Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Father's Lament
Non classifié
3
Piano & claviers
Piano seul
3
Piano, Voix
1
Instruments en Do
1
Guitares
Voix
Chorale SATB
5
Chorale 3 parties
1
Vents
Flûte à bec Tenor
1
Cuivres
Cordes
Alto, Piano
1
Percussions & orchestre
Ensemble de cuivres
1
Ensemble Jazz
1
Orchestre d'harmonie
1
Orchestre
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
187 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
A Father's Lament
Partitions à imprimer
20 partitions trouvées
<
1
A Father's Lament (Opus 396) (Treble)
A Father's Lament (Opus 396) (Treble)
#
Flûte à bec Tenor
#
INTERMÉDIAIRE
#
Daniel Hay
#
A Father's Lament
#
Daniel Hay Music
#
SheetMusicPlus
Recorder Solo,Tenor Recorder - Level 3 - SKU: A0.1036188 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. D...
(+)
Recorder Solo,Tenor Recorder - Level 3 - SKU: A0.1036188 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #641292. Published by Daniel Hay Music (A0.1036188). This lament by Daniel Hay was written for Tenor Recorder and certainly is playable by Oboe. The audio sample is voiced in Oboe. The YouTube link is to the composer in a live performance playing an Aulos Alto (resin) recorder. Also available in bass clef for cello or bassoon, etc.
$2.29
They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus
They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus
#
G
#
They've Sold Me Down the River
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3579 Composed by G. Friedrich Wurzel. African Americans, Dialects, Slavery, Fathers & children, Spouses...
(+)
Piano and voice (solo and SATB chorus) - SKU: LV.3579 Composed by G. Friedrich Wurzel. African Americans, Dialects, Slavery, Fathers & children, Spouses, Grief, Death, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3579). They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus. Composed by G. Friedrich Wurzel. Published 1853 by William Hall & Son, 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include African Americans, Dialects, Slavery, Fathers & children, Spouses, Grief, Death, Heaven. First line reads They've sold me down the river, and I must parted be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
THE CHRISTMAS CAROL MUSICAL (a new version of this classic story)
THE CHRISTMAS CAROL MUSICAL (a new version of this classic story)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Dennis A
#
THE CHRISTMAS CAROL MUSICAL
#
Tyne Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #5889575. Published by Tyne Music (A0.999351). THE CHRISTMAS CAROL MUSICAL:- Who better to write the libretto for this classical Christmas story, than the author?Taking the the actual dialogue from the Charles Dickens novel I’ve added an original score. This musical play is another in the TYNEONSTAGE series of family orientated stage musicals and will be ideal for any senior school or college looking for something different to add to their festive programme. There are ten original descriptive songs for both solo artists and choristers. Even though this story has been adapted and presented in many different ways, I would like to add this, my own version, as a tribute to one of the giants of the literary world. This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/the-christmas-carol-musicalP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation.SONG TITLES 1) Bah Humbug! 2) Hey Ding a Dong 3) Marley’s Lament 4) Today is Born a King 5) The Christmas {olka 6) Without Love 7) An Old Fashioned Christmas 8) My Father 9) A Winter’s Morning10) Thoughts of Christmas
$55.00
Father, Forgive Them
Father, Forgive Them
#
Musique Sacrée
#
Lewis A
#
Father, Forgive Them
#
Lewis A. Kocher
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pag...
(+)
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!
$3.99
Hope Prevails
Hope Prevails
#
Ensemble de cuivres
#
His Own Hand - 4:26 in length:
#
Arwyn Bailey
#
Hope Prevails
#
Galactic Publishers Limited
#
SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
(+)
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Now I See
Now I See
#
Instruments en Do
#
FACILE
#
Musique Sacrée
#
Chris Blanton, Matt McCoy, Wad
#
Now I See
#
Chris Blanton Music
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1235360 Composed by Chris Blanton, Matt McCoy, Wade Huggins. Christian,Folk,Praise & Worship,Religious. Lead Sheet / Fa...
(+)
C Instrument - Level 2 - SKU: A0.1235360 Composed by Chris Blanton, Matt McCoy, Wade Huggins. Christian,Folk,Praise & Worship,Religious. Lead Sheet / Fake Book. 2 pages. Chris Blanton Music #830891. Published by Chris Blanton Music (A0.1235360). What starts as a lament from Psalm 73 turns into an encouraging recognition of the Father's welcoming! This piece can easily be facilitated with a simple acoustic-and-voice presentation, or complimented with a light band. Add even more instrumentation building the Bridge, and soar into a massive declaration of a Double Chorus at the end!
$1.99
Fourteen Angels (Downloadable Harp [Piano]/Choral Score)
Fourteen Angels (Downloadable Harp [Piano]/Choral Score)
#
Chorale SATB
#
FACILE
#
Jeffrey Van
#
Fourteen Angels
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir and harp (or piano) or guitar - Moderately Easy - SKU: MQ.8461-E Composed by Jeffrey Van. Advanced/Collegiate. Christmas, Memorial, 21st Cent...
(+)
SATB choir and harp (or piano) or guitar - Moderately Easy - SKU: MQ.8461-E Composed by Jeffrey Van. Advanced/Collegiate. Christmas, Memorial, 21st Century, Hope/Assurance, Lament/Grief/Sorrow. Guitar/choral score. 8 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8461-E. Published by E. C. Schirmer Music Company - Digital (MQ.8461-E). UPC: 600313484612. English.The intertwining of friendship and the guitar engendered this composition. Christine and Jerry da Silva are close friends of Kurt Wolf, with whom Jerry studies guitar; Kurt is my close friend, who studied with me for his MM in classical guitar at the University of Minnesota. Following the tragic loss of their infant daughter, Elena, at the age of one month, Kurt commissioned this work for chorus and guitar to offer his friends the gift of something lasting in the face of impermanence. As requested, I incorporated the Catalan carol, El Noi de la Mare, which is also famous as a guitar solo. It was always the father's intention that this gift would eventually be placed in service as a soothing lullaby, one
$2.25
Endless Night
Endless Night
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Hans Zimmer, Jay Rifkin, Julie
#
Jason Liu
#
Endless Night
#
Jason Liu
#
SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 3 - SKU: A0.1468653 Composed by Hans Zimmer, Jay Rifkin, Julie Taymor, and Lebo M. Arranged by Jason Liu. Broadwa...
(+)
Choral Choir,Choral,SAB Chorus - Level 3 - SKU: A0.1468653 Composed by Hans Zimmer, Jay Rifkin, Julie Taymor, and Lebo M. Arranged by Jason Liu. Broadway,Children,Film/TV,Multicultural,Musical/Show,Pop,World. 11 pages. Jason Liu #1046895. Published by Jason Liu (A0.1468653). Endless Night is a song taken from the popular musical The Lion King, an adaptation of the Disney 1994 film. The song situates itself at a moment when Simba laments his father's death, and gradually regains hope and power towards reclaiming the Pride Lands. The arrangement for SAB choir is based on the original soundtrack, with abridged lyrics and the key transposed down to accommodate the cast / soloist more comfortably.
$2.99
St. Louis Blues
St. Louis Blues
#
Chorale SATB
#
INTERMÉDIAIRE
#
W
#
Scott S
#
St. Louis Blues
#
Scott S. Stewart
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1098119 Composed by W.C. Handy. Arranged by Scott S. Stewart. 20th Century,Blues,Historic,Instructional,Standard...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1098119 Composed by W.C. Handy. Arranged by Scott S. Stewart. 20th Century,Blues,Historic,Instructional,Standards. Octavo. 24 pages. Scott S. Stewart #701988. Published by Scott S. Stewart (A0.1098119). William Christopher [W.C.] Handy, (who often referred to himself as the ‘Father of the Blues’), first published “St. Louis Blues,†(The jazzman’s Hamlet), his most famous composition, in 1914. It became one of the most popular and celebrated jazz standards in history. The musical style of a tango merged with the blues, and lyrics, a lament about a woman on the streets of St. Louis distraught over her husband’s absence – written in a southern dialect style – make this a fascinating introduction to the evolution of ‘the blues’ for student and audience member alike. Arranged for 4-part SATB ensemble with piano accompaniment, and notated for a classically trained group of musicians, this entry level primer serves not only to inform but present Handy’s creativity and genius. Performance time: 6:00+ An apt study for Black History month.
$2.99
Beyond The Sea
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Beyond The Sea
Beyond The Sea
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
(+)
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
Shule Agra
Shule Agra
#
Piano seul
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Kathleen Ryan
#
Kathleen Ryan
#
Shule Agra
#
Indigo Mesa Music LLC
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1122128 By Kathleen Ryan. By Traditional Irish. Arranged by Kathleen Ryan. Classical,Folk,New Age,Traditional. Score. 3 p...
(+)
Piano Solo - Level 3 - SKU: A0.1122128 By Kathleen Ryan. By Traditional Irish. Arranged by Kathleen Ryan. Classical,Folk,New Age,Traditional. Score. 3 pages. Indigo Mesa Music LLC #723275. Published by Indigo Mesa Music LLC (A0.1122128). The Irish folk song, as arranged and performed by Kathleen Ryan on her solo CD A Handfull of Quietness. Kathleen's notes: “His hair was dark, his eye was blue, his arm was stout, his word was true. I wish in my heart I was with you! Go thee, thu, mavourneen slaun.†This Irish song was a particular favorite of my mother’s, possibly because it is rather descriptive of my father! A haunting and beautiful lament by the woman left behind, when the man was called to war. Intermediate level.
$5.25
Two Rivers for mezzo-soprano, flute, clarinet, violin, cello and piano
Two Rivers for mezzo-soprano, flute, clarinet, violin, cello and piano
#
Panagiotis Theodossiou
#
Two Rivers for mezzo-soprano,
#
Panagiotis Theodossiou
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contempo...
(+)
Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3213757. Published by Panagiotis Theodossiou (A0.886683). Two Rivers (from Lethe to Mnemosyne) for mezzo soprano, flute, clarinet, violin, cello and piano (2008)I. Lethe, the Water of Obliviona. The Guardiansb. Night Procession and LamentII. Mnemosyne, the Water of Remembrancea. Invocationb. IncantationThe work is written between September and December 2008 for mezzo soprano Angelica Cathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin. It is based on an excerpt of an ancient greek funerary inscription of 4th century B.C. found at the Trofonius Oracle in Petilia, South Italy.Γης παις ειμί και ουÏανοÏ, αστεÏόεντος. Î‘Ï…Ï„Î¬Ï ÎµÎ¼Î¿Î¯ γÎνος ουÏάνιον, τόδε ίστε και αυτοί. Δίψηι δ’ειμί αÏη και απόλλυμαι, αλλά δότ’ αίψα ψυχÏόν ÏÎ´Ï‰Ï Ï€ÏοÏÏÎον της ΜνημοσÏνης από λίμνης.(I am a child of earth and starry sky. My origin is celestial, and you know it very well. I am burning thurst and I loose myself. But give me soon cool water, springs from Lake Mnemosyne.)The text, which is being set at the 2nd part of the work, is an invocation of the soul descending to Hades to the guardians of lake Mnemosyne, to allow keeping its memory alive to the next life. Privilege, under tradition, of the initiate souls, counter to that of lake Lethe which led them to eternal oblivion.The two parts of the composition are the equivalent to the watery - metaphysical element of the two lakes - rivers running across Hades. The work is dedicated to the memory of composer's father Ioannis Theodossiou (1917 - 2008) and has been performed by Angelica Kathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin at Ph. Nakas Concert Hall, Athens, in 2009.
$25.00
Absolution for Voice and Piano
Absolution for Voice and Piano
#
Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Sabrina Pena Young
#
Absolution for Voice and Piano
#
Sabrina Peña Young
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.976927 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Pe...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.976927 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Peña Young #3430785. Published by Sabrina Peña Young (A0.976927). Dramatic musical theater work from the groundbreaking 21st century opera and film Libertaria. Written by an award-winning composer. In this excerpt, the addict Simeon laments the loss of his daughter Lucinde to an explosion that was of his doing. Along in the Underground Sewers he sings a bizarre personal reflection of remorse. Quite an unusual but excellent work! Ideal for any intermediate to advanced student, amateur or music professional. For male vocalist, ideal for Tenor or Baritone Voice.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
(+)
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
#
Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Phaethon for Solo Viola and Piano
Phaethon for Solo Viola and Piano
#
Alto, Piano
#
AVANCÉ
#
David F Wainwright
#
Phaethon for Solo Viola and Pi
#
D F Wainwright
#
SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwr...
(+)
Piano,Viola - Level 5 - SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwright #4352641. Published by D F Wainwright (A0.771526). PHAETHON was a youthful son of Helios who begged his father let him drive the chariot of the sun. The god reluctantly conceded to the boy's wishes and handed him the reigns. But his inexperience proved fatal, for Phaethon quickly lost control of the immortal steeds and the sun-chariot veered out of control setting the earth ablaze. Zeus, appalled by the destruction, smote the boy with a thunderbolt, hurling his flaming body into the waters of the River Eridanos. Phaethon's sisters, the Heliades, gathered on the banks and in their mourning were transformed into amber-teared poplar trees. This piece, written for my daughter, Penny, for her 2nd year recital at university, depicts the story of Phaethon, through to his destruction. The second piece, Tears of the Heliad, written for her degree recital and also published on SMP, finishes the story with the lamenting of the Heliades and their tears eventually turning to drops of golden amber
$10.99
Pleurez, mes yeux ! (Soprano, Solo Clarinet, Band)
Pleurez, mes yeux ! (Soprano, Solo Clarinet, Band)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jules Massenet
#
Tim Laughlin
#
Pleurez, mes yeux !
#
Tim Laughlin
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.877114 Composed by Jules Massenet. Arranged by Tim Laughlin. Opera,Romantic Period,World. Score and parts. 92 pages. Ti...
(+)
Concert Band - Level 4 - SKU: A0.877114 Composed by Jules Massenet. Arranged by Tim Laughlin. Opera,Romantic Period,World. Score and parts. 92 pages. Tim Laughlin #5970411. Published by Tim Laughlin (A0.877114). Jules Massenet's elegiac aria, Pleurez ! Pleurez, mes yeux ! (Weep! Weep, my eyes!) from his 1885 opera Le Cid, is here arranged for soprano, solo clarinet in A, and wind ensemble. The aria opens the emotional third act, in which the lead soprano, Chimène, laments the death of her father at the hands of her lover. The aria features an extended lyric clarinet solo.
$49.95
<
1
A Father's Lament
