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Vous avez sélectionné:
A Memory I Don
Partitions à imprimer
74 partitions trouvées
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A Memory I Don't Mess With
A Memory I Don't Mess With
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Lee Brice
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KoaliMusic
#
A Memory I Don't Mess With
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Koali
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1214858 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee Brice. Arranged by KoaliMusic. Cou...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1214858 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee Brice. Arranged by KoaliMusic. Country,Pop,Rock. 6 pages. Koali #811789. Published by Koali (A0.1214858). String Trio of the Country music Billboard No 1 hit of Lee Brice. All Koali Music arrangements are by violin/viola players for string players! All parts have bowing and dynamics, and each prints to a single page for folders. Add our collection of string trio hits to your string trio/quartet repetoires!
$13.99 ≈
¥98.19
A Memory I Don't Mess With
A Memory I Don't Mess With
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Lee Brice
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KoaliMusic
#
A Memory I Don't Mess With
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Koali
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1214700 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee Brice. Arranged ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1214700 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee Brice. Arranged by KoaliMusic. Country,Rock. 9 pages. Koali #811689. Published by Koali (A0.1214700). String Quartet of the Lee Brice Country Music No 1 hit. Faithful to the original song, all parts include bowing and dynamics, and each prints to just a single page! All KoaliMusic string quartets are by string players for string players!
$14.99 ≈
¥105.21
His Memory
His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00 ≈
¥168.44
The Sunken Memory
The Sunken Memory
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Piano seul
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FACILE
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Dan Lee
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The Sunken Memory
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Dan Lee
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.805270 By Dan Lee. By Dan Lee. Film/TV,Pop,Praise & Worship,Romantic Period,Spiritual. Score. 2 pages. Dan Lee #412304. P...
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Piano Solo - Level 2 - SKU: A0.805270 By Dan Lee. By Dan Lee. Film/TV,Pop,Praise & Worship,Romantic Period,Spiritual. Score. 2 pages. Dan Lee #412304. Published by Dan Lee (A0.805270). This is a piece I wrote in memory of my father. I miss him so much. I sat down on the piano after reading my son's passage about his grandfather who just passed away a month ago, and then I started playing. The recording was the first tick I've taken, and that is the deepest memory I felt at that moment. His kindness is what I wanted to carry on, I would like to donate all the money I earned from here to the homeless people.
$8.99 ≈
¥63.10
Don't cry
Don't cry
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Piano seul
#
INTERMÉDIAIRE
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Helen Park
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Don't cry
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HELEN PARK
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.958003 By Helen Park. By Helen Park. Classical,Contemporary,Multicultural,Religious,Spiritual,World. Score. 12 pages. HEL...
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Piano Solo - Level 3 - SKU: A0.958003 By Helen Park. By Helen Park. Classical,Contemporary,Multicultural,Religious,Spiritual,World. Score. 12 pages. HELEN PARK #1984479. Published by HELEN PARK (A0.958003). Are you crying? What makes you so sad? Dont cry. When time has passed, the sad memory may also be gone. When you are sad, my heart aches too. When you are upset, I'm upset too. When you are lonely and times are hard, just call me. I will always stand by you. Are you crying? The tears flow from your eyes, just like the raindrops fall. Please don't cry. Close your eyes for a while. Close the door of sadness behind you. Woo...... When you are beaten down, I will carry you. You don't have to suffer alone. You can lean on me.
$4.99 ≈
¥35.02
Some Things Don't Always Last
Some Things Don't Always Last
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Piano seul
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FACILE
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Damien Gauci
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Some Things Don't Always Last
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damie...
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Piano Solo - Level 2 - SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damien Gauci (A0.1468149). I always enjoy writing something simple but pretty and this piece is exactly that. As with many of my other piano compositions, I enjoy writing them in the style of “soft piano” pieces which you can listen to while you study, work, relax, or anything else. I initially came up with the original motif at the start of the piece which I really liked and expanded it into a full piece. When coming up to the B section I made it too dramatic and it would probably be too distracting for the listener if they were working or studying so I decided to start over with the B section and write something that expanded upon the original motif in a subtle and sweet way.I am quite pleased with the finished composition, it turned out in a way that I was aiming for from the beginning. As for the title, I sat down after I had finished writing the piece and listened to it a few times and brainstormed some names. I eventually settled on the name that it is now: ‘Some Things Don’t Always Last’ which has a bitter-sweet quality to it. I think it fits quite well with the piece as it’s like a lullaby that comes and goes. A distant memory that is recalled because of an old toy you found or because you drove past your childhood home that you grew up in.
$1.99 ≈
¥13.97
Memory Lane
Memory Lane
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Blues
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Miriam Daly
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Miriam Daly
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Memory Lane
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Miriam Daly
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1110850 By Miriam Daly. By Miriam Daly. Arranged by Miriam Daly. Blues. Score. 3 pages. Miriam Daly #713145. Published by...
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Piano Solo - Level 4 - SKU: A0.1110850 By Miriam Daly. By Miriam Daly. Arranged by Miriam Daly. Blues. Score. 3 pages. Miriam Daly #713145. Published by Miriam Daly (A0.1110850). Memory Lane is an Advanced Intermediate Blues piano solo, 1 minute and 40 seconds long, in the key of F; with 16th notes, and 16th note triplets nested in 8th note triplets. Don’t be intimidated by all the notes, they fit nicely within hand positions. I have found although there is a lot of EASY material for boogie learners, and at the other end of the spectrum, complicated transcriptions, I needed to write intermediate pieces for my students to fill the material gap. (Music Cover Photo by Ricardo Alfaro on Unsplash) https://www.miriamdaly.com.
$3.50 ≈
¥24.56
Nursery Rhyme for Violin Duet Vol. I
Nursery Rhyme for Violin Duet Vol. I
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2 Violons (duo)
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FACILE
#
Traditional
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Han-Ki Kim
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Nursery Rhyme for Violin Duet
#
Han-Ki Kim
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.511652 Composed by Traditional. Arranged by Han-Ki Kim. Children,Instructional,Standards. 15 pages. Han-Ki Kim #3...
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Violin Duet Violin - Level 2 - SKU: A0.511652 Composed by Traditional. Arranged by Han-Ki Kim. Children,Instructional,Standards. 15 pages. Han-Ki Kim #3876199. Published by Han-Ki Kim (A0.511652). In Memory of my Son's Childhood in the Michigan - Nursery Rhyme for Violin Duet - This works are arranged for two Violins, in memory of my son's childhood in the Michigan. This lovely arranged traditional Nursery Rhyme is perfect for Education and School concert. All notes are playable in the first position making this piece an excellent choice for early intermediate Violin students. Practicing Point are suggested on the head of the Music. Shown Bowing and fingering sign will be very helpful. I hope that the beauty of this music will be in everyone's hearts. It’s consists of Two volumes, and each of volume contains 6 works. Contents of Vol.I 1. Six little Ducks 2. Bingo 3. Little Jesus, sweetly sleep 4. Old Macdonald had a Farm 5. Polly put the Kettle on 6. Hot Cross Buns Contents of Vol.II 1. All through the Night 2. This Old Man 3. The North wind doth Night 4. Hush little Baby 5. Hickory Dickory Dock 6. Lazy Mary.
$11.99 ≈
¥84.15
Nursery Rhyme Vol. I (Duet for Violin and Viola)
Nursery Rhyme Vol. I (Duet for Violin and Viola)
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Violon, Alto (duo)
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DÉBUTANT
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Han-Ki Kim
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Traditional
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Nursery Rhyme Vol. I
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Viola,Violin - Level 1 - SKU: A0.511723 Composed by Han-Ki Kim. Arranged by Traditional. Children,Holiday,Instructional. Score and parts...
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String Ensemble Viola,Violin - Level 1 - SKU: A0.511723 Composed by Han-Ki Kim. Arranged by Traditional. Children,Holiday,Instructional. Score and parts. 15 pages. Han-Ki Kim #5033471. Published by Han-Ki Kim (A0.511723). In Memory of my Son's Childhood in the Michigan - Nursery Rhyme for Violin and Viola - This works are arranged for Violin and Viola, in memory of my son's childhood in the Michigan. This lovely arranged traditional Nursery Rhyme is perfect for Education and School concert. All notes are playable in the first position making this piece an excellent choice for early intermediate Violin students. Practicing Point are suggested on the head of the Music. Shown Bowing and fingering sign will be very helpful. I hope that the beauty of this music will be in everyone's hearts. It’s consists of Two volumes, and each of volume contains 6 works. Contents of Vol.I 1. Six little Ducks 2. Bingo 3. Little Jesus, sweetly sleep 4. Old Macdonald had a Farm 5. Polly put the Kettle on 6. Hot Cross Buns Contents of Vol.II 1. All through the Night 2. This Old Man 3. The North wind doth Night 4. Hush little Baby 5. Hickory Dickory Dock 6. Lazy Mary.
$11.99 ≈
¥84.15
Ravel: Le Tombeau de Couperin IV Rigaudon - Symphonic wind
Ravel: Le Tombeau de Couperin IV Rigaudon - Symphonic wind
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin
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RayThompsonMusic
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SheetMusicPlus
Level 5 - SKU: A0.650930 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Baroque. 22 pages. RayThompsonMusic #260018. Published by Ray...
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Level 5 - SKU: A0.650930 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Baroque. 22 pages. RayThompsonMusic #260018. Published by RayThompsonMusic (A0.650930). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged Double wind quintet/Bass 2nd Oboe has some bars of Cor Anglais .!st Clarinet in Bb has a section for Clarinet in A. This is my arrangement of No.IV Rigaudon in the orchestral suite for wind dectet.
$14.95 ≈
¥104.93
String Trio No. 3 in A major
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
¥343.91
Kum Ba Yah - a church campfire song
Kum Ba Yah - a church campfire song
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Piano seul
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FACILE
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Afro-American Spiritual
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c
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Kum Ba Yah - a church campfire
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C.E. Walz
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.767664 Composed by Afro-American Spiritual. Arranged by c.e. walz. Christian,Concert,Sacred,Spiritual,Traditional. Score....
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Piano Solo - Level 2 - SKU: A0.767664 Composed by Afro-American Spiritual. Arranged by c.e. walz. Christian,Concert,Sacred,Spiritual,Traditional. Score. 3 pages. C.E. Walz #4624379. Published by C.E. Walz (A0.767664). The young people in Grandma's day loved to sit around the campfire and sing Kum Ba Yah, and the truth is, young people today still do! Here it is in piano solo form with a smooth, flowing style. This piece is rather easy, but since one section involves right hand over the left, I'm classifying it as Early Intermediate. Don't be alarmed, though. It's in the key of C and the left hand plays the same motif as the previous section. This is the first piece in my selections that I call Church Campfire Songs, something I usually play during the summer months at Sunday services. As Grandma says, Nothing like a cool summer memory to make you feel refreshed. (She actually used the word cool.) Key of C, three pages in length, no key changes, performance time: about two minutes.
$3.99 ≈
¥28.00
The Singer and the Song. An Imprint Stamped for Life on Memory's Page. Song & Chorus
The Singer and the Song. An Imprint Stamped for Life on Memory's Page. Song & Chorus
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Piano, Voix
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Will D
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The Singer and the Song. An Im
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5748 Composed by Will D. Cobb & Gus. Edwards. Portraits, Courtship, Weddings, Quarreling, Unrequited love, Time, Disgrace. Les...
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Piano and voice - SKU: LV.5748 Composed by Will D. Cobb & Gus. Edwards. Portraits, Courtship, Weddings, Quarreling, Unrequited love, Time, Disgrace. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5748). The Singer and the Song. An Imprint Stamped for Life on Memory's Page. Song & Chorus. by Will D. Cobb and Gus. Edwards. Published 1899 by Howley, Haviland & Co., 1260-1266 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Weddings, Quarreling, Unrequited love, Time, Disgrace. First line reads I was sitting at a table in a concert hall one night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.04
Don't Fret It for Violin and Trombone
Don't Fret It for Violin and Trombone
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Trombone, Violon (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brad Howland
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Don't Fret It for Violin and T
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Linden Brass Press Inc.
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Violin - Level 4 - SKU: A0.870853 Composed by Brad Howland. Contemporary. Score and parts. 14 pages. Linden...
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Instrumental Duet Instrumental Duet,Trombone,Violin - Level 4 - SKU: A0.870853 Composed by Brad Howland. Contemporary. Score and parts. 14 pages. Linden Brass Press Inc. #6854519. Published by Linden Brass Press Inc. (A0.870853). I wrote this music to have something fun to play with my son Ryan, who is an excellent violinist. It starts with a swing section that could be played from memory while walking on stage, then transitions into a rather virtuosic dance. The dance ends with a bang, but is immediately followed by a section of creepy dark forest music. The piece ultimately ends with some peace and tranquility, achieved with double stop harmonies from the violin. In a couple of places the trombone must simultaneously play the role of downbeat *and* offbeat, and it ascends at one point to high B.
$14.95 ≈
¥104.93
My Mother's Memory. Ballad
My Mother's Memory. Ballad
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Piano, Voix
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Jno
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Jno
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My Mother's Memory. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.14600 Composed by Jno. S. Cox. Mothers & children, Death, Tombs & sepulchral monuments, Domestic life, Emotion--pain. Lester S...
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Piano and voice - SKU: LV.14600 Composed by Jno. S. Cox. Mothers & children, Death, Tombs & sepulchral monuments, Domestic life, Emotion--pain. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14600). My Mother's Memory. Ballad. Composed By Jno. S. Cox. Published 1855 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Death, Tombs & sepulchral monuments, Domestic life, Emotion--pain. First line reads My mother died ere I could scarce Breathe her beloved name.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.04
Nursery Rhyme for Viola Duet Vol. I
Nursery Rhyme for Viola Duet Vol. I
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2 Altos (duo)
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FACILE
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Traditional
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Han-Ki Kim
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Contents of Vol
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Nursery Rhyme for Viola Duet V
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Han-Ki Kim
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SheetMusicPlus
Viola Duet Viola - Level 2 - SKU: A0.511725 Composed by Traditional. Arranged by Han-Ki Kim. Children,Holiday,Instructional,Standards. Score. 15 pages. ...
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Viola Duet Viola - Level 2 - SKU: A0.511725 Composed by Traditional. Arranged by Han-Ki Kim. Children,Holiday,Instructional,Standards. Score. 15 pages. Han-Ki Kim #5045141. Published by Han-Ki Kim (A0.511725). This works are arranged for Viola Duet, in memory of my son's childhood in the Michigan. This lovely arranged traditional Nursery Rhyme is perfect for Education and School concert. All notes are playable in the first position, This piece will be an excellent choice for early intermediate Viola students. Practicing Point are suggested on the each head of the Music. Shown Bowing and Fingering sign will be very helpful. It is consists of Two volumes, and each of volume contains 6 works. Attached music file is the “Six Little Ducks†just for reference. Contents of Vol. I 1. Six little Ducks 2. Bingo 3. Little Jesus, sweetly sleep 4. Old Macdonald had a Farm 5. Polly put the Kettle on 6. Hot Cross Buns Contents of Vol. II 1. All Through the Night 2. This old Man 3. The northwind doth Night 4. Hush Little Baby 5. Hickory Dickory Dock 6. Lazy Mary
$11.99 ≈
¥84.15
Old Macdonald had a Farm (String Quartet)
Old Macdonald had a Farm (String Quartet)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Han-Ki Kim
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Old Macdonald had a Farm
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Han-Ki Kim
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.511645 Composed by Traditional. Arranged by Han-Ki Kim. Children,Contemporary,Instructional,Standards. Score and pa...
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String Orchestra - Level 3 - SKU: A0.511645 Composed by Traditional. Arranged by Han-Ki Kim. Children,Contemporary,Instructional,Standards. Score and parts. 16 pages. Han-Ki Kim #3682901. Published by Han-Ki Kim (A0.511645). 1) This music is arranged with memory of my son’s childhood in the Michigan, USA. and also for Educational purpose.2. This music is arranged with well known “Lullaby theme†for Children’s concert and also for Educational purpose.3. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player.4. Main Theme is rotated by parts, to make interest for all the player.5. Optional Violin III (Instead of Viola)  part included.6. Arranger is Advisory Professor of the “Korea Suzuki Associationâ€. 7. Arranger is very experienced(with “I Musiciâ€), and his works are very loved world widely.
$9.90 ≈
¥69.48
In Memoriam: A Chorale After Bruckner for Trombonne Trio
In Memoriam: A Chorale After Bruckner for Trombonne Trio
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3 Trombones (trio)
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AVANCÉ
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Contemporain
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Brian Pappal
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In Memoriam: A Chorale After B
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble,Trombone Trio Trombone - Level 5 - SKU: A0.811132 Composed by Brian Pappal. Contemporary. Score and parts. 13 pages. Gordon Cherry #53162...
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Brass Ensemble,Trombone Trio Trombone - Level 5 - SKU: A0.811132 Composed by Brian Pappal. Contemporary. Score and parts. 13 pages. Gordon Cherry #5316249. Published by Gordon Cherry (A0.811132). Here is a description of the work IN MEMORIAM by composer Brian Pappal. In Memoriam: A Chorale After Bruckner was composed in memory of Murray Crewe, former Bass Trombonist with the Pittsburgh Symphony Orchestra. Murray was my private trombone teacher at Duquesne University where he maintained a large studio of private trombone students and directed the trombone choir. During my lessons with him and in trombone choir rehearsals, Murray was contagiously positive and encouraging with a sense of humor all his own. He was also an artist of immense depth and sensitivity who daily sought to create and encounter moments of beauty in the world. Some of my greatest musical memories of Murray are of his leading the trombone choir in playing transcriptions of Brucknerâ??s choral motets. There are obvious parallels between the voice and the trombone, and Murrayâ??s artistry combined with Brucknerâ??s profound compositions created a deeply moving experience for me as a young musician. I wrote this piece with those memories in my mind. The sonorities are intentionally vocal, and performance of the piece should be approached in a similarly sustained and expressive style. The first trombone part remains rather high without rest; it may be played by either a tenor or alto trombone depending on player preference.
$30.00 ≈
¥210.55
Don't Stop Believin' (Journey) for Double-strung Harp
Don't Stop Believin' (Journey) for Double-strung Harp
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Harpe
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INTERMÉDIAIRE
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Rock
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson ...
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.
This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.
Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.
Good for: Weddings, parties, performance, therapeutic settings.
Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.
Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.
Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf
Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.
Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.
Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.
Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99 ≈
¥49.06
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
¥66.68
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
¥28.00
CASSANDRA'S VISION
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00 ≈
¥35.09
Pax Aeternam for cello and piano
Pax Aeternam for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Scor...
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Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00 ≈
¥105.28
Pax Aeternam for tuba and piano
Pax Aeternam for tuba and piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Publish...
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Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00 ≈
¥105.28
Powder Your Face With Sunshine
Powder Your Face With Sunshine
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Piano, Voix et Guitare
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Guy Lombardo
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Powder Your Face With Sunshine
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Musi...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000010. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000010). ISBN 9780739068540. UPC: 038081386140.This songbook contains more than 50 of the biggest hits of the 1940s. Each song is sure to spark a memory or create a new one for pianists and vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: The Anniversary Waltz (Vera Lynn) * As Time Goes By (Dooley Wilson) * At Last (Glenn Miller) * Ballerina (Vaughn Monroe) * Blues in the Night (Woody Herman) * Chattanooga Choo Choo (Glenn Miller) * Don't Fence Me In (Bing Crosby and The Andrews Sisters) * Don't Sit Under the Apple Tree (The Andrews Sisters) * Elmer's Tune (Glenn Miller) * Enjoy Yourself (Guy Lombardo) * Fools Rush In (Glenn Miller) * A Gal in Calico (Johnny Mercer) * How About You? (Tommy Dorsey) * How Are Things in Glocca Morra? (Buddy Clark) * How High the Moon (Benny Goodman) * I Fall in Love Too Easily (Frank Sinatra) * I'll Walk Alone (Dinah Shore) * I'm in Love (Doris Day) * Imagination (Glenn Miller) * It's Magic (Doris Day) * I've Heard That Song Before (Harry James) * La Vie en Rose (Edith Piaf) * Laura (Woody Herman) * Mam'selle (Art Lund) * The More I See You (Dick Haymes) * Near You (Francis Craig) * New York, New York (Gene Kelly, Frank Sinatra, & Jules Munshin) * Oh! What It Seemed to Be (Frank Sinatra) * The Old Lamp-Lighter (Sammy Kaye) * Only Forever (Bing Crosby) * Paper Doll (The Mills Brothers) * Powder Your Face with Sunshine (Guy Lombardo) * Red Roses for a Blue Lady (Vaughn Monroe) * Serenade in Blue (Glenn Miller) * Speak Low (Guy Lombardo) * Straighten Up and Fly Right (Nat King Cole) * Swinging on a Star (Bing Crosby) * Take the A Train (Duke Ellington) * Taking a Chance on Love (Benny Goodman) * That Lucky Old Sun (Frankie Laine) * Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (Bing Crosby) * The Trolley Song (Judy Garland) * You'd Be So Nice to Come Home To (Dinah Shore) * You'll Never Know (Dick Haymes) * Zip-a-Dee-Doo-Dah (James Baskett).
$3.99 ≈
¥28.00
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A Memory I Don
