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[Van de Vate] Two for Two
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Vous avez sélectionné:
[Van de Vate] Two for Two
Partitions à imprimer
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[Van de Vate] Two for Two
[Van de Vate] Two for Two
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Marimba
#
Contemporain
#
Nancy Van de vate
#
[Van de Vate] Two for Two
#
American Composers Alliance Inc.
#
SheetMusicPlus
Marimba Solo - SKU: A0.952740 Composed by Nancy Van de vate. Contemporary. Individual part. 7 pages. American Composers Alliance Inc. #4622109. Publishe...
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Marimba Solo - SKU: A0.952740 Composed by Nancy Van de vate. Contemporary. Individual part. 7 pages. American Composers Alliance Inc. #4622109. Published by American Composers Alliance Inc. (A0.952740). Two short works for two marimbas - PDF download includes performance score.
$8.95 ≈
£6.93
[Van de Vate] Two Bagatelles
[Van de Vate] Two Bagatelles
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Contemporain
#
Nancy Van de vate
#
[Van de Vate] Two Bagatelles
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American Composers Alliance Inc.
#
SheetMusicPlus
Brass Ensemble Horn - SKU: A0.953073 Composed by Nancy Van de vate. Contemporary. Score and parts. 24 pages. American Composers Alliance Inc. #4635461. ...
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Brass Ensemble Horn - SKU: A0.953073 Composed by Nancy Van de vate. Contemporary. Score and parts. 24 pages. American Composers Alliance Inc. #4635461. Published by American Composers Alliance Inc. (A0.953073). Scored for four horns - PDF download includes score and parts.
$11.95 ≈
£9.25
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
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Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
£10.80
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
£10.80
Pavane Pour Une Infante Defunte
Pavane Pour Une Infante Defunte
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Various Artists
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Sean Sullivan
#
Pavane Pour Une Infante Defunt
#
Sean Sullivan
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1280303 By Various Artists. ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1280303 By Various Artists. By Maurice Joseph Ravel. Arranged by Sean Sullivan. 19th Century,Romantic Period. 21 pages. Sean Sullivan #871760. Published by Sean Sullivan (A0.1280303). Experience the beauty and elegance of Maurice Ravel's masterpiece Pavane Pour une Infante Défunte in a new form. This arrangement, written for a saxophone quintet, brings the gentle melody to life with a soaring soprano sax, two warm and expressive alto saxes, a rich tenor sax, and a soulful baritone sax. Each saxophone adds a unique timbre and texture to create a stunning ensemble performance that captures the essence of the original composition while showcasing the versatility and power of the saxophone quintet. Treat your ears to this beautiful and haunting piece that has stood the test of time and continues to captivate listeners today.
$14.99 ≈
£11.61
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
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Ensemble de cuivres
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DÉBUTANT
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Jim Evans
#
Elementary Ensembles, Volume 1
#
beginning.band
#
SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by be...
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Brass Ensemble - Level 1 - SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
$30.00 ≈
£23.23
Robert de Visée Baroque Lute Suites Volume Two for Low G Ukulele
Robert de Visée Baroque Lute Suites Volume Two for Low G Ukulele
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Ukulele
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INTERMÉDIAIRE
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Classique
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Michael P Walker
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Michael P Walker
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Robert de Visée Baroque
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Michael P Walker
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SheetMusicPlus
Ukulele - Level 3 - SKU: A0.1126583 By Michael P Walker. By Robert de Visee. Arranged by Michael P Walker. Baroque,Classical. Score. 50 pages. Michael P...
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Ukulele - Level 3 - SKU: A0.1126583 By Michael P Walker. By Robert de Visee. Arranged by Michael P Walker. Baroque,Classical. Score. 50 pages. Michael P Walker #727234. Published by Michael P Walker (A0.1126583). Who would have thought you could play classical music on a ukulele? But you can! Here are Baroque Lute pieces by Robert de Visée arranged in tablature and modern notation for Low G ukulele. Robert de Visée, (1655 – 1732/33) In 1686 Robert de Visée was one of King Louis XIV's favorite musicians performing regularly in the private royal chambers, while also being recognized for his musicianship. De Visée composed mostly for the guitar, theorbo, and lute, and is arguably one of the most important French composers of Baroque guitar music. Recommended for Intermediate to Advanced Performers.
$19.95 ≈
£15.45
Something In The Way
Something In The Way
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Nirvana
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Jonatas Paz
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Something In The Way
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Jonatas Paz01
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1036452 By Nirvana. By Kurt Cobain. Arranged by Jonatas Paz. Classical,Film/TV,P...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1036452 By Nirvana. By Kurt Cobain. Arranged by Jonatas Paz. Classical,Film/TV,Pop,Rock. Score and parts. 33 pages. Jonatas Paz01 #641475. Published by Jonatas Paz01 (A0.1036452). After two years of stalking the streets as Batman, Bruce Wayne finds himself in the darkest depths of Gotham City. With few employees activated, the lone vigilante establishes himself as a person of the population for the same.The soundtrack of this film is signed by Michael Giacchino, who in addition to his original themes. It brings to the work the classic song by Kurt Cobain. Which here was arranged for brass quintet. The arrangement has the following instrumentation. Trumpet 1 / Trumpet 2 / Horn in F / Trombone / Tuba.
$13.00 ≈
£10.07
Canyon Dance n°2
Canyon Dance n°2
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Thierry Pecou
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Canyon Dance n°2
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Schott Music - Digital
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SheetMusicPlus
Flute, treble recorder, oboe baroque and percussion - advanced - SKU: S9.Q47144 For traverso, alto recorder, “baroque†oboe and percussio...
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Flute, treble recorder, oboe baroque and percussion - advanced - SKU: S9.Q47144 For traverso, alto recorder, “baroque†oboe and percussion. Composed by Thierry Pecou. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q47144. Published by Schott Music - Digital (S9.Q47144). My fascination with the culture of the Navajo Native Americans and their healing ceremonies based on harmony and beauty motivated me to listen to ethnographic recordings of their songs, which are customarily accompanied by rattles and drums. A number of these songs inspired me to create two works for different instrumental ensembles for students at the Conservatoire de Versailles. Both pieces represent miniature versions of ceremonial events. Thierry PécouThierry Pécou's interest in ethnomusicology is reflected in this piece. He was inspired by the culture and especially by the traditional healing ceremonies of the Navajo Native Americans which are customarily accompanied by rattles and drums. Pécou composed his miniature version of this ceremonial event for the students of the Conservatoire de Versailles. The piece is also available as a version for flute, oboe, clarinet, saxophone, cello, and piano.
$24.99 ≈
£19.35
Canyon Dance n°1
Canyon Dance n°1
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Violoncelle, Piano
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AVANCÉ
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Thierry Pecou
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Canyon Dance n°1
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Schott Music - Digital
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SheetMusicPlus
Flute, oboe, clarinet, saxophone, cello and Piano - advanced - SKU: S9.Q47143 For flute, oboe, clarinet, saxophone, violoncello and piano. Compos...
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Flute, oboe, clarinet, saxophone, cello and Piano - advanced - SKU: S9.Q47143 For flute, oboe, clarinet, saxophone, violoncello and piano. Composed by Thierry Pecou. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q47143. Published by Schott Music - Digital (S9.Q47143). My fascination with the culture of the Navajo Native Americans and their healing ceremonies based on harmony and beauty motivated me to listen to ethnographic recordings of their songs, which are customarily accompanied by rattles and drums. A number of these songs inspired me to create two works for different instrumental ensembles for students at the Conservatoire de Versailles. Both pieces represent miniature versions of ceremonial events. Thierry PécouThierry Pécou's interest in ethnomusicology is reflected in this piece. He was inspired by the culture and especially by the traditional healing ceremonies of the Navajo Native Americans which are customarily accompanied by rattles and drums. Pécou composed his miniature version of this ceremonial event for the students of the Conservatoire de Versailles. The piece is also available as a version for flauto traverse and treble recorder.
$27.99 ≈
£21.67
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[Van de Vate] Two for Two
