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After the Battle is Over
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Vous avez sélectionné:
After the Battle is Over
Partitions à imprimer
58 partitions trouvées
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51
Tell Mother Good Bye For Me
Tell Mother Good Bye For Me
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Piano, Voix
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C
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E
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Tell Mother Good Bye For Me
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.21456 Composed by C.E. Able. Arranged by E.M. Parnum. Battlefields, War casualties, Mothers & children, Friendship, Patriotism...
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Piano and voice - SKU: LV.21456 Composed by C.E. Able. Arranged by E.M. Parnum. Battlefields, War casualties, Mothers & children, Friendship, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21456). Tell Mother Good Bye For Me. Composed by C.E. Able. Arranged by E.M. Parnum. Published 1898 by Fort Worth Music Co. in Fort Worth, Texas. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Battlefields, War casualties, Mothers & children, Friendship, Patriotism. First line reads After the battle was over, after the vict'ry was won.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.17
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
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1917: The Halifax Disaster
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
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Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0...
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Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
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Just After the Battle. Song & Chorus
Just After the Battle. Song & Chorus
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Piano, Voix
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George Frederick Root
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Just After the Battle. Song &a
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22183 Composed by George Frederick Root. Dining rooms, Eating & drinking, Families, Guards, Courtship, Love, Military camps, C...
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Piano and voice - SKU: LV.22183 Composed by George Frederick Root. Dining rooms, Eating & drinking, Families, Guards, Courtship, Love, Military camps, Campaigns & battles, Horseback riding, War casualties, Mothers & children, Death, Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22183). Just After the Battle. Song & Chorus. Geo. F. Root. Published 1864 by Root & Cady, 95 Clark Street in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dining rooms, Eating & drinking, Families, Guards, Courtship, Love, Military camps, Campaigns & battles, Horseback riding, War casualties, Mothers & children, Death, Civil War--Union, Patriotism. First line reads Still upon the field of battle, I am lying, Mother dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.17
Choral - "O Give Thanks to the Lord" II Chronicles 20:21
Choral - "O Give Thanks to the Lord" II Chronicles 20:21
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cutchen Music (A0....
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Choral Choir (2-Part) - SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cutchen Music (A0.844319). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment A separate Mp3 accompaniment track is available for only $1.99!Cut and past, Choral - O Give Thanks to the Lord Accompaniment Trackin the search area.This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99 ≈
$2.71
Just After the Battle Mother. Popular Song
Just After the Battle Mother. Popular Song
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Piano, Voix
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W
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Just After the Battle Mother.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22188 Arranged by W. Young. Civil War--Union, Deathbeds, Mothers & children, War casualties, Homesickness. Lester S. Levy Coll...
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Piano and voice - SKU: LV.22188 Arranged by W. Young. Civil War--Union, Deathbeds, Mothers & children, War casualties, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22188). Just After the Battle Mother. Popular Song. Arr. by W. Young. Published [n.d.] by W. Young, Music Publisher, 14 Leicester Place, Leicester Square in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Deathbeds, Mothers & children, War casualties, Homesickness. First line reads Still when on the field of battle, i am lying, Mother, dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.17
(there'll Be Bluebirds Over) The White Cliffs Of Dover
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99 ≈
$27.25
For the Fallen (Choral suite - SATB, Piano)
For the Fallen (Choral suite - SATB, Piano)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99 ≈
$2.71
For the Fallen (Choral suite - SATB, Organ)
For the Fallen (Choral suite - SATB, Organ)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99 ≈
$2.71
The Fall of Mexico
The Fall of Mexico
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Piano seul
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John H
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The Fall of Mexico
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.21393 Composed by John H. Hewitt. Military officers, Palm trees, Flags, Panoramic views, Cannons, Eagles, National Emblems, Mexican War,...
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Piano - SKU: LV.21393 Composed by John H. Hewitt. Military officers, Palm trees, Flags, Panoramic views, Cannons, Eagles, National Emblems, Mexican War, Patriotism, Campaigns & battles. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21393). The Fall of Mexico. Battles of Conteras, Churubusco, Chapultepec, Molino Del Rey, Etc., And Final Storming of the City of Mexico. Composed by John H. Hewitt. Published 1847 by Frederick D. Benteen in Baltimore. Composition of sectional, with programmatic captions (e.g., The armistice agreed to after the battlesof Coteras and Cherubusco) with piano instrumentation. Subject headings for this piece include Military officers, Palm trees, Flags, Panoramic views, Cannons, Eagles, National Emblems, Mexican War, Patriotism, Campaigns & battles. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.17
Fanfare For The Fallen
Fanfare For The Fallen
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Orchestre d'harmonie
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INTERMÉDIAIRE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607...
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Concert Band - Level 3 - SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00 ≈
$47.72
After the Battle is Over
After the Battle is Over
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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E
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After the Battle is Over
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Biggs Boys Music Publisher
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SheetMusicPlus
Composed by E. E. Biggs. Contemporary Classical, Fourth of July, Patriotic. Score, Set of Parts. 58 pages. Published by Biggs Boys Music Publisher...
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Composed by E. E. Biggs. Contemporary Classical, Fourth of July, Patriotic. Score, Set of Parts. 58 pages. Published by Biggs Boys Music Publisher
$65.00 ≈
$88.62
The Volcano`s Lake
The Volcano`s Lake
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Harpe
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FACILE
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
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Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79 ≈
$9.26
Finland National Anthem and US National Anthem for Brass Quintet
Finland National Anthem and US National Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Fredrik Pacius, John Stafford
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Jari A
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Finland National Anthem and US
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Vill...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00 ≈
$13.63
I Choose the Soloist from Choir Practice (Downloadable)
I Choose the Soloist from Choir Practice (Downloadable)
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Stephen Chatman
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I Choose the Soloist from Choi
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Solo voices, piano - Medium - SKU: MQ.7.0702-E Composed by Stephen Chatman. Instrument part. 12 pages. Duration 3 minutes, 20 seconds. Galaxy Music Corp...
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Solo voices, piano - Medium - SKU: MQ.7.0702-E Composed by Stephen Chatman. Instrument part. 12 pages. Duration 3 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0702-E. Published by Galaxy Music Corporation - Digital (MQ.7.0702-E). English.Libretto:Written by Tara Wohlberg. Synopsis:As choir director Willie prepares to make his final decision between Heather and Julia, he enlists the choir members' opinions in helping him choose. After receiving some not-so-helpful feedback from the choir, Willie makes the mistake of asking Heather and Julia for their thoughts, sparking a vicious, name-calling battle between the two divas. Duration: 3:20The purchase of this scene includes permission to reproduce a maximum number of 10 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$40.00 ≈
$54.53
The Lovely Lass of Inverness, Op. 108 - Voice, Violin, Cello and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Violin, Cello and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - SKU: A0.722489 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,F...
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Piano Trio,String Ensemble - Level 3 - SKU: A0.722489 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 8 pages. Music-Scores.com #6670415. Published by Music-Scores.com (A0.722489). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the violin and cello if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
$5.39
The Lovely Lass of Inverness, Op. 108 - Voice, Clarinet, Bass Clarinet and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Clarinet, Bass Clarinet and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Voice - Level 3 - SKU: A0.726290 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,...
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Small Ensemble Clarinet,Piano,Voice - Level 3 - SKU: A0.726290 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert. Score and parts. 9 pages. Music-Scores.com #6672501. Published by Music-Scores.com (A0.726290). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Clarinet and Bass Clarinet if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Arranged by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
$5.39
The Lovely Lass of Inverness, Op. 108 - Voice, Oboe, Bassoon and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Oboe, Bassoon and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Piano Accompaniment,Voice - Level 3 - SKU: A0.722490 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRS...
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Small Ensemble Bassoon,Oboe,Piano Accompaniment,Voice - Level 3 - SKU: A0.722490 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert. Score and parts. 9 pages. Music-Scores.com #6672503. Published by Music-Scores.com (A0.722490). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Oboe and Bassoon if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
$5.39
The Lovely Lass of Inverness, Op. 108 - Voice, Alto Sax, Baritone Sax and Piano
The Lovely Lass of Inverness, Op. 108 - Voice, Alto Sax, Baritone Sax and Piano
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Classique
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Ludwig van Beethoven
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The Lovely Lass of Inverness,
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Music-Scores.com
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Voice - Level 3 - SKU: A0.726289 Composed by Ludwig van Beethoven. Arranged by Anne L Christopher...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Voice - Level 3 - SKU: A0.726289 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Folk. Score and parts. 10 pages. Music-Scores.com #6672499. Published by Music-Scores.com (A0.726289). The Lovely Lass of Inverness is a wonderful setting of Robert Burns' words, and it tells of a girl's anguish, after she lost her father, 3 brothers and her lover in the Battle of Culloden. It can be performed without the Alto Sax and Baritone Sax if necessary, without altering the character of the music.A perfect song for Burns Night which is 25th January.This song is a product of Beethoven's great interest in folk songs, and his collaboration with a Scottish publisher, George Thompson. The were huge problems in sending the completed compositions from Vienna to Edinburgh during the Napoleonic Wars, and the first batch took 2 years to arrive.Duration: about 2 minutes, 30 seconds.Prepared by Anne L. Christopherson at www.music-scores.com.
$3.95 ≈
$5.39
Abraham’s Daughter: March from the Civil War
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00 ≈
$25.90
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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John Stafford Smith
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Keith Terrett
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United States of America Natio
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, Euro...
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Full Orchestra - Intermediate - Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.
"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.
The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.
"The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. 301), which was signed by President Herbert Hoover.
Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.
John Stafford Smith (30 March 1750 ? 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.
Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.
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$39.00 ≈
$53.17
The Skye Boat Song - Voice and Harp arrangement
The Skye Boat Song - Voice and Harp arrangement
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Elizabeth Sutherland
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The Skye Boat Song - Voice and
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Elizabeth Sutherland
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.902283 Arranged by Elizabeth Sutherland. Celtic,Folk,World. Score. 8 pages. Elizabeth Sutherland #6239729. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.902283 Arranged by Elizabeth Sutherland. Celtic,Folk,World. Score. 8 pages. Elizabeth Sutherland #6239729. Published by Elizabeth Sutherland (A0.902283). The Skye Boat Song is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) from Benbecula to the Isle of Skye as he evaded capture by government troops after his defeat at the Battle of Culloden in 1746.Sir Harold Boulton, 2nd Baronet composed the lyrics to an air collected by Anne Campbelle MacLeod in the 1870s, and the line Over the Sea to Skye is now a cornerstone of the tourism industry on the Isle of Skye.This arrangement uses the original lyrics, rather than the second version written later by Robert Louis Stevenson. Written for Celtic Harp and Voice, but also suitable for Piano and Voice.
$2.99 ≈
$4.08
Waltz of the Snowflakes
Waltz of the Snowflakes
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Steven Nunes
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Waltz of the Snowflakes
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1114491 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Nunes. 19th Century,Christmas,Classical,Holiday,Romant...
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Concert Band - Level 4 - SKU: A0.1114491 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Nunes. 19th Century,Christmas,Classical,Holiday,Romantic Period. 194 pages. Nagamon Publications #716375. Published by Nagamon Publications (A0.1114491). Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin. The Nutcracker is an 1892 two-act ballet originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The Nutcracker and the Mouse King is a story written in 1816 by Prussian author E. T. A. Hoffmann, in which young Marie Stahlbaum's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. This waltz is from the end of Act One. In the final scene of Act One, the mice retreat and the nutcracker is transformed into a handsome Prince. He leads Clara through the moonlit night to a pine forest in which the snowflakes dance around them, beckoning them on to his kingdom as the first act ends. The PDF contains the full score and all parts.
$55.00 ≈
$74.98
Handel Overture Judas Maccabaeus for String Orchestra
Handel Overture Judas Maccabaeus for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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George Fredric Handel
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Paul Wood
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Handel Overture Judas Maccabae
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1392922 Composed by George Fredric Handel. Arranged by Paul Wood. Baroque. 28 pages. MyMusicScores.com #976448. Pub...
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String Orchestra - Level 3 - SKU: A0.1392922 Composed by George Fredric Handel. Arranged by Paul Wood. Baroque. 28 pages. MyMusicScores.com #976448. Published by MyMusicScores.com (A0.1392922). Judas Maccabaeus by George Frideric Handel in 1746, with a libretto by Thomas Morell. It was first performed on April 1, 1747, at the Royal Opera House and became one of Handel's most popular oratoriosThe oratorio, consisting of three acts and 68 movements, was created to honour Prince William Augustus, Duke of Cumberland, after his victory at the Battle of Culloden in 1746The overture of is a significant piece within the oratorio. The overture sets the tone for the oratorio and typically features a lively and grand musical introduction that captures the essence of the upcoming performance.
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$20.44
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After the Battle is Over
