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Orchestraining No. 01 [Orchestra]
Orchestraining No. 01 [Orchestra]
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Orchestre
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FACILE
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchest
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Juan Maria Solare
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and P...
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Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$11.00 ≈
$15.00
Sax to the Max: Guitar Chords
Sax to the Max: Guitar Chords
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Guitare (partie séparée)
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Methodes
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Victor Lopez
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Sax to the Max: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015278_GC Guitar Chords. Composed by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - SKU: AX.00-PC-0015278_GC Guitar Chords. Composed by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015278_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015278_GC). UPC: 038081269467.Sax to the Max is a medium swing showcase for the sax section. This Mike Lewis original is tasty, smooth, and lyrical, and will sound full even if performed with only four saxophone players (optional bari). There are no individual solos but plenty of soli sections. Optional parts are included. This title is available in SmartMusic.
$3.00 ≈
$4.09
That's All: Guitar Chords
That's All: Guitar Chords
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Guitare (partie séparée)
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Jazz
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016826_GC Guitar Chords. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Al...
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Jazz Ensemble - SKU: AX.00-PC-0016826_GC Guitar Chords. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_GC). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00 ≈
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Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
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Ain't No Mountain High Enough
Ain't No Mountain High Enough
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Piano, Voix et Guitare
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AVANCÉ
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Soul/R&B
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Marvin Gaye & Tammi Terr
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Mario Stallbaumer
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Tammi Terrell
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Ain't No Mountain High Enough
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marvin Gaye & Tammi Terrell. Arranged by Mario Stallbaumer. 8 pages. Publis...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marvin Gaye & Tammi Terrell. Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here?s how to play ?Ain't No Mountain High Enough? on piano!
This piano arrangement follows the famous 1967 recording by Marvin Gaye and Tammi Terrell.
"Ain't No Mountain High Enough" was written in 1966 by Nickolas Ashford & Valerie Simpson, and became one of the greatest hits for the Motown record label.
Marvin Gaye and Tammi Terrell recorded the song in 1967, and Diana Ross released her version in 1970.
These piano sheets come with separate systems for both singers, full lyrics and chords!
You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!
Here are the full lyrics for ?Ain't No Mountain High Enough?:
?Listen baby, ain't no mountain high
Ain't no valley low, ain't no river wide enough baby
If you need me call me no matter where you are
No matter how far don't worry baby
Just call my name I'll be there in a hurry
You don't have to worry
'Cause baby there ain't no mountain high enough
Ain't no valley low enough
Ain't no river wide enough
To keep me from getting to you babe
Remember the day I set you free
I told you you could always count on me darling
From that day on, I made a vow
I'll be there when you want me
Some way, some how
'Cause baby there ain't no mountain high enough
Ain't no valley low enough
Ain't no river wide enough
To keep me from getting to you babe
Oh no darling
No wind, no rain
Or winters cold can stop me baby, na na baby
'Cause you are my goal
If you're ever in trouble
I'll be there on the double
Just send for me, oh baby, ha
My love is alive
Way down in my heart
Although we are miles apart
If you ever need a helping hand
I'll be there on the double
Just as fast as I can
Don't you know that there
Ain't no mountain high enough
Ain't no valley low enough
Ain't no river wide enough
To keep me from getting to you babe
Don'tcha know that there
Ain't no mountain high enough
Ain't no valley low enough
Ain't no river wide enough
Ain't mountain high enough
Ain't no valley low enough?
$4.99 ≈
$6.80
Famous 5 Types of Chords
Famous 5 Types of Chords
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Guitare notes et tablatures
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DÉBUTANT
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Brian Streckfus
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Famous 5 Types of Chords
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Brian Streckfus #95...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Brian Streckfus #954402. Published by Brian Streckfus (A0.1370027). I created this to make learning the most common chords on guitar easier. Learning chords on guitar is quite difficult; fret numbers are quite arbitary to what the chord is. There are patterns to follow, but they are buried in a convoluted foggy swamp. The tuning of guitar strings essentially puts the music theory in a blender and one has to study for a long time to decode it. It is my hope that this PDF will shine some light on how chords are built, and why some of them have a lot of clarity in how they are working, and why others seem completely random. This PDF shows chords that commonly happen in pop music, so it is by no means an exhaustive list. For knowing how to use chords, see my chord progression generator uploads.Tips:1. There is redundacy for a reason; this pdf shows multiple ways of playing the same chord.2. The first two pages are for the music theory purists in that there is hardly ever an uneccesary note to mantain the name of the chord. This is useful for understanding what notes are needed for a chord (it's a cliche for guitarists to have overly large chords).3. Pages 3 and 4 are the famous voicings. 4. Pages 5 and 6 are the bar chord versions. These versions are physically harder to play, but they can add a lot of clarity and simplicity to your playing (the famous voicings on pages 3 and 4 are seemingly random). They are much easier to slide to any key you want and much easier to see similiarities and patterns between chords.
$1.99 ≈
$2.71
We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and clarinet
We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and clarinet
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Anon
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Phil Beaman
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We Are Climbing Jacob's Ladder
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Phil Beaman
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SheetMusicPlus
Small Ensemble Clarinet,Trumpet,Tuba - Level 1 - SKU: A0.845258 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. ...
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Small Ensemble Clarinet,Trumpet,Tuba - Level 1 - SKU: A0.845258 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. Score and parts. 6 pages. Phil Beaman #6501827. Published by Phil Beaman (A0.845258). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99 ≈
$6.80
We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and sax
We Are Climbing Jacob's Ladder - mixed quartet 1 - brass and sax
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Anon
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Phil Beaman
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We Are Climbing Jacob's Ladder
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Phil Beaman
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SheetMusicPlus
Small Ensemble Alto Saxophone,Tenor Saxophone,Trumpet,Tuba - Level 1 - SKU: A0.845257 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructio...
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trumpet,Tuba - Level 1 - SKU: A0.845257 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. Score and parts. 6 pages. Phil Beaman #6501817. Published by Phil Beaman (A0.845257). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99 ≈
$6.80
We Are Climbing Jacob's Ladder - woodwind quartet 3
We Are Climbing Jacob's Ladder - woodwind quartet 3
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Anon
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Phil Beaman
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We Are Climbing Jacob's Ladder
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Flute,Oboe - Level 1 - SKU: A0.845259 Composed by Anon. Arranged by Phil Beaman. Folk,Instructional,Sac...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Flute,Oboe - Level 1 - SKU: A0.845259 Composed by Anon. Arranged by Phil Beaman. Folk,Instructional,Sacred,Spiritual. 6 pages. Phil Beaman #6501829. Published by Phil Beaman (A0.845259). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99 ≈
$6.80
We Are Climbing Jacob's Ladder - woodwind quartet 2
We Are Climbing Jacob's Ladder - woodwind quartet 2
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Anon
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Phil Beaman
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We Are Climbing Jacob's Ladder
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Oboe - Level 1 - SKU: A0.845255 Composed by Anon. Arranged by Phil Beaman. Folk,Instructional,Sacred,Sp...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Oboe - Level 1 - SKU: A0.845255 Composed by Anon. Arranged by Phil Beaman. Folk,Instructional,Sacred,Spiritual. 6 pages. Phil Beaman #6501403. Published by Phil Beaman (A0.845255). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99 ≈
$6.80
We Are Climbing Jacob's Ladder - woodwind quartet 1
We Are Climbing Jacob's Ladder - woodwind quartet 1
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Anon
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Phil Beaman
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We Are Climbing Jacob's Ladder
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Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 1 - SKU: A0.845254 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructiona...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 1 - SKU: A0.845254 Composed by Anon. Arranged by Phil Beaman. Concert,Folk,Instructional,Sacred,Spiritual. 6 pages. Phil Beaman #6501399. Published by Phil Beaman (A0.845254). This easy Instrumental Quartet arrangement of the old folk/spiritual draws its power and effectiveness from its pared down simplicity. It is reharmonized from other traditional versions and kept in strophic form. Every measure has the same rhythm - a quarter note followed by a dotted half note. Most of the time the pair of notes is the same pitch. There is plenty of time to figure out your next new note. There are no extra markings, just basic notes with a few accidentals. The beauty comes from the harmonic chords, so strive to listen for a good balance in your ensemble.This piece can be played majestic or meditative, depending on your mood and event needs. Simple, beautiful, and flexible; just what every musician needs in their repertoire. Great for classroom work as a first ensemble piece and the first small recital piece. Range - Part 1 is 1 octave; Parts 2, 3, 4 is only a fifth2 page score, 1 page @ part0:50 - 1:15 minutes with repeat
$4.99 ≈
$6.80
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
$10.84
Home For The Holidays (theres No Place Like)
Home For The Holidays (theres No Place Like)
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Guitare notes et tablatures
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DÉBUTANT
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Noël
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Al Stillman and Robert Allen
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Rebecca Bogardus
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Home For The Holidays
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Lillwy Publishing
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.877952 Composed by Al Stillman and Robert Allen. Arranged by Rebecca Bogardus. Contemporary. Guitar Tab. 9 pages. Lillwy Publ...
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Guitar - Level 1 - SKU: A0.877952 Composed by Al Stillman and Robert Allen. Arranged by Rebecca Bogardus. Contemporary. Guitar Tab. 9 pages. Lillwy Publishing #5805723. Published by Lillwy Publishing (A0.877952). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99 ≈
$6.80
Take the "A" Train: Guitar Chords
Take the "A" Train: Guitar Chords
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Guitare (partie séparée)
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Jazz
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Billy Strayhorn
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Victor Lopez
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Take the "A" Train:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016700_GC Guitar Chords. Composed by Billy Strayhorn. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music ...
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Jazz Ensemble - SKU: AX.00-PC-0016700_GC Guitar Chords. Composed by Billy Strayhorn. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016700_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016700_GC). UPC: 038081458854.Perhaps one of the most well-known jazz standards, check out this vocal with big band chart. At a swinging 152 BPM, the key is F and the vocal range is A below middle C to 3rd space C, treble clef. No instrumental solos, lead trumpet range is to G on top of the staff. Plus, there are optional solos instrumental parts for B-flat, E-flat and bass clef instruments in lieu of the vocal. A great tune, and great chart, it will be a hit for sure. This title is available in SmartMusic.
$3.00 ≈
$4.09
Attack of the Killer Tomatoes: Guitar Chords
Attack of the Killer Tomatoes: Guitar Chords
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Guitare (partie séparée)
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Methodes
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John Debello
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Ralph Ford
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Attack of the Killer Tomatoes:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016191_GC Guitar Chords. Composed by John Debello. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Mu...
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Jazz Ensemble - SKU: AX.00-PC-0016191_GC Guitar Chords. Composed by John Debello. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016191_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016191_GC). UPC: 038081354309.Crazy title? It's from the movie of the same name and is a tongue-in-cheek swing chart adapted from a much more difficult chart by Gordon Goodwin for the Big Phat Band. Arranged for the younger player, there are ensemble and some section solis but no improvised solos. A little challenging, but this will be a fun chart for any performance and will be a hit with both the band and audience. (3:35).
$3.00 ≈
$4.09
There's No Feeling
There's No Feeling
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Contemporain
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Kare Ceberano
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Roy Todd around 2010, this pie
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Marco Polo C
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There's No Feeling
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880946 By Kare Ceberano. By Andrew Michael Wright, Andy Wright, and Catherine Yvette Ceberano. ...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880946 By Kare Ceberano. By Andrew Michael Wright, Andy Wright, and Catherine Yvette Ceberano. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 1 pages. MARCO POLO IGNACIO #6353393. Published by MARCO POLO IGNACIO (A0.880946). Composed by Roy Todd around 2010, this piece is an instrumental piece for piano and was slightly re-worked by the composer in 2020. An ideal entourage and bridal entrance.
$4.99 ≈
$6.80
All The Things You Are
All The Things You Are
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Multicultural,Musical/Show,Wedding,World. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707828. Published by Davi Rocha Campos (A0.1104603). This score is in B, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99 ≈
$5.44
Love Me As Though There Were No Tomorrow
Love Me As Though There Were No Tomorrow
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nat King Cole
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Gavin Koh
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Love Me As Though There Were N
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Gavin Koh
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1397346 By Nat King Cole. By Harold Adamson and Jimmy Mc Hugh. Arranged by Gavin Koh. 20th Century,Broadway...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1397346 By Nat King Cole. By Harold Adamson and Jimmy Mc Hugh. Arranged by Gavin Koh. 20th Century,Broadway,Contemporary,Musical/Show,Video Game. Score. 3 pages. Gavin Koh #980664. Published by Gavin Koh (A0.1397346). Love Me As Though There Were No Tomorrow is a Nat King Cole ballad released on the 1956 vinyl album Nat King Cole Sings Songs From Strip For Action. The song was written by Jimmy McHugh and Harold Adamson for the short-lived 1956 musical of the same title. The song gained a new following in 2010 after it was broadcast on Radio New Vegas in the game Fallout: New Vegas, published by Bethesda Softworks. This version is a piano solo transcription/arrangement of the ballad. The sheet music includes chords and lyrics.
$4.99 ≈
$6.80
(There's No Place Like) Home For The Holidays
(There's No Place Like) Home For The Holidays
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Piano, Voix et Guitare
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Jazz
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Perry Como
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Samuel Stokes
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(There's No Place Like) Home F
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SamuelStokesMusic.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.562101 By Perry Como. By Robert Allen. Arranged by Samuel Stokes. Jazz. Score. 1 pages. SamuelStokesMusic.com #520582...
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Guitar,Piano,Vocal,Voice - SKU: A0.562101 By Perry Como. By Robert Allen. Arranged by Samuel Stokes. Jazz. Score. 1 pages. SamuelStokesMusic.com #5205823. Published by SamuelStokesMusic.com (A0.562101). This is a lead sheet arrangement of (There's No Place Like) Home For The Holidays in C major, with vocal line and piano/guitar chords provided. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com.
$4.99 ≈
$6.80
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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CELLO – G2 to A3
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The Heavens Declare ~ Psalm 19
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Con...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. Sharon Wilson #3469886. Published by Sharon Wilson (A0.565137). This original Scripture song based on Psalm 19 verses 1-4 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment). The CELLO and VIOLIN alternate leading with the melody throughout beginning with the CELLO on the first phrase. The PIANO accompaniment provides cascading eighth note runs creating a flowing harmony that alternates with bold, rhythmic chords on the more intense sections.String ranges are as follows: VIOLIN – G4 to A5; CELLO – G2 to A3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players. Duration 2:45.The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)To enhance the presentation of this song, a slide show featuring stars and space overlaid with the scripture verse could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
$8.17
There Is No Greater Love: Guitar Chords
There Is No Greater Love: Guitar Chords
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Guitare (partie séparée)
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Methodes
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Isham Jones and Marty Symes
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Eric Richards
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There Is No Greater Love: Guit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016277_GC Guitar Chords. Composed by Isham Jones and Marty Symes. Arranged by Eric Richards. Instructional. Part. ...
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Jazz Ensemble - SKU: AX.00-PC-0016277_GC Guitar Chords. Composed by Isham Jones and Marty Symes. Arranged by Eric Richards. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016277_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016277_GC). UPC: 038081470993.An excellent swing chart for a strong band. At 184 BPM, the chart opens with a small group contrafact and includes some solo space for alto, trombone, and piano, followed by a kickin' sax soli and a shout. Lead trumpet range is to written high D. A quality chart top to bottom. (4:52) This title is available in SmartMusic.
$3.00 ≈
$4.09
There's No You
There's No You
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Piano, Voix et Guitare
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Frank Sinatra, Jo Stafford, an
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There's No You
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Hal Leonard - Digital
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SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.23314 By Frank Sinatra, Jo Stafford, and Louis Armstrong. This edition: Interactive ...
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.23314 By Frank Sinatra, Jo Stafford, and Louis Armstrong. This edition: Interactive Download. Love,Pop,Standards. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital (HX.23314).
$4.99 ≈
$6.80
(There's No Place Like) Home For The Holidays
(There's No Place Like) Home For The Holidays
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Piano, Voix et Guitare
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Perry Como
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(There's No Place Like) Home F
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Hal Leonard Europe
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SheetMusicPlus
Piano, voice and guitar (chords only) - SKU: HX.30433 By Perry Como. Christmas,Love,Standards. Piano/Vocal/Guitar (Piano Accompaniment). 3 pages. Publis...
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Piano, voice and guitar (chords only) - SKU: HX.30433 By Perry Como. Christmas,Love,Standards. Piano/Vocal/Guitar (Piano Accompaniment). 3 pages. Published by Hal Leonard Europe (HX.30433).
$4.99 ≈
$6.80
Mistress Mine Well May You Fare for voice, guitar & cello
Mistress Mine Well May You Fare for voice, guitar & cello
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Renaissance
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Thomas Morley
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Simon James
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Mistress Mine Well May You Far
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DML
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.928277 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and parts. 7 pages. ...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.928277 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and parts. 7 pages. DML #6866071. Published by DML (A0.928277). No 8 – Mistress Mine Well May You Fare from First Book Of Ayres by Thomas Morley This is a verse song, typical of the era. There are four verses and the accompaniment is repeated for each verse. Ornamentation would have been expected and I have offered with this score two possible decorations of the guitar accompaniment one of which is an octave above the original allowing greater flexibility for the singer depending on their vocal range. Morley’s description of the publication was: Little short songs to sing and play to the lute with the base viole. I have substituted guitar for lute and cello for bass viole, chords have been re-voiced in places to better suit the guitar but no alteration has been made to the harmony.
$5.99 ≈
$8.17
Don't Get Around Much Anymore: Guitar Chords
Don't Get Around Much Anymore: Guitar Chords
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Guitare (partie séparée)
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Methodes
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Duke Ellington
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Ralph Ford
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Don't Get Around Much Anymore:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0002414_GC Guitar Chords. Composed by Duke Ellington. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred ...
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Jazz Ensemble - SKU: AX.00-PC-0002414_GC Guitar Chords. Composed by Duke Ellington. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002414_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002414_GC). UPC: 029156996227.Even though they call him Duke, Ellington is actually the King of Jazz! The year 1999 marks the 100th anniversary of his birth, and there's no better time to add this classic Ellington chart to the repertoire of your developing jazz ensemble. This is an exceptionally playable chart from Ralph Ford. Easy (2:44).
$3.00 ≈
$4.09
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