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Vous avez sélectionné:
All About That Bass Pan
Partitions à imprimer
586 partitions trouvées
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Can't Help Falling In Love
Can't Help Falling In Love
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Basse electrique
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AVANCÉ
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Mariage/Ballade
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Rock
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Elvis Presley
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Josh Cohen
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Can't Help Falling In Love
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Josh Cohen
#
SheetMusicPlus
Bass Guitar - Level 5 - SKU: A0.923665 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Josh Cohen. Rock. Score. 8...
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Bass Guitar - Level 5 - SKU: A0.923665 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Josh Cohen. Rock. Score. 8 pages. Josh Cohen #5982139. Published by Josh Cohen (A0.923665). Arrangement of the classic Can't Help Falling in Love for solo six-string electric bass. The arrangement uses advanced tapping and percussive techniques that create the sound of a small ensemble all on an atypical instrument for polyphonic performance, the electric bass. This would be a great choice of repertoire for a college level bass recital or for professional or serious hobbyists looking to expand their technical abilities. To hear what this arrangement sounds like and to see me perform it, click the YouTube link below. About the arranger:Josh Cohen is a multi-award winning six-string bassist, composer, session musician, and music educator (1st place winner of the NAMM 2020 PJB Solo Bass Competition, 2018 Madison Magazine Honoree for Innovation in the Arts, 2015 No Treble's Number 1 Bass Video of the year), who travels frequently throughout North America to perform and teach clinics/workshops including; Bass Boot Camp 2016 and 2019, Gruv Gear’s Clinic Series at Steve’s Music Toronto, Bass Break Live 2017 and 2020, the 2019 Waupaca Bach Festival, Solo Bass Night VI and VII and more. Josh’s solo six-string electric bass performances, which can be heard on his debut 2014 album Out of the Bassment, use extended techniques to create the sound of an entire band with only one instrument, and without the aid of loop pedals. When listeners hear Josh playing for the first time, they are often surprised to find out that everything they are hearing is being created by one person in real-time.Instagram: @themusicofjoshcohenFacebook: facebook.com/themusicofjoshcohenWebsite: https://www.themusicofjoshcohen.com/
$5.99 ≈
£4.64
Pachelbel: Canon in D for Bassoon & Harp
Pachelbel: Canon in D for Bassoon & Harp
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Basson et Harpe
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bass
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classic...
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Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702706. Published by jmsgu3 (A0.1098863). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bassoon & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
£25.51
All About That Bass
All About That Bass
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Pop musique
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Meghan Trainor
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R
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All About That Bass
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Desmond Press
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SheetMusicPlus
Instrumental Solo,Steel Pan - Level 3 - SKU: A0.901415 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by R. Desmond. Pop. Individual pa...
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Instrumental Solo,Steel Pan - Level 3 - SKU: A0.901415 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by R. Desmond. Pop. Individual part. 14 pages. Desmond Press #3585393. Published by Desmond Press (A0.901415). Tenor, double tenor, double 2nd, cello, bassdifficulty:easyparts available upon requestrdesmond@ts4arts.org.
$12.99 ≈
£10.06
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
£23.22
All About That Bass
All About That Bass
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Pop musique
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Meghan Trainor
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Jim Farley
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2 and Trombone
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All About That Bass
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Jim Farley arrangementsone.com
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SheetMusicPlus
Alto Saxophone,Bass Guitar,Drum Set,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.765107 By Meghan Trainor. By Kevin Kadish a...
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Alto Saxophone,Bass Guitar,Drum Set,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.765107 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jim Farley. Pop. 54 pages. Jim Farley arrangementsone.com #3072411. Published by Jim Farley arrangementsone.com (A0.765107). Arranged for 7-8 piece horn band including: Directors Score, Piano/Vocal/Chords, Guitar (chords only), Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the Jim at: farleyjc@gmail.com and visit his website at Arrangements On E!
$49.99 ≈
£38.70
All Grown Up
All Grown Up
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Contre Basse
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FACILE
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Film/TV
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1231880 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual pa...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1231880 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827585. Published by Alex Rodrigues (A0.1231880). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99 ≈
£3.86
All Grown Up
All Grown Up
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Contre Basse
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FACILE
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Film/TV
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1231883 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual pa...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1231883 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827588. Published by Alex Rodrigues (A0.1231883). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99 ≈
£3.86
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. P...
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Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
£2.71
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. P...
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Bassoon Solo - Level 4 - SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
£2.71
All Grown Up
All Grown Up
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Basson
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FACILE
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Film/TV
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
Bassoon Solo - Level 2 - SKU: A0.1231873 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Ale...
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Bassoon Solo - Level 2 - SKU: A0.1231873 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827578. Published by Alex Rodrigues (A0.1231873). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99 ≈
£3.86
All Grown Up
All Grown Up
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Basson
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FACILE
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Film/TV
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
Bassoon Solo - Level 2 - SKU: A0.1231875 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Ale...
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Bassoon Solo - Level 2 - SKU: A0.1231875 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827580. Published by Alex Rodrigues (A0.1231875). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99 ≈
£3.86
All About That Bass - Timpani
All About That Bass - Timpani
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Timbales
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Pop musique
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Meghan Trainor
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Paul Murtha
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All About That Bass - Timpani
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Meghan Trainor. Arranged by Paul Murtha. Concert band. For Timpani. Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Meghan Trainor. Arranged by Paul Murtha. Concert band. For Timpani. Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
£4.64
Pinball Number Count
Pinball Number Count
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Contemporain
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Walt Kraemer
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Patrick Sheehan
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Pinball Number Count
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748030 Composed by Walt Kraemer. Arranged by Patrick Sheehan. Contemporary. Score and parts. 85 pages. Patrick Sheeha...
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Small Ensemble - Level 5 - SKU: A0.748030 Composed by Walt Kraemer. Arranged by Patrick Sheehan. Contemporary. Score and parts. 85 pages. Patrick Sheehan #5200117. Published by Patrick Sheehan (A0.748030). INSTRUMENTATION: Soprano Solo, Soprano I, Soprano II, Alto, Soprano III, Soprano IV, Soprano V, Alto I, Alto II, Alto III, Soprano Saxophone (Bb), Fender Rhodes, Electric Guitar, Bass, Steelpan, Conga Drums, Tambourine, Guiro, Flex-a-Tone, Drumset. All parts transcribed by ear from The Pointer Sisters recording. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
£19.35
Patapan - Carol for easy guitar quartet
Patapan - Carol for easy guitar quartet
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Bernard de la Monnoye
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Derek Hasted
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Patapan - Carol for easy guita
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pa...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-luâ€) and the drum (“Pata-pata-panâ€).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB†style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan†to bring the piece to a surprise conclusion...I hope you enjoy this piece!
$2.99 ≈
£2.31
Pachelbel: Canon in D for Bass Flute & Harp
Pachelbel: Canon in D for Bass Flute & Harp
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Harpe, Flûte (duo)
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bass
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bass Flute,Harp,Instrumental Duet - SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Stan...
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Instrumental Duet Bass Flute,Harp,Instrumental Duet - SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702355. Published by jmsgu3 (A0.1098499). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bass Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
£25.51
Nojoqui Falls - for Solo Piano
Nojoqui Falls - for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Emily Nafius
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Nojoqui Falls - for Solo Piano
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Emily Nafius Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #599514...
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Piano Solo - Level 4 - SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #5995145. Published by Emily Nafius Music (A0.918243). A modern, meditative original composition, suitable for students and advanced musicians alike.Composer’s Note:Nojoqui Falls (pronounced NAW-ho-wee) is a seasonal waterfall in Santa Barbara County, California, in the interior foothills of the Santa Ynez Mountains. It is the subject of stories from the Chumash, a Native American people who have lived along California’s central coast for thousands of years. When the area experiences extreme drought, sometimes the waterfall reduces to a trickle. But it is a beautiful, shady place with a magical quality, and the water always returns.For interested students or teachers, here are a few pedagogical notes:Pedal ad lib is appropriate for this piece. Unless a player has very large hands, the right hand will need to cover most of the top notes in the bass clef (the C ostinato). This can be a welcome challenge for students, as they will need to balance this with sustaining and shaping the top melody notes. Some of the middle C ostinato notes are indicated as optional, since they are already struck as melody notes during the same beat. (But they are still notated in case another instrument plays the melody.) It might feel awkward to strike some of the other C ostinato notes that are rhythmically nearby, but it can also be a good way to practice leaving that sustained melodic note ringing while striking the same note soon after with a much quieter dynamic, which requires both control and skilled use of the pedal.About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of singer-songwriters and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99 ≈
£3.09
The Clarke Variations-bass clef edition
The Clarke Variations-bass clef edition
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Bass Clef Instruments
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Eric Bolvin
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The Clarke Variations-bass cle
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Faded Duck Music
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SheetMusicPlus
Trombone, Tuba, Euphonium - Advanced Intermediate - Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training...
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Trombone, Tuba, Euphonium - Advanced Intermediate - Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke?s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.
There are two essential books that just about every trumpet player has studied; Arban?s Conservatory Method and Clarke?s Technical Studies. The Arban is fondly referred to as ?the trumpet player?s bible?. If that is the case, then the Clarke should be ?the new testament?. I consider Herbert L. Clarke to be the ?George Washington? of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country?s first great virtuosos.
The impetus for this set of variations is based on the idea of an ?Expanding Scale? or ?Expanding Range?. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are ?holding one note? and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.
This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I?ve also included more chromatic work based on Studies 7 & 8.
$16.95 ≈
£13.12
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95 ≈
£10.80
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
£6.93
AVE MARIA - Bach/Gounod. For Soloist Bass in G-flat Major with Piano Accompaniment
AVE MARIA - Bach/Gounod. For Soloist Bass in G-flat Major with Piano Accompaniment
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Voix basse, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Charles Francois Gounod and L
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AVE MARIA - Bach/Gounod. For S
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Müller Publishing company
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1369743 Composed by Johann Sebastian Bach. Arranged by Charles Francois Gounod and L. Müller. Baroque,Christian...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1369743 Composed by Johann Sebastian Bach. Arranged by Charles Francois Gounod and L. Müller. Baroque,Christian,Classical,Religious,Sacred. Score. 5 pages. Müller Publishing company #954107. Published by Müller Publishing company (A0.1369743). How about unleashing your beautiful voice and interpreting one of the greatest classics that uplifts our soul? With the arrangement of Gounod's Ave Maria, specially crafted for a soloist with piano accompaniment, you can do just that!With this arrangement, the soloist can shine in the main part, while the pianist provides an immersive harmony. The result is a captivating interpretation of Ave Maria that will enchant everyone who listens.This arrangement is an excellent choice for solo singers and pianists, offering a rewarding way to explore and enhance musical skills. Get the digital sheet music for Gounod's Ave Maria now and start creating a unique and thrilling musical experience!
$1.99 ≈
£1.54
Hark! the Herald Angels Sing / O Come, All Ye Faithful
Hark! the Herald Angels Sing / O Come, All Ye Faithful
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Hark! the Herald Angels Sing /
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by ...
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Solo Guitar - Level 3 - SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99 ≈
£2.31
Call On Me
Call On Me
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Rock
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Chicago
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Patrick Sheehan
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Call On Me
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747907 By Chicago. By Lee Loughnane. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 101 pages. Patrick Sheeh...
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Small Ensemble - Level 5 - SKU: A0.747907 By Chicago. By Lee Loughnane. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 101 pages. Patrick Sheehan #4968709. Published by Patrick Sheehan (A0.747907). *This title is priced at $50 because of its overall popularity, and because it charted at #6 in June of 1974. Keep in mind that *all* parts (vocals, horns, rhythm parts) are included in this transcription, and you cannot find it published in full score format anywhere else in the world.*INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes, Electric Guitar, Bass, Conga Drums, Ganza, Cowbell, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago VII released in 1974. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
£38.70
Now That You've Gone
Now That You've Gone
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Rock
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Chicago
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Patrick Sheehan
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Now That You've Gone
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747876 By Chicago. By James Pankow. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 118 pages. Patrick Sheeha...
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Small Ensemble - Level 5 - SKU: A0.747876 By Chicago. By James Pankow. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 118 pages. Patrick Sheehan #4968607. Published by Patrick Sheehan (A0.747876). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes Piano, Electric Guitar, Bass, Tambourine, Maracas, Drumset. All parts transcribed by ear from the original recording from Chicago V released in 1972. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
£19.35
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
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Orchestre
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Patrick Sheehan
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Symphony No. 9, Mvt. IV
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick...
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Full Orchestra - Level 5 - SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick Sheehan #752625. Published by Patrick Sheehan (A0.1152400). C-edition score with modern-day transposing instruments. INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Triangle, Crash Cymbals, Bass Drum Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
£19.35
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All About That Bass Pan
