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Vous avez sélectionné:
A Human Body
Partitions à imprimer
107 partitions trouvées
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101
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
FACILE
#
Bee Gees
#
Peet du Toit
#
I've Gotta Get A Message To Yo
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.65€
A Human Body
A Human Body
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Basse electrique
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FACILE
#
Rock
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Queen
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Igor Sardi Bass
#
2) - https://www
#
A Human Body
#
Igor Sardi Bass
#
SheetMusicPlus
Bass Guitar - Level 2 - SKU: A0.1268963 By Queen. By Roger Taylor. Arranged by Igor Sardi Bass. Pop,Rock. Score. 5 pages. Igor Sardi Bass #861497. Publi...
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Bass Guitar - Level 2 - SKU: A0.1268963 By Queen. By Roger Taylor. Arranged by Igor Sardi Bass. Pop,Rock. Score. 5 pages. Igor Sardi Bass #861497. Published by Igor Sardi Bass (A0.1268963). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$9.99 ≈
9.20€
Human
Human
#
Rag 'n' Bone Man
#
Deke Sharon
#
Human
#
Deke Sharon
#
SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.1220659 By Rag 'n' Bone Man. By Jamie Hartman, Nick Monson, and Rory Graham. Arranged by Deke Sharon. A Cappel...
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Choral Choir (4-Part) - Level 3 - SKU: A0.1220659 By Rag 'n' Bone Man. By Jamie Hartman, Nick Monson, and Rory Graham. Arranged by Deke Sharon. A Cappella,Blues,Pop,Rock. Octavo. 11 pages. Deke Sharon #816996. Published by Deke Sharon (A0.1220659). Arranged for Soprano, Alto 1, Alto 2 and Baritone with solos throughout and optional vocal or body percussion (stomping/ clapping).
$1.99 ≈
1.83€
On a Jab - a transsexual poem with music (mp3)
On a Jab - a transsexual poem with music (mp3)
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David Warin Solomons
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On a Jab - a transsexual poem
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David Warin Solomons
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SheetMusicPlus
Sampler,Voice - SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin...
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Sampler,Voice - SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin Solomons #940299. Published by David Warin Solomons (A0.1355574). This is based on a poem that I wrote back in 1979, while I, as a person with Kallmann's syndrome (intersexual), was trying to decide whether to go towards the female or the male.The accompanying music is a recent piece composed by my AI software (Tot the Third)The original poem is as follows: On a Jab Here we are again, Dawn,My companion in complexity;The month is past and you, forlorn,Must once more face perplexity.Ouch! And in the fleshy thighThe viscous hormone takes its space;And you, dear Dawn, will by and bySlow down - and lose the human race.You it was who liked to seeThe lovely girls in tram and bus;I am he, with fancy free,Who’ll bring “God’s wrath†on both of us.For, as the hormone courses throughOur common arteries and veins,There will be less and less of youAnd what you lose my lover gains.It's dusk for Dawn, who one day thoughtShe'd win and make our body hers,And dawn for me, since science brought meMonthly maleness, jabbed by nurse!(c) David W Solomons 1979.
$4.50 ≈
4.14€
Everybody Here Is A Child Of God
Everybody Here Is A Child Of God
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Chorale SATB
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DÉBUTANT
#
Musique Sacrée
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James Shubert
#
Sisterhood of Humanity.
#
Everybody Here Is A Child Of G
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James W. Shubert
#
SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.971276 Composed by James Shubert. Christian,Praise & Worship,Sacred. Octavo. 4 pages. James W. Shubert #6082343...
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Choral Choir (Mixed) - Level 1 - SKU: A0.971276 Composed by James Shubert. Christian,Praise & Worship,Sacred. Octavo. 4 pages. James W. Shubert #6082343. Published by James W. Shubert (A0.971276). 2 part Hymn (SA/TB) with piano accompaniment. Easy level. An up-beat examination of the Brother & Sisterhood of Humanity.
$1.99 ≈
1.83€
Feel It Still
Feel It Still
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Chorale SATB
#
INTERMÉDIAIRE
#
Pop musique
#
Portugal
#
Megan Lied
#
Feel It Still
#
Megan Lied
#
SheetMusicPlus
Choir, SATB, SATB A cappella ensemble - Intermediate - By Portugal. The Man. Arranged by Megan Lied. Octavo, Score. 18 pages. Published by Megan Lie...
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Choir, SATB, SATB A cappella ensemble - Intermediate - By Portugal. The Man. Arranged by Megan Lied. Octavo, Score. 18 pages. Published by Megan Lied
This a cappella arrangement of Feel It Still with body percussion is a quick learn for your group and sure to be a hit with your audience! Ranges have been carefully considered to stay accessible to teenage voices, and the body percussion is a collection of simple parts that layer together to create a "human drum set" sound to maintain the strong rhythmic feel of the original.
$3.99 ≈
3.67€
Everybody Wants To Rule The World
Everybody Wants To Rule The World
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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Tears For Fears
#
Everybody Wants To Rule The Wo
#
Nerds of Paradise Music
#
SheetMusicPlus
String Quartet - Early Intermediate - Digital Download By Tears For Fears. Arranged by Eric Stern. Score, Set of Parts. 19 pages. Published by Nerds ...
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String Quartet - Early Intermediate - Digital Download By Tears For Fears. Arranged by Eric Stern. Score, Set of Parts. 19 pages. Published by Nerds of Paradise Music
"Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears. It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. The song was first released on March 18, 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the band's second album, Songs from the Big Chair (1985). "Everybody Wants to Rule the World" is a new wave song with lyrics that detail the desire humans have for control and power and center on themes of corruption.
$18.99 ≈
17.49€
Anthem of World United
Anthem of World United
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Chorale SATB
#
INTERMÉDIAIRE
#
Johnson Gao
#
Johnson Gao
#
Anthem of World United
#
Johnson Gao
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,Wor...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must uniteâ€Â Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Instituteâ€. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. è¬åœ‹æ¶ˆäº¡, 世界一統æŒÂ 七彩狀元 2023 å¹´ 10 月 3 日 世界原無國。 æŽ åœ°å‰²ç‚ºç–†ã€‚ 開疆先殖民; 有國必建è»ã€‚ 兵乃凶器也, è–人ä¸å¾—æ„而用之。 如今世é“悪。 美, ä¸, ä¿„, æçˆã€‚ å„想稱霸雄; ä¸æ€åˆä½œå‹¤ã€‚ å用拆臺術。 åˆé‘½è§¸æŠ¼è¨ˆ, 無所ä¸ç”¨å…¶æ¥µã€‚ é“高æ‰ä¸€å°º, é”高已一丈。 ä¸è¦‹æœ«æ—¥è¿‘, é‚„è¦æ¶èˆ‡å¥ªã€‚ 情願åŒæ¸ç›¡; ä½ æ»æˆ‘ä¸æ´»ã€‚ æ¥ç¬‘何ç‰çµ•ã€‚ 人體å«ç´°èƒžã€‚ 細胞皆有膜。 有膜知自ç§ã€‚ 自ç§åŸºå› 在進化ä¸åŠŸå‹³å“著。 å°ç§æ„›å·±æ„›åœ‹; 大ç§æ¨å·±æ»…國, 天下為公。 蓋實為æ§äººé¡žä¹‹å¤§ç§ä¹Ÿã€‚統觀當今世界,皇, åŽ, 總統, 主å¸, 無一é…ç•¶æœªä¾†ä¸–ç•Œé ˜è¢–ã€‚ 唯其åªçŸ¥å°ç§æ„›å·±æ„›åœ‹; 勿崇大ç§æ»…國, 天下為公。 å°ä¸çŸ¥æ˜”日辉煌的爱国主义 æ£åœ¨æˆä¸ºå…¨çƒåŒ–é“路上的攔路虎。 悲哉, 悲哉! ç±Œå»ºä¸–ç•Œé ˜è¢–æ•™è‚²å¸é™¢ã€‚ å¯è¬‚當務之急。 勸å›èŽ«å¤ªè ¢, è¬åœ‹å¿…消亡; æ¤ä¹ƒæ·å²è¦å¾‹ã€‚å•Š, 哈, 哦, ä¾, å‘€! 智人主義需æ創; 世界必æ¸ä¸€ã€‚.
$1.99 ≈
1.83€
Nymph Alseid
Nymph Alseid
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Meng-Hsuan Gloria Lin
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Nymph Alseid
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Meng-Hsuan Gloria Lin
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.925402 Composed by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 10 pages. Meng-Hsuan Gloria Lin #4895119. Publ...
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Concert Band - Level 5 - SKU: A0.925402 Composed by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 10 pages. Meng-Hsuan Gloria Lin #4895119. Published by Meng-Hsuan Gloria Lin (A0.925402). This is my fifth composition. This music is for concert band.This work tells a love story of Alseids. Alseids were the nymphs of groves. They have a human upper body and a deer lower body. This work has three parts. The first part describes a charming handsome Alseid taking a walk in the woods. The second part represents she meet another Alseid who elegance. The final part describes they dance and fall in love with each other.
$40.00 ≈
36.83€
Nineteen Skeletal Duets for Euphoniums (in treble clef)
Nineteen Skeletal Duets for Euphoniums (in treble clef)
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Contemporain
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Gregory Fritze
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Nineteen Skeletal Duets for Eu
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score an...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00 ≈
18.42€
Twenty-two Skeletal Duets for Horns
Twenty-two Skeletal Duets for Horns
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2 Cors (duo)
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FACILE
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Gregory Fritze
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Twenty-two Skeletal Duets for
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet - Level 2 - SKU: A0.917408 Composed by Gregory Fritze. Classical,Concert,Contemporary,Instructional,Jazz. Score...
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Instrumental Duet Horn,Instrumental Duet - Level 2 - SKU: A0.917408 Composed by Gregory Fritze. Classical,Concert,Contemporary,Instructional,Jazz. Score and parts. 50 pages. Musica Nova USA #6015057. Published by Musica Nova USA (A0.917408). Twenty-two Skeletal Duets for Horns is a set of duets of easy to moderate difficulty specifically designed for teachers to play with their students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional seven duets were added in 2020. The title of each duet is a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones and Nineteen Skeletal Duets for Euphoniums are the same duets but in bass and treble clef respectively. Twenty- two Skeletal Duets for Horns includes the first 19 as in the trombones set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the horn. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThis duet is based on a theme by Beethoven.
$20.00 ≈
18.42€
Vier Seiten
Vier Seiten
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Violoncelle
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Thomas Larcher
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Vier Seiten
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Schott Music - Digital
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SheetMusicPlus
Cello - SKU: S9.Q40682 For solo cello. Composed by Thomas Larcher. This edition: Sheet music. Cello Library. Downloadable. Duration 7 minutes. Sc...
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Cello - SKU: S9.Q40682 For solo cello. Composed by Thomas Larcher. This edition: Sheet music. Cello Library. Downloadable. Duration 7 minutes. Schott Music - Digital #Q40682. Published by Schott Music - Digital (S9.Q40682). Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight line of motion. When I composed the piece, the fatal accident of Ayrton Senna came to my mind again and again – an accident which was shown on TV in slow motion again and again until it became unbearable. The fast motion of the car immediately before the crash into a concrete wall, a motion which was no longer purposeful but out of control and which had the car pulled to and fro and from side to side, was followed by that crash. In this extreme slow motion, it is no longer shown as a crash but as the fast telescoping of carbon fibre, metal and human body parts. After this crash, as a postlude so to speak, everything suddenly slowed down, tyres and automotive particles floating in the air, the torso of the vehicle swinging until the motion stopped. It was not until this moment that I realized that the whole presentation of the incident had been accompanied by paralyzing silence. - Thomas LarcherVier Seiten is a response to Ayrton Senna’s fatal car accident, portrayed in slow motion, as it was repeatedly shown on television at the time. In this poignant work, a violent fast section represents the crash, followed by a long epilogue, reflecting the apparent stillness of the immediate aftermath.
$7.99 ≈
7.36€
So Beautiful
So Beautiful
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Piano seul
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FACILE
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Louis Landon
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So Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.761902 Composed by Louis Landon. Concert,Instructional,Standards. Score. 3 pages. Landon Creative, Inc. #6325615. Publish...
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Piano Solo - Level 2 - SKU: A0.761902 Composed by Louis Landon. Concert,Instructional,Standards. Score. 3 pages. Landon Creative, Inc. #6325615. Published by Landon Creative, Inc. (A0.761902). This is the sheet music for So Beautiful from the album Feel Good Piano and was released on October 30, 2020. Recorded at the Peace Palace, Sedona, AZ on a Steinway B in June of 2020. I have been writing music for 54 years. My guess is that I have written over 1,000 pieces in that time. So Beautiful feels like the most epic, emotional and all encompassing piece of music that I have written to date. It’s about life and all that being a human on the planet entails, including birth, love, a full life and leaving the body and the soul returning to pure energy at the end of the piece. I was channeling something very deep on this one. I am super happy with it. I hope you feel it!Listen to the whole Feel Good Piano album on Spotify: https://open.spotify.com/album/6D6xNUp0LhqED9o5QL9Ffk?si=G9_rqPiOTbuiXk6jeWe1mA Apple Music http://itunes.apple.com/album/id/1527730358 Pandora https://pandora.app.link/Loo8SSvx0abDownload the album on iTunes http://itunes.apple.com/album/id1527730358?ls=1&app=itunes Amazon https://www.amazon.com/Feel-Good-Piano-Louis-Landon/dp/B08FYQ2YN9 Bandcamp https://louislandon.bandcamp.com/album/feel-good-piano
$5.25 ≈
4.83€
Triolets Pop
Triolets Pop
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Trombone et Piano
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Alain Lopez
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Triolets Pop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Trombone, Piano - Grade 3 - SKU: FX.FX071871 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Musi...
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Trombone, Piano - Grade 3 - SKU: FX.FX071871 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071871. Published by FLEX Editions - Digital Sheet Music (FX.FX071871). This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
$8.95 ≈
8.24€
Triolets Pop
Triolets Pop
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Euphonium, Piano (duo)
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Alain Lopez
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Triolets Pop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Euphonium, Piano - Grade 3 - SKU: FX.FX071872 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Mus...
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Euphonium, Piano - Grade 3 - SKU: FX.FX071872 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071872. Published by FLEX Editions - Digital Sheet Music (FX.FX071872). This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
$8.95 ≈
8.24€
Triolets Pop
Triolets Pop
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alain Lopez
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Triolets Pop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Tenor Saxophone, Piano - Grade 3 - SKU: FX.FX071866 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital She...
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Tenor Saxophone, Piano - Grade 3 - SKU: FX.FX071866 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071866. Published by FLEX Editions - Digital Sheet Music (FX.FX071866). This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
$8.95 ≈
8.24€
Triolets Pop
Triolets Pop
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alain Lopez
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Triolets Pop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Alto Saxophone, Piano - Grade 3 - SKU: FX.FX071867 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Shee...
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Alto Saxophone, Piano - Grade 3 - SKU: FX.FX071867 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071867. Published by FLEX Editions - Digital Sheet Music (FX.FX071867). This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
$8.95 ≈
8.24€
Triolets Pop
Triolets Pop
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Alain Lopez
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Triolets Pop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Violin, Piano - Grade 3 - SKU: FX.FX071870 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music ...
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Violin, Piano - Grade 3 - SKU: FX.FX071870 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071870. Published by FLEX Editions - Digital Sheet Music (FX.FX071870). This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
$8.95 ≈
8.24€
"Grande Rag Brillante" for piano Op. 15
"Grande Rag Brillante" for piano Op. 15
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Piano seul
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Gary Noland
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"Grande Rag Brillante&quo
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Freeland Publications
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SheetMusicPlus
Piano - SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #32382...
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Piano - SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #3238281. Published by Freeland Publications (A0.1069664). Duration: 14'52 (1989). Computer-driven Yamaha Disklavier performance. One of my more famous pieces. Its historic premiere at Pacifica Radio (KPFA) in Berkeley on 4 October, 1991 to inaugurate their new facility is included in Nicolas Slonimsky's book Music Since 1900. It has been reviewed and written about extensively. Here is what some reviewers have said:4 OCTOBER 1991: KPFA radio in Berkeley, California, dedicates its newly constructed, two-story broadcast facility at 1929 Martin Luther King Jr. Way with a live satellite broadcast … works on the inaugual program, produced and narrated by KPFA Music director Charles Amirkhanian, included … Grande Rag Brilliant [sic] by Gary NOLAND, a 15-minute rag introducing KPFA’s new Yamaha Disklavier grand piano, featuring fugues, frozen grace-notes to produce tone clusters, and a lengthy passage in which the music modulates up and down a half-tone each measure (the turntable change of speed effect) …-Nicolas Slonimsky, Music Since 1900 ...remarkable stuff...-Max Morath, ragtime composer and pianist … smashing and extremely difficult piano rag, … which is not distracted by the modulation-per-minute insanity of this beautiful and disorienting music … an exceedingly difficult composition by Berkeley composer Gary Noland, … the Grande Rag Brillante, Op. 15, was written in a modified turn-of-the-Century style and has never been performed successfully by a human pianist. It features something Mr. Noland calls the 'record-player-turntable-change-of-speed-effect.' In certain sections, each successive measure modulates up a half step into the next key signature, providing a mind-bending spiraling of focus which is truly breathtaking … spectacular… -Charles Amirkhanian, Folio (KPFA program guide) ...The Impossible Rag...-Oakland Tribune ...perfectly simulates a piano roll mistracking and continually changing keys...-Dick Zimmerman, Rag Times ...masterpiece!...We recommend Mr. Noland's music for anybody who desires the witty and unexpected approach to the Ragtime idiom.-L. Douglas Henderson, ARTCRAFT Studio Newsletter, Wiscasset, Maine ...Ihre Musik ist wunderschön, Grande Rag Brillante ist ein Meisterwerk; als auch Komponist bin ich voll Neid, dass ich so etwas nicht schreiben kann. Ich wünsche Ihnen viel Erfolg! Ich komponiere schon viele Jahre europäisch tonal und es itst nicht leicht, so zu komponieren in einer Welt, die noch in der atonalen Ideologie denkt. Ich hoffe, Ihr Weg wird leichter....-Ladislav Kupkovic, Czech-born composer residing in Germany Sort of like it ... electronicized ... ; then it becomes a real period piece, like Richard Taruskin’s theory about current HIP practitioners ...-William Bolcom, Pulitzer prize winning composer. ...Gary Noland's music is complex, technically daunting stuff....'Grande Rag Brillante'... seems to be meant as an excercise in psychedelic ragtime piano, full of extremely fast passages, confusing modulations, and bizzare dissonance....-Butch Thompson, The Mississippi Rag ...KPFA Music Director Charles Amirkhanian plans to use the new Disklavier.
$1.99 ≈
1.83€
Allegro - Score Only
Allegro - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Solo Trumpet Player
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ed
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical...
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Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00 ≈
15.65€
Say What?
Say What?
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Say What?
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Hope Publishing - Digital
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SheetMusicPlus
Reproducible Score-Digital Version - SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H...
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Reproducible Score-Digital Version - SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H1.9171DP). Allen Pote.A Musical for Young Voices - The Story of the Tower of Babel Leading to Pentecost In Genesis 11 and Acts 2 we read about two events where languages helped fulfill God's purpose. When the people of Babel built the tower, they were led by the human spirit and ended up in confusion, scattered over the earth, speaking different languages. At Pentecost, people from many nations, speaking different languages, were led by the Holy Spirit; and even in their diversity, they were united. This 35-minute musical for young voices (Unison w/opt. Two-Part) links together these Old Testament and New Testament stories with songs, humor and heart. The message is, if we follow the Great Commandments - ?loving God and loving our neighbors, no matter how different from us they are or what language they speak - we will surely be filled with the Holy Spirit. A score with piano accompaniment and a singers edition without the piano part are both included for the one price. You may make as many copies as you require for use by your choir. Separate audio MP3s and instrumental parts are available, and there is a video of the debut performance on the Hope YouTube channel.
Song List
: Love Your Neighbor The Journey Everybody Think! Building a Tower Say What? The Festival of Harvest Haida Hallelujah Pentecost Scene Breathe On Me, Breath Of God Spirit Of God Go Make Disciples
$99.95 ≈
92.03€
Quarry Songs
Quarry Songs
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Voix duo, Piano
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AVANCÉ
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Brett L
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Quarry Songs
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Sonata Grendel Publishing
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SheetMusicPlus
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultura...
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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
$51.06 ≈
47.02€
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
27.62€
Music for Children
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. ...
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Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99 ≈
10.12€
Argraffiad Cymraeg
Argraffiad Cymraeg
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Carl Orff and Gunild Keetman
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Argraffiad Cymraeg
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instru...
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Voice, recorder and percussion - SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q23985. Published by Schott Music - Digital (S9.Q23985). Welsh.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Welsh Edition This volume closely follows the English Volume 1, substituting Welsh for English wherever words are used in speech or song. It should be used in conjunction with the English version, since only the sung and spoken parts are provided.
$10.99 ≈
10.12€
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A Human Body
