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A Fig For a Kiss
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Vous avez sélectionné:
A Fig For a Kiss
Partitions à imprimer
27 partitions trouvées
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26
A Fig For a Kiss
A Fig For a Kiss
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
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A Fig For a Kiss
#
Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403755 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403755 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 54. Heather Mueller Music #5UboKw4VQkfS7B4cp5BgfG. Published by Heather Mueller Music (A0.1403755). Key: G major.Title: A Fig For a Kiss Type/Genre: Slip Jig (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Indulge in the playful melodies of A Fig For a Kiss, a delightful slip jig deeply rooted in the musical traditions of Ireland. This charming tune, known for its lively rhythms and intricate melodies, captures the essence of Irish music and evokes images of joyful gatherings and lively sessions. Whether you're playing at a session or immersing yourself in the rich tapestry of Irish musical heritage, A Fig For a Kiss invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of this slip jig transport you to the heart of Ireland's musical landscape. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all level.
$2.99 ≈
2.80€
Bewitched! Little Irish Waltzes for Easiest Piano Booklet D
Bewitched! Little Irish Waltzes for Easiest Piano Booklet D
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Piano Facile
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DÉBUTANT
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SilverTonalities
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SilverTonalities
#
#
Bewitched! Little Irish Waltze
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SilverTonalities
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.645822 Composed by SilverTonalities. Arranged by SilverTonalities. Celtic,Folk,World. Score. 19 pages. SilverTonalities #...
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Easy Piano - Level 1 - SKU: A0.645822 Composed by SilverTonalities. Arranged by SilverTonalities. Celtic,Folk,World. Score. 19 pages. SilverTonalities #6526693. Published by SilverTonalities (A0.645822). Bewitched! Little Irish Waltzes for Easiest Piano Booklet D 6 Little Irish Waltzes With Colored Notation to enable Beginner and Novice Pianists to read Music quickly and accurately! - The Black Lettered List - The Boys of Carrigallen - The Dark Maiden of the Valley - The Dear Irish Boy - A Fig for a Kiss - Thy Fair Bosom
$5.99 ≈
5.60€
Irish Tunes for Young at Heart Fiddlers, Book 2
Irish Tunes for Young at Heart Fiddlers, Book 2
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Orchestre à Cordes
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INTERMÉDIAIRE
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Celtique/Irlandais
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Scott Walker
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Scott Walker
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Irish Tunes for Young at Heart
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.679792 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish. Score and parts. 24 pages. S'got Po...
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String Orchestra - Level 3 - SKU: A0.679792 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish. Score and parts. 24 pages. S'got Possiblities #245957. Published by S'got Possiblities (A0.679792). I am very excited to present “Irish Tunes for Young @Heart Fiddlersâ€, Book 2!! I hope that this collection of tunes will bring more joy and more of the Magic of Irish Music closer to musicians of all ages. Itncluded in this book are the following tunes: Dawning of the Day, Road to Lisdoonvarna, Swallow Tail, Britches full of Stitches and Cuil Adhoa, After the Battle of Aughrim, Star of the County Down, Fig for a Kiss, The Butterfly,Banish Misfortune,Cook in the Kitchen, Planxty Irwin, Tommy Cohen’s, The Banshee,Slane, New Rigged Ship. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! I chose these particular tunes first because they are good tunes, but also because they are accessible to the Cello, and in the same key as the Fiddle.. They make a very good supplemental resource for growing fiddlers, fun to play, and can be used with the Cello book of the same name. Please enjoy these great tunes! Included here is a youtube link to a playlist of these tunes, playedin their entirety by cello and fiddle: https://www.youtube.com/watch?v=_ON1BBAfVj4&list=PL1QxSodsD2nFp1WDIsjWGargdnp2_fxQt.
$12.00 ≈
11.23€
A Fig for a Kiss
A Fig for a Kiss
#
Quatuor de Flûtes : 4 flûtes
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Alain Lopez
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A Fig for a Kiss
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Flute Quartet 4 Flutes - Grade 3 - SKU: FX.FX071209 Composed by Alain Lopez. Classical, Chamber Music. Score and Set of Parts. FLEX Editions - Digital S...
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Flute Quartet 4 Flutes - Grade 3 - SKU: FX.FX071209 Composed by Alain Lopez. Classical, Chamber Music. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071209. Published by FLEX Editions - Digital Sheet Music (FX.FX071209).
$10.95 ≈
10.24€
An Irish Suite I A Fig for a Kiss (The Butterfly)
An Irish Suite I A Fig for a Kiss (The Butterfly)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Peter Cavenagh
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An Irish Suite I A Fig for a K
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Blaartart Productions
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SheetMusicPlus
Composed by Peter Cavenagh. Celtic, Classical, Folk, Irish. Score and parts. 103 pages. Blaartart Productions #647146. Published by Blaartart Producti...
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Composed by Peter Cavenagh. Celtic, Classical, Folk, Irish. Score and parts. 103 pages. Blaartart Productions #647146. Published by Blaartart Productions
$80.00 ≈
74.84€
A Fig for a Kiss
A Fig for a Kiss
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Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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Classique
#
Alain Lopez
#
A Fig for a Kiss
#
FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Composed by Alain Lopez. Brass quartet. For 1 Bb Trumpet, 1 F Horn, 1 Trombone, 1 Tuba. Classical, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (scor...
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Composed by Alain Lopez. Brass quartet. For 1 Bb Trumpet, 1 F Horn, 1 Trombone, 1 Tuba. Classical, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (score); 4 pages (parts). Published by FLEX Editions - Digital Sheet Music
$11.95 ≈
11.18€
A Fig for a Kiss
A Fig for a Kiss
#
Quatuor de Clarinettes: 4 clarinettes
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Classique
#
Alain Lopez
#
A Fig for a Kiss
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FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Composed by Alain Lopez. Clarinet quartet. For 3 Bb Clarinets, Bass Clarinet. Classical, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (score); 4 page...
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Composed by Alain Lopez. Clarinet quartet. For 3 Bb Clarinets, Bass Clarinet. Classical, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (score); 4 pages (parts). Published by FLEX Editions - Digital Sheet Music
$11.95 ≈
11.18€
A Fig for a Kiss
A Fig for a Kiss
#
Quatuor de Saxophones: 4 saxophones
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Classique
#
Alain Lopez
#
A Fig for a Kiss
#
FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
By Alain Lopez. Saxophone quartet. For SATB Saxophones. Classical, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (score); 4 pages (parts). Published b...
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By Alain Lopez. Saxophone quartet. For SATB Saxophones. Classical, Chamber Music. Grade 3. Score and Set of Parts. 5 pages (score); 4 pages (parts). Published by FLEX Editions - Digital Sheet Music
$11.95 ≈
11.18€
Aria for Tenor in English from 21st Century Opera, Menkaure, "A Long Time Ago" (or "Menkaure")
Aria for Tenor in English from 21st Century Opera, Menkaure, "A Long Time Ago" (or "Menkaure")
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James Nathaniel Holland
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Aria for Tenor in English from
#
James Nathaniel Holland
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James Nathaniel Holland...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James Nathaniel Holland #62201. Published by James Nathaniel Holland (A0.730222). A Long Time Ago (or Menkaure) Aria for Tenor (Range: E3 to Bb4) from the American, contemporary opera Menkaure Duration: 3:15 Music and Libretto by James Nathaniel Holland BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman,Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this aria, inthe third world country of Joondor, Trista and her guide Consaladas have come to a dead end in their search for the statue of Menkaure. That is, until a mysterious figure appears from the shadows, Hamlak the Prophet. Sung here as a character piece but can be a powerful aria for a dramatic, stentorian voice. Available orchestrated with parts too.
$5.50 ≈
5.15€
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Intermediate
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Cape Breton & Prince Edwar
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99 ≈
23.38€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.83€
Your Last Kiss Backing Track No Piano
Your Last Kiss Backing Track No Piano
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Violoncelle, Piano
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Karl Hugo
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Your Last Kiss Backing Track N
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Musivarts Publishing
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SheetMusicPlus
Cello,Piano - SKU: A0.1072139 Composed by Karl Hugo. 20th Century,New Age,Pop. Accompaniment. Duration 223. Musivarts Publishing #6047667. Published by ...
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Cello,Piano - SKU: A0.1072139 Composed by Karl Hugo. 20th Century,New Age,Pop. Accompaniment. Duration 223. Musivarts Publishing #6047667. Published by Musivarts Publishing (A0.1072139). Audio accompaniment for Piano solo. Please, start the accompaniment on the 1st beat of bar 7.Your Last Kiss is a vibrant piano and cello duet was composed and performed by Karl Hugo for the Japanese Olympic figure skating champion, Shoma Uno. This is a duet in the truest sense of the word where the piano and cello share the spotlight equally. The modern and lively neoclassical style will appeal to a wide audience at concerts, recitals, ceremonies, and events of all kinds including, of course, dance and figure skating shows.
$3.99 ≈
3.73€
HiJinx! for Bb Clarinet and Orchestra (10')
HiJinx! for Bb Clarinet and Orchestra (10')
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Contemporain
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Judith Cloud
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HiJinx! for Bb Clarinet and Or
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Judith Cloud
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SheetMusicPlus
Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pages. Judith Clou...
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Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pages. Judith Cloud #6710237. Published by Judith Cloud (A0.981232). Composer NotesHiJinx! was commissioned by clarinetist Peter Wright in the spring of 2013. It is a mostly humorous piece aimed at entertaining the audience and the members of the orchestra. I also intended it to be a suitable companion to the Rossini Introduction, Theme and Variations, also featured on the Jacksonville Symphony's 2014-15 season opener. Keenly aware of Peter's fine soloistic abilities I approached organization of the work around quotations from well known clarinet solos. The work was composed between December and March with Peter's mischievous personality constantly in mind, thus the inclusion of random quotations from opera, chamber music and popular song.HiJCloud: HiJinx!List of themes as occurring in the score: 1. Crusell Concerto for Clarinet #3, Allegro Risoluto2. After Debussy Première Rhapsodie3. Prokofiev Peter and the Wolf4. Honegger Pacific 2315. Hummel Sonata for piano, op. 81, Finale6. Bartok The Miraculous Mandarin7. Martin & Blane Clang, clang, clang went the trolley8. Bartok The Miraculous Mandarin 9. Brown & Freed Singin' in the Rain10. Strauss Till Eulenspiegels lustige Streiche11. Rameau Chansons de nos plaisirs from Acanthe et Céphise12. Hugo Friedhofer: Dudley's theme from the film The Bishop's Wife13. Mozart Voi che sapete from Le Nozze di Figaro14. Thomas Je suis Titania from Mignon15. Paganini Rossini MOSE-Fantasia16. Humperdinck Hansel und Gretel 17. Warren & Dubin The Gold Diggers' Song (We're in the Money) 18. Bernard Herrmann Psycho slasher music 19. Warren & Dubin The Gold Diggers' Song (We're in the Money)20. (Next rhythmic and harmonic reference is from Prince: Kiss)21. After Debussy Première Rhapsodie22. Nielson Concerto for Clarinet and Orchestra23. Warren & Dubin The Gold Diggers' Song (We're in the Money)
$15.00 ≈
14.03€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.36€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
28.07€
Beyond The Sea
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
23.39€
I Don’t Want to Play in Your Yard: Trumpet Feature
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95 ≈
7.44€
A FIG FOR KISS - FOR LEVER HARP - BY EVE MCTELENN
A FIG FOR KISS - FOR LEVER HARP - BY EVE MCTELENN
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Harpe et Piano
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TRAD
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EVE MCTELENN
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A FIG FOR KISS - FOR LEVER HAR
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Eve McTelenn
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SheetMusicPlus
Composed by TRAD. Arranged by EVE MCTELENN. European, Celtic. Individual Part. 6 pages. Published by Eve McTelenn (S0.310627). - Individual Part - European,Celt...
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Composed by TRAD. Arranged by EVE MCTELENN. European, Celtic. Individual Part. 6 pages. Published by Eve McTelenn (S0.310627). - Individual Part - European,Celtic - Eve McTelenn
$5.99 ≈
5.60€
Hallelujah
Hallelujah
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Chorale SATB
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INTERMÉDIAIRE
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gard...
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Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99 ≈
1.86€
Trois Beaux Oiseaux du Paradis
Trois Beaux Oiseaux du Paradis
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Contemporain
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3...
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Solo Guitar - Level 3 - SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00 ≈
3.74€
That Man
That Man
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Caro Emerald
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Jeffrey Bowen
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That Man
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 4 - SKU: A0.1386127 By Caro Emerald. By David Schreurs and Vincent Degiorgio. Arranged by Jeffrey Bowen. Contest,Festi...
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Choral Choir,Choral (SSA) - Level 4 - SKU: A0.1386127 By Caro Emerald. By David Schreurs and Vincent Degiorgio. Arranged by Jeffrey Bowen. Contest,Festival,Jazz,Pop. 13 pages. Music Arrangement Services Inc. #970107. Published by Music Arrangement Services Inc. (A0.1386127). Performed by Caro Emerald. Â This song is about fighting the feeling of falling in love. Â The song refers to being in trouble, someone being no more than a friend, serenade, carousel, lust, being like a flame, playing a game, kissing, wanting to love, being on a mission, Gable, Astaire, calling a doctor, needing rescued, wanna love that man. Â This arrangement includes a dance break and vocal splashes and is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment also available. Â Performance time is approximately 2:50.
$3.99 ≈
3.73€
Gretchen am Spinnrade
Gretchen am Spinnrade
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Chorale 2 parties
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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D
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Gretchen am Spinnrade
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346468 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Roman...
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Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346468 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 18 pages. Tully Road Music #931255. Published by Tully Road Music (A0.1346468). Gretchen am Spinnrade (D. 118, Op. 2) is one of Schubert’s first, most successful, and most widely recognized accomplishments in the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, but the breadth and compositional maturity of this 1814 example are an early indication of his gift for the form. The text is a strophic poem taken from Johann Wolfgang von Goethe’s play Faust, depicting a scene in which Gretchen, sitting at the spinning wheel (spinnrade), daydreams about Faust, a man with whom she is infatuated though she has only just met him and barely knows him. Schubert employs the first stanza as a refrain, repeating the text (“My peace is gone/My heart is heavy/I will never again find themâ€) to heighten the dramatic intensity as Gretchen becomes increasingly overwhelmed by her feelings. The piano accompaniment, with its relentless sixteenth notes in the right hand, depicts both Gretchen’s accumulating madness and the perpetual motion of the spinning wheel. Sixty-five measures pass before the pattern breaks, when Gretchen is so overcome by her emotions that she stops spinning while imagining Faust’s kiss. It then takes three tries to get the spinnrade turning again, which we hear in measures 69-71 before the spinning figure resumes in measure 72 to accompany Gretchen’s doleful refrain. This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 00140699.
$2.60 ≈
2.43€
Reh-im-Park-Blues
Reh-im-Park-Blues
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Chorale SATB
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INTERMÉDIAIRE
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Alwin Michael Schronen
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Reh-im-Park-Blues
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) a cappella - intermediate - SKU: S9.Q46988 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downl...
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Mixed choir (SATB) a cappella - intermediate - SKU: S9.Q46988 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46988. Published by Schott Music - Digital (S9.Q46988). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99 ≈
3.73€
Reh-im-Park-Blues
Reh-im-Park-Blues
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Chorale TTBB
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INTERMÉDIAIRE
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Alwin Michael Schronen
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Reh-im-Park-Blues
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus a cappella - intermediate - SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable...
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TTBB chorus a cappella - intermediate - SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46987. Published by Schott Music - Digital (S9.Q46987). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99 ≈
3.73€
Ah There! Stay There
Ah There! Stay There
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Piano, Voix
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Charles H
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Ah There! Stay There
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4669 Composed by Charles H. Duncan. Crowds, Portraits, Placards, Theatres, Courtship, Kissing, Mothers & children, Fighting. L...
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Piano and voice - SKU: LV.4669 Composed by Charles H. Duncan. Crowds, Portraits, Placards, Theatres, Courtship, Kissing, Mothers & children, Fighting. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4669). Chas. H. Duncan's Great Comic and Motto Songs. No. 2. Ah There! Stay There. Written, Composed by Chas. H. Duncan. Published 1884 by Chas. D. Blake & Co., 488 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Crowds, Portraits, Placards, Theatres, Courtship, Kissing, Mothers & children, Fighting. First line reads Last week I met a lady, she was cutting quite a dash.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.60€
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A Fig For a Kiss
