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273 partitions trouvées
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251
Galliard, from Renaissance Mix, for String Orchestra
Galliard, from Renaissance Mix, for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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John Grady
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Galliard, from Renaissance Mix
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John Grady
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.881466 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages. John Grady #338234...
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String Orchestra - Level 5 - SKU: A0.881466 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages. John Grady #3382347. Published by John Grady (A0.881466). RENAISSANCE MIX is a series of 5 dances from the Renaissance: Basse Danse, Tordion, Pavane, Galliard, and Brawles (Branles). The dances chosen to use as a basis for this composition are taken from a publication by Jacque Moderne published about 1550 under the title Frohliche Musik. These dances are truly music of great fun, and as the title suggests, happiness and joy.
$10.00 ≈
8.96€
Familiar Stranger - soprano and mixed ensemble (8 players)
Familiar Stranger - soprano and mixed ensemble (8 players)
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Jennifer Bellor
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Familiar Stranger - soprano an
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Bellor
#
SheetMusicPlus
B-Flat Clarinet,Cello,Congas,Electric Bass Guitar,Flute,Glockenspiel,Piano,Soprano voice,Vibraphone,Violin - Level 5 - SKU: A0.1245804 Composed by Jenni...
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B-Flat Clarinet,Cello,Congas,Electric Bass Guitar,Flute,Glockenspiel,Piano,Soprano voice,Vibraphone,Violin - Level 5 - SKU: A0.1245804 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary,Opera. 63 pages. Bellor #840634. Published by Bellor (A0.1245804). Familiar Stranger (2015) for soprano and mixed ensemble: flute, clarinet in Bb, violin, cello, 2 percussion players (vibraphone, congas, glockenspiel), piano, electric bass Duration: 7'Composed by Jennifer Bellor www.jenniferbellor.comListen on SoundCloud
$24.99 ≈
22.39€
Familiar Stranger (remix) - jazz combo (soprano sax, piano, electric bass, drums)
Familiar Stranger (remix) - jazz combo (soprano sax, piano, electric bass, drums)
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Jazz combo
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AVANCÉ
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Jennifer Bellor
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Familiar Stranger
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Bellor
#
SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.1245462 Composed by Jennifer Bellor. 21st Century,Chamber,Contemporary,Jazz. 22 pages. Bellor #840343. Published by Bello...
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Jazz Combo - Level 5 - SKU: A0.1245462 Composed by Jennifer Bellor. 21st Century,Chamber,Contemporary,Jazz. 22 pages. Bellor #840343. Published by Bellor (A0.1245462). Familiar Stranger (remix) (2015)Â Jazz combo (soprano sax, piano, electric bass, drums)Â Duration: 3'30Â www.jenniferbellor.com
$6.99 ≈
6.26€
Galliard Battaglia for Trombone Quintet from i Tromboni
Galliard Battaglia for Trombone Quintet from i Tromboni
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Ensemble de Trombones
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AVANCÉ
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Classique
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Samuel Scheidt
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Bennett, Neal
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Galliard Battaglia for Trombon
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Cherry Classics Music
#
SheetMusicPlus
Trombone Quintet - Advanced - Composed by Samuel Scheidt (1587-1654). Arranged by Bennett, Neal. Baroque Period, Renaissance. 22 pages. Published by...
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Trombone Quintet - Advanced - Composed by Samuel Scheidt (1587-1654). Arranged by Bennett, Neal. Baroque Period, Renaissance. 22 pages. Published by Cherry Classics Music
Samuel Scheidt's Galliard Battaglia composed around 1621, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect "foil" for the music's echoing back-and-forth fanfares and brilliant scales.
Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about 2 minutes.
The brilliant sound track sample is taken from a live performance by iTromboni.
$17.50 ≈
15.68€
The Right Honorable Robert Earl of Essex His Galliard
The Right Honorable Robert Earl of Essex His Galliard
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Harpe
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AVANCÉ
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Renaissance
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John Dowland
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Sharon Hanjian Rondeau
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The Right Honorable Robert Ear
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Sharon Hanjian Rondeau
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SheetMusicPlus
Composed by John Dowland (1563-1626). Arranged by Sharon Hanjian Rondeau. 151, Renaissance. Score. 4 pages. Sharon Hanjian Rondeau #724065. Published ...
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Composed by John Dowland (1563-1626). Arranged by Sharon Hanjian Rondeau. 151, Renaissance. Score. 4 pages. Sharon Hanjian Rondeau #724065. Published by Sharon Hanjian Rondeau
$4.99 ≈
4.47€
The Princesses Pavane and Galliard
The Princesses Pavane and Galliard
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Guitare
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AVANCÉ
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Contemporain
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Nick Fletcher
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The Princesses Pavane and Gall
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Les Productions d'OZ - Digital
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SheetMusicPlus
Composed by Nick Fletcher. Score. 5 pages. Les Productions d'OZ - Digital #DZ 3994. Published by Les Productions d'OZ - Digital...
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Composed by Nick Fletcher. Score. 5 pages. Les Productions d'OZ - Digital #DZ 3994. Published by Les Productions d'OZ - Digital
$3.95 ≈
3.54€
Allegories for Flute, Euphonium, and Piano
Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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Allegories for Flute, Euphoniu
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Sy Brandon
#
SheetMusicPlus
Euphonium,Flute,Piano - Level 5 - SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Publish...
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Euphonium,Flute,Piano - Level 5 - SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99 ≈
13.43€
Allegories for Flute, Euphonium, and Percussion
Allegories for Flute, Euphonium, and Percussion
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Sy Brandon
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Allegories for Flute, Euphoniu
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Sy Brandon
#
SheetMusicPlus
Euphonium,Flute,Percussion - Level 5 - SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Pu...
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Euphonium,Flute,Percussion - Level 5 - SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99 ≈
13.43€
The Be-Bop Range Book
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95 ≈
15.18€
I Sing the Mighty Power of God
I Sing the Mighty Power of God
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Clarinette et Piano
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AVANCÉ
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Musique Sacrée
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Peter Hilliard
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Peter Hilliard
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I Sing the Mighty Power of God
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Shaw Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 5 - SKU: A0.1196185 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 13 pages. Shaw Music #...
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B-Flat Clarinet,Piano - Level 5 - SKU: A0.1196185 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 13 pages. Shaw Music #795341. Published by Shaw Music (A0.1196185). This well-known hymn is tastefully arranged for clarinet with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from CLARINET MUSIC FOR WORSHIP by Peter Hilliard.
$4.95 ≈
4.43€
Alice In Wonderland
Alice In Wonderland
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Guitare
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AVANCÉ
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Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/...
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Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99 ≈
4.47€
Viola Music for Worship
Viola Music for Worship
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Alto, Piano
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AVANCÉ
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Peter Hilliard
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Peter Hilliard
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Viola Music for Worship
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Shaw Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1416835 Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas,Classical,Easter,Sacred. Score and part. 84 pa...
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Piano,Viola - Level 5 - SKU: A0.1416835 Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas,Classical,Easter,Sacred. Score and part. 84 pages. Shaw Music #998430. Published by Shaw Music (A0.1416835). Here are ten sacred pieces for viola and piano that may be performed in worship services and recitals throughout the year. In each expertly crafted arrangement, these beloved tunes are treated with reverence and invention, ranging from triumphant virtuosity to quiet contemplation. Titles include: All Hail the Power of Jesus' Name; And Can It Be That I Should Gain?; Be Thou My Vision; Hallelujah Chorus (from Messiah); My Shepherd Will Supply My Need/Savior, like a Shepherd Lead Us; Near the Cross; Nearer, My God, to Thee; Oh, How I Love Jesus; The Lord Bless You and Keep You; The Solid Rock.
$29.99 ≈
26.87€
Florentiner March - Handbell Score
Florentiner March - Handbell Score
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Cloches
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AVANCÉ
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Noël
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Carol Lynn Mizell and Julius F
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Florentiner March - Handbell S
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Chorister's Guild - Digital
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SheetMusicPlus
5, 6, or 7 octaves handbells - Level 5 - SKU: C7.CGB636 (Italian Grand March). Composed by Carol Lynn Mizell and Julius Fucik. Arranged by Carol ...
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5, 6, or 7 octaves handbells - Level 5 - SKU: C7.CGB636 (Italian Grand March). Composed by Carol Lynn Mizell and Julius Fucik. Arranged by Carol Lynn Mizell and Julius Fucik. Christmas. Master Ringer. With 2, 3, 4, 5 or 5.5 octaves handchimes, with optional 2 or 3 octaves auxiliary bells and optional snare drum, triangle, cymbals, bass drum and timpani. Score. 24 pages. Chorister's Guild - Digital #CGB636. Published by Chorister's Guild - Digital (C7.CGB636). UPC: 749193014578.This handbell arrangement of the grand march will be a stunning addition to the repertoire of advanced handbell ensembles. It affords opportunities for all ranges of the ringing table to have a turn under the spotlight. The optional auxiliary bells and percussion provide added drama and color. The grand finale brings forth all of the available tone colors of bells, chimes, auxiliary bells and percussion for a glorious energetic and uplifting ending! Instrumentation: 5, 6 or 7 octaves Handbells and and 2, 3, 4, 5 or 5.5 octaves Handchimes, with opt. 2 or 3 octaves Auxiliary Bells and opt. Snare Drum, Triangle, Cymbals, Bass Drum and Timpani.
$6.50 ≈
5.82€
Wynwood Walls
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1...
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Guitar and string quartet - Advanced - SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95 ≈
30.41€
Piano Trio, op. 65
Piano Trio, op. 65
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Contemporain
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Adrian Gagiu
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Piano Trio, op. 65
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Adrian Gagiu
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.1004696 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 99 pages. Adrian Gagiu #429...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.1004696 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 99 pages. Adrian Gagiu #4298307. Published by Adrian Gagiu (A0.1004696). Trio for violin, cello and piano in A major is a neoclassical, cyclical, developed, and mostly lyrical composition. Its first movement (Allegro aperto) is a peculiar sonata form with varied repetition of exposition. The fiery scherzo (Vivace con brio) is a peculiar form with two varied statements of trio section and other harmonic changes, while the Finale (Adagio affettuoso) is treated in seven, mostly lyrical variations, at times playful or ecstatic. The mp3 audio clip is the second movement. Total duration: 28 min. Performing Rights Organization: SOCAN.
$44.00 ≈
39.42€
Alice In Wonderland
Alice In Wonderland
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Chorale SATB
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AVANCÉ
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Jazz
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Bill Evans
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Clint Bleil
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Alice In Wonderland
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Clint Bleil
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1063622 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Clint Bleil. Jazz. Octavo. 62 pages. C...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1063622 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Clint Bleil. Jazz. Octavo. 62 pages. Clint Bleil #666390. Published by Clint Bleil (A0.1063622). Here is an ECM-ish arrangement of Alice in Wonderland for jazz vocal ensemble and rhythm section. It was recorded by members of the Frost Jazz Vocal Studio.
$2.50 ≈
2.24€
Brawles, from Renaissance Mix, for String Orchestra
Brawles, from Renaissance Mix, for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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John Grady
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Brawles, from Renaissance Mix,
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John Grady
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.881467 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 26 pages. John Grady #338235...
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String Orchestra - Level 5 - SKU: A0.881467 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 26 pages. John Grady #3382351. Published by John Grady (A0.881467). RENAISSANCE MIX is a series of 5 dances from the Renaissance: Basse Danse, Tordion, Pavane, Galliard, and Brawles (Branles). The dances chosen to use as a basis for this composition are taken from a publication by Jacque Moderne published about 1550 under the title Frohliche Musik. These dances are truly music of great fun, and as the title suggests, happiness and joy.
$10.00 ≈
8.96€
Pavane, from Renaissance Mix, for String Orchestra
Pavane, from Renaissance Mix, for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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John Grady
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Pavane, from Renaissance Mix,
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John Grady
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.881465 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 17 pages. John Grady #338234...
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String Orchestra - Level 5 - SKU: A0.881465 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 17 pages. John Grady #3382345. Published by John Grady (A0.881465). RENAISSANCE MIX is a series of 5 dances from the Renaissance: Basse Danse, Tordion, Pavane, Galliard, and Brawles (Branles). The dances chosen to use as a basis for this composition are taken from a publication by Jacque Moderne published about 1550 under the title Frohliche Musik. These dances are truly music of great fun, and as the title suggests, happiness and joy.
$10.00 ≈
8.96€
Basse Danse, from Renaissance Mix, for String Orchestra
Basse Danse, from Renaissance Mix, for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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John Grady
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Basse Danse, from Renaissance
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John Grady
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.881463 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages. John Grady #338231...
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String Orchestra - Level 5 - SKU: A0.881463 Composed by John Grady. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages. John Grady #3382313. Published by John Grady (A0.881463). RENAISSANCE MIX is a series of 5 dances from the Renaissance: Basse Danse, Tordion, Pavane, Galliard, and Brawles (Branles). The dances chosen to use as a basis for this composition are taken from a publication by Jacque Moderne published about 1550 under the title Frohliche Musik. These dances are truly music of great fun, and as the title suggests, happiness and joy.Renaissance Mix is written for an advanced string ensemble, or chamber group, from high school musicians through college, or amateur and professional groups. The music is accessible to players and listeners alike. It is tuneful, has powerful rhythms with interesting advanced harmonies, and deeply emotional.
$10.00 ≈
8.96€
Aegean Fire Magnus - Score Only
Aegean Fire Magnus - Score Only
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Orchestre
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AVANCÉ
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Apostolos Paraskevas
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Aegean Fire Magnus - Score Onl
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1438982 Composed by Apostolos Paraskevas. Classical,Contemporary,New Age. 37 pages. Silver Sickle Publications #10190...
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Full Orchestra - Level 5 - SKU: A0.1438982 Composed by Apostolos Paraskevas. Classical,Contemporary,New Age. 37 pages. Silver Sickle Publications #1019009. Published by Silver Sickle Publications (A0.1438982). Aegean Fire Magnus My music always has a cinematographic attitude, as if it wants to follow a film that has not yet been created. With this work, the listener could wander and experience life around a Greek island. In the beginning, a Greek dance unfolds that develops into a faint prayer; shortly after, a waltz as a distant memory surfaces. The first theme of the work reappears to end the work in a triumphal and frenzy happy fiesta. The idea of the work came after a suggestion by Panos Liaropoulos to compose a string quartet for the summer of 2015. ‘Aegean Fire’ had its premiere in Greece by L’Anima string quartet and shortly after in Boston in February 2016. The Berklee Contemporary Symphony Orchestra under Francisco Noya presented the orchestral version ‘Aegean Fire Magnus’ in its American premiere in 2016 at Jordan Hall in Boston..
$25.00 ≈
22.40€
Popper (arr. Richard Aaron): Op. 73, Etude #33
Popper (arr. Richard Aaron): Op. 73, Etude #33
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Violoncelle
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AVANCÉ
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David Popper
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Richard Aaron, Eric Moore
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Popper
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Cello Loft
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.878939 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5...
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Cello Solo - Level 5 - SKU: A0.878939 Composed by David Popper. Arranged by Richard Aaron, Eric Moore. Instructional,Romantic Period. Individual part. 5 pages. Cello Loft #3497375. Published by Cello Loft (A0.878939). From a new edition of David Popper's 40 Etudes, Hohe Schule des Violoncello-Spiels (The High School of Cello Playing), op. 73 Edited by Richard Aaron (Professor at University of Michigan, The Juilliard School). This edition utilizes the latest philosophies about cello technique while helping students learn faster: clarified structure, rehearsal marks and Richard Aaron's set shift notation to enhance shifting accuracy. The complete set of 40 Etudes is available as a .
$1.99 ≈
1.78€
Sonata Opus 1 (1980)
Sonata Opus 1 (1980)
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Piano seul
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AVANCÉ
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Contemporain
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Moshe S
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Sonata Opus 1
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950786 Composed by Moshe S. Knoll. 20th Century,Contemporary. Score. 31 pages. ArtsAhimsa #3100581. Published by ArtsAhim...
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Piano Solo - Level 5 - SKU: A0.950786 Composed by Moshe S. Knoll. 20th Century,Contemporary. Score. 31 pages. ArtsAhimsa #3100581. Published by ArtsAhimsa (A0.950786). This was my First Piano Sonata, back in 1980. As a budding piano student at Juilliard, I was fired with the ambition to become a dazzling virtuoso, and this Sonata reflects that.Heavily influenced by Scarlatti, Beethoven, Debussy, Ginastera and Keith Jarret, this Sonata glows with the idealism and the passion of youth, the optimism and the boundless hope of man before middle age. This is a highly rewarding piece for both the pianist and the audience.
$20.00 ≈
17.92€
Three Pieces for Piano: In Memoriam Beveridge Webster
Three Pieces for Piano: In Memoriam Beveridge Webster
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Piano seul
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AVANCÉ
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Moshe S
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Three Pieces for Piano: In Mem
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Publ...
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Piano Solo - Level 5 - SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Published by ArtsAhimsa (A0.1253097). This is a large scale Tryptich, inspired by Debussy's Suite pour le Piano.It was begun in 2021 and it kept being re-written till 2023.I dedicate this Tryptich to the loving memory of the great American Pianistand pedagoge Mr. Beveridge Webster, who was my last teacher at Juilliard.The first piece is a Prelude, playful but not too carefree, the dance-like atmosphere gets interrupted several times by a serious, contemplativeChorale-like passage.The second piece, Nocturno-Fantasia is a desolated landscape of pain and despair,a reflection of the harsh times the human family has had to endure these last three years.The last movement, is a large-Scale Toccata in the Phrygian Mode, usingirregular time signatures.This Toccata must be played in strict tempo, to highlight those irregular rhythms.Dies Irae is referenced in both the second and third movements, discreetly, just beneath the surface.This Cycle of three can be performed as a unit, or as three separate pieces.It is designed to give virtuosi a new warhorse for competitions, certainlythe Toccata.I do believe this Toccata has great technical value for pianists as an Etude in articulationand rhythm.Beyond this, I hope that this music will express a wide range of human sufferings and aspirations, and that it will deliver an emotional catharsis for all potential listeners.With this composition I am joining the large group of composers who have created New Music these last few years, music testifying to the resilience of the human spirit in the face of adversity.
$30.00 ≈
26.87€
Origins
Origins
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Piano seul
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AVANCÉ
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Don Hodell Chilcote
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Don Hodell Chilcote
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Origins
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Don Hodell Chilcote
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.778631 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz. Score. 13 pages. Don Hode...
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Piano Solo - Level 5 - SKU: A0.778631 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz. Score. 13 pages. Don Hodell Chilcote #485749. Published by Don Hodell Chilcote (A0.778631). Storms Of Life is a classical piano sonata that has been reconfigured into a prelude for church service. Simple and groovin at times, and also harmonically rich and daring. It has traditional lines as well as more contemporary counterpoint similiar to shostakovich. The piece is written in sonata form and includes multiple distinct and unique themes and developments before concluding. 12 page arrangement is challenging but not overly so, and well worth the effort to learn. Deeply funky tune draws from too many inspirations to mention, but some include Beethoven, Shostakovich, Richard Smallwood, Chick Corea, and Bill Evans. It was used for a piano and drum prelude in church, for a moment in time.
$4.99 ≈
4.47€
Hommage an Ursula [piano solo]
Hommage an Ursula [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
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