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...called dusk
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Vous avez sélectionné:
...called dusk
Partitions à imprimer
5 partitions trouvées
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1
...called dusk
...called dusk
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Violoncelle, Piano
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AVANCÉ
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Detlev Mueller-Siemens
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...called dusk
#
Schott Music - Digital
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SheetMusicPlus
Cello and piano - difficult - SKU: S9.Q19875 For cello and piano. Composed by Detlev Mueller-Siemens. This edition: performance score. Downloadab...
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Cello and piano - difficult - SKU: S9.Q19875 For cello and piano. Composed by Detlev Mueller-Siemens. This edition: performance score. Downloadable, performance score. Duration 18 minutes. Schott Music - Digital #Q19875. Published by Schott Music - Digital (S9.Q19875). The title '…called dusk' quotes the last line of the prose fragment 'Lessness' by Samuel Beckett: 'Figment dawn dispeller of figments and the other called dusk'. As regards the compositional structure, the three movements of the work written 'in memoriam György Ligeti' are based on the tones of a Kaddish which, however, cannot literally be heard but, with the fingertips placed on the cello strings, generate artificial harmonics of totally different sequences of tones.
$33.99 ≈
31.33€
...called dusk II
...called dusk II
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Detlev Mueller-Siemens
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...called dusk II
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Schott Music - Digital
#
SheetMusicPlus
String quartet - difficult - SKU: S9.Q20907 For string quartet. Composed by Detlev Mueller-Siemens. This edition: score and parts. Downloadable, ...
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String quartet - difficult - SKU: S9.Q20907 For string quartet. Composed by Detlev Mueller-Siemens. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q20907. Published by Schott Music - Digital (S9.Q20907). ...called dusk II for string quartet draws its inspiration from a line in Samuel Beckett’s short story Lessness: 'Figment dawn dispeller of figments and the other called dusk'. The work is a kind of double Chaconne, each part of which contains 26 chords based on specific permutations of fundamental notes and their harmonics. Each of the parts pass through alternating, harmonically contrasted planes, becoming entwined in the manner of a chimera through their rhythmic structure and dynamics. This intermittently produces a sort of ‘inner voice’ which runs through all four instruments. The fundamental notes and harmonics separate during the progress of the composition, becoming independent and then disintegrating. The consonant harmony resulting from the amalgamation of the two planes ultimately collapses into a rigid motor-like linearity. Detlev Müller-Siemens.
$55.99 ≈
51.61€
...called dusk V
...called dusk V
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Violon
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AVANCÉ
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Detlev Mueller-Siemens
#
...called dusk V
#
Schott Music - Digital
#
SheetMusicPlus
Violin solo - difficult - SKU: S9.Q24590 Composed by Detlev Mueller-Siemens. This edition: Sheet music. Violin Library. Downloadable. Duration 8 minutes...
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Violin solo - difficult - SKU: S9.Q24590 Composed by Detlev Mueller-Siemens. This edition: Sheet music. Violin Library. Downloadable. Duration 8 minutes. Schott Music - Digital #Q24590. Published by Schott Music - Digital (S9.Q24590).
$7.99 ≈
7.37€
Setting the Watch for Concert Band
Setting the Watch for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Boag
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Setting the Watch for Concert
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Graham Boag
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #6784...
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Concert Band - Level 3 - SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #678469. Published by Graham Boag (A0.1074188). I originaly wrote this march for Brass Band. It's called 'Setting the Watch' and is inspierd by the Ripon Hornblower with the tradition going back over a thousand years to Saxon times when Viking raids were common occurrences and people lived in fear of their property, livestock and even lives being lost in night-time attacks. In 886, the English King was Alfred the Great and he made it his mission to visit his people bringing a message of safety and stability. In Ripon he granted the people a Royal Charter and gave them a symbolic horn as a gift, advising them that they should be always alert to the dangers of invaders. The people of Ripon decided to employ a night watchman that they called a “wakemen†to patrol from dusk until dawn ready to sound the horn gifted by the King should he spot any trouble approaching. For further reassurance, the wakeman sounded the horn at each of the four corners of the market place at 9pm every night to let the people know that he was on duty and they could sleep easily. This sounding of the horn at 9pm became known as setting the watch.
$39.99 ≈
36.86€
A Treatise on the Astrolabe
A Treatise on the Astrolabe
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Contemporain
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Kyle Rowan
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A Treatise on the Astrolabe
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Penguinman Music
#
SheetMusicPlus
Small Ensemble Double Bass,High Voice,Multi-Percussion - SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Mus...
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Small Ensemble Double Bass,High Voice,Multi-Percussion - SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Music #6097405. Published by Penguinman Music (A0.1023054). The only one of Chaucer’s works that is scientific, not literary, in nature, A Treatise on the Astrolabe represents the oldest known English-language scientific manual and is a personal manual for his son on how to use an astrolabe, an ancient astronomical instrument. The that this work was created for a practical rather than artistic purpose was particularly appealing – it called to mind Walter Miller’s A Canticle for Leibowitz, when Brother Francis creates an illumination of a relic of St. Leibowitz, unaware that the relic was in fact a simple, and quite ordinary, circuit diagram.Presented here are seven songs divided among four parts. The first part, Prelude, contains one song, a setting of Chaucer’s personal introduction to his son, Lewis. The second, Here Begynneth the descripcioun of thin Astrolabie, contains three songs describing various components of the astrolabe. The worken the verrey pracktik of the forseide conclusions follows with two songs explaining the use of the astrolabe to calculate the position of the sun and the time of dawn and dusk; here, the words are spoken rather than sung. Postlude concludes the work in a style reminiscent of the opening, unmeasured material, using for its text the humble conclusion to Chaucer’s introduction.I am very grateful to soprano Tiffany DuMouchelle and percussionist Steve Solook, who I first approached in 2011 about a potential Chaucer cycle, as well as bassist Scott Worthington, who came to the project later but no less enthusiastically; without their support this piece would not have been possible.With the purchase, you are authorized to print a copy of the score for each member of the ensemble for the purposes of rehearsal and performance. For best results print on 11x17 tabloid size paper, landscape orientation.
$45.00 ≈
41.48€
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...called dusk
