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Only Hope
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Vous avez sélectionné:
Only Hope
expert
Partitions à imprimer
146 partitions trouvées
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Only Hope
Only Hope
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Violoncelle (partie séparée)
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AVANCÉ
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Mandy Moore
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Fabio Britto
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Only Hope
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Fabio Britto
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.961744 By Mandy Moore. By Jonathan Foreman. Arranged by Fabio Britto. Dance,Pop. Individual part. 2 pages. Fabio Britto #...
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Cello Solo - Level 5 - SKU: A0.961744 By Mandy Moore. By Jonathan Foreman. Arranged by Fabio Britto. Dance,Pop. Individual part. 2 pages. Fabio Britto #6264531. Published by Fabio Britto (A0.961744). Transcription of the song Only Hope (Mandy Moore) for Cello Solo with Chords.
$4.99 ≈
4.60€
Only Hope
Only Hope
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Saxophone Alto
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AVANCÉ
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Mandy Moore
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Fabio Britto
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Only Hope
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Minhas Partituras
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.685111 By Mandy Moore. By Jonathan Foreman. Arranged by Fabio Britto. Contemporary,Film/TV,Pop,Praise & Worship,...
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Alto Saxophone Solo - Level 5 - SKU: A0.685111 By Mandy Moore. By Jonathan Foreman. Arranged by Fabio Britto. Contemporary,Film/TV,Pop,Praise & Worship,Spiritual. Individual part. 2 pages. Minhas Partituras #6346209. Published by Minhas Partituras (A0.685111). Arrangement of the song Only Hope (Mandy Moore) for Alto Saxophone with Chords.
$4.99 ≈
4.60€
Only Hope
Only Hope
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mandy Moore
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Mhaze Lim
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Only Hope
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Mhaze Lim
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1173361 By Mandy Moore. By Jonathan Foreman. Arranged by Mhaze Lim. Classical,Conte...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1173361 By Mandy Moore. By Jonathan Foreman. Arranged by Mhaze Lim. Classical,Contemporary,Film/TV,Pop,Wedding. Score and parts. 14 pages. Mhaze Lim #773506. Published by Mhaze Lim (A0.1173361). Only Hope (A Walk to Remember)- Jonathan ForemanArranged for String Quartet by Mhaze Lim.
$29.99 ≈
27.65€
Only Hope
Only Hope
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Piano seul
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AVANCÉ
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Pop musique
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Mandy Moore
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Quoc Tran
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Only Hope
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Quoc Tran
#
SheetMusicPlus
By Mandy Moore. By Jonathan Foreman. Arranged by Quoc Tran. Dance, Pop. Score. 6 pages. Quoc Tran #4355013. Published by Quoc Tran...
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By Mandy Moore. By Jonathan Foreman. Arranged by Quoc Tran. Dance, Pop. Score. 6 pages. Quoc Tran #4355013. Published by Quoc Tran
Advanced piano arrangement of Only Hope by Jonathan Foreman of Switchfoot. This is the movie version from the film A Walk To Remember, performed by Mandy Moore and produced by Mervyn Warren.
$4.99 ≈
4.60€
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
35.91€
Let Me Be Your Wings - Score Only
Let Me Be Your Wings - Score Only
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Orchestre
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AVANCÉ
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Barry Manilow
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Daniel Wunsch
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Let Me Be Your Wings - Score O
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Daniel Wunsch
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1469860 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arranged by Daniel Wunsch. Broadway,Clas...
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Full Orchestra - Level 5 - SKU: A0.1469860 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arranged by Daniel Wunsch. Broadway,Classical,Film/TV,Musical/Show. 12 pages. Daniel Wunsch #1047691. Published by Daniel Wunsch (A0.1469860). Let Me Be Your Wings is a romantic ballad from the animated film Thumbelina, which was released in 1994 and features music by Barry Manilow. The song is performed by Thumbelina and Prince Cornelius, expressing their budding love and dreams of adventure together. The lyrics invite Thumbelina to imagine a world beyond her small size, promising to take her to magical places and share in a life full of wonder and beauty. The melody is tender and uplifting, underscoring the themes of love, freedom, and exploration. The song captures the essence of hope and the joy of discovering new possibilities with someone special.
$99.00 ≈
91.26€
Plenilunium's Fire - Score Only
Plenilunium's Fire - Score Only
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Orchestre
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AVANCÉ
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Esteban Peretz
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Plenilunium's Fire - Score Onl
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Esteban Peretz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1080332 Composed by Esteban Peretz. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 15 pages. E...
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Full Orchestra - Level 5 - SKU: A0.1080332 Composed by Esteban Peretz. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 15 pages. Esteban Peretz #684554. Published by Esteban Peretz (A0.1080332). Plenilunium's Fire is a work that converges various themes that I had composed to date, in 2009. It was intended to be the orchestral introduction to a series of concerts with a rock band that I directed in the 1990s. The work can be performed in public and recorded in a studio, but I do request that my name as a composer, Esteban Peretz, be used in the respective programs and credits since the work has been registered for copyright in 2009 by ACAM©. I hope you enjoy this piece of music.
$17.39 ≈
16.03€
Dorian - Score Only
Dorian - Score Only
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Orchestre
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AVANCÉ
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Karol Niklas
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Dorian - Score Only
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Karol Niklas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1082629 Composed by Karol Niklas. 20th Century,Film/TV,New Age,Romantic Period,Traditional. Score and parts. 15 pages...
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Full Orchestra - Level 5 - SKU: A0.1082629 Composed by Karol Niklas. 20th Century,Film/TV,New Age,Romantic Period,Traditional. Score and parts. 15 pages. Karol Niklas #686840. Published by Karol Niklas (A0.1082629). It's a classical orchestral piece about sea depicting a journey of a man on a boat. It's a very modern attempt at portraying this story and I hope you enjoy it :).
$20.00 ≈
18.44€
REVELATION FOR BRASS QUINTET (Arr. of Revelation for Solo Trumpet and Piano) SCORE ONLY
REVELATION FOR BRASS QUINTET (Arr. of Revelation for Solo Trumpet and Piano) SCORE ONLY
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Francis Osentowski, DMA
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REVELATION FOR BRASS QUINTET
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Francis Osentowski
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.953862 Composed by Francis Osentowski, DMA. Contemporary. Score and parts. 22 pages. Francis Osentowski #6132219. Pub...
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Brass Ensemble - Level 5 - SKU: A0.953862 Composed by Francis Osentowski, DMA. Contemporary. Score and parts. 22 pages. Francis Osentowski #6132219. Published by Francis Osentowski (A0.953862).  REVELATION FOR BRASS QUINTET is a transcription of a solo trumpet piece written Jack Stone a former performer in the famous UNT One O'clock lab band. It is a high energy piece with a with a big ending. It is written for good performers with advanced technique. Playable by top flight high school level to professionals. Ranges are not extreme and the one High C for Trumpet It has an ossia available. The tuba uses pitches up to the top of the bass clef staff. Hope you enjoy this piece.
$5.00 ≈
4.61€
Chant/Song/Ritual/Dance - Score Only
Chant/Song/Ritual/Dance - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Wesley Besancon
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Wesley Besancon
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Chant/Song/Ritual/Dance - Scor
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1150347 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,Multicultural,Sacred,Worl...
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Concert Band - Level 5 - SKU: A0.1150347 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,Multicultural,Sacred,World. Score and parts. 20 pages. Wesley Besancon #750526. Published by Wesley Besancon (A0.1150347). Do you like earlier civilization music? From the Mayans, or tribes, or even Mesopotamian music? I know I do, and this piece is full of rich ideas conveyed through music! From the opening Euphonium solo to the Mesopotamia chants, to the African Tribe songs, to the Mayan rituals, to the early colony dances, or even to the spectacular closing! This piece is full of heritage, music, and a joy to play! So buy this piece to play Chant/Song/Ritual/Dance at your next concert! I hope you enjoy this piece. Sincerly, Wesley Besancon.
$29.99 ≈
27.65€
Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
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Orchestre à Cordes
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs; Night
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik Fabrik Music Publ...
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String Orchestra - Level 5 - SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik Fabrik Music Publishing #5775635. Published by Musik Fabrik Music Publishing (A0.534672). The concept for this piece is to restore the voice of millions silenced by the horrific experience we now call the Holocaust, through the sounds of musical instruments that survived. One thing is clear: the genocide of the Jews was an appalling blow to the human race; one that left a permanent stain on both the perpetrators and enablers, those who stood by without uttering a word of protest. A terrible Night descended upon the world, yet, the breaking Dawn that followed was glorious, indeed. The price to save civilization in the 20th century was appallingly high. Although we must remain ever vigilant, the Jewish people today have a proud homeland—and their magnificent contributions to humanity are universally celebrated.The piece opens with the descent of the seemingly benign curtain of night. Premonitions arise but the darkness continues to descend, over and over again. Finally, chaos ensues and runs its ghastly course before dissipating. The inevitable dawn begins to break, although the curtain of night continues to threaten. Dawn is characterized by two contrasting melodies. One, a stalwart tune that marches ever forward, while the second, more questioning tune appears independently. After their separate statements, the two powerfully join forces to bring this work to a hopeful close, followed by a quiet “Amen.†This item is the score only. The parts are available on rental from the publisher.
$25.95 ≈
23.92€
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6...
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Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95 ≈
43.28€
Toasting Mother Earth
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00 ≈
32.26€
It Was Only a Hopeless Fancy
It Was Only a Hopeless Fancy
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Piano seul
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AVANCÉ
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B
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It Was Only a Hopeless Fancy
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B. Scott Christmas
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SheetMusicPlus
Instrumental Solo,Piano - Level 5 - Interactive Download SKU: A0.1314211 Composed by B. Scott Christmas. This edition: Interactive Download. Film/TV,Folk...
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Instrumental Solo,Piano - Level 5 - Interactive Download SKU: A0.1314211 Composed by B. Scott Christmas. This edition: Interactive Download. Film/TV,Folk,Musical/Show,Pop,Standards,World. Individual part. 2 pages. Duration 59. B. Scott Christmas #4lZ24WjBuGKJUaHunAGCq4. Published by B. Scott Christmas (A0.1314211). Key: D major.This piece is my version of a fictional song from the George Orwell novel 1984. In the novel, the main character Winston hears a lady next door singing this song as she goes about hanging up her wash. He writes out the lyrics the woman is singing, and I've added a tune to those lyrics.
$3.99 ≈
3.68€
Only Hope - from A Walk To Remember - For Advanced Piano Solo
Only Hope - from A Walk To Remember - For Advanced Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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Jonathan Foreman, Mandy Moor
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Quoc Tran
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Only Hope - from A Walk To Rem
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Quoc Tran
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SheetMusicPlus
Piano Solo - Advanced - By Jonathan Foreman, Mandy Moore. Arranged by Quoc Tran. 6 pages. Published by Quoc Tran...
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Piano Solo - Advanced - By Jonathan Foreman, Mandy Moore. Arranged by Quoc Tran. 6 pages. Published by Quoc Tran
Advanced piano arrangement of Only Hope by Jonathan Foreman of Switchfoot. This is the movie version from the film A Walk To Remember, performed by Mandy Moore and produced by Mervyn Warren.
$12.99 ≈
11.97€
Eight Fragments from Letters of Vincent van Gogh
Eight Fragments from Letters of Vincent van Gogh
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Bertold Hummel
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Eight Fragments from Letters o
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Schott Music - Digital
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SheetMusicPlus
Baritone and string quartet - difficult - SKU: S9.Q6601 Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 84...
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Baritone and string quartet - difficult - SKU: S9.Q6601 Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 84. Duration 19 minutes. Schott Music - Digital #Q6601. Published by Schott Music - Digital (S9.Q6601). German • English.With the Eight Fragments Bertold Hummel has successfully created a most impressive work. Uncommonly concentrated in the evoking of atmosphere and reflecting the texts strongly, these dark grey songs - to quote Ludwig Hirsch - develop a sadly expressive, almost somnambulant charm. These songs seem to have become Bertold Hummel's completely inwardly turned Winterreise, the epigram of a psychosis, full of concealed suggestion and dark references, but always more full of hope. The sun becomes the constantly invoked bearer of hope. The music is highly expressive, exploiting the various performing and bowing possibilities of the stringed instruments and their capacity for nuances to the limits; occasionally oppressive visions in sound appear. It is music in danger, of a most fragile balance. Nor are subtle musical references missing. With only one note, following the word music, harmony and tonality are conjured up.
$33.99 ≈
31.33€
Angels from the Realms of Glory
Angels from the Realms of Glory
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Piano seul
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AVANCÉ
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Noël
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Henry Smart
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Terrence Niska
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Angels from the Realms of Glor
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950933 Composed by Henry Smart. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466319. P...
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Piano Solo - Level 5 - SKU: A0.950933 Composed by Henry Smart. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466319. Published by Niska Music Publishing (A0.950933). As filled with a sense of hopelessness that O Come, O Come, Emmanuel is, this prelude is brimming with unbridled joy; from the thunderous opening to the bell-ringing ending. With influences ranging from Handel to Mannheim Steamroller, I wanted to write something that expresses the full glory of this hymn. While the hymn itself has 7 verses, I only chose to use four of them including the fifth verse referencing Sinners…doomed for guilt to endless pains where I moved to a minor key before coming back for the final verse and a return to the musical material of the opening.
$3.99 ≈
3.68€
The Last Mazurka - Op.68 No.4 (Posthumous)
The Last Mazurka - Op.68 No.4 (Posthumous)
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Piano seul
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AVANCÉ
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Classique
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Frederic Chopin
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Thomas Ling
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The Last Mazurka - Op.68 No.4
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1205827 Composed by Frederic Chopin. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages....
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Piano Solo - Level 5 - SKU: A0.1205827 Composed by Frederic Chopin. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #804013. Published by Thomas Swee Chin (A0.1205827). The only piece I know that has the marking Repeat from the Sign without end. As if Chopin knew it was his last. The intricate and melancholy harmonies combined with the haunting melody exudes an atmosphere that is at once hopeless and hopeful where it moved to the major key, albeit short lived. Here, the 'poet of the piano' truly live up to his title. His mastery in the harmonic progressions was without question.
$6.80 ≈
6.27€
Illumine le tenebre
Illumine le tenebre
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Chorale SATB
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AVANCÉ
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Sarah Labrie, Conductor - Cham
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary E...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99 ≈
3.68€
Optimism Within
Optimism Within
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Piano, Voix
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AVANCÉ
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Jason V
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Optimism Within
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Barabba Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba Music #965779. Published by Barabba Music (A0.1381060). A song for soprano and pianoText by Helen Keller from her Essay Optimism WithinWritten for Ann MossText:Once I knew the depth where no hope was, and darkness lay on the face of all things. Then love came and set my soul free.  Once I knew only darkness and stillness. Now I know hope and joy. Once I fretted and beat myself against the wall that shut me in. Now I rejoice in the consciousness that I can think, act and attain heaven.My life was without past or future; death, the pessimist would say, a consummation devoutly to be wished. But a little word from the fingers of another fell into my hand that clutched at emptiness, and my heart leaped to the rapture of living. Night fled before the day of thought, and love and joy and hope came up in a passion of obedience to knowledge. Can anyone who escaped such captivity, who has felt the thrill and glory of freedom, be a pessimist?Darkness cannot shut me in again.
$10.00 ≈
9.22€
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
30.37€
3 Preludes for a Quarantine for Solo Piano
3 Preludes for a Quarantine for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published...
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Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00 ≈
9.22€
Tribute to the Trail of Tears
Tribute to the Trail of Tears
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Chorale SATB
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AVANCÉ
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75 ≈
3.46€
Concerto For Clarinet
Concerto For Clarinet
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Clarinette
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Rob...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Robert C. Olivia #987223. Published by Robert C. Olivia (A0.1404050). This edition of the solo clarinet part of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture.Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. As many techniques as possible are carefully detailed to show ornaments, slurs, accents etc.The companion parts available here for big band and strings restores many elements missing in other versions available.  The strings here are restored to the original voicings so  important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available. I have performed from this solo part many times and I hope others will do so as well. I give great thanks to several people, who over the course of my career, taught me many skills that resulted in this. Special thanks to my teachers Bob Wilber, Leon Russianoff & Tom Martin and Marty Burlingame & JoAnn and Artie Kane.
$35.00 ≈
32.26€
The Beethoven Duets For Clarinet Complete Collection (All 9 Scherzi)
The Beethoven Duets For Clarinet Complete Collection (All 9 Scherzi)
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Clarinette
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Clarin
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JoeCopio Music LLC
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.876480 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 163 pag...
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Clarinet Solo - Level 5 - SKU: A0.876480 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 163 pages. JoeCopio Music LLC #1910115. Published by JoeCopio Music LLC (A0.876480). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Clarinet but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Clarinet are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$49.95 ≈
46.05€
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