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Ain't It Fun: 2nd Flute
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Vous avez sélectionné:
Ain't It Fun: 2nd Flute
Partitions à imprimer
9 partitions trouvées
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1
Ain't It Fun: 2nd Flute
Ain't It Fun: 2nd Flute
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Orchestre d'harmonie
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Paramore
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Victor Lopez
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Gospel
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Ain't It Fun: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016785_F2 2nd Flute. By Paramore. By Hayley Williams and Taylor York. Arranged by Victor Lopez. Funk; Gospel; Pop. ...
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Concert Band - SKU: AX.00-PC-0016785_F2 2nd Flute. By Paramore. By Hayley Williams and Taylor York. Arranged by Victor Lopez. Funk; Gospel; Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016785_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016785_F2). UPC: 038081500881.Paramore's hit chart is definitely a winner. Here's an opportunity to showcase your concert band with the hottest song on the charts. Influenced by funk, soul, new jack swing, and gospel, this piece will be well received by students and audience and it makes an outstanding recruiting selection. (2:45).
$3.00 ≈
£2.27
Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Ragtime
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Pat Holmberg
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Ragtime Miniatures for Two Flu
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Patricia Tanttila Holmberg
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SheetMusicPlus
Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg ...
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Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99 ≈
£7.56
Chicks Dig It: 2nd Baritone T.C.
Chicks Dig It: 2nd Baritone T.C.
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Jazz
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Kris Berg
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Chicks Dig It: 2nd Baritone T.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016846_BTC2 2nd Baritone T.C.. Composed by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-...
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Jazz Ensemble - SKU: AX.00-PC-0016846_BTC2 2nd Baritone T.C.. Composed by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016846_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016846_BTC2). UPC: 038081502939.With the chicken-flavored title, this Kris Berg chart is just plain funky. The laid-back tempo is around 100 BPM, there is a suggested written tenor solo, and some slap bass licks on the hip bass part. The lead trumpet range for Chicks Dig It is to written B above the staff. Optional flute and vibes too! (6:05).
$3.00 ≈
£2.27
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00 ≈
£13.62
JOY TO THE KING (beginner band - super easy - score, parts & license to copy - winter concert)
JOY TO THE KING (beginner band - super easy - score, parts & license to copy - winter concert)
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Orchestre d'harmonie
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DÉBUTANT
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Biran Harris
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Winter Holiday concert
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JOY TO THE KING
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published ...
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Concert Band - Level 1 - SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published by HMS Music (A0.1432650). ______________________If you need something special for your beginners to play at their first Christmas concert, you've found it. JOY TO THE KING provides an easy and fun medley of the two popular tunes Ode to Joy and Good King Wenceslas. The entire piece uses only the first five notes of the B-flat concert scale.This is a great first concert piece the band will love to play. And since your school will be licensed to make legal photocopies of the parts year after year, you can let the kids keep their parts as a souvenir of their first performance!DIFFICULTY LEVEL: Very Easy (actually Super Easy)PROGRAMMING: first performance; Winter Holiday concert; Christmas concertFEATURES: melody distributed through all wind parts; key of B-flat major; simple percussion parts using only quarter-, half-, dotted-half, and whole notes; there are 2 one-measure occurrences of sixteenth-notes in Snare and Tenor Drum part.CHALLENGES: independence of the two lines (melody played over a simple bass accompaniment).RANGES: uses only the first five notes of the B-flat Concert scale; clarinets must also play low G.INSTRUMENTATION: includes Full Conductor Score (8 pages) and Parts (17 pages) for each instrument: Flute, Oboe, Bassoon, Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Horn (in F), Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Snare & Bass Drum), Percussion 2 (Crash Cymbals, Triangle, Finger Cymbals), Bells/Mallets (2 different parts included for range desired/learned by player).MINIMUM INSTRUMENTATION REQUIREMENTS: (A) Flute or Trumpet; (B) two Clarinets; (C) Bass Line (at least one: Bassoon, Bass Clarinet, any Saxophone, Horn, Trombone, Baritone, or Tuba); (D) Percussion.NOTE: this document is assembled with the Clarinet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. (BcP-YB)- - - - - - - - - - - - - - - - - - COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels.___________________________Click here to view Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)___________________________.
$31.99 ≈
£24.20
First 5 - Euphonium - Solo, Duet or 2-part Ensemble
First 5 - Euphonium - Solo, Duet or 2-part Ensemble
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Ensemble de cuivres
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DÉBUTANT
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Kathy Hirche
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First 5 - Euphonium - Solo, Du
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Kathy Hirche
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.819927 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 14 pages. Kathy Hirche #428999. Published b...
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Brass Ensemble - Level 1 - SKU: A0.819927 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 14 pages. Kathy Hirche #428999. Published by Kathy Hirche (A0.819927). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: Bb C D Eb F. Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-3-0. Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: Bb, C, D, Eb, F. Los valores rÃtmicos usados son: semibreve (nota entera), minim apuntillarÃa (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los sÃmbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com La muestra de audio que se proporciona aquà contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.
$9.99 ≈
£7.56
First 5 - Trumpet - Solo, Duet or 2-part Ensemble
First 5 - Trumpet - Solo, Duet or 2-part Ensemble
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2 Trompettes (duo)
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DÉBUTANT
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Kathy Hirche
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First 5 - Trumpet - Solo, Duet
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Kathy Hirche
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SheetMusicPlus
Trumpet Duet Trumpet - Level 1 - SKU: A0.819922 Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428995. Published by Ka...
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Trumpet Duet Trumpet - Level 1 - SKU: A0.819922 Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428995. Published by Kathy Hirche (A0.819922). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: C D E F G (written range). Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-1-6. Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: C, D, E, F, G. Los valores rÃtmicos usados son: semibreve (nota entera), minim apuntillarÃa (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los sÃmbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com La muestra de audio que se proporciona aquà contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.
$9.99 ≈
£7.56
First 5 - Trombone - Solo, duet or 2-part Ensemble
First 5 - Trombone - Solo, duet or 2-part Ensemble
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2 Trombones (duo)
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DÉBUTANT
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Kathy Hirche
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First 5 - Trombone - Solo, due
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Kathy Hirche
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SheetMusicPlus
Trombone Duet Trombone - Level 1 - SKU: A0.819923 Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428997. Published by ...
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Trombone Duet Trombone - Level 1 - SKU: A0.819923 Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428997. Published by Kathy Hirche (A0.819923). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: Bb C D Eb F. Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-2-3. Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: Bb, C, D, Eb, F. Los valores rÃtmicos usados son: semibreve (nota entera), minim apuntillarÃa (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los sÃmbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com La muestra de audio que se proporciona aquà contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.
$9.99 ≈
£7.56
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