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16 partitions trouvées
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1
Oriental Expressionism (Expresionism oriental) - miniature for violin and/or guitar (/piano/marimba/
Oriental Expressionism (Expresionism oriental) - miniature for violin and/or guitar (/piano/marimba/
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Andrei-Lucian Dragoi
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Oriental Expressionism
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Andrei-Lucian Dragoi
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SheetMusicPlus
Guitar,Harp,Marimba,Piano Accompaniment,Violin - Level 5 - SKU: A0.913073 Composed by Andrei-Lucian Dragoi. Contemporary,Latin,Standards. 8 pages. Andre...
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Guitar,Harp,Marimba,Piano Accompaniment,Violin - Level 5 - SKU: A0.913073 Composed by Andrei-Lucian Dragoi. Contemporary,Latin,Standards. 8 pages. Andrei-Lucian Dragoi #6217751. Published by Andrei-Lucian Dragoi (A0.913073). miniature for violin and/or guitar (/piano/marimba/harp) duo/soloMusic (composed in 2008 and firstly published in January 8th, 2021): Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com)The commercial mp3 version is available for purchase here:https://www.sheetmusicplus.com/title/21947689
$2.00 ≈
1.85€
Chris the Lord is Risen Today (HYMN TUNE: ORIENTIS PARTIBUS)
Chris the Lord is Risen Today (HYMN TUNE: ORIENTIS PARTIBUS)
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Flûte traversière et Piano
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AVANCÉ
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Public Domain
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Carolyn Kelley
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Chris the Lord is Risen Today
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Carolyn Kelley
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1459380 Composed by Public Domain. Arranged by Carolyn Kelley. Christian,Easter,Praise & Worship,Religious,Sacred. Score...
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Flute,Piano - Level 5 - SKU: A0.1459380 Composed by Public Domain. Arranged by Carolyn Kelley. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 5 pages. Carolyn Kelley #1038325. Published by Carolyn Kelley (A0.1459380). This work features challenges in range and technical facility for both the flutist and the pianist. It is recommended for the college or professional flutist and advanced high school pianist. Articulations, slurs, and musical expressions may be added as needed to fulfill the instrumentalists' vision of the music.
$4.99 ≈
4.61€
I Come From Water
I Come From Water
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Voix duo
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AVANCÉ
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Theresa Koon
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I Come From Water
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Theresa Koon
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SheetMusicPlus
Voice Duet Voice - Level 5 - SKU: A0.1023431 Composed by Theresa Koon. 20th Century,Contemporary. 17 pages. Theresa Koon #5722251. Published by Theresa ...
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Voice Duet Voice - Level 5 - SKU: A0.1023431 Composed by Theresa Koon. 20th Century,Contemporary. 17 pages. Theresa Koon #5722251. Published by Theresa Koon (A0.1023431). I Come From Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean near the Hawaiian island of Kauai. Scientists are concerned that the tests may cause marine animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf.The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The marine animals respond with panic, followed by silence. The final measures are intended to express grieving.
$12.99 ≈
11.99€
I Come From Water/Parts
I Come From Water/Parts
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Contemporain
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Theresa Koon
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I Come From Water/Parts
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023434 Composed by Theresa Koon. 20th Century,Contemporar...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023434 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722325. Published by Theresa Koon (A0.1023434). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf. The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$14.99 ≈
13.83€
I Come From Water--Piano/Vocal Score
I Come From Water--Piano/Vocal Score
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Contemporain
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Theresa Koon
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I Come From Water--Piano/Vocal
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023432 Composed by Theresa Koon. 20th Century,Contemporar...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023432 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722277. Published by Theresa Koon (A0.1023432). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf.The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$4.99 ≈
4.61€
Piano Sonata no. 4 (1973)
Piano Sonata no. 4 (1973)
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Piano seul
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AVANCÉ
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Contemporain
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Richard St
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Piano Sonata no. 4
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.939669 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 21 pages. Richard St. Clair #3000529. Published b...
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Piano Solo - Level 5 - SKU: A0.939669 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 21 pages. Richard St. Clair #3000529. Published by Richard St. Clair (A0.939669). This highly expressive expressionistic solo sonata for piano was the composer's Ph.D. thesis at Harvard University. The MP3 Audio Clip is of his senior recital at Harvard Music Department in May of 1974. The work is based on a 24-tone vertical row that permeates the harmonies and melodies throughout, hence it is atonal or twelve-tone. The music is in three movements, a slow dirge-like opening, a brilliant fast interlude, and a pensive finale ending quietly. The MP3 Audio Clip is of the composer's 1974 solo performance at Harvard. The total duration is about 21 minutes. It is recommended that this PDF be printed on large 11 x 17 pages in landscape orientation for best readability. The score is in the composer's own hand.
$18.99 ≈
17.53€
Intermezzo Romantique
Intermezzo Romantique
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Violon et Piano
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AVANCÉ
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Opera
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Classique
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Lucijan M
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Zellev
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Intermezzo Romantique
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Zellev Music
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Perio...
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Piano,Violin - Level 5 - SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Å kerjanc (1900-1973) was a Slovenian Composer.Å kerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-PeÄar, Zvonimir CigliÄ and Janez MatiÄiÄ whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Å kerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.
$12.00 ≈
11.08€
Piano Sonata no. 5 (1974)
Piano Sonata no. 5 (1974)
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Piano seul
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AVANCÉ
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Contemporain
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Richard St
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Piano Sonata no. 5
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.939670 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 9 pages. Richard St. Clair #3000533. Published by...
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Piano Solo - Level 5 - SKU: A0.939670 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 9 pages. Richard St. Clair #3000533. Published by Richard St. Clair (A0.939670). This highly-compact expressionistic solo piano sonata lasting a mere 7 minutes is based on a vertical 24-pitch array or row. It is explosive at times, at times thoughtful. The MP3 Audio Clip is of the composer at the piano. It is recommended that the PDF score be printed on large 11 x 17 pages in landscape orientation for best readability.
$14.99 ≈
13.83€
Korean Simple Suite No.2 (For Flute and Piano)
Korean Simple Suite No.2 (For Flute and Piano)
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Flûte traversière et Piano
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AVANCÉ
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Han-Ki Kim
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards...
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Piano,Soprano Flute - Level 5 - SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #804401. Published by Han-Ki Kim (A0.1206204). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm.  For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.
$15.99 ≈
14.76€
Alexandriana for Percussion Ensemble
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99 ≈
9.22€
Viola Sonata No.1
Viola Sonata No.1
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99 ≈
13.83€
Fugue No.3
Fugue No.3
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.84€
Fugue No.4
Fugue No.4
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.84€
Fugue No.2
Fugue No.2
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.84€
Fugue No.1
Fugue No.1
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Publishe...
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Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.84€
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