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Vous avez sélectionné:
Mark Roach
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Partitions à imprimer
16 partitions trouvées
<
1
Portrait Of Tracy
Portrait Of Tracy
#
Quatuor de Saxophones: 4 saxophones
#
AVANCÉ
#
Jaco Pastorius
#
Jim Fieldhouse
#
Portrait Of Tracy
#
Nefarious Music Publications
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone,Soprano Saxophone - Level 5 - SKU: A0.1101605 By Jaco Pastorius. By Jaco Pastorius. Arranged by J...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone,Soprano Saxophone - Level 5 - SKU: A0.1101605 By Jaco Pastorius. By Jaco Pastorius. Arranged by Jim Fieldhouse. Classical,Funk,Jazz. 9 pages. Nefarious Music Publications #704978. Published by Nefarious Music Publications (A0.1101605). Portrait of Tracy has become one of the landmark pieces of jazz bass guitar repertoire, featuring the natural harmonics of the instrument to create an etherial quality. Written by the American jazz bassist Jaco Pastorius, this atmospheric composition soon established itself as a bass standard and a benchmark for other players to aspire to. Jaco's composition has been sensitivley scored for three soprano saxophones and one baritone. This is perhaps an unusual choice of piece to transcibe for saxophone quartet but with the right aproach to performance, it lends itself well to this kind of ensemble. The three sopranos play the high floating bass harmonics, while the baritone holds down the pulse provided by the lower strings of the instrument. The four players will need to demonstrate incredible control, balance and ensemble flexibility, to create the right relaxed ambience for the music to sound natural. Scoring: Soprano Sax 1 Soprano Sax 2 Soprano Sax 3 Baritione Sax Difficulty Rating : advanced.
$20.00 ≈
18.47€
Pyrenean Carol Suite for Brass Ensemble with Percussion
Pyrenean Carol Suite for Brass Ensemble with Percussion
#
David Taylor
#
Pyrenean Carol Suite for Brass
#
Linden Brass Press Inc.
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 5 - SKU: A0.1289622 Composed by David Taylor. Christmas,Contemporary,Traditional....
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 5 - SKU: A0.1289622 Composed by David Taylor. Christmas,Contemporary,Traditional. Score and Parts. 94 pages. Linden Brass Press Inc. #880326. Published by Linden Brass Press Inc. (A0.1289622). ===Pyrenean Carol Suite(for Holborne Brass)Brass Ensemble with PercussionArranged by David TaylorInstrumentation: Trumpet 1 in Eb (alternate Bb part included), Trumpets 2 and 3 in Bb, Flugelhorn, Horn in F, Trombones 1 and 2, Bass Trombone, Euphonium, Tuba, Percussion (Cymbal, Sleigh Bells, Snare Drum, Tenor Drum)Playing time: 12-13 minutesThis epic suite of Christmas music from the mountains of the Pyrenees and the lands adjoining them is suitable for advanced ensembles. Included are Nadal Tindaire (Jingling Christmas), Gabriel's Message (Flugelhorn Solo), El Noi de la Mare (Euphonium Solo), Paure Satan (Tuba Solo), and Fum, Fum, Fum!Marking the border of France and Spain, the mountains of the Pyrenees and the lands adjoining them play host to a rich history, both political and musical, where regional powers have come to be dominated by the larger nations in which they now sit. While Navarre, Catalonia, and Occitania have not existed as nation states for a long time, their cultural sensitivities have never disappeared, they retain their own languages, and their musical traditions offer familiarity combined with interesting differences of approach. From the Basque country in the northwest of the range, spanning the border, with its remarkably unique language, to Catalonia in the southeast's major position in the make-up of modern Spain, vibrant regional cultures continue to thrive. Occitania lost prominence more deeply, and has been more thoroughly absorbed into modern France, but still regional sensibilities are strongly felt and expressed, including a formidable body of folk music. It is perhaps through music that we can most easily identify with these cultures, and the long Christian history of these lands has produced a deep tradition of regional Christmas songs to draw on.  ...David Taylor===.
$19.95 ≈
18.42€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets a
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
20.78€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets a
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
(+)
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
13.85€
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets a
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
13.85€
The Be-Bop Range Book
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95 ≈
15.65€
'Sonata' based on music by Ludvig Schytte for Clarinet Sextet.
'Sonata' based on music by Ludvig Schytte for Clarinet Sextet.
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Ensemble de Clarinettes
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AVANCÉ
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Ludvig Schytte
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Stephen Davies
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'Sonata' based on music by Lud
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.891971 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Steph...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.891971 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Stephen Davies #6294323. Published by Stephen Davies (A0.891971). Clarinet Sextet, very loosely based on SONATA by LUDVIG SCHYTTE. In this arrangement I have taken the liberty of fusing Victorian harmonies with a much more jazz based chordal approach, this behemoth of 306 bars has only one semi-quaver hidden away! Ludvig Schytte (28 April 1848 in Aarhus – 10 November 1909 in Berlin) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte studied with Niels Gade and Edmund Neupert, and Liszt. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. Originally trained as a pharmacist, Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students. Incidentally I am reliably informed that his name is pronounced in Danish as Lullfig Shooter, just in case of any confusion!!!
$21.99 ≈
20.31€
Piano Quintet in A minor
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99 ≈
4.61€
The Parachutes - Score Only
The Parachutes - Score Only
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Orchestre
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AVANCÉ
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Jerry Goldsmith
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Chris Siddall
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The Parachutes - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1258828 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV,Patriotic. 12 pages. Chris Siddall Music Publ...
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Full Orchestra - Level 5 - SKU: A0.1258828 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV,Patriotic. 12 pages. Chris Siddall Music Publishing #852089. Published by Chris Siddall Music Publishing (A0.1258828). 1997’s Air Force One saw Harrison Ford’s president of the United States face off against Gary Oldman’s sinister Russian-rebel hijacker. With a plot that required a liberal suspension of disbelief, a serious action score was required. Composer Randy Newman was employed to provide his trademark essence of Americana, however after recording an hour of material for the movie, director Wolfgang Peterson felt Newman’s score carried the wrong tone for the picture and dropped him from the project. The release date was fast approaching, but veteran composer Jerry Goldsmith pledged to make an attempt to save the movie. With only twelve days in which to record a replacement score, he knew he couldn’t accomplish the task alone, and initially asked his son Joel to assist him. Being unavailable, Jerry turned to rising composer Joel McNeely and the resulting score was exactly what Peterson was looking for.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
9.23€
Dying and Dancing for Euphonium and Piano
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50 ≈
25.40€
Doubt & Determination (An Epic Sonata of Indeterminacy)
Doubt & Determination (An Epic Sonata of Indeterminacy)
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary...
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99 ≈
6.46€
Austerity
Austerity
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Contemporain
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Kyle Vanderburg
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Austerity
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NoteForge
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Soprano Saxophone,Synthesizer - Level 5 - SKU: A0.1002828 Composed by Kyle Vanderburg. Contemporary. Score and parts...
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Synthesizer - Level 5 - SKU: A0.1002828 Composed by Kyle Vanderburg. Contemporary. Score and parts. 15 pages. NoteForge #3879889. Published by NoteForge (A0.1002828). MEMORANDUM: TO ALL PERFORMERS.Due to the recent increase in fiscal downgrowth, the composer must unfortunately expand cost-saving efforts to include an expansion of our downsizing endeavor. Staff members in positions that are not being phased out may experience alternative conditions of performance, including but not limited to: an increase in notational responsibility; expanded interactions with mechanical or automated co-performers; heavier reliance on benchmarking, and a decrease in overall compensation. It is the composer's aim that this proactive approach to talent management will stimulate our entrepreneurial spirit, thereby resolving our fiscal difficulties without any major adverse effects.Backing track/tape part available at https://kylevanderburg.com/files/document/D8E308F1-7ED9-4023-ADC2-7D72D009D66F/.
$7.99 ≈
7.38€
The Jane Set
The Jane Set
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2 Saxophones (duo)
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AVANCÉ
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Daniel Asia
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Murmuring and ghostly
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The Jane Set
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Daniel Asia Music Editions
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 5 - SKU: A0.1301783 Composed by Daniel Asia. 20th Century,21st Century,Classical. 2 scores. 26 pages. Daniel ...
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Alto Saxophone Duet Alto Saxophone - Level 5 - SKU: A0.1301783 Composed by Daniel Asia. 20th Century,21st Century,Classical. 2 scores. 26 pages. Daniel Asia Music Editions #891375. Published by Daniel Asia Music Editions (A0.1301783). The Jane Set, for solo clarinet is one of a series for solo instruments. This particular version also comes in a duo set, for Alto Sax and Bass Clarinet. Like its progenitor, The Alex Set (for solo oboe or saxophone), this work is evocative, idiomatic, virtuosic, and widely expressive. The four contrasting movements are marked Misterioso; Murmuring and ghostly; Vivace; and Misterioso. Playful, with the speed moving from slow, to moderato, to fast, and finally back to slow again- a completed journey.Why the name? Â With the first set, in my youthful ebullience, I figured, hmm, a name?- if not sonata or study, perhaps a real name. Â I chose Alex, which was propitious, as the work, in its final form, was commissioned by the great oboist Alex Klein. Â I have decided to continue this playful approach with this set, as well as the recent Jack Set for solo bassoon.
$20.00 ≈
18.47€
Sonata in Symmetry 1st Mvnt: Moderato in Ab
Sonata in Symmetry 1st Mvnt: Moderato in Ab
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Piano seul
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AVANCÉ
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Michael Bomier
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Sonata in Symmetry 1st Mvnt: M
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862570 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 10 pages. Michael Butkus-Bomier #43350...
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Piano Solo - Level 5 - SKU: A0.862570 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 10 pages. Michael Butkus-Bomier #433503. Published by Michael Butkus-Bomier (A0.862570). 2015 Piano Contest The first of four movements, in traditional sonata form, using a topographical and mirrored symmetrical yet overtly tonal approach to keyboard writing. Black keys and white are co-ordinated between the hands. Rhythm may offset their simultaneous sounding, but that concept pervades all four movements. This first movement uses a Beethoven-like motive, and also LVB's meticulous developmental procedures. There is a middle section with a contrasting key and figuration, but the symmetry and topographical mirroring are strongest here. Advanced to Advanced Intermediate level, as it the entire Sonata. This movement is marked at a tempo that makes for a duration of around 8 minutes. Find the best tempo for your level and expressive goal. MP3 MIDI audio.
$3.50 ≈
3.23€
Debussy: La plus que lente (Valse) - wind quintet
Debussy: La plus que lente (Valse) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: La plus que lente
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95 ≈
13.81€
Three Concert Etudes for Solo Horn
Three Concert Etudes for Solo Horn
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Cor
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AVANCÉ
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Richard Decker
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Three Concert Etudes for Solo
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Charles Decker Music Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pa...
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French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95 ≈
7.34€
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Mark Roach
