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Mystic Lands
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Vous avez sélectionné:
Mystic Lands
expert
Partitions à imprimer
10 partitions trouvées
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1
Mystical Landscape
Mystical Landscape
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Guitare
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AVANCÉ
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Nick Elliott
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Mystical Landscape
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Nick Elliott
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.997510 Composed by Nick Elliott. Concert,Contemporary. Individual part. 4 pages. Nick Elliott #5723915. Published by Nic...
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Solo Guitar - Level 5 - SKU: A0.997510 Composed by Nick Elliott. Concert,Contemporary. Individual part. 4 pages. Nick Elliott #5723915. Published by Nick Elliott (A0.997510). A piece for guitar inspired by the pieces of Toru Takemitsu. A piece filled with vast harmonic and contrapuntal colors. It is also inspired by fantasy literature and philosophical topics such as mysticism as well as abstract paintings. This piece paints a landscape in the listener’s mind of a Tolkienesque type world set in a dreary mystical landscape. I found the guitar was the perfect instrument to shape the kinds of harmony, counterpoint and colors needed to illustrate this mystical landscape.
$1.99 ≈
1.84€
Concertino from Quest, Op. 11b (for bass trombone and brass band)
Concertino from Quest, Op. 11b (for bass trombone and brass band)
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Ian Deterling
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Concertino from Quest, Op. 11b
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Ian Deterling
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SheetMusicPlus
Brass Ensemble Bass Trombone - Level 5 - SKU: A0.1422081 Composed by Ian Deterling. 21st Century,Classical,Contest,Festival. 101 pages. Ian Deterling #1...
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Brass Ensemble Bass Trombone - Level 5 - SKU: A0.1422081 Composed by Ian Deterling. 21st Century,Classical,Contest,Festival. 101 pages. Ian Deterling #1003426. Published by Ian Deterling (A0.1422081). This concertino is a dark and magical journey through mystical lands that ends in a virtuosic dance. This adaptation of the third movement from Quest, Op. 11 is in dedication to Darrin C. Milling (bass trombone principal for São Paulo) for his performance at the International Brass and Percussion Conference in Thailand, 2024.
$40.00 ≈
36.92€
Concerto No. 1 in D-Minor, Op. 11a
Concerto No. 1 in D-Minor, Op. 11a
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Clarinette Basse, Piano
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AVANCÉ
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Classique
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - SKU: A0.1197446 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796618. Published by Ian ...
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Bass Clarinet,Piano - Level 5 - SKU: A0.1197446 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796618. Published by Ian Deterling (A0.1197446). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance. Originally for bass trombone, this concerto has been adapted for solo bass clarinet with piano accompaniment.
$25.00 ≈
23.07€
Concerto No. 1 in D-Minor, Op. 11a
Concerto No. 1 in D-Minor, Op. 11a
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Tuba et Piano
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AVANCÉ
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Classique
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1197866 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #797039. Published by Ian Deterling...
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Piano,Tuba - Level 5 - SKU: A0.1197866 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #797039. Published by Ian Deterling (A0.1197866). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance. Originally for bass trombone, this concerto has been adapted for solo tuba with piano accompaniment.
$25.00 ≈
23.07€
Celtic Call
Celtic Call
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Instruments en Do
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AVANCÉ
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Rafael Milhomem
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Rafael Milhomem
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Celtic Call
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Milhomusic
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SheetMusicPlus
C Instrument - Level 5 - SKU: A0.1366977 By Rafael Milhomem. By Rafael Milhomem. Arranged by Rafael Milhomem. Celtic,Classical,Irish,Multicultural,Stand...
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C Instrument - Level 5 - SKU: A0.1366977 By Rafael Milhomem. By Rafael Milhomem. Arranged by Rafael Milhomem. Celtic,Classical,Irish,Multicultural,Standards,World. Lead Sheet / Fake Book. 1 pages. Milhomusic #951318. Published by Milhomusic (A0.1366977). Celtic Call - Authentic Sheet Music from the Heart of IrelandA sheetmusic for tinwhistle.Immerse yourself in the original sheet music of Celtic Call, an emotive composition inspired by the rich musical tradition of Irish Celtic tunes. Meticulously crafted and performed by an exceptional quartet of talented musicians, this sheet music offers a unique opportunity to dive into the enchanting sounds and magic of Celtic music.Featured Musicians:Sheet Music Highlights:Rich Instrumentation: The sheet music features diverse instrumentation, capturing the essence of traditional Celtic instruments.Enveloping Melody: The inherently Celtic melody evokes green landscapes and enchanted tales, transporting the listener to the mystical lands of Ireland.Versatile Adaptation: Suitable for musicians of various levels, the sheet music offers flexibility for adaptation to different instrumental formations.Why Choose Celtic Call:Originality: A unique composition that stands out for its authenticity and respect for Celtic tradition.Collaboration of Talents: The combination of talented musicians ensures an exceptional, truly immersive performance.Versatility of Use: Ideal for live performances, recording studios, or simply for appreciating the beauty of Celtic music in its purest form.Acquire the sheet music of Celtic Call now and bring the magic of Ireland to your musical repertoire. Discover the sonic and emotional richness of this unique composition, created with passion and performed with mastery.Don't miss the opportunity to incorporate Celtic Call into your musical collection. Get the sheet music now and let yourself be enchanted by the magical atmosphere of Celtic music.
$2.00 ≈
1.85€
Concerto No. 1 in D-Minor, Op. 11a
Concerto No. 1 in D-Minor, Op. 11a
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1197440 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796611. Published by...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1197440 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796611. Published by Ian Deterling (A0.1197440). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance! Originally for bass trombone, this concerto has been adapted for solo baritone saxophone with piano accompaniment.
$25.00 ≈
23.07€
High Desert Apparitions for Soprano Saxophone and Piano
High Desert Apparitions for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Contemporain
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Sy Brandon
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High Desert Apparitions for So
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Sy Brandon
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy ...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy Brandon (A0.754889). High Desert Apparitions is inspired by the beautiful and mystical lands and traditions of the Native American people of Northern Arizona. It consists of three movements. Shape Shifters (Skinwalkers or yee naaldlooshii) are evil creatures that appear as humans or as animals. This movement has the piano representing the human form and the saxophone representing coyotes, owls, foxes, and crows in that order. The human shape musically appears at the beginning and in between the animals. Multiphonics are used for some of the animal sounds. Mirages is at a soft dynamic throughout with a lot of sustained sounds. The saxophone sustained sounds begin and end without vibrato with slight vibrato or timbre trills used in the middle of the sustained sound. The intent is to musically represent a vision of water that appears to be evaporating. All mirages are fleeting and the rapid passages in both the saxophone and piano musically represent impermanence. Ancient Spirits is in two sections. The slower opening is atmospheric, evoking images of Native American flutes calling to the ancient spirits. The second section is chant-like and is influenced by recordings of Navajo Yeibichai songs. A Yeibichai is a supernatural represented by a masked dancer in an initiation or curative ceremony. The piano chords are dissonant and steady imitating the sound of drums. While the music is repetitive, there are subtle changes to the melodic material as well as the accompanying chords.
$9.99 ≈
9.22€
Shangri-la
Shangri-la
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Piano seul
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AVANCÉ
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Carl Sigman, Matt Malneck, and
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Timothy Stapay
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Shangri-la
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1255025 Composed by Carl Sigman, Matt Malneck, and Robert Maxwell. Arranged by Timothy Stapay. Broadway,Film/TV,Multicult...
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Piano Solo - Level 5 - SKU: A0.1255025 Composed by Carl Sigman, Matt Malneck, and Robert Maxwell. Arranged by Timothy Stapay. Broadway,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,Standards,World. Score. 6 pages. Timothy Stapay #848614. Published by Timothy Stapay (A0.1255025). This is an arrangement of Shangri-la a mystical city of eternal life and love. This mystical land was featured in the movie Lost Horizon.Shangri-La is a popular song written by bandleader Matty Malneck and Robert Maxwell in 1946 with lyrics by Carl Sigman. The melody was used as the theme song for The Jackie Gleason Show and Shangri-La is also associated with the movie Lost Horizon and the novel by James Hilton.The term comes from Shangri-La as the hidden valley of delight in James Hilton's 1933 novel Lost Horizon. The term Shangri-La, especially in the 1930s and 1940s, was slang for heaven or paradise, and the song is about the joy of being in love.Shangri-La is a fictional place in Tibet’s Kunlun Mountains described in the 1933 novel Lost Horizon by English author James Hilton. Hilton portrays Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. Shangri-La has become synonymous with any earthly paradise, particularly a mythical Himalayan utopia – an enduringly happy land, isolated from the world. In the novel, the people who live in Shangri-La are almost immortal, living hundreds of years beyond the normal lifespan and only very slowly aging in appearance.Ancient  Tibetan scriptures mention the existence of seven such places as Nghe-Beyul Khembalung.  Khembalung is one of several Utopia beyuls (hidden lands similar to Shangri-La) which  Tibetan Buddhists believe that Padmasambhava established in the 9th century CE as idyllic, sacred places of refuge for Buddhists during times of strife.
$7.99 ≈
7.37€
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #30254...
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Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
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