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A Touch of Jazz: Drums
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Vous avez sélectionné:
A Touch of Jazz: Drums
Partitions à imprimer
17 partitions trouvées
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1
A Touch of Jazz: Drums
A Touch of Jazz: Drums
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Orchestre
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Jazz
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Jerry Brubaker
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A Touch of Jazz: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017094_D Drums. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-001709...
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Full Orchestra - SKU: AX.00-PC-0017094_D Drums. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_D). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00 ≈
2.76€
Kathleen Mavourneen (Low Vocal Solo with Jazz Combo)
Kathleen Mavourneen (Low Vocal Solo with Jazz Combo)
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Ensemble Jazz
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INTERMÉDIAIRE
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Frederick Crouch
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Joseph Hasper
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Kathleen Mavourneen
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734728 Composed by Frederick Crouch. Arranged by Joseph Hasper. Folk,Traditional. Score and parts. 31 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734728 Composed by Frederick Crouch. Arranged by Joseph Hasper. Folk,Traditional. Score and parts. 31 pages. Joseph Hasper #2161991. Published by Joseph Hasper (A0.734728). Touching, sentimental vocal arrangement for vocal soloist and combo with trumpet, guitar, piano, bass and drums. Includes a full score and all parts. Key of C..This arrangement is also available in the key of Eb for higher vocals (SMP No. S0.133777)
$4.99 ≈
4.59€
Kathleen Mavourneen (Vocal Solo with Jazz Combo)
Kathleen Mavourneen (Vocal Solo with Jazz Combo)
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Ensemble Jazz
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INTERMÉDIAIRE
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Frederick Crouch
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Joseph Hasper
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Kathleen Mavourneen
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734726 Composed by Frederick Crouch. Arranged by Joseph Hasper. Folk,Traditional. Score and parts. 49 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734726 Composed by Frederick Crouch. Arranged by Joseph Hasper. Folk,Traditional. Score and parts. 49 pages. Joseph Hasper #2160513. Published by Joseph Hasper (A0.734726). Touching, sentimental vocal arrangement for vocal soloist and combo with trumpet, guitar, piano, bass and drums. Includes a full score and all parts. Key of Eb.
$3.99 ≈
3.67€
Do You Know What It Means to Miss New Orleans: Drums
Do You Know What It Means to Miss New Orleans: Drums
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Batterie (partie séparée)
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Methodes
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Louis Alter
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Les Hooper
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Do You Know What It Means to M
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0002470_D Drums. Composed by Louis Alter. Arranged by Les Hooper. Instructional. Part. 4 pages. Alfred Music - Digi...
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Jazz Ensemble - SKU: AX.00-PC-0002470_D Drums. Composed by Louis Alter. Arranged by Les Hooper. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002470_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002470_D). UPC: 654979057987.One of the finest writers for jazz ensemble, L.A.-based Les Hooper has lent his unmistakable golden touch to the classic Do You Know What It Means to Miss New Orleans. With a laid-back jazz feel, Les' work offers solo (written or ad-lib) space to trombone 1 and alto 1 with some sweet chord changes. This excellent chart is ideal for festival or concert.
$3.00 ≈
2.76€
A Child Is Born
A Child Is Born
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Thad Jones
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Ken Litton
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A Child Is Born
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1111745 By Thad Jones. By Alec Wilder and Thad Jones. Arranged by Ken Litton. Advent,Christmas,Holiday,Ja...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1111745 By Thad Jones. By Alec Wilder and Thad Jones. Arranged by Ken Litton. Advent,Christmas,Holiday,Jazz,Standards. Octavo. 13 pages. Artist of Note, Inc. #713987. Published by Artist of Note, Inc. (A0.1111745). Duration 3:30 A Child Is Born is a truly beautiful picture—sacred or secular—of the Advent story painted from the enduring viewpoint of his mother, Mary. Written in 1969 by jazz trumpeter Thad Jones. The lyrics were added independently by Alec Wilder after he heard the Thad Jones - Mel Lewis Orchestra perform it. The song has been described by Bob Yurochko (with contributor Wynton Marsalis) in A Short History of Jazz as a “beautiful ballad of mainstream jazz. This arrangement begins with a quiet intro in which both the piano and the Bb Instrument touch very lightly on Silent Night. The easily memorized single stanza is sung first by the altos, who are then joined by and succeeded by the sopranos and then deftly handed off to altos, tenors and basses who are subsequently involved in each four-part cadence point well as other unison and two-part sections. The halved repeat of the stanza can be a very nice piano feature or, optionally a Bb instrument—Flugelhorn (even a muted Trumpet) a Bb Clarinet or a Bb tenor saxophone can supply the solo with the voices singing the very light background. The key change is kept simple, with a descending scale into the new key. The final section makes additional mention of STILLE NACHT as well as echoing the intro at the jazz ending. Still, the instrumental part remains optional and the chord symbols make it easy to include string bass or even gentle jazz guitar (drums on this should, of course be mainly light brushes). The vocal parts are limited to practical ranges and, while there is divisi in the soprano part, each voice is always easily sung). The accessible accompaniment has comparatively little movement in the left hand beyond the middle of a typical measure, especially when there are technical requirements in the right hand. #choral #jazz choral #church choral #liturgical choral.
$1.99 ≈
1.83€
Fröhliche Weihnacht - Happy X-mas
Fröhliche Weihnacht - Happy X-mas
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Noël
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Eduard Ebel, Friedrich Silcher
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Albrecht Kuch-Weidenbrück
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Fröhliche Weihnacht - Hap
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Albrecht Kuch-Weidenbrück
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SheetMusicPlus
Accordion,Bass Voice,Drums,Percussion,Piano - Level 3 - SKU: A0.1325145 Composed by Eduard Ebel, Friedrich Silcher, J. S. Bach. Arranged by Albrecht Kuc...
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Accordion,Bass Voice,Drums,Percussion,Piano - Level 3 - SKU: A0.1325145 Composed by Eduard Ebel, Friedrich Silcher, J. S. Bach. Arranged by Albrecht Kuch-Weidenbrück. Christmas. 26 pages. Albrecht Kuch-Weidenbrück #913373. Published by Albrecht Kuch-Weidenbrück (A0.1325145). Akkordeon 1 Akkordeon 2 Akkordeon 3 Akkordeon 4 Piano Bass Drums, Percussion. Some of the best-known German Christmas carols arranged in a jazzy style for accordion orchestra by Albrecht Kuch-Weidenbrück. It can be played as well by a small group of accordion players.Why always play in the same style, how about a touch of jazz?
$10.00 ≈
9.21€
Won’t be the bawdy of the aged
Won’t be the bawdy of the aged
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Michael Baer, Carlos Wolf
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Won’t be the bawdy of th
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Carlos Wolf
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SheetMusicPlus
Bass Voice,Drums,Guitar,Synthesizer - Level 4 - SKU: A0.1123299 Composed by Michael Baer, Carlos Wolf. Blues,Jazz,Pop. Full Performance. Duration 220. C...
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Bass Voice,Drums,Guitar,Synthesizer - Level 4 - SKU: A0.1123299 Composed by Michael Baer, Carlos Wolf. Blues,Jazz,Pop. Full Performance. Duration 220. Carlos Wolf #721890. Published by Carlos Wolf (A0.1123299). He is looking for a little romance in a bar in Paris. But the girl said, Won't be the bawdy of the aged, never kiss before engaged. Tie the knot before I'm touched, after church we've time as much.
$4.99 ≈
4.59€
A Touch of Honey: Drums
A Touch of Honey: Drums
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Batterie (partie séparée)
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Methodes
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Victor Lopez
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A Touch of Honey: Drums
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Victor Lopez. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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By Victor Lopez. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00 ≈
2.76€
What I Did For Love
What I Did For Love
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Edward Kleban and Marvin Hamli
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Terry Vosbein
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What I Did For Love
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Max Frank Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadway,Jazz,Musical/...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadway,Jazz,Musical/Show. 48 pages. Max Frank Music #979709. Published by Max Frank Music (A0.1396334). Experience â??What I Did For Loveâ? like never before with this new big band arrangement inspired by the legendary Stan Kenton. This slow ballad from the classic musical â??A Chorus Lineâ? takes on new life with the rich textures and dynamic energy of a full big band.The arrangement opens with a haunting piano introduction, setting the mood for a heartfelt performance. As the arrangement slowly builds, the alto saxophone takes center stage with a soulful improvised solo, adding a personal touch to the familiar melody. As it reaches its climax, the band explodes with big fat and loud chords that soar to new heights.With its blend of traditional big band elements and emotional harmonic content, this arrangement of â??What I Did For Loveâ? is sure to captivate audiences and leave a lasting impression. Donâ??t miss the opportunity to experience this timeless classic in a whole new way.Instrumentation: 5 saxes (AATTB), 5 trumpets, 4 trombones, tuba, piano, guitar, bass, drums.
$49.99 ≈
46.03€
CABRET
CABRET
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Clarinette et Piano
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INTERMÉDIAIRE
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Jazz
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Music Science Tech
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Music Science Tech
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CABRET
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Music Science Tech
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.1324904 By Music Science Tech. By Music Science Tech. Arranged by Music Science Tech. Jazz. Score and part. 9 pages. ...
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Clarinet,Piano - Level 3 - SKU: A0.1324904 By Music Science Tech. By Music Science Tech. Arranged by Music Science Tech. Jazz. Score and part. 9 pages. Music Science Tech #893460. Published by Music Science Tech (A0.1324904). The purpose of this classic beautiful song and arrangement is the melody line is moditfy played by lead gutiar rock favor with touch of jazz improvisation skills also using a counter melody line smooth rythm section followed with moving bass line for supposting combo group. The drums plays kick off important adding the favor modern style new age music. Between each verses jazz riff is added fading out the arrangment to th ending.
$6.99 ≈
6.44€
Just The Way You Are
Just The Way You Are
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Billy Joel
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Yap Sin Yee
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Just The Way You Are
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Yap Sin Yee
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1431396 By Billy Joel. By Billy Joel. Arranged...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1431396 By Billy Joel. By Billy Joel. Arranged by Yap Sin Yee. Film/TV,Holiday,Jazz,Pop,Rock. 10 pages. Yap Sin Yee #1011867. Published by Yap Sin Yee (A0.1431396). Captivate Your Audience with a Fresh Take on Billy Joel's Classic: Just the Way You Are for Saxophone Quartet!This innovative and expressive rendition of Billy Joel's beloved Just the Way You Are is guaranteed to captivate audiences of all ages. Imagine the rich tones of four saxophones weaving together to create a powerful and unforgettable performance. This unique arrangement breathes new life into the classic song, offering a fresh perspective for both performers and listeners. Be sure to impress audiences at concerts, recitals, or weddings.Don't miss out on this chance to add a touch of sophistication and nostalgia to your next performance!This work is expertly arranged for four saxophones (Altos 1, 2, Tenor and Baritone Saxophone) with optional Drumset.
$15.00 ≈
13.81€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.01€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.67€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.75€
The Pink Panther
The Pink Panther
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A Century Of Movie Soundtracks
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SAMUEL DE SOUZA MALAQUIAS
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The Pink Panther
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
Drum Set,Flute,Piano,Tenor Saxophone - Level 3 - SKU: A0.1366537 By A Century Of Movie Soundtracks. By Henry Mancini. Arranged by SAMUEL DE SOUZA MALAQU...
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Drum Set,Flute,Piano,Tenor Saxophone - Level 3 - SKU: A0.1366537 By A Century Of Movie Soundtracks. By Henry Mancini. Arranged by SAMUEL DE SOUZA MALAQUIAS. Blues,Broadway,Film/TV,Jazz,Musical/Show. 26 pages. SAMUEL DE SOUZA MALAQUIAS #950875. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1366537). The Pink PantherThis intermediate-level arrangement of the classic theme song is perfect for a very small jazz ensemble (piano, tenor saxophone, flute and drum set). The piano provides the foundation, the drums keep the beat, the sax tenor adds a touch of soul, and the flute provides a soaring melody. The arrangement stays true to the original, while adding a new level of sophistication.Order your copy today!
$13.99 ≈
12.88€
Love Story
Love Story
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Pop musique
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Taylor Swift
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Joseph Hasper
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Love Story
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Joseph Hasper
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734867 By Taylor Swift. By...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734867 By Taylor Swift. By Taylor Swift. Arranged by Joseph Hasper. Pop. Score and parts. 51 pages. Joseph Hasper #3866779. Published by Joseph Hasper (A0.734867). One of Taylor Swift's most touching songs is now available for jazz ensemble in a light tango setting! Features written solos for trombone and trumpet and lush sax voicings. Moderate ranges in the trumpets and trombones make this an approachable chart for younger bands as well as an easy favorite for more advanced bands. Scored for 5 saxes, 4 trumpets, 4 trombones, guitar, piano, bass and drums. Includes a full score and complete set of parts. Key of C (modulates to Eb). 3'30 duration.For more jazz ensemble charts by Joseph Hasper please visit www.jazz-charts.com or my SMP Publisher Page https://www.sheetmusicplus.com/publishers/Joseph-Hasper/1563Love Story was written and performed by Taylor Swift. It was released in 2008 as the lead single her second studio album Fearless. The song was written about a love interest of Swift's who was not popular among Swift's family and friends. Because of the scenario, Swift related to the plot of William Shakespeare's Romeo and Juliet and used it as a source of inspiration to compose the song. However, she replaced Romeo and Juliet's original tragic conclusion with a happy ending. It is a mid-tempo song with a dreamy soprano voice, while the melody continually builds. The lyrics are from the perspective of Juliet.The song received wide critical praise with critics complimenting Swift's writing style and the song's plot. It was also a commercial success, selling over 8 million copies worldwide, therefore establishing itself among the best-selling singles of all time. In the United States, the song peaked at number four on the Billboard Hot 100 and sold over 6 million paid digital downloads, becoming Swift's best-selling single to date and was once the best-selling download by a female country solo artist.
$35.00 ≈
32.23€
Bicycle Race
Bicycle Race
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Rock
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Queen
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Javier Soria Laso
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Bicycle Race
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Javier Soria Laso
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SheetMusicPlus
Cello,Drums,Piano - Level 4 - SKU: A0.1335292 By Queen. By Freddie Mercury. Arranged by Javier Soria Laso. Pop,Rock. 23 pages. Javier Soria Laso #921123...
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Cello,Drums,Piano - Level 4 - SKU: A0.1335292 By Queen. By Freddie Mercury. Arranged by Javier Soria Laso. Pop,Rock. 23 pages. Javier Soria Laso #921123. Published by Javier Soria Laso (A0.1335292). Queen's famous Bicycle Race written by Freddie Mercury for their album Jazz (1978) receives a lively treatment for an ensemble of 4 cellos, piano & drums in this lively chart that keeps the essence of the original tune [including the drum part as in the original recording with some variation (the ring bells can be substituted for wind chimes or a similar instrument)] while adding some fresh and unexpected touches including the interaction between the piano & the cellos. If you're wanting something that you'd like to feature in your concert either in the beginning or the end, this is your chart! About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$14.90 ≈
13.72€
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A Touch of Jazz: Drums
