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Vous avez sélectionné:
Ain Peter Cornelius
Partitions à imprimer
14 partitions trouvées
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1
Songs For Christmas
Songs For Christmas
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Noël
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Songs For Christmas
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Schott Music - Digital
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SheetMusicPlus
4-5 horns in F - easy to intermediate - SKU: S9.Q7270 This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q7270. Publi...
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4-5 horns in F - easy to intermediate - SKU: S9.Q7270 This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q7270. Published by Schott Music - Digital (S9.Q7270). The hornist Thomas Swartman has for the first time arranged a selection of the most famous classical Christmas carols for horn ensemble. Swartman is hornist at the Mainz State Theatre, horn teacher at the Peter Cornelius Conservatoire and director of the Mainzer Hornensemble. With great care, he arranged the classical Christmas carol repertoire for horn quintet (horn quartet) and shaped each piece into an evocative setting with a festive sound of wind instruments. Excellent ensemble material for the Christmas concert repertoire! 16 well-known songs from O How Joyfully via Lo, How a Rose E'er Blooming, Silent Night, From Heaven on High to Zion's Daughter.
$25.99
Tristan und Isolde
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
Mein Wald
Mein Wald
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Peter Cornelius
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Mein Wald
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Schott Music - Digital
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SheetMusicPlus
Spoken voice and piano (4 hands) - intermediate to advanced - SKU: S9.Q588708 Melodram nach einem Gedicht von Friedrich Hebbel. Composed by Peter...
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Spoken voice and piano (4 hands) - intermediate to advanced - SKU: S9.Q588708 Melodram nach einem Gedicht von Friedrich Hebbel. Composed by Peter Cornelius. Downloadable, Score. Schott Music - Digital #Q588708. Published by Schott Music - Digital (S9.Q588708). German.The melodrama Mein Wald by Peter Cornelius, based on a poem by Friedrich Hebbel, was long considered lost. The Peter Cornelius Archive in Mainz succeeded in acquiring the composer's autograph, which had resurfaced, and made it available as the basis for the first printing.
$13.99
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Ave Maria
Ave Maria
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Peter Cornelius
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Wolfgang Birtel
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Vl. 1, Vl. 2, Va., Vc., Kb. cello - easy to intermediate - SKU: S9.Q22582 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separa...
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Vl. 1, Vl. 2, Va., Vc., Kb. cello - easy to intermediate - SKU: S9.Q22582 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22582. Published by Schott Music - Digital (S9.Q22582). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
Ave Maria
Ave Maria
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Peter Cornelius
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Wolfgang Birtel
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Vl. 1, Vl. 2, Va., Vc., Kb. violin 1 - easy to intermediate - SKU: S9.Q22579 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: sep...
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Vl. 1, Vl. 2, Va., Vc., Kb. violin 1 - easy to intermediate - SKU: S9.Q22579 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22579. Published by Schott Music - Digital (S9.Q22579). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
Ave Maria
Ave Maria
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Violon (partie séparée)
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Peter Cornelius
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Wolfgang Birtel
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Vl. 1, Vl. 2, Va., Vc., Kb. violin 2 - easy to intermediate - SKU: S9.Q22580 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: sep...
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Vl. 1, Vl. 2, Va., Vc., Kb. violin 2 - easy to intermediate - SKU: S9.Q22580 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22580. Published by Schott Music - Digital (S9.Q22580). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
Ave Maria
Ave Maria
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Piano, Voix
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Voice and piano (organ) - easy to intermediate - SKU: S9.Q22584 Composed by Peter Cornelius. This edition: Sheet music. Downloadable. Schott Music - Dig...
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Voice and piano (organ) - easy to intermediate - SKU: S9.Q22584 Composed by Peter Cornelius. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22584. Published by Schott Music - Digital (S9.Q22584). Latin.The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although it bears the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The piano part may be replaced by an organ.
$5.99
Ave Maria
Ave Maria
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Peter Cornelius
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Wolfgang Birtel
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Vl. 1, Vl. 2, Va., Vc., Kb. Double Bass - easy to intermediate - SKU: S9.Q22583 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: ...
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Vl. 1, Vl. 2, Va., Vc., Kb. Double Bass - easy to intermediate - SKU: S9.Q22583 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22583. Published by Schott Music - Digital (S9.Q22583). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
Ave Maria
Ave Maria
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Alto (partie séparée)
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Peter Cornelius
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Wolfgang Birtel
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Vl. 1, Vl. 2, Va., Vc., Kb. viola - easy to intermediate - SKU: S9.Q22581 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separa...
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Vl. 1, Vl. 2, Va., Vc., Kb. viola - easy to intermediate - SKU: S9.Q22581 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22581. Published by Schott Music - Digital (S9.Q22581). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
Ave Maria
Ave Maria
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Peter Cornelius
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Wolfgang Birtel
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Vl. 1, Vl. 2, Va., Vc., Kb. voice and strings (string quartet with double bass ad libitum or string orchestra) - easy to intermediate - SKU: S9.Q22578 C...
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Vl. 1, Vl. 2, Va., Vc., Kb. voice and strings (string quartet with double bass ad libitum or string orchestra) - easy to intermediate - SKU: S9.Q22578 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: score. Downloadable, Score. Schott Music - Digital #Q22578. Published by Schott Music - Digital (S9.Q22578). Latin.The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$6.99
Requiem aeternam
Requiem aeternam
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Chorale SATB
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Peter Cornelius
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Requiem aeternam
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - SKU: S9.Q20703 Esra 2,34-35. Composed by Peter Cornelius. This edition: choral score. Downloadable. Schott Music - Digital #Q20703....
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Mixed choir - SKU: S9.Q20703 Esra 2,34-35. Composed by Peter Cornelius. This edition: choral score. Downloadable. Schott Music - Digital #Q20703. Published by Schott Music - Digital (S9.Q20703). German • Latin.From the collection Mainzer Chorbuch.
$2.99
Sancta Mater
Sancta Mater
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Chorale SATB
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Peter Cornelius
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Sancta Mater
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - SKU: S9.Q20640 Aus Stabat Mater (12. Jh.). Composed by Peter Cornelius. This edition: choral score. Downloadable. Schott Music - Di...
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Mixed choir - SKU: S9.Q20640 Aus Stabat Mater (12. Jh.). Composed by Peter Cornelius. This edition: choral score. Downloadable. Schott Music - Digital #Q20640. Published by Schott Music - Digital (S9.Q20640). German • Latin.From the collection Mainzer Chorbuch.
$3.99
The Three Kings
The Three Kings
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Chorale Unison
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INTERMÉDIAIRE
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Peter Cornelius
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David Herman
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The Three Kings
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David Herman
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.940594 Composed by Peter Cornelius. Arranged by David Herman. Christian,Christmas,Romantic Period,Sacred. Octa...
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Choral Choir (Unison) - Level 3 - SKU: A0.940594 Composed by Peter Cornelius. Arranged by David Herman. Christian,Christmas,Romantic Period,Sacred. Octavo. 4 pages. David Herman #6471947. Published by David Herman (A0.940594). This famous song for Epiphany was one of Peter Cornelius's Christmas Songs (Weihnachtslieder), Op. 8, written in 1856. The original piano accompaniment contains the chorale How Brightly Shines the Morning Star (Wie schoen leuchtet der Morgenstern). In this arrangement the solo voice is joined with a new accompaniment (for organ or keyboard) and a treble instrument playing the chorale melody. (Parts for both C and B-Flat instruments are available at no charge from the composer (herman@udel.edu).) This fresh setting (for unison choir or solo voice) brings new life to a treasured song of the Wise Men traveling to the manger.
$1.99
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