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Ain Blank sheet music
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At Christmastime ~ easy lead sheet in Ab
At Christmastime ~ easy lead sheet in Ab
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Piano Facile
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DÉBUTANT
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Noël
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ easy lead s
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Gregor Rice Publishing
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Po...
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Easy Piano - Level 1 - SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 4 pages. Gregor Rice Publishing #2919583. Published by Gregor Rice Publishing (A0.1010932). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture, if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyrici.
$3.99 ≈
3.60€
How To Train Your Dragon
How To Train Your Dragon
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Piano seul
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FACILE
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Contemporain
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John James Powell and Michael
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How To Train Your Dragon
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.744627 Composed by John James Powell and Michael John Mollo. Arranged by Arranged by Elena Fortin. Contemporary. Score. 4...
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Piano Solo - Level 2 - SKU: A0.744627 Composed by John James Powell and Michael John Mollo. Arranged by Arranged by Elena Fortin. Contemporary. Score. 4 pages. Elena Fortin #5769381. Published by Elena Fortin (A0.744627). Test Drive from How to Train Your DragonComposers John James Powell and Michael John Mollo wrote this soaring piece for the soundtrack from the movie How To Train Your Dragon. You know the moment when Hiccup is training his new dragon Toothless and they go soaring through the skies for the first time--this is the melody that plays in the background! I wrote this arrangement for one of my students, Nicole D. Whenever we are searching for recital pieces or fun music to learn, we usually turn to animated movies. (Maybe because I have been told by some of my students that my taste in music is old--but I got tired of getting blank stares when I suggest some titles of the music I listen to!) At least we can connect on film music--especially animated film music! Nicole is the one that suggested this song--I had watched the movie a couple of times, but never really listened closely to the soundtrack, except to know that I liked it. She was my guinea pig while I was arranging the song and I am thankful for her feedback and suggestions for different parts of the music. This piece is ideal as a recital piece or as a fun piece to learn and perform (maybe a summer project!). The piece is arranged for Early Intermediate players and will challenge them with fingering passages, chord accompaniment that requires a stretch of an octave, and expressive playing. If you enjoyed this arrangement, please check out my other videos or subscribe to my YouTube Channel (the-piano-studio). You can also visit me at my website: https://the-piano-studio.comOther arrangements are available on my Sheet Music Plus publisher page: https://www.sheetmusicplus.com/search....
$4.99 ≈
4.50€
EBENEZER - A Musical in One Act - reproducible libretto kit
EBENEZER - A Musical in One Act - reproducible libretto kit
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Chorale 2 parties
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Charles Dickens, Samuel Stokes
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SamuelStokesMusic
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EBENEZER - A Musical in One Ac
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SamuelStokesMusic.com
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SheetMusicPlus
Choral Choir (SA) - SKU: A0.561597 Composed by Charles Dickens, Samuel Stokes, William C. Dix, and William Morris. Arranged by SamuelStokesMusic.com. Ch...
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Choral Choir (SA) - SKU: A0.561597 Composed by Charles Dickens, Samuel Stokes, William C. Dix, and William Morris. Arranged by SamuelStokesMusic.com. Christian,Christmas,Contemporary,Hip-Hop,Musical/Show. Octavo. 47 pages. SamuelStokesMusic.com #3567955. Published by SamuelStokesMusic.com (A0.561597). EBENEZER is a one-act musical based on A Christmas Carol by Charles Dickens. The music is a blend of hip-hop and traditional Christmas carols. The adaptation is suitable for performance by adults or teens alike. Four of the lead roles take on the greatest musical challenge with their rap numbers, but the choir parts are more generally accessible as they are based on familiar carols, making the musical appropriate for colleges, high schools, middle schools, church groups, and community theatre groups.This libretto contains the full play script and vocal sheet music. Purchase of this libretto kit entitles the purchaser to reproduce the appropriate number of copies for the cast and crew of the production. Please note that royalties must also be paid for each performance (visit https://www.SamuelStokesMusic.com for royalty information). The musical is scored for 2-part choir and rap soloists with MP3 accompaniment tracks (available separately). If desired, the musical can also be performed with unison choir singing the melody only. There is the also the optional opportunity for two violins to perform onstage and for a percussionist to play the chimes offstage (MP3 tracks are also available for these underscoring cues).The musical demo available on this page is an excerpt from the number Jacob Marley - O Come, O Come, Emmanuel, in which Ebenezer Scrooge's former partner returns from the dead to warn him that he must change his ways or suffer the fate of eternally roaming the earth in chains. There is also a teaser video of this musical number at: https://youtu.be/4nPryAZUnDYNote on printing: this libretto has been formatted with pages intentionally left blank, so that it can be printed properly on the front and back of the paper. Also, there are one-inch margins on the left and right for ease of binding into folders or binders.
$89.99 ≈
81.19€
EASY RENAISSANCE GUITAR MUSIC - Volume 3
EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Guitare
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DÉBUTANT
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Renaissance
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Various
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EASY RENAISSANCE GUITAR MUSIC
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Socrates Arvanitakis
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SheetMusicPlus
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arv...
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher?s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.
Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.
NAVIGATION INDEXES ? External and Internal links
The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.
This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00 ≈
13.53€
Spooky Goblin, a Halloween Sing & Ring Practice Sheet for Note Letter Names & Counting (3 Pages)
Spooky Goblin, a Halloween Sing & Ring Practice Sheet for Note Letter Names & Counting (3 Pages)
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Halloween
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Sylvia Chapa
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Spooky Goblin, a Halloween Sin
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Sylvia Chapa
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SheetMusicPlus
Small Ensemble Handbell,Orff Instrument,Voice - Level 1 - SKU: A0.827769 Composed by Sylvia Chapa. Children,Halloween,Instructional. Score and parts. 3 ...
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Small Ensemble Handbell,Orff Instrument,Voice - Level 1 - SKU: A0.827769 Composed by Sylvia Chapa. Children,Halloween,Instructional. Score and parts. 3 pages. Sylvia Chapa #3858613. Published by Sylvia Chapa (A0.827769). PERMISSION TO COPY AS NEEDED IS GRANTED FOR EDUCATIONAL PURPOSES WITH THE PURCHASE. Spooky Goblin Note Letter Names & Counting Practice Sheet is a companion learning tool for Spooky Goblin, a Halloween Sing & Ring Spooky Fun Song for Voices, Hand Bells, Chimes, or Orff Instruments ITEM ID: S0.434639 This Practice Sheet contains TWO fill-in-the-blank pages for identifying letter names of notes and filling in the counts in each measure of the song Spooky Goblin. Instructions for the teacher or choir director are on Page 2, explaining how to use the Practice Sheet. Please view the PDF, and listen to a recording of real kids singing Spooky Goblin! Please note that the Practice Sheets are meant to teach the note letter names and the counts. Performance markings have been removed. Please use the original song of Spooky Goblin to ring and sing it. Happy Halloween Music Teaching!
$5.00 ≈
4.51€
Prelude in C - Johann Sebastian Bach for Pedal harp
Prelude in C - Johann Sebastian Bach for Pedal harp
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Harpe
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Prelude in C - Johann Sebastia
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SheetMusicPlus
Harp - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Mother's Day, Wedding, Funeral. Indi...
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Harp - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Mother's Day, Wedding, Funeral. Individual Part, Sheet Music Single, Solo Part. 7 pages. Published by Cecile-Marie Lissens
The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged for the Pedal harp. It contains pedal changes. This arrangement includes a version with pedal notations and fingering suggestions and another blank version. This piece is perfect to play on several occasions, including weddings.
The arrangement remains true to the original, but includes the "Schwencke measure" = m. 23. Charles Gounod used this version to compose his beautiful Ave Maria melody.
$3.99 ≈
3.60€
Bass Etudes: Major Scales & Arpeggios
Bass Etudes: Major Scales & Arpeggios
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Basse electrique
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INTERMÉDIAIRE
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Methode : Gammes & Accords
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Methodes
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Phillip T
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Bass Etudes: Major Scales & Ar
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Phillip Dweedle Music
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SheetMusicPlus
Composed by Phillip T. Johnson Jr. Instructional. Score. 16 pages. Phillip Dweedle Music #6359559. Published by Phillip Dweedle Music...
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Composed by Phillip T. Johnson Jr. Instructional. Score. 16 pages. Phillip Dweedle Music #6359559. Published by Phillip Dweedle Music
This book is for the bass player who wants to get more familiar with their instrument and where the notes are located. It also gives you a resource for sight-reading and assisting with strengthening your hand-eye coordination while reading music. The book gives you an exercise for all 12 of the major scales and their arpeggios. The exercise also lists and links the chords of each arpeggio with it to give you a little training for your ear. The first etude in the key of C Major has the fingerings, which should be the most suitable, for the student and then leaves the rest of them blank for them to fill in their own and to practice learning the fingerings.
$15.00 ≈
13.53€
Tango - for Unaccompanied Tuba
Tango - for Unaccompanied Tuba
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Tuba
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AVANCÉ
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Contemporain
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C Blankenship
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Tango - for Unaccompanied Tuba
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C Blankenship
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SheetMusicPlus
Tuba - Advanced - Digital Download Composed by C Blankenship. Impressionistic, Modern. Solo Part. 2 pages. Published by C Blankenship...
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Tuba - Advanced - Digital Download Composed by C Blankenship. Impressionistic, Modern. Solo Part. 2 pages. Published by C Blankenship
Tango for unaccompanied tuba is, to no one's surprise, a tango. Inspired by Jim Self's performance of Polka.com, I wanted to write a similar-but-"serious" piece in the style of a tango. This piece fleshes out several iconic and some stereotypical tango themes while still maintaining its own flow from start to finish. Feel the bass, hear the trumpets and violins, and even the percussion is there when you get in the groove - all in a small solo tuba packet.
$5.99 ≈
5.40€
Prelude in C - Johann Sebastian Bach for Lever harp
Prelude in C - Johann Sebastian Bach for Lever harp
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Harpe
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Classique
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Prelude in C - Johann Sebastia
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Cecile-Marie Lissens
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SheetMusicPlus
Harp - Baroque Period, Christian, Sacred, Wedding, Funeral. Individual Part, Sheet Music Single, Solo Part. 7 pages. Published by Cecile-Marie Lisse...
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Harp - Baroque Period, Christian, Sacred, Wedding, Funeral. Individual Part, Sheet Music Single, Solo Part. 7 pages. Published by Cecile-Marie Lissens
The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged for the lever harp. This piece forms the basis of the Ave Maria written by Charles Gounod. It contains lever changes.
The arrangement includes a version with lever changes (diamond notation) and fingering suggestions and another blank version. This piece is perfect to play on several occasions, including weddings.
$3.99 ≈
3.60€
Over The Rainbow
Over The Rainbow
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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E
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John Fries
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Over The Rainbow
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499608 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead...
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C Instrument - Level 4 - SKU: A0.499608 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112900. Published by John Fries (A0.499608). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Over the Rainbow is a ballad composed by Harold Arlen with lyrics by Yip Harburg. It was written for the 1939 film The Wizard of Oz and was sung by actress Judy Garland. Arlen would often carry blank pieces of music manuscript in his pockets to jot down short melodic ideas. He described how the inspiration for the melody to Over the Rainbow came to him suddenly while his wife Anya drove: I said to Mrs. Arlen... 'let's go to Grauman's Chinese ... You drive the car, I don't feel too well right now.' I wasn't thinking of work. I wasn't consciously thinking of work, I just wanted to relax. And as we drove by Schwab's Drug Store on Sunset I said, 'Pull over, please.' ... And we stopped and I really don't know why—bless the muses—and I took out my little bit of manuscript and put down what you know now as 'Over the Rainbow.'.
$3.99 ≈
3.60€
Danny Boy (Tablature + Sheet Music)
Danny Boy (Tablature +)
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Paroles et Accords
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Brian Streckfus
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Danny Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. ...
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Guitar - Level 2 - SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. Chords/Lyrics. 3 pages. Brian Streckfus #725564. Published by Brian Streckfus (A0.1124793). I include two versions! The first being my arrangements with many changes, and the second version is a more blank version. That way, these arrangements are more all-inclusive for every purpose and skill level.1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Guitar Chord Charts and Chord Nomenclature4. Less stereotypical chords that take into consideration voice leading and making the main melody the forefront.5. Fingerings and letter names added to aid in sight-reading6. Grace notes addedWhat makes these versions great is that they work well no matter how many members. Completely solo guitar you can use the vocal melody to make the song more sophisticated and make the song more recognizable. Then, the larger the group you play in, the more you can focus on playing the background chords. The background chords a great for those who want to train their singing, as even the chord diagrams constantly emphasize the main melody.Edit: A better name for the G major chord in measure six is B minor. Though, G is ok since it is sort of implied.If you want me to make a small revision, I don't mind doing it for free just as long as it isn't time consuming. Please feel free to reach out to me!https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$1.99 ≈
1.80€
12 Evocations (for Piano solo)
12 Evocations (for Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by T...
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Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99 ≈
23.45€
Blank Space
Blank Space
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1 Piano, 4 mains
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Pop musique
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Taylor Swift
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Pop
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Blank Space
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Taylor Swift. For piano duet. Country; Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Taylor Swift. For piano duet. Country; Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.50€
Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189
Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189
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Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional/Anonymous
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Socrates Arvanitakis
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Volume 7 - Melodic Aural Tradi
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SheetMusicPlus
Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical, Folk, Traditional. Individual part. 47 pages. Socrates Arvanita...
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Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical, Folk, Traditional. Individual part. 47 pages. Socrates Arvanitakis #752557. Published by Socrates Arvanitakis
This is the seventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.
$25.00 ≈
22.56€
Oldest and Finest Concert March (Complete)
Oldest and Finest Concert March (Complete)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Oldest and Finest Concert Marc
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Pub...
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Concert Band - Level 4 - SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.
$65.00 ≈
58.64€
At Christmastime ~ piano/vocal/chords in D
At Christmastime ~ piano/vocal/chords in D
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919581. Published by Gregor Rice Publishing (A0.1010931). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture... if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyri.
$3.99 ≈
3.60€
At Christmastime ~ piano/vocal/chords in Ab
At Christmastime ~ piano/vocal/chords in Ab
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice a
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010930 Composed by Mark Kieswetter, Gregor Rice and Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice and...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010930 Composed by Mark Kieswetter, Gregor Rice and Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice and Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919575. Published by Gregor Rice Publishing (A0.1010930). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture, if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one.
$3.99 ≈
3.60€
Sweet Dreams (Are Made Of This)
Sweet Dreams (Are Made Of This)
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Ensemble d'Accordéons
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Rock
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Annie Lennox/David Stewart
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Luc Papens
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Sweet Dreams
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Luc Papens
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SheetMusicPlus
Accordion orchestra - Early Intermediate - Digital Download By Annie Lennox/David Stewart. Arranged by Luc Papens. Score, Set of Parts. 66 pages. Pub...
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Accordion orchestra - Early Intermediate - Digital Download By Annie Lennox/David Stewart. Arranged by Luc Papens. Score, Set of Parts. 66 pages. Published by Luc Papens
?Sweetdreams? is one of those signature synth-pop songs of the eighties.
AnnieLennox and Dave Stewart wrote the song after the Tourists had broken up andthey formed Eurythmics. At that moment they were disillusioned and broke andthe song?s lyrics reflects that unhappy time. Although produced with limitedresources, it?s one of the most striking and recognisable songs of the eighty?sera.
The duelling synthesizers are mimicked by accordion voice 3 and 4 and of course the keyboard. The drumpart is very basic and clean, like the original. To add some contrast, bas anda tambourine back beat kick-in during the melodic passages between the verses. Accordion basses in voice 4are optional but darken the sound nicely, especially when sustained in some passages.
Have funwith this Eighties classic!
The pdf isa bundle of the full score with a complete set of parts. It contains:Full score (1 copy), Accordion1 (4 copies), Accordion2 (4 copies), Accordion3(4 copies), Accordion4 (4 copies), Keyboard (2 copies), Bass(1 copy), Percussion (2copies), Drums (1 copy). Total of 66 pages (some are blank to avoid overlapping of parts when printing rectoverso).
The mp3 is producedby Sibelius notation software andKontakt sample libraries.
Duration:3:34
✉ luc.papens@telenet.be
$49.99 ≈
45.10€
More Cowbell: (wp) 1st Horn in E-flat
More Cowbell: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Methodes
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000805_WPEH1 (wp) 1st Horn in E-flat. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0000805_WPEH1 (wp) 1st Horn in E-flat. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPEH1). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00 ≈
2.71€
More Cowbell: (wp) 1st B-flat Trombone T.C.
More Cowbell: (wp) 1st B-flat Trombone T.C.
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Orchestre d'harmonie
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Methodes
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000805_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred...
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Concert Band - SKU: AX.00-PC-0000805_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTN1TC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00 ≈
2.71€
More Cowbell: (wp) B-flat Baritone B.C.
More Cowbell: (wp) B-flat Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000805_WPBBBC (wp) B-flat Baritone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Musi...
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Concert Band - SKU: AX.00-PC-0000805_WPBBBC (wp) B-flat Baritone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPBBBC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00 ≈
2.71€
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