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Vous avez sélectionné:
Keep It Simple 5
expert
Partitions à imprimer
14 partitions trouvées
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1
Let All Mortal Flesh Keep Silence
Let All Mortal Flesh Keep Silence
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Piano seul
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AVANCÉ
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French carol melody
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Judith L
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Let All Mortal Flesh Keep Sile
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1284031 Composed by French carol melody. Arranged by Judith L. Maggs. Advent,Christmas,Early Music,Religious,Sacred. Scor...
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Piano Solo - Level 5 - SKU: A0.1284031 Composed by French carol melody. Arranged by Judith L. Maggs. Advent,Christmas,Early Music,Religious,Sacred. Score. 5 pages. Maggs #875203. Published by Maggs (A0.1284031). This beautiful hymn speaks of Jesus' coming, both first and second. It is often used during Advent as a hymn of anticipation. This arrangement for solo piano draws you into the simple melody with haunting harmonies and moving notes. It is entirely in the key of D minor.This arrangement is also available in my collection: “Advent at the Piano,†which includes 8 piano arrangements for Advent and is available on this site.
$2.99 ≈
¥21.18
The Hunt
The Hunt
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Orchestre de chambre
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AVANCÉ
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
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Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99 ≈
¥70.77
Variations on Adeste fideles, Op. 21
Variations on Adeste fideles, Op. 21
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Orgue
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AVANCÉ
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99 ≈
¥56.60
New Start
New Start
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Film/TV
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Martin Phipps
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Diana Mayne
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South.  
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New Start
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Diana Mayne
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.958253 Composed by Martin Phipps. Arranged by Diana Mayne. Film/TV. Score and parts. 15 pages. Diana M...
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String Quartet String Quartet - Level 5 - SKU: A0.958253 Composed by Martin Phipps. Arranged by Diana Mayne. Film/TV. Score and parts. 15 pages. Diana Mayne #6370811. Published by Diana Mayne (A0.958253). String quartet arrangement of A New Start from the BBC mini-series North & South. This is the very sweet & tender music that plays when Margaret Hale and Mr. John Thornton meet at the train station at the end. Fans sometimes refer to this piece of music as Northbound Train. Perfect for slow, pretty wedding music or background music. Full score & individual parts included with purchase.Notes are fairly simple, but lots of vibrato and good quality tone are necessary to keep it interesting & emotional, so I have marked it as Advanced. Violin I has some 4th/5th position; Violin II & Viola have some notes that could be played in 1st position, but sound better in 3rd/4th position.
$12.99 ≈
¥92.02
Around the Bend (for Cello & Piano)
Around the Bend (for Cello & Piano)
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Violoncelle, Piano
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AVANCÉ
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Brian Strohmetz
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Piano.
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Around the Bend
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Brian Strohmetz
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. ...
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Cello,Piano - Level 5 - SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306). Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. For Cello & Piano.
$14.99 ≈
¥106.18
Concerto for Trumpet with Piano Reduction
Concerto for Trumpet with Piano Reduction
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Trompette, Piano
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AVANCÉ
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Contemporain
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Graeme Culpepper
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Concerto for Trumpet with Pian
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Graeme Culpepper
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by ...
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Piano,Trumpet - Level 5 - SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by Graeme Culpepper (A0.1028166). Concerto for Trumpet and Orchestra Composer: Graeme Culpepper Year: 2022 Program Notes: I feel that there is a time in every composer's life when they decide to write a concerto. Writing a concerto is as intriguing as it is difficult, as finding a balance between soloist and ensemble can prove to be a tricky task. What’s more, is deciding upon said ensemble. In today’s musical climate, the supporting ensemble can be a variety of different instrumental groups ranging from a chamber ensemble consisting of just a few musicians to a full symphony orchestra. In my humble opinion, with a genre as grand as a concerto, especially one involving the trumpet, I find it fitting to use the orchestra to accompany the trumpet. However, I opted to use an orchestra without a trumpet section to better support the soloist. This concerto’s first movement is built upon a couple of form-defining motifs. One in the form of an ostinato that is constantly changing meter, and another that is a simple short rhythmic cell that is able to fit in a variety of different textures throughout the movement. This movement also introduces the main motif throughout the entire concerto: a melodic sequence consisting of a minor third, a perfect fifth, followed by another minor third which resolves down by half step. This is the unifying motif of the entire concerto. I often ponder as to where the material in the second movement came from. After a long time of reflection, I have come to the conclusion that it is a subconscious expression of myself that comes from deep within. The second movement is perhaps the most vulnerable I have ever been with any of the music I have written, and the experience I personally have when listening to it is one that is very intimate. The third movement is a thrilling romp that is entirely built on the unifying motif mentioned earlier. The whole movement is essentially one big variation of itself. This movement is arguably the most technical and gives the trumpet soloist a great opportunity to show off their skill. This movement is also built upon a one-bar rhythmic ostinato so that the tension in this movement is never fully resolved until the very last bar, in hopes that this will keep the listener on their toes at all times. Performed live in Recital Hall at Indiana University Jacobs School of Music on March 1st, 2022Purchase includes Full Score + Solo Trumpet Part.
$19.99 ≈
¥141.60
Shadow and Self
Shadow and Self
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Piano Trio: Violon, Alto, Piano
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AVANCÉ
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Contemporain
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Matthew Scott Phillips
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Shadow and Self
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Matthew Scott Phillips
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
$7.00 ≈
¥49.59
Fugue No. 22 In B Flat Minor, Bwv 867
Fugue No. 22 In B Flat Minor, Bwv 867
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Classique
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Johann Sebastian Bach
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Nathan Wollmann
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Fugue No. 22 In B Flat Minor,
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Nathan Wollmann
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann....
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00 ≈
¥28.33
Sonata for Harp, Op. 17
Sonata for Harp, Op. 17
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Harpe
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AVANCÉ
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Contemporain
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Tyler J
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Sonata for Harp, Op. 17
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TJHoltMusic
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SheetMusicPlus
Harp - Level 5 - SKU: A0.1021624 Composed by Tyler J. Holt. Contemporary. Score. 28 pages. TJHoltMusic #6137483. Published by TJHoltMusic (A0.1021624). ...
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Harp - Level 5 - SKU: A0.1021624 Composed by Tyler J. Holt. Contemporary. Score. 28 pages. TJHoltMusic #6137483. Published by TJHoltMusic (A0.1021624). Sonata for Harp, Op. 17 was composed out of the desire to write for an instrument I had not previously written for at the time. The themes used throughout the entire sonata are revolved around the limitations of the harp pedals.The first movement, in Bb major, utilizes Sonata-Allegro form and revolves around the dialogue of two themes and constant motion, which are developed further in the development section. Structurally and tonally, the principles of this form, as well as the piece overall, is applied is the same as in a Mozart piece.The second movement, in E major, which is the tritone to Bb, is in ternary form and opens with a melody that represents prayer. Following this prayer is a chorale that gradually becomes more grandiose in nature. A motive of loud planing chords is the answer to this prayer, which is followed by the softer motive that transitions into the next section. The theme is a simple melody containing planing fifths in the left hand, which is accompanied by ornamentation in the right hand. In the final section, a combination of themes, including the initial prayer motive and chorale motive, return and closes the movement.The third movement, in Bb major, is also in ternary form with rondo-esque tendencies. One central theme culminates the final movement of this sonata, which is brought through different tonal centers. Furthermore, it is presented in the form of a waltz in the middle section of the piece. While joyful in nature, there are humorous moments such as terrace dynamics implanted to surprise and keep the listener engaged throughout the movement.I. Allegro giojosoII. Adagio religiosoIII. Allegro con colore - ValseComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer
$20.00 ≈
¥141.67
That's A Plenty
That's A Plenty
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Jazz
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Lew Pollack and Ray Gilbert
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Jim Fieldhouse
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That's A Plenty
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Nefarious Music Publications
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.875875 Composed by Lew Polla...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.875875 Composed by Lew Pollack and Ray Gilbert. Arranged by Jim Fieldhouse. Jazz. 24 pages. Nefarious Music Publications #4595267. Published by Nefarious Music Publications (A0.875875). That's A Plenty was originally a piano rag written in 1914 by Lew Pollack but some time later, lyrics were added by Ray Gilbert. The tune soon became a very popular dixieland jazz standard.This arrangement was written for The Eclipse Saxophone Quartet in the UK and recorded on their 2001 album. It was meant very much as a tongue-in-cheek comedy vaudeville piece and proved very popular with both jazz and classical audiences.From an initial simple statement of the tune, this arrangement moves through several different styles, from bebop and show-two feel to an over-the-top waltz and becomes quite technically demanding in places. Enjoy all the saxophonic effects, such as note bends and glissandos, exaggerate the dynamic contrasts and keep the music sounding humorous, even in the more challenging sections.Standard S/A/T/B sax quartet scoringDifficulty Rating : AdvancedIf you enjoy this title please check out the other arrangements by this publisher at https://www.sheetmusicplus.com/publishers/nefarious-music-publications/11562Titles includeSummertime (in a latin funk style)My Funny Valentine (funky shuffle)Donna LeeManteca
$20.00 ≈
¥141.67
Concerto for Guitar and Orchestra
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95 ≈
¥141.32
Wind Quintet - Courtly Dances
Wind Quintet - Courtly Dances
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Courtly Dances
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #46...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #4610379. Published by Lyons Music Services (A0.767471). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
$10.99 ≈
¥77.85
The Nutcracker Suite 4. Trepak
The Nutcracker Suite 4. Trepak
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Classique
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Peter Ilyich Tchaikovsky
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Erik Cole
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The Nutcracker Suite 4. Trepak
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.996114 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 25 pages. Erik Cole #4792951....
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Woodwind Ensemble - Level 5 - SKU: A0.996114 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 25 pages. Erik Cole #4792951. Published by Erik Cole (A0.996114). This very famous movement is quite a technical one! Since I already made a simpler student version, though, I went all-out, especially in the first oboe part. It's tough, but not much tougher than the flute part from the original. Keeping the accelerando at the end from getting too out of hand can significantly help with the difficulty level.
$15.00 ≈
¥106.26
THE DROVERS. lead sheet& #CJDennis words AND piano
THE DROVERS. lead sheet& #CJDennis words AND piano
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Piano, Voix
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AVANCÉ
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#GeoffRodThomson
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THE DROVERS. lead sheet& #
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Geoff R Thomson
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1019292 Composed by #GeoffRodThomson. Lyrics: #CJDennis. 20th Century,Children,Contemporary,Musical/Show. Score. 1...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1019292 Composed by #GeoffRodThomson. Lyrics: #CJDennis. 20th Century,Children,Contemporary,Musical/Show. Score. 1 pages. Geoff R Thomson #3138357. Published by Geoff R Thomson (A0.1019292). #TheDrovers is a short poem by C.J.Dennis about where drovers ride. Geoff Rod Thomson,(me), while keeping the tune extremely simple(bordering on boring;) decided to experiment with his (dis)chord progressions when writing his accompanying music to this poem. To be honest, and I confess, this piece was just an example of pure self-indulgence with chord experimentation on my part and has next-to-no similarity to my other kid songs so my recommendation unless you're into 'acoustic pain' is to move on to my next C.J.Dennis song.....for those who I haven't scared off, feel free to try it out for yourselves. Apologies to the rest of you. I cannot be contacted at #Geoffspianosongs in this case;) or GeoffRodThomson@gmail.com.
$1.99 ≈
¥14.10
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