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A Lot of Things Different
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Vous avez sélectionné:
A Lot of Things Different
Partitions à imprimer
24 partitions trouvées
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1
Head Like A Hole
Head Like A Hole
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nine Inch Nails
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Whimsically Macabre (ASCAP)
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Head Like A Hole
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Stacy Fahrion
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy ...
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Piano Solo - Level 4 - SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy Fahrion #4633863. Published by Stacy Fahrion (A0.851104). This solo piano arrangement was inspired by the version on Black Mirror. It's arranged by Stacy Fahrion/Whimsically Macabre Music (ASCAP).I get really excited when music can carry multiple contradictory meanings, and spend a lot of time thinking about how I can mess with my audience by making things sound familiar but wrong. When I saw the Rachel, Jack, and Ashley Too episode of Black Mirror, I recognized the melody of the oddly upbeat pop song Ashley O was singing but couldn't quite place it because unconsciously I knew something was really off, and then slowly it dawned on me that it was a NIN cover, and I flipped out with utter joy that someone had just done something to me that I'm constantly trying to do to them. Every time the song played throughout the episode, I couldn't stop laughing, not just at the lyrics, but especially at a certain trite & upbeat sounding bassline and all of the different musical elements that completely changed the feel of the original. So of course I needed to write my own arrangement of that arrangement. I hope you enjoy it. You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/
$4.99 ≈
4.61€
Dean Dillon: A Lot Of Things Different for guitar
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Guitare notes et tablatures
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FACILE
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Country
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Dean Dillon
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Virtualsheetmusic
Instantly printable sheet music by Kenny Chesney for guitar solo (easy tablature) of EASY skill level. / country,children
Instantly printable sheet music by Kenny Chesney for guitar solo (easy tablature) of EASY skill level. / country,children
$5.97 ≈
5.51€
Dean Dillon: A Lot Of Things Different for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Country
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Dean Dillon
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Virtualsheetmusic
Instantly printable sheet music by Kenny Chesney for voice, piano or guitar of MEDIUM skill level. / country
Instantly printable sheet music by Kenny Chesney for voice, piano or guitar of MEDIUM skill level. / country
$6.97 ≈
6.43€
These Are The Things
These Are The Things
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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These Are The Things
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841908 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841908 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479239. Published by Andrew Mc Donald (Macka Records) (A0.841908). These are the things is a song about a list of different things the Lord really hates. He despises things like lies, love of money, haughty eyes, feet in hurry to sin, and lots of other forms of wickedness. If you are wise you will choose to avoid them which pleases God.
$4.99 ≈
4.61€
A Lot of Things Different by Kenny Chesney - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Kenny Chesney
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A Lot of Things Different
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Musicnotes
Sheet Music for A Lot of Things Different by Kenny Chesney arranged for Piano/Vocal/Guitar in D Major. Digital sheet music from Musicnotes. ...
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Sheet Music for A Lot of Things Different by Kenny Chesney arranged for Piano/Vocal/Guitar in D Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.34€
What Was I Made For?
What Was I Made For?
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Piano seul
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FACILE
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Film/TV
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Billie Eilish
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Thomas Gunther
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What Was I Made For?
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Thomas Gunther Music Productions
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,C...
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Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
$5.99 ≈
5.53€
A Lot Of Things Different
A Lot Of Things Different
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Piano, Voix et Guitare
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Country
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Kenny Chesney
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A Lot Of Things Different
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Kenny Chesney. For piano, voice, and guitar (chords only). Country. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Kenny Chesney. For piano, voice, and guitar (chords only). Country. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.61€
A Lot Of Things Different
A Lot Of Things Different
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Guitare notes et tablatures
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Country
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Kenny Chesney
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A Lot Of Things Different
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Kenny Chesney. For easy guitar. Easy Guitar with TAB. Country. Standard notation with tablature. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Kenny Chesney. For easy guitar. Easy Guitar with TAB. Country. Standard notation with tablature. 4 pages. Published by Hal Leonard - Digital Sheet Music
$3.99 ≈
3.68€
They're Coming
They're Coming
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Samuel ValentÃn
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They're Coming
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Pianiolist Music
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SheetMusicPlus
Cello,Double Bass,Drums,Piano,Synthesizer - SKU: A0.1071828 Composed by Samuel ValentÃn. Contemporary,Film/TV,Halloween,Video Game. Full Performance....
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Cello,Double Bass,Drums,Piano,Synthesizer - SKU: A0.1071828 Composed by Samuel ValentÃn. Contemporary,Film/TV,Halloween,Video Game. Full Performance. Duration 560. Pianiolist Music #5037623. Published by Pianiolist Music (A0.1071828). Horror movie type music that I had the inspiration to write one day, uploads have been slowed down a little because of this project but I think it was worthwhile. The inspiration I had comes from a lot of different places, the earthquakes in Puerto Rico, a lot of things in my personal life, etc., so I encourage you to find your own meaning behind this piece, because even if it is a project meant to sound like something from a movie it doesn't make it any less of a piece of music that we can put a reflection of ourselves into.
$8.00 ≈
7.38€
The composer game: Two games for teaching early violin
The composer game: Two games for teaching early violin
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Violon
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FACILE
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Yoel Epstein
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The composer game: Two games f
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Yoel Epstein
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.773262 Composed by Yoel Epstein. Contemporary,Instructional. 5 pages. Yoel Epstein #57119. Published by Yoel Epstein (A0...
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Violin Solo - Level 2 - SKU: A0.773262 Composed by Yoel Epstein. Contemporary,Instructional. 5 pages. Yoel Epstein #57119. Published by Yoel Epstein (A0.773262). When I studied violin, it was strictly a solitary experience. I played by myself, or with my teacher accompanying me; everything I learned – sonatas, concertos, concert pieces – were for solo violin. True, I played in an orchestra, and when I was in high school found my way into a beginning string quartet, but all of my experience with violin pedagogy was solitaire. When I started teaching, I adopted a completely different approach. I believe that music is a social, not a solitary activity. So the first piece my students learn is a duet. And everything thereafter involves playing and learning in groups. These two games are part of a larger work presenting my approach to teaching. It is a work in progress, and I hope to be adding organically to it as my experience grows. If you want to see other teaching materials I have developed, you can find them on this site, by clicking here. If you send me an email at yoelepst@gmail.com, I will keep you informed of new things that I publish. I also have a lot of arrangements for string quartets of American and Israeli folksongs, which you can find on the site.
$9.99 ≈
9.22€
Let It Be
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99 ≈
3.68€
On Christmas Day!
On Christmas Day!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Andrew McDonald
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Andrew McDonald
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On Christmas Day!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1250478 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Children,Christian,Christmas. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1250478 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Children,Christian,Christmas. Score. 8 pages. Andrew Mc Donald (Macka Records) #844806. Published by Andrew Mc Donald (Macka Records) (A0.1250478). On Christmas Day is a song about the real meaning of Christmas. Christmas day can mean a lot of different wonderful things to folks but it is solely about the birth of Jesus Christ in a lowly cattle stall. This is a carol for written for a children's choir for piano and vocals. It could also be adapted for 4 part harmony as well.
$4.99 ≈
4.61€
Family - One Handed Trio version
Family - One Handed Trio version
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Tom Rule
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Tom Rule
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Family - One Handed Trio versi
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MaconMacMusicGuy
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 3 - SKU: A0.1463683 By Tom Rule. By Tom Rule. Arranged by Tom Rule. Contemporary,Instructional,Jazz,Rock. 8 pages. Ma...
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Instrumental Duet,Keyboard - Level 3 - SKU: A0.1463683 By Tom Rule. By Tom Rule. Arranged by Tom Rule. Contemporary,Instructional,Jazz,Rock. 8 pages. MaconMacMusicGuy #1042412. Published by MaconMacMusicGuy (A0.1463683). Three lines of music playable by two or three players on 1,2, or 3 pianos / keyboards. There is a lot of flexibility in this format - feel free to mix things up and have soem fun with it! Experiment! Have Fun!The piece has some consistent syncopation, especially in the middle and bottom line, and some interesting chord progressions and extended harmonies that are sure to tickle your ears. The Youtube video has two versions of the piece - the first is with piano only, the second with different keyboard sounds.Family is from Tom Rule's 2023 album The Week Begins.
$4.99 ≈
4.61€
Dimensión [trombone octet]
Dimensión [trombone octet]
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan María Solare
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Dimensión [trombone octet]
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Juan Maria Solare
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SheetMusicPlus
Trombone, trombone octet - Advanced Intermediate - Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoi...
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Trombone, trombone octet - Advanced Intermediate - Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoire, Latin. Score, Set of Parts. 32 pages. Published by Juan Maria Solare
Dimensin is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensin",additional elements came into the game, such as an important secondary melodyand a few transitions.
Dimensin is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.
About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensin"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.
In September 2002 I began to conductthe Orquesta No Tpica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensin wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensinis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.
Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.
Dimensin for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI
$10.00 ≈
9.23€
"Die Zauberflöte" for String Quartet, Nr.20 "Ein Mädchen oder Weibchen wünscht Papageno sich"
"Die Zauberflöte" for String Quartet, Nr.20 "Ein Mädchen oder Weibchen wünscht Papageno sich"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Kamada, Mikio
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"Die Zauberflöte&quo
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ACORDO Sheet Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1224449 Composed by Wolfgang Amadeus Mozart. Arranged by Kamada, Mikio. Classical. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1224449 Composed by Wolfgang Amadeus Mozart. Arranged by Kamada, Mikio. Classical. 11 pages. ACORDO Sheet Music #820552. Published by ACORDO Sheet Music (A0.1224449). Papageno and Tamino face the ordeals. Tamino is able to overcome them one by one, but Papageno struggles because he lacks the mental strength to do so. When Papageno tells Sprecher that he would be happy with just some wine, Sprecher asks if he has any other wishes. Papageno says he didn't have any before, but then he thinks of something else he wants and starts singing a song about it. The song says that it feels good to eat and drink delicious things, but Papageno is lonely and wants a cute girl or a wife. Papageno plays a musical instrument called a Glockenspiel while singing. This instrument is different from the modern Glockenspiel and is a keyboard instrument that strikes metal plates. In this arrangement, all the parts take turns playing the melody so that all the performers can enjoy it.
$7.60 ≈
7.01€
Dimensión [violin + piano]
Dimensión [violin + piano]
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Dimensión [violin + pia
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Juan Maria Solare
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.596563 Composed by Juan MarÃa Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #4624367. Publish...
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Piano,Violin - Level 4 - SKU: A0.596563 Composed by Juan MarÃa Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #4624367. Published by Juan Maria Solare (A0.596563). Juan MarÃa Solare: Dimensión Dimensión is a neolassical tango that was composed based on two simple piano pieces destined to young pianists: the first theme is Langostango and the second one Continuando. When joining to build up Dimensión, additional elements came into the game, such as an important secondary melody and a few transitions. Dimensión is therefore a clear example of a successful composition: a couple of good ideas and a lot of work to achieve that nobody notices how much work lies behind it. About the title, it obeys to my (slightly excessive) concern towards finding names that can be understood in any language of the places I usually am related to (i.e. in Spanish, English and German). In the case of dimensión it is a transparent word, understanding as such the words that are practically identical in any language while keeping their meaning (there exist words that are quite similar in different languages, but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words. In September 2002 I startd conducting the Orquesta No TÃpica at the University of Bremen, Germany, a chamber group of variable instrumentation devoted to tango music. Dimensión was the first piece that I composed especially for this group, in January / February 2003. The original version of Dimensión is therefore for Sextet: flute, clarinet, violin, guitar, bass, piano.Since that first version (performed several times in Germany and Argentina) I wrote a long dozen of arrangements for different instrumental groups.
$4.00 ≈
3.69€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.07€
Magnon (for Concert Band)
Magnon (for Concert Band)
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Luis Cardoso
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Magnon
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Luis Cardoso
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.934376 Composed by Luis Cardoso. Contemporary. Score and parts. 129 pages. Luis Cardoso #6168173. Published by Luis Car...
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Concert Band - Level 5 - SKU: A0.934376 Composed by Luis Cardoso. Contemporary. Score and parts. 129 pages. Luis Cardoso #6168173. Published by Luis Cardoso (A0.934376). For Concert Band 12mThe anthropologists say that Cro-Magnon men lived in caves and used some basic tools, such as hooks and needles. They cooked, made clothes, and buried the dead. Some say they made art, painting on the walls of the caves. They were the first to question things. I imagine that, with curiosity, they invented faith. They cooked faith with fear to invent courage. I made this piece in 2011 when I started researching new languages ​​for my writing. The previous piece, Eli, Eli, sought to represent a current men walking on their faith, searching for it. Magnon seeks to represent an older man, seeking to give reason to his own fear. The style of musical writing is different from my other works. There are three distinct pieces within this piece, almost like movements, unified by a structure of relationships between notes and use of motifs, although these rarely occur in the same way. The melodies are divided and their pieces are thrown for as multiple possibilities of the timbres. Above technical considerations, there is a constant sense of instability more or less pronounced. Such is fear
$200.00 ≈
184.59€
SOS REACHING THE FUTURE
SOS REACHING THE FUTURE
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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SOS REACHING THE FUTURE
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. P...
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Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. Published by THEMIS KOUTRAS (A0.1066576). The meaning of this song is that if we right something down like a message or film tape so on you can then hide it good well sometime in the future the item will still be there as long as it is not destroyed thus it will travel in the future the best way is on paper writings or stone tablets because in the future they may have or may not have the same technology as we do today for videos or tapes so on to see it or hear the message if someone in the future finds it off course it would have to be preserved from things like weather that can destroy it well the old saints preached the gospel everywhere but also wrote it down and hid it well well by miracle by praying GOD preserved it and now we got the holy bible this is proven that there was no way in the world that this holy bible could have survived preserved all these years unless GOD preserved it which he did this is the story of how the holy bible survived the time they found it they found it in different books lots of them in different places of the world this proves there must be a GOD out there who preserved it the HOLY BIBLE thus the song says s o s reaching the future thus it means as i said above
$4.99 ≈
4.61€
Rondo in C
Rondo in C
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Piano seul
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FACILE
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Ric Price
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Rondo in C
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Richard J Price
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published b...
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Piano Solo - Level 2 - SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise. I thought nuance was not getting into her playing yet (as with most beginning students).  I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
$9.00 ≈
8.31€
The Christmas Wish (Vocal Solo)
The Christmas Wish (Vocal Solo)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Carol Troutman Wiggins [ASCAP]
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#
The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Sing...
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Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95 ≈
5.49€
Grace Kelly
Grace Kelly
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Chorale SSAA
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AVANCÉ
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99 ≈
11.99€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.68€
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A Lot of Things Different
