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‘Bout da Bass
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Vous avez sélectionné:
‘Bout da Bass
Partitions à imprimer
21 partitions trouvées
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1
‘Bout da Bass
‘Bout da Bass
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Piano seul
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Contemporain
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Thomas Ling Swee Chin
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‘Bout da Bass
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - SKU: A0.818505 Composed by Thomas Ling Swee Chin. Contemporary. Score. 3 pages. Thomas Swee Chin #6212079. Published by Thomas Swee Chin (A...
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Piano Solo - SKU: A0.818505 Composed by Thomas Ling Swee Chin. Contemporary. Score. 3 pages. Thomas Swee Chin #6212079. Published by Thomas Swee Chin (A0.818505). This piano piece starts with a descending bass line of 4 notes. It’s repeated over as a cohesive motif for the whole piece. That’s why the title was chosen. The main body has a 2 part texture. .
$4.99 ≈
¥36.29
Bassoon Quartet - Super Flumina Babylonis
Bassoon Quartet - Super Flumina Babylonis
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4 Bassons
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INTERMÉDIAIRE
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the Rivers of Babylon as you'v
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Giovanni Pierluigi da Palestri
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Mike Lyons
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Bassoon Quartet - Super Flumin
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - SKU: A0.767506 Composed by Giovanni Pierluigi da Palestrina. Arranged by Mike Lyons. Christian,Re...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - SKU: A0.767506 Composed by Giovanni Pierluigi da Palestrina. Arranged by Mike Lyons. Christian,Renaissance. 10 pages. Lyons Music Services #4804109. Published by Lyons Music Services (A0.767506). By the Rivers of Babylon as you've probably never heard it before! Long before (about 500 years) Boney M, Palestrina made this glorious setting of the biblical text from Psalm 137.
$5.99 ≈
¥43.56
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Andersen Viana
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Andersen Viana: Quartet for fl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546). This seven minute modernist work uses both structured and aleatoric elements. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$19.95 ≈
¥145.08
Da Natinitip Sanggar
Da Natinitip Sanggar
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Nahum Situmorang
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Otniel Simangunsong
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Da Natinitip Sanggar
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Otniel Simangunsong
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1247407 Composed by Nahum Situmorang. Arranged by Otniel Simangunsong. A Cappella,Contest,Festival,Folk,R...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1247407 Composed by Nahum Situmorang. Arranged by Otniel Simangunsong. A Cappella,Contest,Festival,Folk,Romantic Period,Traditional. 17 pages. Otniel Simangunsong #842044. Published by Otniel Simangunsong (A0.1247407). Da Natinitip Sanggar is a folksong originated from North Sumatra, Indonesia. This song was composed by Nahum Situmorang (1908 - 1969). He is a composer and musician. In his entire life, Nahum never worked as an employee of the Dutch colonial government. During his youth, he had won many song competitions, including Sumatra Keroncong Concours in Medan (1936). Nahum's skill in creating his own songs as well as singing them made many people admire him. Nahum is able to play a variety of musical instruments and has his own band. Nahum also often creates songs when in the middle of a crowd. Nahum was most prolific in composing songs from 1950 to 1960. Historically, Nahum has never married in his entire life. However, from several sources, Nahum stated that he once loved a woman but he did not reveal it. This song tells about the romantic story of a man who seduces the woman he loves. He fell in love at the first sight and tried to find out about the woman's family. This song is a collection of rhymes called Umpasa in Batak language. The lyrics of this song are closely related to the culture of the Batak tribe, especially about the family tree known as Tarombo. Men and women are not allowed to marry if both are of them are from the same descendant ( one surname / one family tree). Based on this culture, the song Da Natinitip Sanggar shows a man's curiosity about a woman's surname and her biological mother's surname to find out whether they came from the same family tree because if a woman's family name is the same as the man's biological mother's name, it is considered a mate. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. This Da Natinitip Sanggar song is packaged as a A Capella choral score which is Soprano, Mezosoprano, Alto, Tenor, Bariton, and Bass. This arrangement features the style of Batak musical instruments such as Taganing, Ogung, and Sarune.
$4.20 ≈
¥30.54
Ob-la-di, Ob-la-da
Ob-la-di, Ob-la-da
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Rock
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The Beatles
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Daniel S
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Ob-la-di, Ob-la-da
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Daniel S. Augustine
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.837242 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daniel S. Augustine. Multicultural,World. Score...
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Large Ensemble - Level 3 - SKU: A0.837242 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daniel S. Augustine. Multicultural,World. Score and parts. 36 pages. Daniel S. Augustine #6077397. Published by Daniel S. Augustine (A0.837242). Lennon & McCartney travel to Texas for a south-of-the-border polka (‘banda’ style), with echoes of Bobby Vinton, in this arrangement of Ob-La-Di, Ob-La-Da for a small German (or Pep) Band. Flexible instrumentation for 2 Clarinets, Alto Sax, 2 Trumpets, Eb Alto/Tenor Horn (plus Horn in F), Trombone, Euphonium (both bass and treble clef; plus double for Tenor Sax), Tuba (plus String Bass), Accordion (or Piano), Drums. Intermediate level. Duration: about 1’40.
$25.00 ≈
¥181.80
Ob-la-di, Ob-la-da
Ob-la-di, Ob-la-da
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Rock
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The Beatles
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Harry Salotti
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Ob-la-di, Ob-la-da
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Harry Salotti
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 3 - SKU: A0.1092419 By The Beatles. By John Lennon and Paul McCartney. Arranged by Harry Salotti. 20th Century,Chi...
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Brass Ensemble Euphonium,Tuba - Level 3 - SKU: A0.1092419 By The Beatles. By John Lennon and Paul McCartney. Arranged by Harry Salotti. 20th Century,Children,Contemporary,Pop,Rock. Score and parts. 8 pages. Harry Salotti #696504. Published by Harry Salotti (A0.1092419). Ob-la-di, Ob-la-da for Tuba/Euphonium Quartet is fun to play and will be a great hit with your audiences. The range of the Euphonium parts do not go past G above middle C. The 1st Tuba part can be played on an F, Eb or C tuba. The 2nd Tuba part can be played on a Bb or C Tuba. The length of the arrangement is about 2:40. The Euphoniums and the 1st Tuba all get an equal share of playing the melody. The bass line is divided between the Tubas so the 2nd player gets a fair amount of rests. Have a look at the score and listen to the audio file (pages 3 and 4 of the score, 30 secs.). Ob-la-di, Ob-la-da is a piece you will perform on a regular basis. If you are going to program one song by the Beatles, this is it.
$12.99 ≈
¥94.46
Ritual Fire Dance for Tuba or Bass Trombone & Piano
Ritual Fire Dance for Tuba or Bass Trombone & Piano
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Tuba et Piano
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AVANCÉ
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Manuel de Falla
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Ralph Sauer
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Ritual Fire Dance for Tuba or
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.792596 Composed by Manuel de Falla. Arranged by Ralph Sauer. 20th Century,Folk,Multicultural,Romantic Period,World. Score...
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Piano,Tuba - Level 5 - SKU: A0.792596 Composed by Manuel de Falla. Arranged by Ralph Sauer. 20th Century,Folk,Multicultural,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #5010355. Published by Gordon Cherry (A0.792596). The Ritual Fire Dance by Manuel da Falla is taken from the ballet El amor brujo (The Bewitched Love) written in 1915. The work was influenced by a traditional dance used to worship the fire-god where the participants involved would jump or leap through fire. Candela, a gypsy girl performs this Ritual Fire Dance causing a ghost to appear. She begins to dance with the ghost whirling faster and faster until the ghost is pulled into the fire, causing it to disappear. This brilliant arrangement of about four and one half minutes is written for advanced performers.
$22.50 ≈
¥163.62
Six Sonatas
Six Sonatas
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2 Violons et Basse continue
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DÉBUTANT
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Georg Philipp Telemann
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Six Sonatas
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Schott Music - Digital
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SheetMusicPlus
2 violins and basso continuo; cello (viola da gamba) ad libitum - very easy - SKU: S9.Q2313 Composed by Georg Philipp Telemann. This edition: Sheet musi...
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2 violins and basso continuo; cello (viola da gamba) ad libitum - very easy - SKU: S9.Q2313 Composed by Georg Philipp Telemann. This edition: Sheet music. Baroque - chamber music - violin. Downloadable. Op. 1. Schott Music - Digital #Q2313. Published by Schott Music - Digital (S9.Q2313). Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$18.99 ≈
¥138.09
Chevalier De Sangreal
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00 ≈
¥1090.79
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Carl Friedrich Abel 1723 - 87
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C.F. ABEL TRIO No. 1 in G WK 9
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811678 Composed by Carl Friedrich Abel 1723 - 87. Arranged by edited and arranged b...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - SKU: A0.811678 Composed by Carl Friedrich Abel 1723 - 87. Arranged by edited and arranged by Pat Spence. Classical,Concert,Standards. Score and parts. 45 pages. Piper Publications #3454519. Published by Piper Publications (A0.811678). Composed for the Earl of Abingdon London during the 1760s, this trio was written for a pair of flutes and cello or viola da gamba. Abel would have played the gamba part. It was the first of four trios which were afterwards published and sold by John Preston at his music Warehouse. This would have been an additional source of income for Abel. When the trios were played at the musical gatherings of John Preston's customers the parts would be played on whatever instruments were available, the flute parts on oboes, violins or even clarinets which were then pitched in C. A bassoon might be substituted for the cello . With versatility in mind I have included alternative parts: for clarinet in Bb in lieu of flute 2; clarinet in Bb or Bass clarinet in lieu of cello. All parts are well within the abilities of players of about grade 6 ABRSM.
$15.00 ≈
¥109.08
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
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Flûte traversière
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INTERMÉDIAIRE
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Idalmo Santos
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Idalmo Santos
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Gaúcho - Corta-Jaca By
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Idalmo Santos
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultu...
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Flute Solo - Level 3 - SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$1.99 ≈
¥14.47
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
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Orchestre d'harmonie
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FACILE
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Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By
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Idalmo Santos
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World...
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Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33 ≈
¥96.94
Palo Alto Grand March
Palo Alto Grand March
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Piano seul
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Thomas H
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Samuel W
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Palo Alto Grand March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.21441 Composed by Thomas H. Chambers. Arranged by Samuel W. Bassford. Mexican War, Portraits, Military officers, Eagles, Campaigns & bat...
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Piano - SKU: LV.21441 Composed by Thomas H. Chambers. Arranged by Samuel W. Bassford. Mexican War, Portraits, Military officers, Eagles, Campaigns & battles, Cannons, Horseback riding. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21441). Palo Alto Grand March. Composed by Thomas H. Chambers. Arranged by Samuel W. Bassford. Published 1846 by Wm. Vanderbeek, 385 Broadway in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Mexican War, Portraits, Military officers, Eagles, Campaigns & battles, Cannons, Horseback riding. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥43.56
Not a Bb ballad - trombone quartet with odd-metering skills
Not a Bb ballad - trombone quartet with odd-metering skills
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Sophia Johanna
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jazzy subtune
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Not a Bb ballad - trombone qua
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Sophia Transistor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.851115 Composed by Sophia Johanna. Contemporary,Jazz,World. Score and parts. 22 pages. Sophia Transistor #35...
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Brass Ensemble Trombone - Level 4 - SKU: A0.851115 Composed by Sophia Johanna. Contemporary,Jazz,World. Score and parts. 22 pages. Sophia Transistor #3516559. Published by Sophia Transistor (A0.851115). It's a composition for trombone quartet featuring odd-metering phrasing for at least one advanced player.It is a kind of etude for trombone that makes use of large intervals and odd-meter phrasing.Rhythmic bassy lines create the feeling of an instrumentation that is far beyond the one of a solid classical trombone quartet.Indead this piece has a funky & jazzy subtune.Here is a playalong on Youtube:https://youtu.be/n8zK4_HgyWMGerman description:Ja, also, das Stück hier ist für ein Posaunenquartett und ein sehr überbewerteter Posaunist kann darin sein Können beim odd-meter phrasing beweisen.Es ist aber machbar. Zumindest ich selber kanns auch spielen, dann kriegt ihr das auch hin.Das Stück ist auch sehr rhythmisch und hat viele Basslinien, die den Eindruck vermitteln, dass da nicht nur ein ödes klassisches Posaunenquartet am Werk ist, sondern echte weltoffene Instrumente.Ich möchte fast behaupten, dass das Stück einen funkigen und jazzigen Unterton besitzt.Danke fürs Interesse, bin wirklich sehr stolz drauf.Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$3.28 ≈
¥23.85
Voar
Voar
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Musique Sacrée
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Marcela Tais
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Josiel Oliveira
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Voar
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M das Melodias
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SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - SKU: A0.1181660 By Marcela Tais. By Ivanilton De Souza Lima and Marcela Tais Munhoz Pinto. Arrange...
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String Quintet Cello,Double Bass,Piano,Viola,Violin - SKU: A0.1181660 By Marcela Tais. By Ivanilton De Souza Lima and Marcela Tais Munhoz Pinto. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. 22 pages. M das Melodias #781450. Published by M das Melodias (A0.1181660). Voar is a song by Brazilian singer Marcela Tais, released in 2018 on her album Sobrevivente. The song talks about the need to overcome difficulties and move forward, flying like an eagle above problems and adverse circumstances in life. The lyrics are uplifting and encouraging, inviting the listener to trust in God and believe in themselves to achieve their dreams and goals. The song is marked by the powerful voice of Marcela Tais and a mix of pop and contemporary gospel music.Voar é uma canção da cantora brasileira Marcela Tais, lançada em 2018 em seu álbum Sobrevivente. A música fala sobre a necessidade de superar as dificuldades e seguir em frente, voando como uma águia acima dos problemas e das circunstâncias adversas da vida. A letra é inspiradora e encorajadora, convidando o ouvinte a confiar em Deus e acreditar em si mesmo para alcançar seus sonhos e objetivos. A música é marcada pela voz potente de Marcela Tais e por uma mistura de pop e música gospel contemporânea.
$12.99 ≈
¥94.46
Concerto D minor
Concerto D minor
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Allesandro Marcello
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Concerto D minor
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Schott Music - Digital
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SheetMusicPlus
Oboe (violin), strings and basso continuo (harpsichord/organ); cello (viola da gamba) ad libitum - intermediate - SKU: S9.Q5186 Composed by Allesandro M...
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Oboe (violin), strings and basso continuo (harpsichord/organ); cello (viola da gamba) ad libitum - intermediate - SKU: S9.Q5186 Composed by Allesandro Marcello. This edition: piano reduction with solo part. Concerto - oboe - oboe library. Oboe Library. Downloadable, Piano reduction with solo part. Schott Music - Digital #Q5186. Published by Schott Music - Digital (S9.Q5186). Key: D minor.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$13.99 ≈
¥101.73
Sonata C minor
Sonata C minor
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Classique
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Antonio Vivaldi
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Sonata C minor
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Schott Music - Digital
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SheetMusicPlus
Oboe (violin, flute) and basso continuo (cello, viola da gamba) - intermediate to advanced - SKU: S9.Q266 Composed by Antonio Vivaldi. This edition: She...
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Oboe (violin, flute) and basso continuo (cello, viola da gamba) - intermediate to advanced - SKU: S9.Q266 Composed by Antonio Vivaldi. This edition: Sheet music. Antique - Duos - Collection of old music - trios. Antiqua. Downloadable. Schott Music - Digital #Q266. Published by Schott Music - Digital (S9.Q266). Key: C minor.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$13.99 ≈
¥101.73
Trio D major
Trio D major
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Christoph Schaffrath
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Trio D major
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Schott Music - Digital
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SheetMusicPlus
Flute, cello (viola da gamba) and basso continuo - easy - SKU: S9.Q10919 Composed by Christoph Schaffrath. This edition: Sheet music. Il Flauto traverso...
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Flute, cello (viola da gamba) and basso continuo - easy - SKU: S9.Q10919 Composed by Christoph Schaffrath. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q10919. Published by Schott Music - Digital (S9.Q10919). Key: D major.The composer was one of the circle of musicians and composers gathered about the music-loving Frederic II of Prussia. As early as 1734 the Crown Prince mentioned his name as a member of the Ruppin orchestra.. Schaffrath may be singled out as one of the most interesting and innovative composers of the Berlin circle. The trio appears in print for the first time in this edition.
$18.99 ≈
¥138.09
Ritual Fire Dance for Euphonium and Piano
Ritual Fire Dance for Euphonium and Piano
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Euphonium
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AVANCÉ
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Manuel de Falla
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Sauer, Ralph
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Ritual Fire Dance for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium Solo - Level 5 - SKU: A0.792033 Composed by Manuel de Falla. Arranged by Sauer, Ralph. 20th Century. Individual part. 16 pages. Gordon Cherry ...
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Euphonium Solo - Level 5 - SKU: A0.792033 Composed by Manuel de Falla. Arranged by Sauer, Ralph. 20th Century. Individual part. 16 pages. Gordon Cherry #2069607. Published by Gordon Cherry (A0.792033). The Ritual Fire Dance by Manuel da Falla is taken from the ballet El amor brujo (The Bewitched Love) written in 1915. The work was influenced by a traditional dance used to worship the fire-god where the participants involved would jump or leap through fire. Candela, a gypsy girl performs this Ritual Fire Dance causing a ghost to appear. She begins to dance with the ghost whirling faster and faster until the ghost is pulled into the fire, causing it to disappear. This brilliant arrangement of about four and one half minutes is written for advanced performers. Solo parts are supplied in bass and treble clef.
$17.50 ≈
¥127.26
Gaúcho - Corta Jaca (Brazilian Music)
Gaúcho - Corta Jaca (Brazilian Music)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...
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String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00 ≈
¥145.44
Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Ragtime
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Pat Holmberg
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Ragtime Miniatures for Two Flu
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Patricia Tanttila Holmberg
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SheetMusicPlus
Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg ...
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Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99 ≈
¥72.65
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‘Bout da Bass
