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Afro Blue Bass
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Vous avez sélectionné:
Afro Blue Bass
Partitions à imprimer
22 partitions trouvées
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1
Afro Blue
Afro Blue
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Jazz
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John Coltrane
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David Heywood
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Afro Blue
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David Heywood
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.910430 By John Coltrane. By Mongo Santamaria. Arranged by David Heywood. Jazz. 59 pages. David Heywood #6400...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.910430 By John Coltrane. By Mongo Santamaria. Arranged by David Heywood. Jazz. 59 pages. David Heywood #6400229. Published by David Heywood (A0.910430). Legendary Cuban conga drummer and bandleader Mongo Santamaria had a career that lasted almost 50 years, and he gave us some fantastic music, including one of the first tunes to bring together Afro-Cuban and American jazz styles, entitled Afro Blue. This arrangement stays true to the original feel, and incorporates jazz flute ensemble (piccolo, four C flutes, alto, and bass flutes) along with rhythm section (piano, drums, electric bass, and optional guitar). This arrangement features an intruiging reharmonization of the original melody, along with a stop-time soli section, and open solos for all instruments. All piano voicings, bass lines, and drum grooves are fully notated, for those whose Afro-Cuban chops are a bit rusty. This chart is not that hard to put together, and is a ton of fun to play!
$20.99
Afro Blue
Afro Blue
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John Coltrane
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Filip RůžiÄka
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Afro Blue
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Filip Ruzicka
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1174032 By John Coltrane. By Mongo Santamaria. Arranged by Filip RůžiÄka. Funk,Jazz,Latin. ...
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Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1174032 By John Coltrane. By Mongo Santamaria. Arranged by Filip RůžiÄka. Funk,Jazz,Latin. 11 pages. Filip Ruzicka #774196. Published by Filip Ruzicka (A0.1174032). An arrangment of Mongo Santamaria's song Afro Blue for clarinet quartet.
$13.00
Afro Blue
Afro Blue
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Jazz
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John Coltrane
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Nicholas Cocco
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Afro Blue
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CoccoMusic LLC and Underdog Music and Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Guitar,Drum Set,Piano and Keyboard,Trumpet - Interactive Download SKU: A0.482083 By John Coltrane. By Mongo Santamaria...
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Small Ensemble Alto Saxophone,Bass Guitar,Drum Set,Piano and Keyboard,Trumpet - Interactive Download SKU: A0.482083 By John Coltrane. By Mongo Santamaria. Arranged by Nicholas Cocco. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 122. Published by CoccoMusic LLC and Underdog Music and Publishing (A0.482083).
$19.99
Mongo Santamaria: Afro Blue for voice & other instruments (Bass Clef Instruments)
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Bass Clef Instruments
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INTERMÉDIAIRE
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Jazz
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Mongo Santamaria
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Virtualsheetmusic
Instantly printable sheet music by John Coltrane for voice & other instruments (bass clef) of MEDIUM skill level. / jazz,latin,standards
Instantly printable sheet music by John Coltrane for voice & other instruments (bass clef) of MEDIUM skill level. / jazz,latin,standards
$1.97
Afro Clave
Afro Clave
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Ensemble Jazz
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FACILE
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Eric O'Reilly
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Eric O'Reilly
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Afro Clave
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Eric O'Reilly
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1276812 By Eric O'Reilly. By Eric O'Reilly. Arranged by Eric O'Reilly. 21st Century,Blues,Contest,Festiv...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1276812 By Eric O'Reilly. By Eric O'Reilly. Arranged by Eric O'Reilly. 21st Century,Blues,Contest,Festival,Jazz,Latin. Score and Parts. 58 pages. Eric O'Reilly #868499. Published by Eric O'Reilly (A0.1276812). Afro Clave composed and perfomed by Eric O'Reilly is an exciting latin jazz song. It is written for a jazz big band. Best for advanced middle school jazz bands or high school jazz bands. Included with this purchase are the following instruments:Full ScoreAlto Saxophone 1Alto Sxaophone 2Tenor Saxophoe 1Tenor Saxophone 2Baritone SaxophoneTrumpet 1Trumpet 2TromboneCongasGuitarPianoBassDrumset.
$42.99
Burnt Orange Blues
Burnt Orange Blues
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Jazz combo
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INTERMÉDIAIRE
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Chris Bandy
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Burnt Orange Blues
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Chris Bandy
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.921680 Composed by Chris Bandy. Blues,Jazz,Latin. Score and parts. 16 pages. Chris Bandy #4993459. Published by Chris Ban...
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Jazz Combo - Level 3 - SKU: A0.921680 Composed by Chris Bandy. Blues,Jazz,Latin. Score and parts. 16 pages. Chris Bandy #4993459. Published by Chris Bandy (A0.921680). Burnt Orange Blues is a work for jazz combo by Chris Bandy. It is a twelve-bar blues in the key of E-flat minor, with an afro-cuban feel. It can be performed in solo or combo settings. The PDF contains a score, a real-book style chart in C, and parts for B-flat trumpet, tenor sax, alto sax, tenor trombone, piano, jazz bass, and drum set.
$2.99
Afro Blue (arr. Michael Sweeney) - Bb Bass Clarinet
Afro Blue (arr. Michael Sweeney) - Bb Bass Clarinet
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Orchestre d'harmonie
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FACILE
#
Mongo Santamaria
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Michael Sweeney
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Afro Blue
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Hal Leonard - Digital
#
SheetMusicPlus
Concert Band - Level 2 - SKU: HX.1451509 Composed by Mongo Santamaria. Arranged by Michael Sweeney. This edition: scorch. Concert,Jazz,Latin. 1 pages. D...
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Concert Band - Level 2 - SKU: HX.1451509 Composed by Mongo Santamaria. Arranged by Michael Sweeney. This edition: scorch. Concert,Jazz,Latin. 1 pages. Duration 150. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1451509).
$6.00
Afro Blue (arr. Michael Sweeney) - String Bass
Afro Blue (arr. Michael Sweeney) - String Bass
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Orchestre d'harmonie
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FACILE
#
Mongo Santamaria
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Michael Sweeney
#
Afro Blue
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 2 - SKU: HX.1451521 Composed by Mongo Santamaria. Arranged by Michael Sweeney. This edition: scorch. Concert,Jazz,Latin. 1 pages. D...
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Concert Band - Level 2 - SKU: HX.1451521 Composed by Mongo Santamaria. Arranged by Michael Sweeney. This edition: scorch. Concert,Jazz,Latin. 1 pages. Duration 150. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1451521).
$6.00
Afro Blue (arr. Michael Sweeney) - Bass
Afro Blue (arr. Michael Sweeney) - Bass
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Ensemble Jazz
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FACILE
#
John Coltrane
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Michael Sweeney
#
Afro Blue
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Hal Leonard - Digital
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: HX.1210046 By John Coltrane. Arranged by Michael Sweeney. This edition: scorch. Jazz,Latin,Pop. 2 pages. Ha...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: HX.1210046 By John Coltrane. Arranged by Michael Sweeney. This edition: scorch. Jazz,Latin,Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1210046).
$6.00
Afro Blue (arr. Michael Philip Mossman) - Bass
Afro Blue (arr. Michael Philip Mossman) - Bass
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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John Coltrane
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Michael Philip Mossman
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Afro Blue
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Hal Leonard - Digital
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: HX.1210182 By John Coltrane. Arranged by Michael Philip Mossman. This edition: scorch. Jazz,Latin,Pop. 3 pa...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: HX.1210182 By John Coltrane. Arranged by Michael Philip Mossman. This edition: scorch. Jazz,Latin,Pop. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1210182).
$6.00
Afro Blue (arr. Michael Sweeney) - Bassoon
Afro Blue (arr. Michael Sweeney) - Bassoon
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Orchestre d'harmonie
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FACILE
#
Mongo Santamaria
#
Michael Sweeney
#
Afro Blue
#
Hal Leonard - Digital
#
SheetMusicPlus
Concert Band - Level 2 - SKU: HX.1451505 Composed by Mongo Santamaria. Arranged by Michael Sweeney. This edition: scorch. Concert,Jazz,Latin. 1 pages. D...
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Concert Band - Level 2 - SKU: HX.1451505 Composed by Mongo Santamaria. Arranged by Michael Sweeney. This edition: scorch. Concert,Jazz,Latin. 1 pages. Duration 150. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1451505).
$6.00
Afro Blue - Bass
Afro Blue - Bass
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Contrebasse (partie séparée)
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Jazz
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Mongo Santamaria
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Michael Philip Mossman
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Afro Blue - Bass
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Mongo Santamaria. Arranged by Michael Philip Mossman. Jazz band. For Bass. Jazz. Individual instrument part. 3 pages. Published by Hal Leonard - Digital Shee...
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By Mongo Santamaria. Arranged by Michael Philip Mossman. Jazz band. For Bass. Jazz. Individual instrument part. 3 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Afro Blue
Afro Blue
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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Latin/Musique du monde
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John Coltrane
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Latin
#
Afro Blue
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By John Coltrane. Bass Clef Instruments. Jazz; Latin; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music...
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By John Coltrane. Bass Clef Instruments. Jazz; Latin; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
#
Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Equinox
Equinox
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Jazz
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John Coltrane
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David Heywood
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Equinox
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David Heywood
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SheetMusicPlus
Large Ensemble,Rhythm Section Flute - Level 3 - SKU: A0.910428 By John Coltrane. By John Coltrane. Arranged by David Heywood. Jazz. Score and parts. 32 ...
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Large Ensemble,Rhythm Section Flute - Level 3 - SKU: A0.910428 By John Coltrane. By John Coltrane. Arranged by David Heywood. Jazz. Score and parts. 32 pages. David Heywood #5212689. Published by David Heywood (A0.910428). Equinox by saxophonist John Coltrane is a minor blues with a haunting melody that has tremendous expression for such a simple tune. This arrangement for younger players features Flute Quartet (Three C Flutes and Alto) with rhythm section. It has been moved to C minor, and gives the melody a fresh coat of Afro-Cuban 6/8 feel with upper flutes and piano creating a rhythmic accompaniment for the melody in the lower flutes and bass guitar. The groove then switches to swing for solos over C minor blues for all players, and after solos there is a one chorus tribute to another famous minor blues head. All rhythm section parts are notated, including piano voicings, bass lines, and Afro-Cuban drum diagrams. An easier minor blues with a 6/8 twist!
$14.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Challenge Within
Challenge Within
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Ensemble Jazz
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AVANCÉ
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David Sanchez Scott Colley Chr
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John Yao
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Challenge Within
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Yaotones Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1421315 By David Sanchez Scott Colley Chris Potter Antonio Sanchez. By Antonio Sanchez. Arranged by John...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1421315 By David Sanchez Scott Colley Chris Potter Antonio Sanchez. By Antonio Sanchez. Arranged by John Yao. Instructional,Jazz,Latin. 101 pages. Yaotones Music #917909. Published by Yaotones Music (A0.1421315). “Challenge within†is composed by 4-time Grammy winning drummer, composer, producer Antonio Sanchez who scored and performed the soundtrack for the 2014 Academy-Award winning film, Birdman.  Arranged by composer, arranger, trombonist John Yao and commissioned by Arturo O’Farrill and the Afro-Latin Jazz Orchestra, this big band chart is an altered blues form in 5/4 time with a driving groove and a hard-hitting style.  Following the solos, the spotlight shifts to the drums supported by ensemble hits building up to a solo bass break, which sets up a rousing mambo section to close out the chart.  Using intricate section writing and difficult lines, “Challenge Within†is a high energy chart that will push the limits of even the most advanced ensembles.   Ranges (written)Trumpet Range – D6Trombone Range – C5 The YT Link track is performed by NYC based big band Arturo O’Farrill and the Afro-Latin Jazz Orchestra with solos by Ivan Renta (Tenor Sax), Jonathon Powell (Trumpet), Arturo O’Farrill (Piano) and Antonio Sanchez (Drums). To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.
$50.00
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
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Afro Blue Bass
