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æ„與象 Idea and Image
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The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
27.72€
æ„與象 Idea and Image
æ„與象 Idea and Image
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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馬水é¾MA SHUI-LONG
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æ„與象 Idea and
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SpringAutumnmusic
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.961981 Composed by 馬水é¾MA SHUI-LONG　. 20th Century. Score and parts. 10 pages. SpringAutumn...
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String Quartet String Quartet - SKU: A0.961981 Composed by 馬水é¾MA SHUI-LONG　. 20th Century. Score and parts. 10 pages. SpringAutumnmusic #2009987. Published by SpringAutumnmusic (A0.961981). IDEA AND IMAGE for xiao and four violoncellos Idea and Image indicates the marriage of image and concept. The poetic means which the composer employs to convey the imagery beauty reflects the creative motivation and concept behind the composition, in which the void and the solid are coexisted to complement each other: the void connotes the solid, and vice versa. It aims to pursue the intangible, spiritual beauty of the sensual imagery. Idea and Image was completed in 1989 and had its world premiere in the same year at the Taiwan National Theater Concert Hall. æ„與象，指的是形象與æ„境的çµåˆã€‚作曲者從詩詞形象表ç¾çš„æ„象美，å射為本曲創作的動機與æ„念，曲ä¸è™›å¯¦ç›¸ç”Ÿï¼Œè™›ä¸æœ‰å¯¦ï¼Œå¯¦è£¡é€è™›ï¼Œä»¥æ±‚感性形象ä¸çš„空éˆèˆ‡æ„境。 ※本曲1989年完æˆï¼ŒåŒå¹´æ–¼åœ‹å®¶éŸ³æ¨‚廳舉行世界首演。
$7.99 ≈
7.38€
Nu Tal (Mi Tierra) - Set of Parts
Nu Tal (Mi Tierra) - Set of Parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos...
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Full Orchestra - Level 3 - SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00 ≈
115.48€
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95 ≈
15.66€
And the people stayed home
And the people stayed home
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Martin Ã…sander
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And the people stayed home
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB divisi chorus a cappella - SKU: BJ.1505 Composed by Martin Ã…sander. Kitty O'Meara wrote a poem during the Covid-19 pandemic. Like the virus, th...
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SATB divisi chorus a cappella - SKU: BJ.1505 Composed by Martin Åsander. Kitty O'Meara wrote a poem during the Covid-19 pandemic. Like the virus, the poem got viral and spread across the world – but with a message of hope. Here put to music for choir a cappella. Secular. 11 pages. Bo Ejeby Forlag - Digital #1505. Published by Bo Ejeby Forlag - Digital (BJ.1505). 8.27 x 11.7 inches.We all remember the pandemic that swept the planet in early 2020. Lifestyles changed: less social contact, followed by rapid change in workplaces, health care and other institutions. Everyone was affected in some way. Playing music – and choir singing in particular – was considered by many countries to pose an increased risk of spreading infection and was discouraged. During these strange times, I found a poem by Kitty O’Meara on social media. The text originates from her own blog post in March 2020 with the title In the Time of Pandemic. The poem poses an image for a distinctive perspective during the coronavirus outbreak, the hope that something good can come from a collective state of together, apart. The idea of individual freedom of action when things are beyond our control, and at the same time a notion that the time after this will not only exist but can be better than before. The lyrics inspired the music to be both meditative with repetitive phrases and motifs and also uplifting and full of confidence and joy. And the People Stayed Home was commissioned to commemorate the 15th anniversary of the St Jacob’s Vocal Ensemble and was first performed at St Jacob’s Church in Stockholm on November 19, 2022. – Martin Åsander.
$4.50 ≈
4.16€
The Magician (piano solo with optional poems, paintings, and movement)
The Magician (piano solo with optional poems, paintings, and movement)
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Piano seul
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AVANCÉ
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Jeffrey Hoover
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16 piano solo.
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The Magician
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Musicart Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published ...
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Piano Solo - Level 5 - SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published by Musicart Publications (A0.971642). In five movements. 16 piano solo. 18 min. 30 sec. with poetic narration. Score, 53 pages. For solo piano, with optional poems, paintings, and movement. In The Magician, each movement is based on the development of a single sound, idea, or process. The work also possesses cyclic material; musical ideas that are carried to successive movements and are further transformed in a new context. As with other works by Jeffrey Hoover, the music of The Magician is connected to other artworks - paintings and poems (and sometimes dance/movement) also created by the composer. In the music and connected art forms, the ideas of creative energy and transformation are explored in sound, images, words, and movement.Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, the Luigi Russolo composition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$24.95 ≈
23.05€
Trio for Violin, Cello and Piano, "The Lotos-Eaters" (2000)
Trio for Violin, Cello and Piano, "The Lotos-Eaters" (2000)
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Colin Eatock
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Trio for Violin, Cello and Pia
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Colin Eatock Music
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.1246925 Composed by Colin Eatock. 21st Century,Chamber,Classical. 26 pages. Colin Eatock Music #840791...
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Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.1246925 Composed by Colin Eatock. 21st Century,Chamber,Classical. 26 pages. Colin Eatock Music #840791. Published by Colin Eatock Music (A0.1246925). Violin, cello, piano; ca. 9 min.The composer writes: I have subtitled this single-movement piano trio “The Lotos-Eaters†because it is a programmatic work, based on Alfred Lord Tennyson’s 1842 poem of the same title. Tennyson’s image of a land where all cares are forgotten seemed to me an apt subject for a lyrical and tranquil composition, and many images from the poem are “translated†quite literally into musical ideas. Tonally static, the trio is constructed in an extended arc form. Tempo, volume and intensity gradually increase, and textures become denser, until the climax of the piece – at which point these processes are reversed.
$4.99 ≈
4.61€
Rain and Flowers (for violin and piano)
Rain and Flowers (for violin and piano)
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Contemporain
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Paul SanGregory
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Rain and Flowers
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Distant Engraver Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distan...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distant Engraver Music #4593095. Published by Distant Engraver Music (A0.977042). At the request of a friend, this piece incorporates the melody of an old popular song from Taiwan’s Japanese period. It is a simple folk-like melody with words based on the image of flowers that were washed to the ground during a rainy night. Rain and Flowers is neither an arrangement nor a traditional theme and variations. Instead, it is a series of free improvisations on ideas from the song. Some of those ideas are musical, while others relate to images or meanings in the lyrics. Because I think the lyrics contain a sense of sadness and loss, there are times when that emotion comes through. The image of flower petals strewn on the ground was an important inspiration because it can be seen as being both beautiful and pitiful, or even tragic. Also, those petals can be contemplated in silence after the storm, or during the time when they are begin blown by the driving rain and fierce winds. For that reason, I portray various types of rain and wind as the piece progresses. However, because the original song was a simple melody written after the storm, that is where this piece ends, with a more obvious playing of the melody, though still in an improvisatory and folk-like way. The single downloadable file for this piece contains both the full score and violin part.
$10.00 ≈
9.24€
The Briar And The Rose
The Briar And The Rose
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Chorale SATB
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INTERMÉDIAIRE
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Tom Waits
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John Sandford
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The Briar And The Rose
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John A Sandford
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972792 By Tom Waits. By Tom Waits. Arranged by John Sandford. A Cappella,Rock. Octavo. 4 pages. John A Sandford ...
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Choral Choir (SATB) - Level 3 - SKU: A0.972792 By Tom Waits. By Tom Waits. Arranged by John Sandford. A Cappella,Rock. Octavo. 4 pages. John A Sandford #5361413. Published by John A Sandford (A0.972792). An SATB arrangement of Tom Waits song with piano accompaniment, as covered by many artists including Fay Hield, from whom I got the idea for this version. Although written for 4 parts, I have deliberately put the bass line firmly in the piano accompaniment so it could effectively be sung by a 3 part choir, as evidenced by the a capella section at the end. The words are based on British folksong imagery in which the briar represents 'man' and the rose represents 'woman'. .
$1.99 ≈
1.84€
December from The Seasons arranged for Clarinet and Piano
December from The Seasons - Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Andrew Middleton
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December from The Seasons - Cl
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Andrew Middleton
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.735532 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Midd...
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Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.735532 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and parts. 12 pages. Andrew Middleton #4895697. Published by Andrew Middleton (A0.735532). Composed in 1875, Tchaikovsky composed 12 short character pieces depicting each month of the year. This arrangement of December brings up images of Christmas festivities. Ideal for the intermediate/advanced clarinetist as well as soprano and tenor saxophone!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.61€
December from The Seasons arranged for Flute and Piano
December from The Seasons - Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Andrew Middleton
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December from The Seasons - Fl
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Andrew Middleton
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.735530 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and part. 12...
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Flute,Piano - Level 4 - SKU: A0.735530 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and part. 12 pages. Andrew Middleton #4895675. Published by Andrew Middleton (A0.735530). Composed in 1875, Tchaikovsky composed 12 short character pieces depicting each month of the year. This arrangement of December brings up images of Christmas festivities. Ideal for the intermediate/advanced flautist.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.61€
December from The Seasons arranged for Alto Sax and Piano
December from The Seasons - Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Andrew Middleton
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December from The Seasons - Al
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Andrew Middleton
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.735232 Composed by Peter Ilyich Tchaikovsky. Arran...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.735232 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and parts. 12 pages. Andrew Middleton #4102931. Published by Andrew Middleton (A0.735232). Composed in 1875, Tchaikovsky composed 12 short character pieces depicting each month of the year. This arrangement of December brings up images of Christmas festivities. Ideal for the intermediate/advanced saxophonist.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.61€
On Mount Nebo (Tribute to Dr. M.L.King) for soprano, high baritone or tenor and piano
On Mount Nebo (Tribute to Dr. M.L.King) for soprano, high baritone or tenor and piano
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Piano, Voix
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AVANCÉ
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Maria Thompson Corley/William
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Maria Thompson Corley
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On Mount Nebo
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.845954 Composed by Maria Thompson Corley/William Steffe. Arranged by Maria Thompson Corley. Concert,Contemporary,H...
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Piano,Vocal,Voice - Level 5 - SKU: A0.845954 Composed by Maria Thompson Corley/William Steffe. Arranged by Maria Thompson Corley. Concert,Contemporary,Holiday,Patriotic. Score. 24 pages. Maria Thompson Corley #6679339. Published by Maria Thompson Corley (A0.845954). Commissioned by Julia Carey and Juventas Ensemble, this duet was premiered in early July of 2021 by Kelley Hollis, soprano, James Dargan, baritone, and Julia Carey, piano as a tribute to Dr. Martin Luther King. The title of the concert was Yearning to Breathe Free. Julia conceived of the idea of combining Dr. King's I've been to the mountaintop speech with Julia Ward Howe's Battle Hymn of the Republic, however, the rights to Dr. King's speech weren't made available in time. As a result, the composer wrote a poem based on the portion of Exodus to which King alluded in his famous speech, in which Moses is giving a final speech to the Israelites from Mount Nebo. He knows he won't be allowed to cross over, and so he urges his people to be courageous as they continue on without him. The opening is very dissonant, because the images of a terrible swift sword unleashing fateful lightning struck me as terrifying. After commanding the heavens to let him speak, Moses also acknowledges his fear, as well. As the piece progresses, the familiar Battle Hymn Melody appears, as does Go Down Moses.James Dargan, for whom the piece was written, has an unusual range. Alternate notes are provided, as a result. The piece starts at about 1:18:10 of the concert, which can be found on the Juventas website.
$14.99 ≈
13.85€
Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma Arandjelović
Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma Arandjelović
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Emma Arandjelović
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Derwen
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Masquerade Music
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contempo...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contemporary,Folk. Recorder Ensemble. 56 pages. Masquerade Music #966699. Published by Masquerade Music (A0.1382169). Published in February 2024, this delightful SATBB recorder quintet brings a refreshing new edition to ensemble repertoire lists. The three movement work (7'20 long total duration) was inspired by the mighty oak tree (Derwen in Welsh) and journeys on an exploration through roots, branches and leaves.Derwen is aimed at confident intermediate to advanced ensembles due to (sometimes) frequently changing time signatures and some more technically challenging phrases but also brings with it beautiful harmonies and changing moods.A note from the composer: The title of this piece, Derwen, is the Welsh word for an oak tree. Trees are traditional symbols of physical and spiritual nourishment or growth, with the oak in particular representing strength and longevity. This seemed to be a fitting inspiration for a commission born out of a long-standing musical collaboration and friendship, and so became the starting point for the composition. The piece begins with a simple melody in the lower voices (the ‘roots’) and gradually builds up the texture. The second movement explores the idea of intertwining branches, reaching higher and higher towards the sky. Finally, an off-balance rhythm in the final movement brings to mind the swirling and falling of leaves, eventually combining with elements from the first two movements to bring the piece full circle.Please view several samples and a full Youtube video (of the complete Sonata) by scrolling through the images. You will receive with this purchase; PDF Recorder parts (soprano/alto/tenor/bass 1/bass 2) PDF Score Derwen is also available as a traditional printed/posted edition, available here: Click here for the printed/posted edition
$15.99 ≈
14.77€
Beach Spring (for Flute and Violin Duet with Piano Accompaniment)
Beach Spring (for Flute and Violin Duet with Piano Accompaniment)
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Flûte, Violon, Piano
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FACILE
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Sharon Wilson
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.565917 By Sharon Wilson. By Benjamin White and Traditional. Arranged by...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.565917 By Sharon Wilson. By Benjamin White and Traditional. Arranged by Sharon Wilson. Children,Easter,Folk,Holiday,Sacred. Score and parts. 14 pages. Sharon Wilson #6575327. Published by Sharon Wilson (A0.565917). Here is an easy instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune composed by Benjamin F. White including Come, All Christians, Be Committed and God of Day and God of Darkness. Both the FLUTE and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the FLUTE on melody and the VIOLIN on harmony. The song concludes with the VIOLIN on melody and the FLUTE on harmony. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:00Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS. The range for each part is as follows: Part 1 (FLUTE) – F4 to A5; Part 2 (VIOLIN) – A3 to E5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (1 page each) and PIANO (3 pages)3. a combined FLUTE and VIOLIN score (2 pages)Cover Image Credit: captured by the arranger’s son while living on the Micronesia island of Yap
$5.99 ≈
5.53€
Beach Spring (for Violin and Cello Duet with Piano Accompaniment)
Beach Spring (for Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Sharon Wilson
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565918 By Sharon Wilson. By Benjamin Franklin White and Traditional. Arranged by Sharo...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565918 By Sharon Wilson. By Benjamin Franklin White and Traditional. Arranged by Sharon Wilson. Easter,Folk,Holiday,Sacred,Traditional. Score and parts. 14 pages. Sharon Wilson #6575555. Published by Sharon Wilson (A0.565918). Here is an easy instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune composed by Benjamin F. White including Come, All Christians, Be Committed and God of Day and God of Darkness. Both the VIOLIN and CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the VIOLIN on melody and the CELLO on harmony. The song concludes with the CELLO on melody and the VIOLIN on harmony. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:00The range for each instrument is as follows: VIOLIN – Bâ™3 to D5; CELLO – Bâ™2 to D4. For both the VIOLIN and CELLO, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (1 page each) and PIANO (3 pages)3. a combined VIOLIN and CELLO score (2 pages)Cover Image Credit: captured by the arranger’s son while living on the Micronesia island of Yap
$5.99 ≈
5.53€
Reflections on Europa for clarinet and piano
Reflections on Europa for clarinet and piano
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Clarinette
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AVANCÉ
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Julietta Anne Rabens
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Reflections on Europa for clar
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Juliettamusic
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.867175 Composed by Julietta Anne Rabens. Concert,Contemporary. Individual part. 46 pages. Juliettamusic #1750225. Publ...
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Clarinet Solo - Level 5 - SKU: A0.867175 Composed by Julietta Anne Rabens. Concert,Contemporary. Individual part. 46 pages. Juliettamusic #1750225. Published by Juliettamusic (A0.867175). The ice covered Europa is one of the principle moons of Jupiter. The sound world, which is meant to evoke this frigid environment, is created by using the high registers of both the clarinet and piano and by using square, metrical, brittle rhythms. In the first two movements, motives, and sometimes entire sections, are repeated in retrograde or inversion to further enhance this image of reflective ice. There is a progression from atonal writing which contains many chromatic passages in the first movements to more modal writing in the last movements. This narrowing of pitch material is intended to evoke a movement from the impersonal to the personal. The poetic idea behind the piece begins with an image of a moon in complete isolation which then makes a connection with the distant stars, and then the not so distant clouds surrounding the giant Jupiter which hangs heavily in its sky, and finally with an inward awakening of oceans which could be filled with life beneath the surface of ice. This intended for performers with an advanced level of skill.
$15.00 ≈
13.86€
Murray - Image - Piano
Murray - Image - Piano
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Piano seul
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INTERMÉDIAIRE
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TK Tim Murray
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tkmurraycomp@aol.com
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Murray - Image - Piano
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TK
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.823985 Composed by TK Tim Murray. 20th Century,Concert. Score. 4 pages. TK (Tim) Murray #4762477. Published by TK (Tim) M...
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Piano Solo - Level 3 - SKU: A0.823985 Composed by TK Tim Murray. 20th Century,Concert. Score. 4 pages. TK (Tim) Murray #4762477. Published by TK (Tim) Murray (A0.823985). 'Image' is a beautiful, thoughtful and reflective work of moderate difficulty. Ideal for a calm moment in a recital. (c. 6 mins) Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$7.95 ≈
7.34€
Lord, I’m Coming Home (for Flute and/or Violin Duet with Piano Accompaniment)
Lord, I’m Coming Home (for Flute and/or Violin Duet with Piano Accompaniment)
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Accompagnement Piano
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FACILE
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Sharon Wilson
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Sharon Wilson
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Lord, I’m Coming Home
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.565985 By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon ...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.565985 By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon Wilson. Country,Easter,Praise & Worship,Romantic Period,Sacred. Score and parts. 21 pages. Sharon Wilson #6679691. Published by Sharon Wilson (A0.565985). Here is a peacefully flowing instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the tender invitation hymn Lord, I’m Coming Home by William J. Kirkpatrick. This early-intermediate arrangement is written in 3/4 time as opposed to the standard 4/4 time. The song begins in the key of C major then during a short PIANO interlude, it transitions to and concludes in the key of F major.All three instruments lead with the melody at times, even the PIANO. The FLUTE carries the melody for the first verse and then all three instruments alternate leading with the melody for the second verse. This peaceful, touching instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:45Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS or 2 FLUTES. The range for each part is as follows: Part 1 (FLUTE) – G4 to A5; Part 2 (VIOLIN) – C4 (middle C) to A5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (3 pages) Cover Image Credit: captured by the arranger near Spokane, Washington
$5.99 ≈
5.53€
Standing Before My Savior -- Four Voice Package
Standing Before My Savior -- Four Voice Package
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Puccini, Mark J
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Eric L
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Standing Before My Savior -- F
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Shining Sharon Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.886624 Composed by Puccini, Mark J. Stoddard. Arranged by Eric L. Stoddard. Sacred,Spiritual. Score. 13 pages. Shi...
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Piano,Vocal,Voice - Level 4 - SKU: A0.886624 Composed by Puccini, Mark J. Stoddard. Arranged by Eric L. Stoddard. Sacred,Spiritual. Score. 13 pages. Shining Sharon Music #2945785. Published by Shining Sharon Music (A0.886624). Lyrics by Mark J. StoddardMusic by PucciniArrangement by Eric L. StoddardThe lyrics for Standing Before My Savior are clothed in the great Puccini aria, O Mio Babbino Caro. It creates the image of you standing before the Savior after you leave this earth life in a tender scene. Puccini's ethereal music deserves to be sung in sacred venues but his Italian lyrics about a spoiled girl who is threatening her father that she'll jump off a bridge if he won't let her go meet her boyfriend are not appropriate for a sacred setting. Standing Before My Savior is a way to sing this heavenly song in a sacred setting.SOPRANO SOLO [Key of A]MEZZO SOLO [Key of F]TENOR SOLO [Key of G]BARITONE SOLO [Key of Eb)ALL FOUR Vocal Solos (above) in 1 document (ideal for music teachers, coaches and professional tutors who have multiple students wanting to use the same arrangement)The demo for this setting actually has a Baritone singing. There are also demos of the Soprano and Baritone settings on YouTube.
$12.95 ≈
11.96€
Like a River Glorious (Easy Violin and Cello Duet with Piano Accompaniment)
Like a River Glorious (Easy Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Sharon Wilson
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Sharon Wilson
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Like a River Glorious
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565982 By Sharon Wilson. By James Mountain. Arranged by Sharon Wilson. Children,Praise...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565982 By Sharon Wilson. By James Mountain. Arranged by Sharon Wilson. Children,Praise & Worship,Romantic Period,Sacred,Standards. Score and parts. 14 pages. Sharon Wilson #6672131. Published by Sharon Wilson (A0.565982). Here is an easy instrumental trio arrangement (for CELLO and VIOLIN duet with PIANO accompaniment) of the peaceful hymn Like a River Glorious by James Mountain. Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the VIOLIN playing melody and the CELLO on harmony. The verse concludes with the CELLO on melody and the VIOLIN on harmony. This gently flowing instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration just over 2 minutes.The range for each part is as follows: VIOLIN – C5 to A5; CELLO – G2 to C4 (middle C). All notes for both the VIOLIN and CELLO are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (1 page each) and PIANO (3 pages)3. a combined CELLO and VIOLIN score (2 pages)Cover Image Credit: captured by the arranger in Washington state’s Alpine Lakes Wilderness
$5.99 ≈
5.53€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
23.97€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.43€
C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
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Orchestre
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Classique
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. P...
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Full Orchestra - SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. Published by Arkady Leytush (A0.1008373). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00 ≈
23.10€
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
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Orchestre
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Classique
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. P...
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Full Orchestra - SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. Published by Arkady Leytush (A0.1008371). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00 ≈
23.10€
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