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Vous avez sélectionné:
After The Battle
Partitions à imprimer
243 partitions trouvées
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Tell Mother Good Bye For Me
Tell Mother Good Bye For Me
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Piano, Voix
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C
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E
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Tell Mother Good Bye For Me
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.21456 Composed by C.E. Able. Arranged by E.M. Parnum. Battlefields, War casualties, Mothers & children, Friendship, Patriotism...
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Piano and voice - SKU: LV.21456 Composed by C.E. Able. Arranged by E.M. Parnum. Battlefields, War casualties, Mothers & children, Friendship, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21456). Tell Mother Good Bye For Me. Composed by C.E. Able. Arranged by E.M. Parnum. Published 1898 by Fort Worth Music Co. in Fort Worth, Texas. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Battlefields, War casualties, Mothers & children, Friendship, Patriotism. First line reads After the battle was over, after the vict'ry was won.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.41€
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem fo
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Wo...
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Full Orchestra - Level 3 - SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00 ≈
32.49€
Just After the Battle. Song & Chorus
Just After the Battle. Song & Chorus
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Piano, Voix
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George Frederick Root
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Just After the Battle. Song &a
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22183 Composed by George Frederick Root. Dining rooms, Eating & drinking, Families, Guards, Courtship, Love, Military camps, C...
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Piano and voice - SKU: LV.22183 Composed by George Frederick Root. Dining rooms, Eating & drinking, Families, Guards, Courtship, Love, Military camps, Campaigns & battles, Horseback riding, War casualties, Mothers & children, Death, Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22183). Just After the Battle. Song & Chorus. Geo. F. Root. Published 1864 by Root & Cady, 95 Clark Street in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dining rooms, Eating & drinking, Families, Guards, Courtship, Love, Military camps, Campaigns & battles, Horseback riding, War casualties, Mothers & children, Death, Civil War--Union, Patriotism. First line reads Still upon the field of battle, I am lying, Mother dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.41€
1917: The Halifax Disaster
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
20.75€
Just After the Battle Mother. Popular Song
Just After the Battle Mother. Popular Song
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Piano, Voix
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W
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Just After the Battle Mother.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22188 Arranged by W. Young. Civil War--Union, Deathbeds, Mothers & children, War casualties, Homesickness. Lester S. Levy Coll...
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Piano and voice - SKU: LV.22188 Arranged by W. Young. Civil War--Union, Deathbeds, Mothers & children, War casualties, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22188). Just After the Battle Mother. Popular Song. Arr. by W. Young. Published [n.d.] by W. Young, Music Publisher, 14 Leicester Place, Leicester Square in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Deathbeds, Mothers & children, War casualties, Homesickness. First line reads Still when on the field of battle, i am lying, Mother, dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.41€
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0...
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Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99 ≈
1.80€
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
27.07€
For the Fallen (Choral suite - SATB, Piano)
For the Fallen (Choral suite - SATB, Piano)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99 ≈
1.80€
For the Fallen (Choral suite - SATB, Organ)
For the Fallen (Choral suite - SATB, Organ)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99 ≈
1.80€
Choral - "O Give Thanks to the Lord" II Chronicles 20:21
Choral - "O Give Thanks to the Lord" II Chronicles 20:21
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cutchen Music (A0....
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Choral Choir (2-Part) - SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cutchen Music (A0.844319). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment A separate Mp3 accompaniment track is available for only $1.99!Cut and past, Choral - O Give Thanks to the Lord Accompaniment Trackin the search area.This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99 ≈
1.80€
The Duke of Alva's entry into Brussels for brass quintet
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00 ≈
10.83€
The Fall of Mexico
The Fall of Mexico
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Piano seul
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John H
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The Fall of Mexico
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.21393 Composed by John H. Hewitt. Military officers, Palm trees, Flags, Panoramic views, Cannons, Eagles, National Emblems, Mexican War,...
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Piano - SKU: LV.21393 Composed by John H. Hewitt. Military officers, Palm trees, Flags, Panoramic views, Cannons, Eagles, National Emblems, Mexican War, Patriotism, Campaigns & battles. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21393). The Fall of Mexico. Battles of Conteras, Churubusco, Chapultepec, Molino Del Rey, Etc., And Final Storming of the City of Mexico. Composed by John H. Hewitt. Published 1847 by Frederick D. Benteen in Baltimore. Composition of sectional, with programmatic captions (e.g., The armistice agreed to after the battlesof Coteras and Cherubusco) with piano instrumentation. Subject headings for this piece include Military officers, Palm trees, Flags, Panoramic views, Cannons, Eagles, National Emblems, Mexican War, Patriotism, Campaigns & battles. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.41€
(there'll Be Bluebirds Over) The White Cliffs Of Dover
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99 ≈
18.04€
After the Battle of Aughrim & Johnny Cope
After the Battle of Aughrim & Johnny Cope
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional
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Alan Wagsatff
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After the Battle of Aughrim &a
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Alan Wagstaff
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SheetMusicPlus
Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - SKU: A0.495580 Composed by Traditional. Arranged by Alan Wagsatff. Celtic,Folk,Ir...
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Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - SKU: A0.495580 Composed by Traditional. Arranged by Alan Wagsatff. Celtic,Folk,Irish,Traditional. Score and parts. 9 pages. Published by Alan Wagstaff (A0.495580). 'Aughrim' is a traditional Irish March. It is first played slowly and then comes up to speed. It is coupled with the traditional Scottish song: Johnny Cope. The arrangement is for a folk band: fiddle, whistle, accordion. and voice.
$3.00 ≈
2.71€
Fanfare For The Fallen
Fanfare For The Fallen
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Orchestre d'harmonie
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INTERMÉDIAIRE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607...
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Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00 ≈
31.59€
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
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Saxophone et Guitare
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INTERMÉDIAIRE
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John Stafford Smith
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Alexander L Burden (b
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The Star-Spangled Banner
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Alexander Burden
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (177...
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (1779-1843). Arranged by Alexander L Burden (b.1989). Graduation,Holiday,Patriotic. Score and parts. 4 pages. Alexander Burden #3573183. Published by Alexander Burden (A0.899869). 2018 Instrumental Arranging Contest EntryGenre: National Anthem, PatrioticLength: 1:20Instrumentation: Alto Saxophone and EuphoniumThe Star-Spangled Banner is the national anthem of the United States. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.The poem was set to the tune of a popular British song written by John Stafford Smith and renamed The Star-Spangled Banner. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.This fun and accessible arrangement is perfect for sporting events, school and corporate functions, parades, private events and any other occasion that calls for use of the Star-Spangled Banner!The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$5.99 ≈
5.41€
Burning the Piper's Hut
Burning the Piper's Hut
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Harpe
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FACILE
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Traditional Scottish
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Tiffany Schaefer
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Burning the Piper's Hut
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Tiffany Schaefer
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1471081 Composed by Traditional Scottish. Arranged by Tiffany Schaefer. Celtic,Irish,Multicultural,Traditional,World. Sco...
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Lever Harp - Level 2 - SKU: A0.1471081 Composed by Traditional Scottish. Arranged by Tiffany Schaefer. Celtic,Irish,Multicultural,Traditional,World. Score. 2 pages. Tiffany Schaefer #1048705. Published by Tiffany Schaefer (A0.1471081). Burning the Piper's Hut is thought to be about the time after the Battle of Culloden, when Prince Charlie was defeated and all who were thought to be sympathizers stamped out. This simple harp arrangement includes plenty of fingering support, and optional ornamentation. A tutorial may be found at www.patreon.com/tiffanyharpandsong.
$4.25 ≈
3.84€
My Bonnie lies over the Ocean
My Bonnie lies over the Ocean
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Trompette, Piano
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FACILE
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Celtique/Irlandais
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Traditional
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David D
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My Bonnie lies over the Ocean
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David D Mason
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet - Level 2 - SKU: A0.770020 Composed by Traditional. Arranged by David D. Mason. Celtic,Concert,F...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet - Level 2 - SKU: A0.770020 Composed by Traditional. Arranged by David D. Mason. Celtic,Concert,Folk,Holiday,Love. Score and parts. 5 pages. David D Mason #5217759. Published by David D Mason (A0.770020). This song could possibly be about (Bonnie Prince Charlie) after the battle of Culloden in 1746 and his subsequent exile.
$4.99 ≈
4.50€
1809 - The Solent
1809 - The Solent
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Contemporain
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J Farrow
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1809 - The Solent
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Jamie Farrow
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.948672 Composed by J Farrow. Contemporary. Score...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.948672 Composed by J Farrow. Contemporary. Score and parts. 66 pages. Jamie Farrow #5983915. Published by Jamie Farrow (A0.948672). Turner’s The Sun Setting Through Vapour was my inspiration because of the different layers and zones of interest which influenced my composition’s structure. The central focus of the painting is the setting sun in the central background of the work. The reflection of the sun draws the eye into the foreground and the market scene in the front right zone. This created the first section of my composition, the idea of the sun setting through the vapour before revealing a market scene which then fades back into the atmospheric sun setting through the vapour. The second section moves to the story of the Napoleonic War ships in the middle and backgrounds of the painting using percussion. Reflecting this the section centres around the narrative of a naval battle; the manoeuvring into position and flexing of strength; the pre-battle planning; the calm before and finally the battle itself. The third section draws together two aspects: the sun setting and the prison ship, drawing us from the aftermath of the battle to the journey back to shore showing the juxtaposing emotions of the imagined victorious British (the piccolo) and French prisoners (the cello). Closer to shore the vapour descends and we hear inflections of the market before returning to the sun setting through the vapour with the harbour clock (Tubular Bells) grounding us in real time.
$3.99 ≈
3.60€
Finland National Anthem and US National Anthem for Brass Quintet
Finland National Anthem and US National Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Fredrik Pacius, John Stafford
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Jari A
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Finland National Anthem and US
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Vill...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00 ≈
9.02€
The Lovely Lass of Inverness, Op. 108 - Voice, Violin, Cello and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Violin, Cello and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - SKU: A0.722489 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,F...
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Piano Trio,String Ensemble - Level 3 - SKU: A0.722489 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 8 pages. Music-Scores.com #6670415. Published by Music-Scores.com (A0.722489). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the violin and cello if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
3.56€
The Lovely Lass of Inverness, Op. 108 - Voice, Clarinet, Bass Clarinet and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Clarinet, Bass Clarinet and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Voice - Level 3 - SKU: A0.726290 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,...
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Small Ensemble Clarinet,Piano,Voice - Level 3 - SKU: A0.726290 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert. Score and parts. 9 pages. Music-Scores.com #6672501. Published by Music-Scores.com (A0.726290). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Clarinet and Bass Clarinet if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Arranged by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
3.56€
The Lovely Lass of Inverness, Op. 108 - Voice, Oboe, Bassoon and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Oboe, Bassoon and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Piano Accompaniment,Voice - Level 3 - SKU: A0.722490 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRS...
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Small Ensemble Bassoon,Oboe,Piano Accompaniment,Voice - Level 3 - SKU: A0.722490 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert. Score and parts. 9 pages. Music-Scores.com #6672503. Published by Music-Scores.com (A0.722490). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Oboe and Bassoon if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
3.56€
The Lovely Lass of Inverness, Op. 108 - Voice, Alto Sax, Baritone Sax and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Alto Sax, Baritone Sax and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Voice - Level 3 - SKU: A0.726289 Composed by Ludwig van Beethoven. Arranged by Anne L Christopher...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Voice - Level 3 - SKU: A0.726289 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 10 pages. Music-Scores.com #6672499. Published by Music-Scores.com (A0.726289). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Alto Sax and Baritone Sax if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
3.56€
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After The Battle
