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'Without Title' in A Minor
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Vous avez sélectionné:
'Without Title' in A Minor
Partitions à imprimer
81 partitions trouvées
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'Without Title' in A Minor
'Without Title' in A Minor
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Piano seul
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INTERMÉDIAIRE
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Classique
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Mitch Boucher
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'Without Title' in A Minor
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Mitch Boucher
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.789055 Composed by Mitch Boucher. This edition: Interactive Download. Class...
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.789055 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 72. Mitch Boucher #2CNc8a1Ake1CUM6kSekkPg. Published by Mitch Boucher (A0.789055). Key: C major.A small solo for keyboard.
$6.00
'Without Title' in A Minor
'Without Title' in A Minor
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mitch Boucher
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'Without Title' in A Minor
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990520 Composed by Mitch Boucher. Baroque,Classical. Score and par...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990520 Composed by Mitch Boucher. Baroque,Classical. Score and parts. 1 pages. Mitch Boucher #6868489. Published by Mitch Boucher (A0.990520). This is a small solo for keyboard.
$3.00
The Vampire: A Dramatic Theme
The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacr...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religi...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Piano Sonata in F Minor - I. Allegro
Piano Sonata in F Minor - I. Allegro
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Lagos
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Piano Sonata in F Minor - I. A
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1243451 By Gabriel Lagos. By Gabriel Lagos. 19th Century,Classical,Romantic Period. Score. 5 pages. Lagos Music #838413. ...
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Piano Solo - Level 4 - SKU: A0.1243451 By Gabriel Lagos. By Gabriel Lagos. 19th Century,Classical,Romantic Period. Score. 5 pages. Lagos Music #838413. Published by Lagos Music (A0.1243451). This is my first full attempt at writing sonata-allegro form. Currently I have no title for it. I wrote Minor Celebration in my sheet music, since it has an upbeat tempo and is in a minor key, and I have a reason to celebrate: two years without a single drop of alcohol! I think my influences come through a lot in my composing. In this piece in particular, the ones that are most apparent to me are: Mozart, Beethoven, Inti-Illimani (group), and Koji Kondo. Especially my opening theme, which is based on Beethoven's F Minor Sonata opening, just in reverse (it also hints at Mozart's D Minor Concerto). It took me about a week to compose this movement from start to finish. I will upload movements 2, 3, and 4 when they are finished. The plan is for: II. Andante (Minuet and Trio), III. Adagio (Funeral March), and IV. Allegro (Rondo), but I have not started writing these yet. I hope you like it :) Thank you, Gabe.
$4.99
Prelude No. 13 in Gb Major from 24 Preludes
Prelude No. 13 in Gb Major from 24 Preludes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Prelude No. 13 in Gb Major fro
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862440 Composed by Michael Bomier. Classical,Contemporary,Standards. Score. 2 pages. Michael Butkus-Bomier #2007233. Publ...
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Piano Solo - Level 4 - SKU: A0.862440 Composed by Michael Bomier. Classical,Contemporary,Standards. Score. 2 pages. Michael Butkus-Bomier #2007233. Published by Michael Butkus-Bomier (A0.862440). The prelude was not a major form in the Classical period, so I have tried to write a prelude, in an unusual key, that uses some of the characteristic musical elements of the time, and has a highly concentrated sonata-form as its structure, while still keeping to the single-idea concept of a true prelude. Syncopation and dotted rhythms throughout. Gb rather than F# so the modulation is to Bb minor, and not A# minor! Ouch... The tempo is sprightly, without being rushed or frantic. Approximate time is 2 mins, 15-30 secs. The complete set of 24 preludes is being made available as single titles here on www.SheetMusicPlus.com They cover every style, from medieval modality through Baroque, Classsical, early and Late Romanticism, into Impressionism, modernism and abstraction. We are past the halfway mark, 11 more to go! MBB.
$1.99
Sonata A minor
Sonata A minor
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - interme...
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - SKU: S9.Q24137 Composed by Joseph Bodin de Boismortier. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q24137. Published by Schott Music - Digital (S9.Q24137). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$12.99
Sonata A minor
Sonata A minor
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - interme...
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - SKU: S9.Q1104 Composed by Joseph Bodin de Boismortier. This edition: score. Concertino. Downloadable, Score. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q1104. Published by Schott Music - Digital (S9.Q1104). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$16.99
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA IN D MINOR
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & ...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 22 pages. Piper Publications #5213745. Published by Piper Publications (A0.811719). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music.The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are Doucement (softly) at the beginning of the first movement and Doux , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments.The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$12.00
String Quartet in C minor, Op. 3, No. 6 - Score Only
String Quartet in C minor, Op. 3, No. 6 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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William Shield
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Artaria Editions
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String Quartet in C minor, Op.
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Artaria Editions
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1092729 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 17 pages. Artaria ...
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String Quartet String Quartet - SKU: A0.1092729 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 17 pages. Artaria Editions #696835. Published by Artaria Editions (A0.1092729). For string quartet Artaria Editions AE225 Edited by Robert Hoskins 17 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
$25.00
String Quartet in C minor, Op. 3, No. 6 (score and parts)
String Quartet in C minor, Op. 3, No. 6 (score and parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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William Shield
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Artaria Editions
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String Quartet in C minor, Op.
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Artaria Editions
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092731 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts....
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092731 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 33 pages. Artaria Editions #696837. Published by Artaria Editions (A0.1092731). For string quartet Artaria Editions AE225 Edited by Robert Hoskins 33 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
$47.00
Waltz in A Minor (for Solo Guitar)
Waltz in A Minor (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Kenneth Pasciak
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Waltz in A Minor
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Kenneth Pasciak
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SheetMusicPlus
Guitar Tab, Classical Guitar, Fingerstyle Guitar - Intermediate - Digital Download Composed by Frederic Chopin (1810-1849). Arranged by Kenneth Pasci...
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Guitar Tab, Classical Guitar, Fingerstyle Guitar - Intermediate - Digital Download Composed by Frederic Chopin (1810-1849). Arranged by Kenneth Pasciak. Romantic Period, Repertoire, Recital. Individual Part, Score, Tablature. 15 pages. Published by Kenneth Pasciak
Waltz in A Minor by Frdric Chopin, originally written for piano and published posthumously (B. 150), arranged for solo fingerstyle or classical guitar. Includes two arrangements-an easy version with melody and bass, and an advanced version with melody, bass and accompaniment. Each arrangement includes a four-page score with tablature plus a two-page guitar part without tabs.
$2.99
Song Without Words In A Minor, Op. 19, No. 2
Song Without Words In A Minor, Op. 19, No. 2
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Piano seul
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Classique
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In A Minor,
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Felix Bartholdy Mendelssohn. Arranged by Immanuela Gruenberg. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Felix Bartholdy Mendelssohn. Arranged by Immanuela Gruenberg. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Song Without Words In A Minor, Op. 85, No. 2
Song Without Words In A Minor, Op. 85, No. 2
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Piano seul
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Classique
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Felix Bartholdy Mendelssohn
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Immanuela Gruenberg
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Song Without Words In A Minor,
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Felix Bartholdy Mendelssohn. Arranged by Immanuela Gruenberg. For piano. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Felix Bartholdy Mendelssohn. Arranged by Immanuela Gruenberg. For piano. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Enfant
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Prelude in C-sharp minor by Rachmaninoff (for small hands)
Prelude in C-sharp minor by Rachmaninoff (for small hands)
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Piano seul
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AVANCÉ
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Classique
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Nancy Litten
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Nancy Litten
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Prelude in C-sharp minor by Ra
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Nancy Litten
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1290662 By Nancy Litten. By Sergei Rachmaninoff. Arranged by Nancy Litten. 19th Century,Classical,Romantic Period. Score....
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Piano Solo - Level 5 - SKU: A0.1290662 By Nancy Litten. By Sergei Rachmaninoff. Arranged by Nancy Litten. 19th Century,Classical,Romantic Period. Score. 3 pages. Nancy Litten #881368. Published by Nancy Litten (A0.1290662). Nancy Litten plays Rachmaninoff's most famous prelude. It was written in 1892 when he was only 19, and became such a success that he could never leave a concert platform without being expected to play it as an encore. It was dedicated to Rachmaninoff's harmony teacher at the Moscow Conservatoire, Arensky, and forms one of the set of five pieces entitled 'Morceaux de fantasie'. Here it has been rearranged so that all the notes can be played by those with small hands.
$3.99
Organ preludium d minor (Rudolf Jäger)
Organ preludium d minor (Rudolf Jäger)
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Orgue
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FACILE
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Musique Sacrée
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Rudolf Jäger
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Manuela Rosa
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Organ preludium d minor
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Manuela
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1240775 Composed by Rudolf Jäger. Arranged by Manuela Rosa. 19th Century,Praise & Worship,Religious,Sacred. Score. 5 pages....
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Organ - Level 2 - SKU: A0.1240775 Composed by Rudolf Jäger. Arranged by Manuela Rosa. 19th Century,Praise & Worship,Religious,Sacred. Score. 5 pages. Manuela #836166. Published by Manuela (A0.1240775). Easy prelude for church service D minor, engraved with Lilypondleichtes Präludium für Messen aus dem Op. 149 in D-Moll, gesetzt mit Lilypond; dieses Stück wurde aus mehreren Opuszahlen zusammengesetztWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.This sheet was engraved with Lilypond without further processing including title sheet and preview sheets.Warum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril.Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.Dieses Notenblatt wurde komplett mit Lilypond ohne weitere Nachberarbeitung erstellt, inklusive Titelblatt und Vorschaublätter.
$2.00
The Sound Of Silence Arr. for Early/Intermediate Solo Guitar by Dan Jones
The Sound Of Silence Arr. for Early/Intermediate Solo Guitar by Dan Jones
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Guitare notes et tablatures
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FACILE
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Classique
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Simon And Garfunkel
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Dan Jones (www
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The Sound Of Silence Arr. for
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danjonesguitarist.com
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SheetMusicPlus
Guitar - Early Intermediate - By Simon And Garfunkel. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Solo Part, Tablature. 4 pages. Publi...
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Guitar - Early Intermediate - By Simon And Garfunkel. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Solo Part, Tablature. 4 pages. Published by danjonesguitarist.com
TheSound of Silence isPaul Simon?s masterpiece. Released in 1965, Simon had written the track duringthe two previous years. It was well worth the wait.
Itis an obvious choice as a piece of repertoire to arrange for the intermediateguitarist, yet I have found that many arrangements include real technicaldifficulties for the learner. This is often because of the choice of key. Ifset in A minor, an F barre chord is encountered. Similarly, in D minor, a Bflat barre chord crops up. After much trial and error, I have created a versionin F sharp minor which is playable for younger and less experienced hands,without, I believe, losing any musical effect.
Ihave tried to make this arrangement flexible. Therefore, it is set in 2sections. A grade 1-2 guitarist can play just the first half, twice for acomplete performance. The second half has a thicker texture, with a ?flatpicking? technique applied to the thumb. Here, the thumb plays the lower notes onall four beats of the bar.
This downloadprovides one version with only notes, and a second in notes and TAB (in this singledownload). I am aware that many teachers dislike TAB, so you are given the choice.
Professionalplayers looking for light repertoire ? perhaps for restaurant or wedding work ?can fill out the parts spontaneously. The chord sequence is obvious to those withmore experience.
Personally speaking, I sometimes play the arrangement with a capo at fret 3 or 4 to vary the timbres heard in a concert programme.
I hope very muchthat you enjoy playing this version of The Sound of Silence. To see andhear my arrangements for learners, professionals, and ensembles, please visit www.danjonesguitarist.com.I have also written a memoir of working as a guitarist in rural France. Pleasesee www.danjonesauthor.com.
I will upload a YouTube video and lesson before the end of February 2021.
THANK YOU! DanJones, Perthshire, Scotland, February 2021
$4.99
Suite in E Minor
Suite in E Minor
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Silvius Leopold Weiss
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Suite in E Minor
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Chanterelle
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SheetMusicPlus
Guitar - intermediate to advanced - Composed by Silvius Leopold Weiss. This edition: Sheet music. Downloadable. Chanterelle #Q47055. Published by Ch...
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Guitar - intermediate to advanced - Composed by Silvius Leopold Weiss. This edition: Sheet music. Downloadable. Chanterelle #Q47055. Published by Chanterelle
German - English.
Silvius Leopold Weiss (1686-1750) is considered to be the most important lutenist of the Baroque. His works captivate the lute through their elegance and sublimity. The present work was originally in F minor. It is one of the few works of Weiss which when played on the guitar, retains its ease of playing and sound characteristics without having to resort to scordatura. Musically appealing and technically not too demanding, this work makes a most valuable addition to the guitar repertoire.
$10.99
Wellerman (for Solo Guitar)
Wellerman (for Solo Guitar)
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Guitare notes et tablatures
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FACILE
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Folklorique/Traditionel
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Traditional
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Kenneth Pasciak
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Wellerman
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SheetMusicPlus
Guitar Tab, Acoustic Guitar, Electric Guitar - Early Intermediate - Digital Download Composed by Traditional. Arranged by Kenneth Pasciak. Repertoire...
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Guitar Tab, Acoustic Guitar, Electric Guitar - Early Intermediate - Digital Download Composed by Traditional. Arranged by Kenneth Pasciak. Repertoire, Folk, Recital. Score, Set of Parts, Tablature. 6 pages. Published by Kenneth Pasciak
Wellerman, a traditional New Zealand folk song arranged for solo guitar in A minor and E minor. Includes 3-page score with tablature and chords, plus 2-page guitar part without tabs.
$3.99
Wellerman (for Solo Guitar)
Wellerman (for Solo Guitar)
#
Guitare notes et tablatures
#
FACILE
#
Folklorique/Traditionel
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Traditional
#
Kenneth Pasciak
#
Wellerman
#
Kenneth Pasciak
#
SheetMusicPlus
Guitar Tab, classical guitar, fingerstyle guitar - Early Intermediate - Digital Download Composed by Traditional. Arranged by Kenneth Pasciak. Repert...
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Guitar Tab, classical guitar, fingerstyle guitar - Early Intermediate - Digital Download Composed by Traditional. Arranged by Kenneth Pasciak. Repertoire, Folk, Recital. 6 pages. Published by Kenneth Pasciak
Wellerman a traditional New Zealand folk song arranged for solo classical guitar in A minor and E minor. Includes 3-page score with tablature and chords, plus 2-page guitar part without tabs.
Kenneth Pasciak Music Publishing, ASCAP
kenpasciak.com
$4.95
Allemande from English Suite No. 3 (BWV 808) (for Solo Guitar)
Allemande from English Suite No. 3 (BWV 808) (for Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Kenneth Pasciak
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Allemande from English Suite N
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SheetMusicPlus
Guitar Tab, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by ...
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Guitar Tab, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 6 pages. Published by Kenneth Pasciak
Allemande from English Suite No. 3 (BWV 808) by Johann Sebastian Bach arranged for classical guitar in A minor (original = G minor). Incudes 3-page score with tablature plus 2-page individual guitar part without tabs.
$1.99
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'Without Title' in A Minor
