the song just the way you are by Billy Joel.
$4.99 ≈
$6.73
Just The Way You Are
Just The Way You Are
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Cloches
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AVANCÉ
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Billy Joel
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Michael J
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Just The Way You Are
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New Domain Music
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SheetMusicPlus
Handbell - Level 5 - SKU: A0.1413602 By Billy Joel. By Billy Joel. Arranged by Michael J. Glasgow (ASCAP). 20th Century,Jazz,Pop,Rock,Singer/Songwriter....
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Handbell - Level 5 - SKU: A0.1413602 By Billy Joel. By Billy Joel. Arranged by Michael J. Glasgow (ASCAP). 20th Century,Jazz,Pop,Rock,Singer/Songwriter. Score. 18 pages. New Domain Music #995382. Published by New Domain Music (A0.1413602). Billy Joel's Grammy-Award-winning 1977 smooth-jazz hit has become an enduring standard of the soft-rock genre. This arrangement is in the same key as the original recording, and is a faithful represention of Joel's original recording.Accomplished composer/arranger/conductor Michael J. Glasgow created this arrangement for Velocity Handbell Ensemble, and is excited to share it with the larger handbell community via Hal Leonard's ArrangeMe program and Glasgow's publishing division, New Domain Music.The handbell folio (NDM-0002B) includes a part for advanced bell-tree soloist, who covers the iconic Phil Woods saxophone solos on a second set of handbells. Want to include the solos but don't have a bell-tree soloist (or a second set of bells)? No problem! The instrumental pack (NDM-0002I) includes substitute parts (in octaves) for treble instruments in C, B-flat, and E-flat. It also includes parts for drums and auxiliary percussion (finger cymbal, wood block, and egg shaker) to bring even more authenticity to this great arrangement! Search for Glasgow and the title of the piece to find the companion products.
$5.95 ≈
$8.03
Billy Joel : Just The Way You Are (niveau difficile, sax alto)
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Saxophone Alto
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Saxophone Just The Way You Are (niveau difficile, sax alto) de Billy Joel. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Just The Way You Are (niveau difficile, sax alto) de Billy Joel. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile, sax ténor)
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Saxophone Tenor
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Saxophone Just The Way You Are (niveau difficile, sax tenor) de Billy Joel. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Just The Way You Are (niveau difficile, sax tenor) de Billy Joel. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile)
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Flûte traversière
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Flûte Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Flûte avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Flûte Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Flûte avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile, avec orchestre)
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Piano seul
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Piano Just The Way You Are (niveau difficile, avec orchestre) de Billy Joel. Partition pour Piano avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Piano Just The Way You Are (niveau difficile, avec orchestre) de Billy Joel. Partition pour Piano avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile, piano solo)
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Piano seul
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Piano Just The Way You Are (niveau difficile, piano solo) de Billy Joel. Partition pour Piano seul -- Pop/rock...
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Telechargez la partition Piano Just The Way You Are (niveau difficile, piano solo) de Billy Joel. Partition pour Piano seul -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile)
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Basse electrique
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AVANCÉ
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Rock
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Pop musique
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Billy Joel
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Just The Way You Are
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Tomplay
Téléchargez la tablature et la partition Basse Just The Way You Are (niveau difficile) de Billy Joel. Tab pour Basse avec band -- Pop/rock...
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Téléchargez la tablature et la partition Basse Just The Way You Are (niveau difficile) de Billy Joel. Tab pour Basse avec band -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile)
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Basse electrique
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Téléchargez la tablature et la partition Basse Just The Way You Are (niveau difficile) de Billy Joel. Tab pour Basse avec band -- Pop/rock...
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Téléchargez la tablature et la partition Basse Just The Way You Are (niveau difficile) de Billy Joel. Tab pour Basse avec band -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile, sax soprano)
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Saxophone Soprano
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Saxophone Just The Way You Are (niveau difficile, sax soprano) de Billy Joel. Partition pour Saxophone avec accomp. orchestre -- Pop/ro...
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Telechargez la partition Saxophone Just The Way You Are (niveau difficile, sax soprano) de Billy Joel. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile)
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Clarinette
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Clarinette Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Clarinette Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Clarinette avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile)
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Trompette
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Trompette Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Trompette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trompette Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Billy Joel : Just The Way You Are (niveau difficile)
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Trombone
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AVANCÉ
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Rock
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Billy Joel
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Just The Way You Are
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Tomplay
Telechargez la partition Trombone Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trombone Just The Way You Are (niveau difficile) de Billy Joel. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€ ≈
$8.98
Just The Way You Are
Just The Way You Are
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Chorale 2 parties
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AVANCÉ
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Billy Joel
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Deke Sharon
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Just The Way You Are
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Deke Sharon
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SheetMusicPlus
Choral Choir (SA) - Level 5 - SKU: A0.511231 By Billy Joel. By Billy Joel. Arranged by Deke Sharon. A Cappella,Pop,Rock. Octavo. 6 pages. Deke Sharon #3...
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Choral Choir (SA) - Level 5 - SKU: A0.511231 By Billy Joel. By Billy Joel. Arranged by Deke Sharon. A Cappella,Pop,Rock. Octavo. 6 pages. Deke Sharon #3025551. Published by Deke Sharon (A0.511231). A lush SSAA(with splits)+Solo contemporary a cappella version of the Billy Joel classic.
$1.99 ≈
$2.69
Just The Way You Are
Just The Way You Are
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Billy Joel
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J
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Just The Way You Are
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1066836 By Billy Joel. By Billy Joel. Arranged by J. Randolph Hall. Th...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1066836 By Billy Joel. By Billy Joel. Arranged by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock. Score and parts. 23 pages. Duration 294. J. Randolph Hall #6sxDA4ppN9xTVFJB7JDFoT. Published by J. Randolph Hall (A0.1066836). Key: C major.American song writer Joel wrote and recorded this somg in the late 1970's.
$5.50 ≈
$7.42
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99 ≈
$8.08
Just The Way You Are
Just The Way You Are
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Chorale SAATB A Cappella
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AVANCÉ
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Rock
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Billy Joel
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Yumiko Matsuoka
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Just The Way You Are
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Yumiko Matsuoka
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SheetMusicPlus
Choral SAATB a cappella - Advanced - By Billy Joel. Arranged by Yumiko Matsuoka. Score. 10 pages. Published by Yumiko Matsuoka...
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Choral SAATB a cappella - Advanced - By Billy Joel. Arranged by Yumiko Matsuoka. Score. 10 pages. Published by Yumiko Matsuoka
Originallywritten for a Japanese a cappella ensemble, the Billy Joel classic starts offwith in 12/8, using pyramid and cascade voicings to build the chords and keepthe momentum going. Alto gets the solo, but if it gets to be a bit low it couldbe shared by a tenor. The sweet, yearning sentiment is captured in the richharmony and seamless flow. Approx. performance time 3:50.
For more information about Yumiko, please visit https://ymymusic.com
$3.50 ≈
$4.72
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
$8.08
"More... Jazz Licks at Your Fingertips" for Guitar
"More... Jazz Licks at Your Fingertips" for Guitar
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Guitare
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AVANCÉ
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the end of the study, you can
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Tony Benade
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"More... Jazz Licks at Yo
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Tony Benade
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by ...
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Solo Guitar - Level 5 - SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by Tony Benade (A0.809110). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95 ≈
$40.42
I'm Just Ken
I'm Just Ken
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Chorale TTBB
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AVANCÉ
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Ryan Gosling
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Jacob Klingsten
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I'm Just Ken
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cap...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99 ≈
$4.04
Gioco. Sonata for guitar
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00 ≈
$8.10
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