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Vous avez sélectionné:
The Cure
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The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
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Piano, Voix et Guitare
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AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Natha...
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659). PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$17.50 ≈
16.17€
The Cure
The Cure
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Guitare notes et tablatures
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AVANCÉ
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Rock
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Mateus Asato
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Mateus Asato
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The Cure
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Vinson Esteban
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1028737 Composed by Mateus Asato. Arranged by Mateus Asato. Pop,Rock. Individual part. 11 pages. Vinson Esteban #6696877...
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Solo Guitar - Level 5 - SKU: A0.1028737 Composed by Mateus Asato. Arranged by Mateus Asato. Pop,Rock. Individual part. 11 pages. Vinson Esteban #6696877. Published by Vinson Esteban (A0.1028737). Mateus Asato's, The Cure.
$4.99 ≈
4.61€
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
5.53€
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
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Piano seul
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AVANCÉ
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Rudesindo Soutelo
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Prelúdio da Montanha M&
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by R...
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Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by Rudesindo Soutelo #6080217. Published by Publisher by Rudesindo Soutelo (A0.1013230). Rudesindo Soutelo:Prelúdio da Montanha Mágica / Prelude to The Magic Montain.Tribute to Thomas Mann. (1996) [6'40]ISWC: T-041.574.847-8ISMN: 979-0-9007529-5-6Première: 19-IX-2004. Museu de Belas Artes, Corunha(Galiza). Piano: Genaro Fernández.This work is a tribute to Thomas Mann, who published The Magic Mountain in 1924 and received the Nobel Prize for Literature in 1929.According to the author’s own words, the novel is a journey into decay which is lived in a mountain sanatorium dedicated to the cure of tuberculosis. But it is also the search for the idea of man, the concept of a future humanity through the prism of death.The uneven rhythmic pattern of the score (6+5+5/16 and 9+7/16) sifts the hope and generates restlessness. The generating complex {6,5,5,9,7} conforms the DNA of the whole work and is present in both formal structure and harmony or melody. The funerary sequence of the Gregorian, ‘Dies irae, dies illa’ (On the day of the wrath, that day), hangs throughout the piece until it becomes evident and dominates the spirit. The death precedes to a new life.---Esta obra é uma homenagem a Thomas Mann, quem publicou A Montanha Mágica em 1924 e recebeu o prémio Nobel de Literatura em 1929. Segundo as palavras do próprio autor, a novela é uma viagem à decadência que se vive num Sanatório de montanha dedicado a curar a tuberculose. Mas também é a busca da ideia do homem, o conceito de uma humanidade futura através do prisma da morte.O padrão rÃtmico desenquadrado da partitura (6+5+5/16 e 9+7/16) criva a esperança e gera inquietação. O complexo geratriz {6,5,5,9,7} conforma o ADN de toda a obra e está presente tanto na estrutura formal como na harmonia ou na melodia. A sequência fúnebre do gregoriano, ‘Dies irae dies illa’ (No dia do juÃzo final), paira ao longo da peça até se tornar evidente e dominar o espÃrito. A morte antecede a uma vida nova.
$8.00 ≈
7.39€
Cure For Me
Cure For Me
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Aurora Aksnes and Magnus Skyls
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Aisling Gallagher
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Cure For Me
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Niamh and Aisling Gallagher
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1295157 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Aisling Gallagher. Classical,Folk,...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1295157 Composed by Aurora Aksnes and Magnus Skylstad. Arranged by Aisling Gallagher. Classical,Folk,Pop,Singer/Songwriter,Wedding. 14 pages. Niamh and Aisling Gallagher #885477. Published by Niamh and Aisling Gallagher (A0.1295157). String trio arrangement of Aurora's Cure for Me from her 2022 album The Gods We Can Touch. If you have enjoyed this arrangement please check out my Publisher page for more.
$20.00 ≈
18.48€
The Cure : Lullaby - Version originale (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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The Cure
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Lullaby
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Tomplay
Telechargez la partition Batterie Lullaby - Version originale (niveau difficile) de The Cure . Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Lullaby - Version originale (niveau difficile) de The Cure . Partition avec audio Play Along. Pop/rock
5.99€
The Cure : A Forest (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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The Cure
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A Forest
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Tomplay
Telechargez la partition Batterie A Forest (niveau difficile) de The Cure . Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie A Forest (niveau difficile) de The Cure . Partition avec audio Play Along. Pop/rock
5.99€
The Cure : Just Like Heaven (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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The Cure
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Just Like Heaven
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Tomplay
Telechargez la partition Batterie Just Like Heaven (niveau difficile) de The Cure . Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Just Like Heaven (niveau difficile) de The Cure . Partition avec audio Play Along. Pop/rock
5.99€
The Secret History of Water, set 2 (Music by Judith Cloud)
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00 ≈
13.86€
Aerosmith,The Cure ,The Doors,Silk Sonic,Urge Overkill : Les meilleures chansons à jouer à la batterie en hiver, Difficile, Vol. 2
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Batterie
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AVANCÉ
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Rock
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Pop musique
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Aerosmith,The Cure ,The Doors,
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Les meilleures chansons à jou
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Tomplay
Telechargez la partition Batterie Les meilleures chansons à jouer à la batterie en hiver, Difficile, Vol. 2. Partition avec audio Play Along. Pop/...
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Telechargez la partition Batterie Les meilleures chansons à jouer à la batterie en hiver, Difficile, Vol. 2. Partition avec audio Play Along. Pop/rock
19.99€
Dire Straits,Phil Collins,The Cure ,Van Halen,Kate Bush : Le meilleur des années 80 pour la batterie, Difficile, Vol. 4
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Batterie
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AVANCÉ
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Rock
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Pop musique
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Dire Straits,Phil Collins,The
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Le meilleur des années 80 pou
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Tomplay
Telechargez la partition Batterie Le meilleur des annees 80 pour la batterie, Difficile, Vol. 4. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Le meilleur des annees 80 pour la batterie, Difficile, Vol. 4. Partition avec audio Play Along. Pop/rock
19.99€
Through the Mists - A4
Through the Mists - A4
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Trompette, Piano
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AVANCÉ
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David Woodcock
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Through the Mists - A4
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David Woodcock
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 5 - SKU: A0.1396495 Composed by David Woodcock. 21st Century,Contemporary. Score and part. 8 pages. David Woodcock #979833....
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B-Flat Trumpet,Piano - Level 5 - SKU: A0.1396495 Composed by David Woodcock. 21st Century,Contemporary. Score and part. 8 pages. David Woodcock #979833. Published by David Woodcock (A0.1396495). This piece has a wistful and mysterious quality, as if our senses are obscured by a veil of mist, and we can only vaguely discern shapes and sounds.The work was a finalist for the 2018 SOUNZ Brass Composition Prize.This version is formatted for A4 paper size - see alternative title for a version for US Letter paper size.
$8.99 ≈
8.31€
Through the Mists -US
Through the Mists -US
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Trompette, Piano
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AVANCÉ
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David Woodcock
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Through the Mists -US
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David Woodcock
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 5 - SKU: A0.1396499 Composed by David Woodcock. 21st Century,Contemporary. Score and part. 9 pages. David Woodcock #979837....
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B-Flat Trumpet,Piano - Level 5 - SKU: A0.1396499 Composed by David Woodcock. 21st Century,Contemporary. Score and part. 9 pages. David Woodcock #979837. Published by David Woodcock (A0.1396499). This piece has a wistful and mysterious quality, as if our senses are obscured by a veil of mist, and we can only vaguely discern shapes and sounds.The work was a finalist for the 2022 SOUNZ Brass Composition Prize.This version is formatted for US paper size - see alternative title for a version for A4 paper size.
$8.99 ≈
8.31€
Fantasy on the chorale Jesu, meine Freude (Jesus, my Joy) for organ
Fantasy on the chorale Jesu, meine Freude (Jesus, my Joy) for organ
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Orgue
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AVANCÉ
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Contemporain
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Hans-Andre Stamm
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Fantasy on the chorale Jesu, m
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Hans-Andre Stamm
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SheetMusicPlus
Organ - Level 5 - SKU: A0.853206 Composed by Hans-Andre Stamm. 20th Century,Concert,Contemporary. Score. 20 pages. Hans-Andre Stamm #5896673. Published ...
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Organ - Level 5 - SKU: A0.853206 Composed by Hans-Andre Stamm. 20th Century,Concert,Contemporary. Score. 20 pages. Hans-Andre Stamm #5896673. Published by Hans-Andre Stamm (A0.853206). The musical expression of this musical tableau (duration ca. 11 min.) mainly refers to the 3rd verse of the chorale text Trotz dem alten Drachen (I defy the old dragon) illustrating the fight with the dragon in a toccata style in the center of the piece. The opening passages have the chorale melody c. f. in the tenor and slowly build up an agitated mood. In a calm middle section in a Siciliano metre the chorale occurs in the major variant. The corresponding chorale text passage of the 3rd verse is Ich steh hier und singe in gar sichrer Ruh (I stand here and sing in secure peace). After the dramatic climax a calm variation closes the tableau.
$7.95 ≈
7.34€
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
9.24€
Quips, Quotes, and Quibbles
Quips, Quotes, and Quibbles
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Piano, Voix
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AVANCÉ
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Stephen Weber
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Quips, Quotes, and Quibbles
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Dr. Stephen Weber
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.940350 Composed by Stephen Weber. Contemporary,Standards. Score. 30 pages. Dr. Stephen Weber #3077199. Published b...
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Piano,Vocal,Voice - Level 5 - SKU: A0.940350 Composed by Stephen Weber. Contemporary,Standards. Score. 30 pages. Dr. Stephen Weber #3077199. Published by Dr. Stephen Weber (A0.940350). Quips, Quotes, and Quibbles is a set of eighteen very brief compositions for medium voice and piano, based on humorous quotes about music or musicians, or by musicians themselves. Each selection utilizes compositional styles to represent the composer quoted or referenced. They can be performed in their entirety as a set (16 minutes), or can be extracted and performed in smaller sets. They invariably induce laughter in the audience when performed live. Though copyright permission was not necessary for use of the texts, the composer secured permission to use them from two publishers, who simply requested that there publications be referenced in the score. These are also excellent pieces for composers and music theory students to analyze in order to study compositional techniques used. Dr. Weber is a member of ASCAP and has his own YouTube channel, at which you can see some of his original compositions performed, or him performing his works in the U.S., Europe, and Asia. .
$12.99 ≈
12.00€
Doubt & Determination (An Epic Sonata of Indeterminacy)
Doubt & Determination (An Epic Sonata of Indeterminacy)
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary...
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99 ≈
6.46€
Buscando la Luz
Buscando la Luz
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Piano seul
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AVANCÉ
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Roberto Pálmer
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Buscando la Luz
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Roberto Pálmer Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1326084 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary. Score. 6 pages. Roberto Pálme...
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Piano Solo - Level 5 - SKU: A0.1326084 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary. Score. 6 pages. Roberto Pálmer Music #914283. Published by Roberto Pálmer Music (A0.1326084). Buscando la Luz (Searching for Light) starts at the darkness, the obscure darkness of the human being. That is the low register of the piano, then walking to the middle sounds where you can see the horizon, landscapes... Eventually getting higher, reaching a celestial and spiritual realm, and that would be THE LIGHTWeb
$10.00 ≈
9.24€
Canticum Canticorum for Krzysztof Penderecki
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99 ≈
23.09€
Christmas Duet No. 2
Christmas Duet No. 2
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Traditional
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Graham Yates
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Christmas Duet No. 2
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Graham Yates
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.887983 Composed by Traditional. Arranged by Graham Yates. Christmas,Contemporary,Sacred. Score a...
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Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.887983 Composed by Traditional. Arranged by Graham Yates. Christmas,Contemporary,Sacred. Score and parts. 22 pages. Graham Yates #6640483. Published by Graham Yates (A0.887983). C. 8.30. Piano duet for advanced players suitable as a prelude for a Christmas service or featured performance in a holiday-themed recital.O Christmas Tree is set in a funk style, complete with tongue-in-cheek dance break. In the Bleak Midwinter is the calm center with undulating changing meter and a heartbeat motif. The Holly and the Ivy is paired with a modal counterpoint, meant to obscure a clear sense of tonality and instead amass the harmony of all the keys at the same time. It ends with a breathing motif; a reminder to the performers and congregation in these mildly catastrophic times to just breathe.
$10.99 ≈
10.15€
With A Little Help From My Friends
With A Little Help From My Friends
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Blues
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The Beatles
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Michael Pilley
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With A Little Help From My Fri
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Michael Pilley Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.746229 By The Beatles. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Blues,Jazz. Brass Band. 93 pages. Michael Pilley Music #5302441. Published by Michael Pilley Music (A0.746229). As performed by Tredegar Town Band at Brass In Concert 2014 in their 3rd place winning program, With A Little Help From My Friends is a transcription/arrangement of the ProBrass version. This arrangement helped Dewi Griffiths secure the Best Principal Cornet prize and requires a soloist that can either improvise, or capable of playing Thomas Gansch style blues licks as in the original solo, which is also included with the parts. This arrangement begins with a piccolo trumpet duo (also playable on Soprano and Bb Cornet) in a baroque style, then building to a massive 6/8 power ballad entrance, followed by a bluesy solo trumpet feature. More building to a big section requiring the soloist to unleash their inner rock god follows, then back down to a sedate blues where a solo trombonist joins in the antics. The ending is a tricky metric modulation, where the 6/8 turns into a rock 4/4 and brings in the big guns (the bass section) with some hard hitting lines. Feel free to allow your drummer to ad lib. as much of this piece as you dare! Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
46.19€
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The Cure
